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Brand new gorgeous show to the rtm rosta airs this week ✌️ T R A N S M E A D -a platform for experimentation and collaboration in electronic music,in which artists are invited to contribute to the programme with their sonic explorations. Expect anything from noise, EDM, left-field, spoken words, video game music, emergency loops and unsynced bpms.

Transmead is curated and produced by Gusty Ferro, a cross-disciplinary artist originally from Brazil and currently based in London.

👉Tune in for the first episdoe on the following times and dates

Thursday 23rd April @ 19:00
Friday 24th April @ 18:00
Saturday 25th April @ 15:00
Sunday 26th April @ 16:00

Cassette tapes, artists and albums featured in this episode include:

EIII - UNDULATIONS @eiii.music.eiii
Figūras - Quadrat @kasprsg
Tam Lin - Fizzy! @tamilimit
Missing Music - 4.0
cerpintxt - microtubule encoded memory @cerpintxt
Unknown Artist - Jogos de Guerra
House Hits 90’ - Várias (compilação)

Brand new gorgeous show to the rtm rosta airs this week ✌️ T R A N S M E A D -a platform for experimentation and collaboration in electronic music,in which artists are invited to contribute to the programme with their sonic explorations. Expect anything from noise, EDM, left-field, spoken words, video game music, emergency loops and unsynced bpms.

Transmead is curated and produced by Gusty Ferro, a cross-disciplinary artist originally from Brazil and currently based in London.

👉Tune in for the first episdoe on the following times and dates

Thursday 23rd April @ 19:00
Friday 24th April @ 18:00
Saturday 25th April @ 15:00
Sunday 26th April @ 16:00

Cassette tapes, artists and albums featured in this episode include:

EIII - UNDULATIONS @eiii.music.eiii
Figūras - Quadrat @kasprsg
Tam Lin - Fizzy! @tamilimit
Missing Music - 4.0
cerpintxt - microtubule encoded memory @cerpintxt
Unknown Artist - Jogos de Guerra
House Hits 90’ - Várias (compilação)

Brand new gorgeous show to the rtm rosta airs this week ✌️ T R A N S M E A D -a platform for experimentation and collaboration in electronic music,in which artists are invited to contribute to the programme with their sonic explorations. Expect anything from noise, EDM, left-field, spoken words, video game music, emergency loops and unsynced bpms.

Transmead is curated and produced by Gusty Ferro, a cross-disciplinary artist originally from Brazil and currently based in London.

👉Tune in for the first episdoe on the following times and dates

Thursday 23rd April @ 19:00
Friday 24th April @ 18:00
Saturday 25th April @ 15:00
Sunday 26th April @ 16:00

Cassette tapes, artists and albums featured in this episode include:

EIII - UNDULATIONS @eiii.music.eiii
Figūras - Quadrat @kasprsg
Tam Lin - Fizzy! @tamilimit
Missing Music - 4.0
cerpintxt - microtubule encoded memory @cerpintxt
Unknown Artist - Jogos de Guerra
House Hits 90’ - Várias (compilação)

Brand new gorgeous show to the rtm rosta airs this week ✌️ T R A N S M E A D -a platform for experimentation and collaboration in electronic music,in which artists are invited to contribute to the programme with their sonic explorations. Expect anything from noise, EDM, left-field, spoken words, video game music, emergency loops and unsynced bpms.

Transmead is curated and produced by Gusty Ferro, a cross-disciplinary artist originally from Brazil and currently based in London.

👉Tune in for the first episdoe on the following times and dates

Thursday 23rd April @ 19:00
Friday 24th April @ 18:00
Saturday 25th April @ 15:00
Sunday 26th April @ 16:00

Cassette tapes, artists and albums featured in this episode include:

EIII - UNDULATIONS @eiii.music.eiii
Figūras - Quadrat @kasprsg
Tam Lin - Fizzy! @tamilimit
Missing Music - 4.0
cerpintxt - microtubule encoded memory @cerpintxt
Unknown Artist - Jogos de Guerra
House Hits 90’ - Várias (compilação)

🚨join us for new rtm resident show ‘They Have the Computers’ , a series exploring the intersection between electronic music and computation!

Led by Sound artist @evisachenko, They Have the Computers features interviews with computational musicians and artists , and showcases music informed by permacomputing adjacent practices.

This month episode interviews Kat Macdonald (@other_kat) about her practice with radio , the London Community Laptop Orchestra (LCLO), and her views on permacomputing in electronic music.

They Have The Computers broadcasts on
Wed 11th @ 13:00
Thurs 12th @ 18:00
Fri 13th @ 11:00
Sat 14th @ 19:00
Sun 15th @ 16:00

@tracey_aint_coming_out
@rtm.fm

13.02.26 👂🏼🎙️
‘ALIVE’, a-live listening event 3.45-5pm PR1099

Join us for a collective listening experience. Open to all students.
excerpt: ‘A pattern breaks the surface of the quotidian.
Each street a sick imitation of the one you previously passed, interlinked incessantly. How long does it take for a utopia to become a desert? An icy tundra of indignation? An army of boots march until they become a wall of sound. Convalescent cacophony. A sourceless scream.

You are no longer alone.’

or listen online 13.02.26 4-5pm https://rtm.fm
design by @isacleopatra

13.02.26 👂🏼🎙️
‘ALIVE’, a-live listening event 3.45-5pm PR1099

Join us for a collective listening experience. Open to all students.
excerpt: ‘A pattern breaks the surface of the quotidian.
Each street a sick imitation of the one you previously passed, interlinked incessantly. How long does it take for a utopia to become a desert? An icy tundra of indignation? An army of boots march until they become a wall of sound. Convalescent cacophony. A sourceless scream.

You are no longer alone.’

or listen online 13.02.26 4-5pm https://rtm.fm
design by @isacleopatra

📻️ Join us this week for new broadcast series- Mooching Studies by curator and producer Harry Leek.

Starting with the familiar: Footsteps on pavements, slow-moving traffic, and fragments of passing conversation. Field recordings merge with shifting landscapes and a series of walking interviews with artists, forming a methodology of movement and conversation.
Beyond the gallery, Mooching Studies asks how environments shape thought, and whether the relationships, learnings, and exchanges formed within art discourse can, and should, be valued as highly as the finished work itself.

👉️ Mooching Studies commences this week with 2 episodes, that see’s Harry mooching with @rebecca.bellantoniand @veritycoward - airing on the following dates and times

05/02 - 11:00
06/02 - 14:00
07/02 - 13:00
08/02 -16:00

This series of Mooches spans West, North, and East London, following artists Rebecca
Bellantoni, Verity Coward, and Harmeet Rahal as they reflect on and respond to the sites that inform their lives and practices. From HM Pentonville Prison to Smithfield Market, tracing the shadows of Oliver Twist; moving to Westbourne Park; exploring memory, community, and family; ending at East India Docks, considering the legacies of the East India Company and the area’s shift from industry to uncanny residential redevelopment.

Available as participatory audio experiences, these recorded walks invite listeners to drift
through locality, memory, and creative process.

Music by @georgeboorman

🤘 @barrybeek is a London-based arts worker whose practice centres on process-led approaches, shaping frameworks that prioritise experimentation and learning over outcomes. Curious about the systems through which art is produced and how the making processes can foster collective experience and meaningful connection.

Grounded in an understanding of how artistic practice is shaped and supported, his work is committed to equitable, responsive models of cultural production. Exploring forms of knowledge generated through making, he approaches learning through proximity, dialogue, and sustained collaboration with artists.

@tracey_aint_coming_out

📻️ Join us this week for new broadcast series- Mooching Studies by curator and producer Harry Leek.

Starting with the familiar: Footsteps on pavements, slow-moving traffic, and fragments of passing conversation. Field recordings merge with shifting landscapes and a series of walking interviews with artists, forming a methodology of movement and conversation.
Beyond the gallery, Mooching Studies asks how environments shape thought, and whether the relationships, learnings, and exchanges formed within art discourse can, and should, be valued as highly as the finished work itself.

👉️ Mooching Studies commences this week with 2 episodes, that see’s Harry mooching with @rebecca.bellantoniand @veritycoward - airing on the following dates and times

05/02 - 11:00
06/02 - 14:00
07/02 - 13:00
08/02 -16:00

This series of Mooches spans West, North, and East London, following artists Rebecca
Bellantoni, Verity Coward, and Harmeet Rahal as they reflect on and respond to the sites that inform their lives and practices. From HM Pentonville Prison to Smithfield Market, tracing the shadows of Oliver Twist; moving to Westbourne Park; exploring memory, community, and family; ending at East India Docks, considering the legacies of the East India Company and the area’s shift from industry to uncanny residential redevelopment.

Available as participatory audio experiences, these recorded walks invite listeners to drift
through locality, memory, and creative process.

Music by @georgeboorman

🤘 @barrybeek is a London-based arts worker whose practice centres on process-led approaches, shaping frameworks that prioritise experimentation and learning over outcomes. Curious about the systems through which art is produced and how the making processes can foster collective experience and meaningful connection.

Grounded in an understanding of how artistic practice is shaped and supported, his work is committed to equitable, responsive models of cultural production. Exploring forms of knowledge generated through making, he approaches learning through proximity, dialogue, and sustained collaboration with artists.

@tracey_aint_coming_out

📻️ Join us this week for new broadcast series- Mooching Studies by curator and producer Harry Leek.

Starting with the familiar: Footsteps on pavements, slow-moving traffic, and fragments of passing conversation. Field recordings merge with shifting landscapes and a series of walking interviews with artists, forming a methodology of movement and conversation.
Beyond the gallery, Mooching Studies asks how environments shape thought, and whether the relationships, learnings, and exchanges formed within art discourse can, and should, be valued as highly as the finished work itself.

👉️ Mooching Studies commences this week with 2 episodes, that see’s Harry mooching with @rebecca.bellantoniand @veritycoward - airing on the following dates and times

05/02 - 11:00
06/02 - 14:00
07/02 - 13:00
08/02 -16:00

This series of Mooches spans West, North, and East London, following artists Rebecca
Bellantoni, Verity Coward, and Harmeet Rahal as they reflect on and respond to the sites that inform their lives and practices. From HM Pentonville Prison to Smithfield Market, tracing the shadows of Oliver Twist; moving to Westbourne Park; exploring memory, community, and family; ending at East India Docks, considering the legacies of the East India Company and the area’s shift from industry to uncanny residential redevelopment.

Available as participatory audio experiences, these recorded walks invite listeners to drift
through locality, memory, and creative process.

Music by @georgeboorman

🤘 @barrybeek is a London-based arts worker whose practice centres on process-led approaches, shaping frameworks that prioritise experimentation and learning over outcomes. Curious about the systems through which art is produced and how the making processes can foster collective experience and meaningful connection.

Grounded in an understanding of how artistic practice is shaped and supported, his work is committed to equitable, responsive models of cultural production. Exploring forms of knowledge generated through making, he approaches learning through proximity, dialogue, and sustained collaboration with artists.

@tracey_aint_coming_out

👉️ Join the School of the Damned this week for Conjunctural Crisis and Field Recording Experiments

School of the Damned is an alternative arts and education platform in the UK,self-directed, decentralised and caring about mutual support and solidarity. SOTD was formed in 2014 as a reaction to the increasing financialisation of Higher Education in the UK.Re-forming on an annual(ish) basis, each cohort defines their own agenda and produces work and events individually and collectively.

The School of the Damned will broadcast on the following days and times
05.02.26 (16.00)
06.02.26 (10.00)
07.02.26 (12.00)
08.02.26 (14.00)

Conjunctural Crisis is marks a continuation of the group’s ongoing exploration of Stuart Hall’s ideas on conjuncture and crisis. It reflects the ways their research has expanded to include building a framework for conjunctural analysis, resisting resurgent nationalisms, developing methods to collaboratively build distinct shapes across geographical distances, the impact of tech surveillance/violence, the continuing legacy of ‘broken windows’ policing in the UK and the challenges of operating as a non-institutional group within the current conjuncture...

...Field Recording Experiments presents a sound collage and drift through the spatial and temporal...

....By Carolin Meyer, Titus Barker and Ollie Godwin

@schoolofthedamned
@tracey_aint_coming_out

👉️ Join the School of the Damned this week for Conjunctural Crisis and Field Recording Experiments

School of the Damned is an alternative arts and education platform in the UK,self-directed, decentralised and caring about mutual support and solidarity. SOTD was formed in 2014 as a reaction to the increasing financialisation of Higher Education in the UK.Re-forming on an annual(ish) basis, each cohort defines their own agenda and produces work and events individually and collectively.

The School of the Damned will broadcast on the following days and times
05.02.26 (16.00)
06.02.26 (10.00)
07.02.26 (12.00)
08.02.26 (14.00)

Conjunctural Crisis is marks a continuation of the group’s ongoing exploration of Stuart Hall’s ideas on conjuncture and crisis. It reflects the ways their research has expanded to include building a framework for conjunctural analysis, resisting resurgent nationalisms, developing methods to collaboratively build distinct shapes across geographical distances, the impact of tech surveillance/violence, the continuing legacy of ‘broken windows’ policing in the UK and the challenges of operating as a non-institutional group within the current conjuncture...

...Field Recording Experiments presents a sound collage and drift through the spatial and temporal...

....By Carolin Meyer, Titus Barker and Ollie Godwin

@schoolofthedamned
@tracey_aint_coming_out

💙 Blue Monday from Zara Joan Miller and Ute Kanngießer, recorded at London’s Cafe Oto in January of 2023 and released with Reading Group in 2024.

📻 Broadcasting on Blue Monday, 19th January @ 12pm and 7pm

@zarajoanmiller
@utekanngiesser
@cafeotodalston
@readinggroup_company
@publishingjoan

🫂 A live collaboration between the poet/artist Miller and the cellist/improvisor Kanngießer. Kanngießer’s searching, intensive cello lays an amorphous terrain beneath passing fragments of Miller’s poetry (from her 2022 book of the same name from JOAN Publishing), billboards dotting the interior freeway of liminal perception. The micro-world of spectral and textural details within the cello sound seems to dramatize or mirror the micro-world of unspoken implications left unsaid in the gaps between threads of language. At times, these worlds produce a dull anxiety or a quiet fervor, only to be scattered by the occasional swerve to a poetic delivery reminiscent of slow-motion jokes (“I once saw a sign on the side of a road it said SLOW DUST”), a fortuitous error (“a seagull shitting on my face is home”), a mysterious interruption of domestic boredom (“someone’s girlfriend called to say don’t answer”). Occasional dates progressing through time give the sense that we are being driven through a year of blue Mondays, the cello wandering as if seasonally. The live set having been accompanied by a literal slideshow of some cumulative, fictive vacation adds to this sense of the year in review. But the imperceptibility of (tonal and narrative) space between these entry/fragments bring us beyond the stark view of the calendrical and into something less measurable: the space of a syncope: “to witness your life unfolding she said / is the key getting stuck.”

📸 Sarah White

💙 Blue Monday from Zara Joan Miller and Ute Kanngießer, recorded at London’s Cafe Oto in January of 2023 and released with Reading Group in 2024.

📻 Broadcasting on Blue Monday, 19th January @ 12pm and 7pm

@zarajoanmiller
@utekanngiesser
@cafeotodalston
@readinggroup_company
@publishingjoan

🫂 A live collaboration between the poet/artist Miller and the cellist/improvisor Kanngießer. Kanngießer’s searching, intensive cello lays an amorphous terrain beneath passing fragments of Miller’s poetry (from her 2022 book of the same name from JOAN Publishing), billboards dotting the interior freeway of liminal perception. The micro-world of spectral and textural details within the cello sound seems to dramatize or mirror the micro-world of unspoken implications left unsaid in the gaps between threads of language. At times, these worlds produce a dull anxiety or a quiet fervor, only to be scattered by the occasional swerve to a poetic delivery reminiscent of slow-motion jokes (“I once saw a sign on the side of a road it said SLOW DUST”), a fortuitous error (“a seagull shitting on my face is home”), a mysterious interruption of domestic boredom (“someone’s girlfriend called to say don’t answer”). Occasional dates progressing through time give the sense that we are being driven through a year of blue Mondays, the cello wandering as if seasonally. The live set having been accompanied by a literal slideshow of some cumulative, fictive vacation adds to this sense of the year in review. But the imperceptibility of (tonal and narrative) space between these entry/fragments bring us beyond the stark view of the calendrical and into something less measurable: the space of a syncope: “to witness your life unfolding she said / is the key getting stuck.”

📸 Sarah White

🖤 dial in modems for new show rewind girl from @rosegmusic , a 30min broadcast of mourning through drone soundscapes and heavy pop, loosely inspired by jane schoenbrun's movie, 'i saw the tv glow'.

📻 to air on Fri 17 @ 21:00, Sat 18 @ 19:30, Sun 19 @ 18:00

Airing on Friday @ 20:00 - another gorgeous set from Hard Boiled Wonderland, a musical soft, dream drift presented by music lover Cornelia. We wait ages for them to come around, but when they do, they are worth the wait.

👉 Hard Boiled Wonderland airs on Friday 3rd Oct @ 20:00, Saturday 5th Oct @ 18:00 and Sunday 6th @ 21:00

@cornichon89
@tracey_aint_coming_out

Listening from Aulus-les-bains

Today we are in the French Pyrenees, at @camp_fr where we are broadcasting a 2 hour live performance from the participants in the Environmental Sound Art workshop with Mark Fell, Kathy Hinde and Kate Carr.

Join us from 9-11pm FR, 8-10pm UK on rtm.fm

With contributions from: @musicbymcgregor @earth__juice @kloudkitten @agar.michael @watermeloneeriegal @hallmagz @kathyhinde @k8_carr_ and more

🖤 Private Ceremony is a new 3-part broadcast series exploring how sound and memory are distorted by artist and composer Felix Taylor.

📻 Broadcasting today at 16:00, Friday 25 @ 18:00, Sat 26 @ 14:00, Sun 27 @ 21:00

👉 The Private Ceremony broadcasts serve as a guide to an new installation by Felix taking place at Outhouse Gallery, Camberwell from 31st of July to the 10th of August.

In these radio shows, Felix looks into the music, literature, experiments and stories that helped shape the installation.

@__felixtaylor
@out.house.gallery

🖤 Dial in this week for eye below ear - combining diegetic and non-diegetic sound: recordings taken in the exhibition space, fragments of works (spoken word, music, sound poetry), and different qualities of pauses.eye below ear explores the relationship between body, language, and infrastructures; holes in sound and holes that produce sound.

eye before ear broadcasts on

Thurs 17 @16:00
Fri 18 @ 15:00
Sat 19 @13:00
Sun 20 @17:00

💥 Featured artists on the broadcast include: Eleanor Ivory Weber, JJJJJerome Ellis, Julius Pristauz, Lily Greenham & Andrew Walsh-Lister, Serene Hui, Slow Reading Club, Wim De Pauw.

Conceived and recorded by Alicja Melzacka and Sophie Fitze.
Edited by Sophie Fitze.

👉 This radio broadcast oscillates between documentation and extension of eye below ear, an exhibition that took place at Kunsthal Mechelen in June 2025, with contributions from Eleanor Ivory Weber, Ghislaine Leung, JJJJJerome Ellis, Julius Pristauz, Lily Greenham & Andrew Walsh-Lister, P. Staff, Reinier Vrancken, Serene Hui, Slow Reading Club, Wim De Pauw/The LetterS pace Department. Conceived by Alicja Melzacka and Sophie Fitze

📸 Klindworth, L. (1896). Stuttering, and how to cure it: A practical and systematical handbook for self-instruction: Containing an approved method of respiration and the gymnastic of voice and speech. F. Bauermeister. (Creative Commons License)

@noprivateproblems
@jjjjjeromeellis
@juliuspristauz
@a___w___l
@reiniervrancken
@clokserene
@henry_j_andersen
@bryana_fritz
@the_letters_pace_department�
@_suf.fix_
@melzacka_alicja
@kunsthalmechelen
@tracey_aint_coming_out

Listening from the Lea

This evening 20:00-22:00 on @rtm.fm

Join @catherineaisha and @bray.cameron to listen to and from the Lea Valley

📡🌾🐸💧🛰️