RVCA
#TheBalanceOfOpposites || @rvcasport || @rvcasurf || @rvcaskate || @rvca_womens || @artistnetworkprogram

Sport Vent Tops combine 4-way stretch mobility with moisture-wicking comfort and perforated panels for enhanced breathability.

Sport Vent Tops combine 4-way stretch mobility with moisture-wicking comfort and perforated panels for enhanced breathability.

Sport Vent Tops combine 4-way stretch mobility with moisture-wicking comfort and perforated panels for enhanced breathability.

Sport Vent Tops combine 4-way stretch mobility with moisture-wicking comfort and perforated panels for enhanced breathability.

Sport Vent Tops combine 4-way stretch mobility with moisture-wicking comfort and perforated panels for enhanced breathability.
Hay un equilibrio en moverse entre opuestos.
Del mar a la casa.
Del frío al abrigo.
De la acción a la pausa.
RVCA nace en ese cruce de mundos que conviven. No hay que elegir uno, se trata de moverse entre ellos.
La colección WINTER 26 acompaña ese ritmo con capas funcionales, texturas, siluetas relajadas y materiales pensados para estar afuera, volver, seguir y hacer espacio para lo que te apasiona.
AW26 ya disponible en nuestros locales & en RVCA.COM.AR
🎥 @mbrandan.__
@aft_surf

The Long Beach Museum of Art is pleased to present Positive Fragmentation: From the Collection of Jordan D. Schnitzer and His Family Foundation, opening June 26, 2026.
For many artists, the act of creation begins with one of destruction as they dissect shape, color, perspective, text, idea, or stereotype. For some, the result is enough: pulling apart and fragmenting images and ideas exposes what lies beneath or heralds the inherent value of each part. Other artists assemble fragments to create a new whole defined by its different parts. This exhibition explores the impulses that drive these creative approaches in the work of contemporary artists.
Positive Fragmentation includes over 180 prints drawn from the Collections of Jordan D. Schnitzer and His Family Foundation, each a work by a contemporary artist who employs fragmentation in different ways. Feminist scholar and critic, Lucy Lippard, describes positive fragmentation, or the “collage aesthetic,” as particularly suited to historically marginalized artists (including women), as it “willfully takes apart what is or is supposed to be and rearranges it in ways that suggest what it could be.”
This exhibition is made possible through the generous support of:
• Jordan D. Schnitzer and His Family Foundation
• BCM Foundation
• Bess J. Hodges Foundation
• RVCA Artist Network Program
Organized by the National Museum of Women in the Arts
Curated by Virginia Treanor, Senior Curator, National Museum of Women in the Arts; and Kathryn Wat, Deputy Director for Art, Programs, and Public Engagement, and Chief Curator, National Museum of Women in the Arts
Artwork: Ellen Gallagher, DeLuxe, (detail), 2004-2005
Photogravure, spitbite, collage, laser cutting, laser peeling, silkscreen, offset lithography, handpainting and plasticine sculptural additions, edition 5/20
Collection of the Jordan Schnitzer Family Foundation
© Ellen Gallagher. Courtesy of the artist and Hauser & Wirth. Photo © Alex Delfanne, All Rights Reserved.

The Long Beach Museum of Art is pleased to present Positive Fragmentation: From the Collection of Jordan D. Schnitzer and His Family Foundation, opening June 26, 2026.
For many artists, the act of creation begins with one of destruction as they dissect shape, color, perspective, text, idea, or stereotype. For some, the result is enough: pulling apart and fragmenting images and ideas exposes what lies beneath or heralds the inherent value of each part. Other artists assemble fragments to create a new whole defined by its different parts. This exhibition explores the impulses that drive these creative approaches in the work of contemporary artists.
Positive Fragmentation includes over 180 prints drawn from the Collections of Jordan D. Schnitzer and His Family Foundation, each a work by a contemporary artist who employs fragmentation in different ways. Feminist scholar and critic, Lucy Lippard, describes positive fragmentation, or the “collage aesthetic,” as particularly suited to historically marginalized artists (including women), as it “willfully takes apart what is or is supposed to be and rearranges it in ways that suggest what it could be.”
This exhibition is made possible through the generous support of:
• Jordan D. Schnitzer and His Family Foundation
• BCM Foundation
• Bess J. Hodges Foundation
• RVCA Artist Network Program
Organized by the National Museum of Women in the Arts
Curated by Virginia Treanor, Senior Curator, National Museum of Women in the Arts; and Kathryn Wat, Deputy Director for Art, Programs, and Public Engagement, and Chief Curator, National Museum of Women in the Arts
Artwork: Ellen Gallagher, DeLuxe, (detail), 2004-2005
Photogravure, spitbite, collage, laser cutting, laser peeling, silkscreen, offset lithography, handpainting and plasticine sculptural additions, edition 5/20
Collection of the Jordan Schnitzer Family Foundation
© Ellen Gallagher. Courtesy of the artist and Hauser & Wirth. Photo © Alex Delfanne, All Rights Reserved.
@surfline cam for the win,
Capturing this morning vibes down at Canggu.
Birds, glass off & pumping waves.
A very beautiful & blissful morning
So blessed 🙏🙏🙏

Closed out weight and absolute with my brother @hunterkauai an honor to share the podium with my professor. Always a pleasure to compete back home in Hawaii 🐗
So beyond thankful to my sponsors, it’s thanks to them I can continue to do what I love and thanks to their gear I can do it in style 🙏🙏🤝 @thearmbarsoapcompany @rvca @renewedpainting808
Had to remind myself how far I climbed
#lifestyle #rcva #spyre #salomon #model

Premium Midweight Tees—modern regular fit, slightly shorter length, soft organic fabric.

Premium Midweight Tees—modern regular fit, slightly shorter length, soft organic fabric.

Premium Midweight Tees—modern regular fit, slightly shorter length, soft organic fabric.

Premium Midweight Tees—modern regular fit, slightly shorter length, soft organic fabric.
Summit Number 25… still making the biggest impact in the game @hpltraining @lifetime.life
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