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very happy to have photographs by gallery artist @jessica_backhaus included in a new group show at @kunst_im_mittelhof_uckermark alongside sculptural works by @tisaliemann and paintings by @isabelle_borges_berlin

Thank you to Julie and Udo for hosting such a beautiful, sunny afternoon opening reception last Sunday and to Julia Rosenbaum (@studiovisitsberlin) for an inspiring, in-depth artist talk! Should you be in the area, don‘t miss the show! And if you are not in the area, then make it an excursion: @kunst_im_mittelhof_uckermark is a 1.5 hrs drive from Berlin, good restaurants and lake side swimming spots are nearby - it‘s a good way to spend a free day this summer!

OPENING Thursday, May 21 at 6pm: Andrea Grützner’s ARKADIA! For this series of works, @andreagruetzner photographs details of a park meadow together with transparent dichroic film placed among dry blades of grass and other plant elements. This produces psychedelically tinged image compositions whose luminous streaks of color evoke iridescent liquids, tropical heat, or hallucinatory landscapes. At times, the images appear almost artificially generated. Within them, alongside real insects, chimera-like forms emerge, suggesting animals and mythical creatures.

The photographs are taken in the Neukladow Estate Park on the Havel near Berlin, once the site of Johannes Guthmann’s Musenhof. Guthmann — an art historian, writer, and collector — established the estate as a retreat and salon for figures from Berlin’s early twentieth-century cultural scene. Among them was Max Slevogt, whose luminous, atmospheric paintings celebrated nature through ideals of classical beauty translated into the language of Impressionism. Together, Guthmann and Slevogt cultivated an almost mythic image of Neukladow in their conversations and writings, describing the landscape in exaggerated Arcadian terms — as the Garden of Eden, an earthly paradise, or Arcadia itself.

Andrea Grützner’s work explores how we see and feel spaces, where time appears as traces, layers, and shifting atmospheres. Working mainly with photography, she creates images that move between documentation, abstraction, and transformation. Her work is guided by questions of memory, orientation, and the instability of fixed realities, where familiar spaces slowly begin to shift and change.

A key impulse for Arkadia was her participation in the Pleinair Symposium of the Sommerakademie Neukladow in 2022.

After studying communication design in Konstanz, Andrea Grützner (*1984 in Pirna, GDR) completed a master’s degree in Photography and Media at Bielefeld University of Applied Sciences. Her work has been shown internationally in solo and group exhibitions. She received the Stiftung Kunstfonds working grant in 2024, during which she continued developing Arkadia. She lives and works in Dresden.

OPENING Thursday, May 21 at 6pm: Andrea Grützner’s ARKADIA! For this series of works, @andreagruetzner photographs details of a park meadow together with transparent dichroic film placed among dry blades of grass and other plant elements. This produces psychedelically tinged image compositions whose luminous streaks of color evoke iridescent liquids, tropical heat, or hallucinatory landscapes. At times, the images appear almost artificially generated. Within them, alongside real insects, chimera-like forms emerge, suggesting animals and mythical creatures.

The photographs are taken in the Neukladow Estate Park on the Havel near Berlin, once the site of Johannes Guthmann’s Musenhof. Guthmann — an art historian, writer, and collector — established the estate as a retreat and salon for figures from Berlin’s early twentieth-century cultural scene. Among them was Max Slevogt, whose luminous, atmospheric paintings celebrated nature through ideals of classical beauty translated into the language of Impressionism. Together, Guthmann and Slevogt cultivated an almost mythic image of Neukladow in their conversations and writings, describing the landscape in exaggerated Arcadian terms — as the Garden of Eden, an earthly paradise, or Arcadia itself.

Andrea Grützner’s work explores how we see and feel spaces, where time appears as traces, layers, and shifting atmospheres. Working mainly with photography, she creates images that move between documentation, abstraction, and transformation. Her work is guided by questions of memory, orientation, and the instability of fixed realities, where familiar spaces slowly begin to shift and change.

A key impulse for Arkadia was her participation in the Pleinair Symposium of the Sommerakademie Neukladow in 2022.

After studying communication design in Konstanz, Andrea Grützner (*1984 in Pirna, GDR) completed a master’s degree in Photography and Media at Bielefeld University of Applied Sciences. Her work has been shown internationally in solo and group exhibitions. She received the Stiftung Kunstfonds working grant in 2024, during which she continued developing Arkadia. She lives and works in Dresden.

OPENING Thursday, May 21 at 6pm: Andrea Grützner’s ARKADIA! For this series of works, @andreagruetzner photographs details of a park meadow together with transparent dichroic film placed among dry blades of grass and other plant elements. This produces psychedelically tinged image compositions whose luminous streaks of color evoke iridescent liquids, tropical heat, or hallucinatory landscapes. At times, the images appear almost artificially generated. Within them, alongside real insects, chimera-like forms emerge, suggesting animals and mythical creatures.

The photographs are taken in the Neukladow Estate Park on the Havel near Berlin, once the site of Johannes Guthmann’s Musenhof. Guthmann — an art historian, writer, and collector — established the estate as a retreat and salon for figures from Berlin’s early twentieth-century cultural scene. Among them was Max Slevogt, whose luminous, atmospheric paintings celebrated nature through ideals of classical beauty translated into the language of Impressionism. Together, Guthmann and Slevogt cultivated an almost mythic image of Neukladow in their conversations and writings, describing the landscape in exaggerated Arcadian terms — as the Garden of Eden, an earthly paradise, or Arcadia itself.

Andrea Grützner’s work explores how we see and feel spaces, where time appears as traces, layers, and shifting atmospheres. Working mainly with photography, she creates images that move between documentation, abstraction, and transformation. Her work is guided by questions of memory, orientation, and the instability of fixed realities, where familiar spaces slowly begin to shift and change.

A key impulse for Arkadia was her participation in the Pleinair Symposium of the Sommerakademie Neukladow in 2022.

After studying communication design in Konstanz, Andrea Grützner (*1984 in Pirna, GDR) completed a master’s degree in Photography and Media at Bielefeld University of Applied Sciences. Her work has been shown internationally in solo and group exhibitions. She received the Stiftung Kunstfonds working grant in 2024, during which she continued developing Arkadia. She lives and works in Dresden.

After a very busy Berlin Gallery Weekend, Ron Jude and Joachim Brohm‘s joint exhibition of „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“ continues and runs until May 16!

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

@ron_jude @joachimbrohm
📷: @simone.nathalie.fuchs

After a very busy Berlin Gallery Weekend, Ron Jude and Joachim Brohm‘s joint exhibition of „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“ continues and runs until May 16!

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

@ron_jude @joachimbrohm
📷: @simone.nathalie.fuchs

After a very busy Berlin Gallery Weekend, Ron Jude and Joachim Brohm‘s joint exhibition of „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“ continues and runs until May 16!

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

@ron_jude @joachimbrohm
📷: @simone.nathalie.fuchs

The Morat Collection, in large parts now on permanent loan to the municipal museums of our hometown in Freiburg, is online with a new website! To find out more about my parents’ work in their foundation and the collection the family has built over the past 60 years, please go to sammlung-morat.de (link in bio!)

Ron Jude + Joachim Brohm „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“ continues at our Berlin gallery. The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

@ron_jude @joachimbrohm
📷: @simone.nathalie.fuchs

back in Berlin after a busy, exhausting, successful, happy week at Art Düsseldorf! We want to thank everyone who came by the booth for their enthusiastic response to Alina Frieske‘s work. We want to thank the collectors and clients, obviously, who made last week a great success. We want to thank Alina, who just joined the gallery, for trusting us with her work. And we want to thank Gilles and the entire team at Art Düsseldorf, who managed to put together an amazing fair. Selecting a good group of exhibitors is one thing, creating an optimistic, upbeat vibe is something else entirely. Great job! Thank you!

We are now catching our breath and prepare for Gallery Weekend Berlin! So see you at the gallery very soon!

@artduesseldorf #artdüsseldorf @almafrie @gillesneiens @galleryweekendberlin

At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

@koenigbooksltd @parisphotofair #bernhardfuchs #hauslangehausesters @acayekerunenart

📷: Haus Lange Haus Estes / @dirkrose_

At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

@koenigbooksltd @parisphotofair #bernhardfuchs #hauslangehausesters @acayekerunenart

📷: Haus Lange Haus Estes / @dirkrose_

At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

@koenigbooksltd @parisphotofair #bernhardfuchs #hauslangehausesters @acayekerunenart

📷: Haus Lange Haus Estes / @dirkrose_

At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

@koenigbooksltd @parisphotofair #bernhardfuchs #hauslangehausesters @acayekerunenart

📷: Haus Lange Haus Estes / @dirkrose_

At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

@koenigbooksltd @parisphotofair #bernhardfuchs #hauslangehausesters @acayekerunenart

📷: Haus Lange Haus Estes / @dirkrose_

At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

@koenigbooksltd @parisphotofair #bernhardfuchs #hauslangehausesters @acayekerunenart

📷: Haus Lange Haus Estes / @dirkrose_

At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

@koenigbooksltd @parisphotofair #bernhardfuchs #hauslangehausesters @acayekerunenart

📷: Haus Lange Haus Estes / @dirkrose_

A walk through the current exhibition at our Berlin gallery titled „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“.

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

The show is on view through Berlin Gallery Weekend and runs until May 16.

@ron_jude @joachimbrohm

Installation views by @simone.nathalie.fuchs

A walk through the current exhibition at our Berlin gallery titled „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“.

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

The show is on view through Berlin Gallery Weekend and runs until May 16.

@ron_jude @joachimbrohm

Installation views by @simone.nathalie.fuchs

A walk through the current exhibition at our Berlin gallery titled „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“.

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

The show is on view through Berlin Gallery Weekend and runs until May 16.

@ron_jude @joachimbrohm

Installation views by @simone.nathalie.fuchs

A walk through the current exhibition at our Berlin gallery titled „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“.

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

The show is on view through Berlin Gallery Weekend and runs until May 16.

@ron_jude @joachimbrohm

Installation views by @simone.nathalie.fuchs

A walk through the current exhibition at our Berlin gallery titled „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“.

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

The show is on view through Berlin Gallery Weekend and runs until May 16.

@ron_jude @joachimbrohm

Installation views by @simone.nathalie.fuchs

A walk through the current exhibition at our Berlin gallery titled „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“.

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

The show is on view through Berlin Gallery Weekend and runs until May 16.

@ron_jude @joachimbrohm

Installation views by @simone.nathalie.fuchs

A walk through the current exhibition at our Berlin gallery titled „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“.

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

The show is on view through Berlin Gallery Weekend and runs until May 16.

@ron_jude @joachimbrohm

Installation views by @simone.nathalie.fuchs

Art Düsseldorf kicks off today and you will find us in stand number A11! We are showing a solo booth with a selection of works by Alina Frieske.

Alina Frieske (*1994, GER) is a Berlin-based artist whose practice blends photography and painting through collage works that assemble digital photo fragments into newly imagined scenarios and characters.

Alina Frieske holds an MA in Photography from the École Cantonale d’Art Lausanne in Switzerland and a BA in Visual Communication from the Academie Beeldende Kunsten Maastricht in the Netherlands. Her work has been exhibited, amongst others, at Arter Museum Istanbul (2025), Photo Elysée Lausanne (2025), Pipeline Contemporary London (2024), Paris Photo (2024), CPG Geneva (2024), Kunsthal Rotterdam (2022), and Festival des Images Vevey (2020). She is the recipient of the ING Talent Award (2021), Sammlung Klein Foundation Prize (2023) and the Trustee EHF fellowship by Konrad Adenauer Foundation (2024).

In 2022, @almafrie published her first monograph, ‘Each and Every Part in Between’ with @ciaopress and @imagesvevey_books

For more info on our participation at @artduesseldorf , please follow the link in our bio.

Install views by @choreo.info

Art Düsseldorf kicks off today and you will find us in stand number A11! We are showing a solo booth with a selection of works by Alina Frieske.

Alina Frieske (*1994, GER) is a Berlin-based artist whose practice blends photography and painting through collage works that assemble digital photo fragments into newly imagined scenarios and characters.

Alina Frieske holds an MA in Photography from the École Cantonale d’Art Lausanne in Switzerland and a BA in Visual Communication from the Academie Beeldende Kunsten Maastricht in the Netherlands. Her work has been exhibited, amongst others, at Arter Museum Istanbul (2025), Photo Elysée Lausanne (2025), Pipeline Contemporary London (2024), Paris Photo (2024), CPG Geneva (2024), Kunsthal Rotterdam (2022), and Festival des Images Vevey (2020). She is the recipient of the ING Talent Award (2021), Sammlung Klein Foundation Prize (2023) and the Trustee EHF fellowship by Konrad Adenauer Foundation (2024).

In 2022, @almafrie published her first monograph, ‘Each and Every Part in Between’ with @ciaopress and @imagesvevey_books

For more info on our participation at @artduesseldorf , please follow the link in our bio.

Install views by @choreo.info

Art Düsseldorf kicks off today and you will find us in stand number A11! We are showing a solo booth with a selection of works by Alina Frieske.

Alina Frieske (*1994, GER) is a Berlin-based artist whose practice blends photography and painting through collage works that assemble digital photo fragments into newly imagined scenarios and characters.

Alina Frieske holds an MA in Photography from the École Cantonale d’Art Lausanne in Switzerland and a BA in Visual Communication from the Academie Beeldende Kunsten Maastricht in the Netherlands. Her work has been exhibited, amongst others, at Arter Museum Istanbul (2025), Photo Elysée Lausanne (2025), Pipeline Contemporary London (2024), Paris Photo (2024), CPG Geneva (2024), Kunsthal Rotterdam (2022), and Festival des Images Vevey (2020). She is the recipient of the ING Talent Award (2021), Sammlung Klein Foundation Prize (2023) and the Trustee EHF fellowship by Konrad Adenauer Foundation (2024).

In 2022, @almafrie published her first monograph, ‘Each and Every Part in Between’ with @ciaopress and @imagesvevey_books

For more info on our participation at @artduesseldorf , please follow the link in our bio.

Install views by @choreo.info

Art Düsseldorf kicks off today and you will find us in stand number A11! We are showing a solo booth with a selection of works by Alina Frieske.

Alina Frieske (*1994, GER) is a Berlin-based artist whose practice blends photography and painting through collage works that assemble digital photo fragments into newly imagined scenarios and characters.

Alina Frieske holds an MA in Photography from the École Cantonale d’Art Lausanne in Switzerland and a BA in Visual Communication from the Academie Beeldende Kunsten Maastricht in the Netherlands. Her work has been exhibited, amongst others, at Arter Museum Istanbul (2025), Photo Elysée Lausanne (2025), Pipeline Contemporary London (2024), Paris Photo (2024), CPG Geneva (2024), Kunsthal Rotterdam (2022), and Festival des Images Vevey (2020). She is the recipient of the ING Talent Award (2021), Sammlung Klein Foundation Prize (2023) and the Trustee EHF fellowship by Konrad Adenauer Foundation (2024).

In 2022, @almafrie published her first monograph, ‘Each and Every Part in Between’ with @ciaopress and @imagesvevey_books

For more info on our participation at @artduesseldorf , please follow the link in our bio.

Install views by @choreo.info

The gallery is very happy to announce representation for Alina Frieske! To mark the occasion, we will be presenting a selection of her works in a solo booth at the upcoming Art Düsseldorf this week.

Alina Frieske (*1994, GER) is a Berlin-based artist whose practice blends photography and painting through collage works that assemble digital photo fragments into newly imagined scenarios and characters.

Alina Frieske holds an MA in Photography from the École cantonale d’art Lausanne in Switzerland and a BA in Visual Communication from the Academie Beeldende Kunsten Maastricht in the Netherlands. Her work has been exhibited, amongst others, at Arter Museum Istanbul (2025), Photo Elysée Lausanne (2025), Pipeline Contemporary London (2024), Paris Photo (2024), CPG Geneva (2024), Kunsthal Rotterdam (2022), and Festival des Images Vevey (2020). She is the recipient of the ING Talent Award (2021), Sammlung Klein Foundation Prize (2023) and the Trustee EHF fellowship by Konrad Adenauer Foundation (2024).

In 2022, @almafrie published her first monograph, ‘Each and Every Part in Between’ with @ciaopress and @imagesvevey_books

At @artduesseldorf please find us in booth A 11. We arevery much looking forward to seeing you! And for more info on our participation at Art Düsseldorf, please follow the link in our bio.

The gallery is very happy to announce representation for Alina Frieske! To mark the occasion, we will be presenting a selection of her works in a solo booth at the upcoming Art Düsseldorf this week.

Alina Frieske (*1994, GER) is a Berlin-based artist whose practice blends photography and painting through collage works that assemble digital photo fragments into newly imagined scenarios and characters.

Alina Frieske holds an MA in Photography from the École cantonale d’art Lausanne in Switzerland and a BA in Visual Communication from the Academie Beeldende Kunsten Maastricht in the Netherlands. Her work has been exhibited, amongst others, at Arter Museum Istanbul (2025), Photo Elysée Lausanne (2025), Pipeline Contemporary London (2024), Paris Photo (2024), CPG Geneva (2024), Kunsthal Rotterdam (2022), and Festival des Images Vevey (2020). She is the recipient of the ING Talent Award (2021), Sammlung Klein Foundation Prize (2023) and the Trustee EHF fellowship by Konrad Adenauer Foundation (2024).

In 2022, @almafrie published her first monograph, ‘Each and Every Part in Between’ with @ciaopress and @imagesvevey_books

At @artduesseldorf please find us in booth A 11. We arevery much looking forward to seeing you! And for more info on our participation at Art Düsseldorf, please follow the link in our bio.

The gallery is very happy to announce representation for Alina Frieske! To mark the occasion, we will be presenting a selection of her works in a solo booth at the upcoming Art Düsseldorf this week.

Alina Frieske (*1994, GER) is a Berlin-based artist whose practice blends photography and painting through collage works that assemble digital photo fragments into newly imagined scenarios and characters.

Alina Frieske holds an MA in Photography from the École cantonale d’art Lausanne in Switzerland and a BA in Visual Communication from the Academie Beeldende Kunsten Maastricht in the Netherlands. Her work has been exhibited, amongst others, at Arter Museum Istanbul (2025), Photo Elysée Lausanne (2025), Pipeline Contemporary London (2024), Paris Photo (2024), CPG Geneva (2024), Kunsthal Rotterdam (2022), and Festival des Images Vevey (2020). She is the recipient of the ING Talent Award (2021), Sammlung Klein Foundation Prize (2023) and the Trustee EHF fellowship by Konrad Adenauer Foundation (2024).

In 2022, @almafrie published her first monograph, ‘Each and Every Part in Between’ with @ciaopress and @imagesvevey_books

At @artduesseldorf please find us in booth A 11. We arevery much looking forward to seeing you! And for more info on our participation at Art Düsseldorf, please follow the link in our bio.