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Alina Frieske
『𝑭𝑶𝑪𝑼𝑺 𝑬𝑿𝑷𝑶』
Retour sur la partie de l’exposition “Pour tout faire, il faut une fleur” dédiée au travail d’Alina Frieske.
L’artiste combine collage, images trouvées et constructions numériques. Sa pratique met en avant le geste humain et l’intervention directe, contrastant avec l’anonymat des environnements numériques.
Dans l’exposition, un collage composé de fragments de tests de pages et de découpes de papier offre au public un aperçu du processus créatif de l’artiste, tandis que le revers du mur propose une vision plus abstraite des éléments, où les découpes apparaissent inversées et transformées en formes abstraites.
Trois œuvres « inachevées » complètent cette approche, rappelant l’importance du travail préparatoire et des gestes initiaux.
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A look back at the section of the exhibition “Pour tout faire, il faut une fleur” dedicated to the work of Alina Frieske.
The artist combines collage, found images, and digital constructions. Her practice highlights human gesture and direct intervention, contrasting with the anonymity of digital environments.
In the exhibition, a collage composed of fragments of test pages and paper cutouts offers the public a glimpse into the artist’s creative process, while the reverse side of the wall presents a more abstract vision of the elements, where the cutouts appear inverted and transformed into abstract forms.
Three “unfinished” works complement this approach, highlighting the importance of preparatory work and initial gestures.
Crédits photos : Lucas Olivet
『𝑭𝑶𝑪𝑼𝑺 𝑬𝑿𝑷𝑶』
Retour sur la partie de l’exposition “Pour tout faire, il faut une fleur” dédiée au travail d’Alina Frieske.
L’artiste combine collage, images trouvées et constructions numériques. Sa pratique met en avant le geste humain et l’intervention directe, contrastant avec l’anonymat des environnements numériques.
Dans l’exposition, un collage composé de fragments de tests de pages et de découpes de papier offre au public un aperçu du processus créatif de l’artiste, tandis que le revers du mur propose une vision plus abstraite des éléments, où les découpes apparaissent inversées et transformées en formes abstraites.
Trois œuvres « inachevées » complètent cette approche, rappelant l’importance du travail préparatoire et des gestes initiaux.
-
A look back at the section of the exhibition “Pour tout faire, il faut une fleur” dedicated to the work of Alina Frieske.
The artist combines collage, found images, and digital constructions. Her practice highlights human gesture and direct intervention, contrasting with the anonymity of digital environments.
In the exhibition, a collage composed of fragments of test pages and paper cutouts offers the public a glimpse into the artist’s creative process, while the reverse side of the wall presents a more abstract vision of the elements, where the cutouts appear inverted and transformed into abstract forms.
Three “unfinished” works complement this approach, highlighting the importance of preparatory work and initial gestures.
Crédits photos : Lucas Olivet
『𝑭𝑶𝑪𝑼𝑺 𝑬𝑿𝑷𝑶』
Retour sur la partie de l’exposition “Pour tout faire, il faut une fleur” dédiée au travail d’Alina Frieske.
L’artiste combine collage, images trouvées et constructions numériques. Sa pratique met en avant le geste humain et l’intervention directe, contrastant avec l’anonymat des environnements numériques.
Dans l’exposition, un collage composé de fragments de tests de pages et de découpes de papier offre au public un aperçu du processus créatif de l’artiste, tandis que le revers du mur propose une vision plus abstraite des éléments, où les découpes apparaissent inversées et transformées en formes abstraites.
Trois œuvres « inachevées » complètent cette approche, rappelant l’importance du travail préparatoire et des gestes initiaux.
-
A look back at the section of the exhibition “Pour tout faire, il faut une fleur” dedicated to the work of Alina Frieske.
The artist combines collage, found images, and digital constructions. Her practice highlights human gesture and direct intervention, contrasting with the anonymity of digital environments.
In the exhibition, a collage composed of fragments of test pages and paper cutouts offers the public a glimpse into the artist’s creative process, while the reverse side of the wall presents a more abstract vision of the elements, where the cutouts appear inverted and transformed into abstract forms.
Three “unfinished” works complement this approach, highlighting the importance of preparatory work and initial gestures.
Crédits photos : Lucas Olivet
『𝑭𝑶𝑪𝑼𝑺 𝑬𝑿𝑷𝑶』
Retour sur la partie de l’exposition “Pour tout faire, il faut une fleur” dédiée au travail d’Alina Frieske.
L’artiste combine collage, images trouvées et constructions numériques. Sa pratique met en avant le geste humain et l’intervention directe, contrastant avec l’anonymat des environnements numériques.
Dans l’exposition, un collage composé de fragments de tests de pages et de découpes de papier offre au public un aperçu du processus créatif de l’artiste, tandis que le revers du mur propose une vision plus abstraite des éléments, où les découpes apparaissent inversées et transformées en formes abstraites.
Trois œuvres « inachevées » complètent cette approche, rappelant l’importance du travail préparatoire et des gestes initiaux.
-
A look back at the section of the exhibition “Pour tout faire, il faut une fleur” dedicated to the work of Alina Frieske.
The artist combines collage, found images, and digital constructions. Her practice highlights human gesture and direct intervention, contrasting with the anonymity of digital environments.
In the exhibition, a collage composed of fragments of test pages and paper cutouts offers the public a glimpse into the artist’s creative process, while the reverse side of the wall presents a more abstract vision of the elements, where the cutouts appear inverted and transformed into abstract forms.
Three “unfinished” works complement this approach, highlighting the importance of preparatory work and initial gestures.
Crédits photos : Lucas Olivet
At @artbrussels alongside @amitber with @fabiennelevygallery
ART BRUSSELS
April 24 - 26, 2026
Booth 5A-40
Photo credits: Isabelle Arthurs
At @artbrussels alongside @amitber with @fabiennelevygallery
ART BRUSSELS
April 24 - 26, 2026
Booth 5A-40
Photo credits: Isabelle Arthurs
At @artbrussels alongside @amitber with @fabiennelevygallery
ART BRUSSELS
April 24 - 26, 2026
Booth 5A-40
Photo credits: Isabelle Arthurs
At @artbrussels alongside @amitber with @fabiennelevygallery
ART BRUSSELS
April 24 - 26, 2026
Booth 5A-40
Photo credits: Isabelle Arthurs
At @artbrussels alongside @amitber with @fabiennelevygallery
ART BRUSSELS
April 24 - 26, 2026
Booth 5A-40
Photo credits: Isabelle Arthurs
Looking forward to present my works alongside @amitber at @artbrussels with @fabiennelevygallery in the next days!
Art Brussels
24 - 26 April 2026
Fabienne Levy Gallery
Booth 5A-40
The Missing Part, 2022
64x52cm
images from my soloshow at @artduesseldorf with @robertmorat! Last day to see🤍
Art Düsseldorf
16-19. April
Robert Morat Galerie
Booth A11
install view by @choreo.info
images from my soloshow at @artduesseldorf with @robertmorat! Last day to see🤍
Art Düsseldorf
16-19. April
Robert Morat Galerie
Booth A11
install view by @choreo.info
images from my soloshow at @artduesseldorf with @robertmorat! Last day to see🤍
Art Düsseldorf
16-19. April
Robert Morat Galerie
Booth A11
install view by @choreo.info
images from my soloshow at @artduesseldorf with @robertmorat! Last day to see🤍
Art Düsseldorf
16-19. April
Robert Morat Galerie
Booth A11
install view by @choreo.info
Looking forward to the opening today of 𝑷𝒐𝒖𝒓 𝒕𝒐𝒖𝒕 𝒇𝒂𝒊𝒓𝒆, 𝒊𝒍 𝒇𝒂𝒖𝒕 𝒖𝒏𝒆 𝒇𝒍𝒆𝒖𝒓 curated by Nicolas Polli at MBAL🌷
Very honored to be part of this beautiful exhibition dedicated to an exploration of process, tools and the cycle of things with works by:
Jeanne Jacob @schaan__
Olga Prader @olgaprader
Aldo Mozzini @aldomozzini
Enzo Mari
Ayed Arafah @ayedarafah
Peter Fischli & David Weiss
Linus Bill & Adrien Horni
Nicolas Polli @nicolaspolli
Ruth van Beek @ruth_van_beek
Erin O’Keefe @erinokeefeart
Sabine Hess @sabine_hess
on view from March 28 until September 6 2026
@mbalelocle @nicolaspolli @federicachiocchetti @fabiennelevygallery
Looking forward to the opening today of 𝑷𝒐𝒖𝒓 𝒕𝒐𝒖𝒕 𝒇𝒂𝒊𝒓𝒆, 𝒊𝒍 𝒇𝒂𝒖𝒕 𝒖𝒏𝒆 𝒇𝒍𝒆𝒖𝒓 curated by Nicolas Polli at MBAL🌷
Very honored to be part of this beautiful exhibition dedicated to an exploration of process, tools and the cycle of things with works by:
Jeanne Jacob @schaan__
Olga Prader @olgaprader
Aldo Mozzini @aldomozzini
Enzo Mari
Ayed Arafah @ayedarafah
Peter Fischli & David Weiss
Linus Bill & Adrien Horni
Nicolas Polli @nicolaspolli
Ruth van Beek @ruth_van_beek
Erin O’Keefe @erinokeefeart
Sabine Hess @sabine_hess
on view from March 28 until September 6 2026
@mbalelocle @nicolaspolli @federicachiocchetti @fabiennelevygallery
Looking forward to the opening today of 𝑷𝒐𝒖𝒓 𝒕𝒐𝒖𝒕 𝒇𝒂𝒊𝒓𝒆, 𝒊𝒍 𝒇𝒂𝒖𝒕 𝒖𝒏𝒆 𝒇𝒍𝒆𝒖𝒓 curated by Nicolas Polli at MBAL🌷
Very honored to be part of this beautiful exhibition dedicated to an exploration of process, tools and the cycle of things with works by:
Jeanne Jacob @schaan__
Olga Prader @olgaprader
Aldo Mozzini @aldomozzini
Enzo Mari
Ayed Arafah @ayedarafah
Peter Fischli & David Weiss
Linus Bill & Adrien Horni
Nicolas Polli @nicolaspolli
Ruth van Beek @ruth_van_beek
Erin O’Keefe @erinokeefeart
Sabine Hess @sabine_hess
on view from March 28 until September 6 2026
@mbalelocle @nicolaspolli @federicachiocchetti @fabiennelevygallery
Grateful to exhibit in the current group show ‘I Need More Time’ at Arter Museum Istanbul with my work ‘Rehearsing’ (presented back-to-back for the first time)
Alongside works by:
Arda Asena,
Ruth van Beek,
Szilvia Bolla,
Rachelle Bussières,
Antony Cairns,
Orhan Cem Çetin,
Görkem Ergün,
Ege Kanar,
Şahin Kaygun,
Lebohang Kganye,
Dionne Lee,
Alix Marie,
Rehan Miskci,
Taiyo Onorato & Nico Krebs,
Ayako Sakuragi,
Dafna Talmor,
Rodrigo Valenzuela
Drawing on the new forms and potentials of lens-based practices, the exhibition proposes a polyphonic approach that resists rapid production cycles, fixed representational norms, and technical determinism. The works on view reveal the gestures embedded in their production processes, the tools employed, as well as the possible transformations occurring across surface and time, thus opening up photography to critical inquiry not only as a representational medium but also in its material and conceptual dimensions.
curated by Oğuz Karakütük
on view until 8th March 2026
Arter Museum Istanbul
@arteristanbul
@fabiennelevygallery
Rehearsing (One) / Rehearsing (Two)
2023 Archival pigment print
167x137x8 cm (framed)
photos by Orhan Cem Çetin
Grateful to exhibit in the current group show ‘I Need More Time’ at Arter Museum Istanbul with my work ‘Rehearsing’ (presented back-to-back for the first time)
Alongside works by:
Arda Asena,
Ruth van Beek,
Szilvia Bolla,
Rachelle Bussières,
Antony Cairns,
Orhan Cem Çetin,
Görkem Ergün,
Ege Kanar,
Şahin Kaygun,
Lebohang Kganye,
Dionne Lee,
Alix Marie,
Rehan Miskci,
Taiyo Onorato & Nico Krebs,
Ayako Sakuragi,
Dafna Talmor,
Rodrigo Valenzuela
Drawing on the new forms and potentials of lens-based practices, the exhibition proposes a polyphonic approach that resists rapid production cycles, fixed representational norms, and technical determinism. The works on view reveal the gestures embedded in their production processes, the tools employed, as well as the possible transformations occurring across surface and time, thus opening up photography to critical inquiry not only as a representational medium but also in its material and conceptual dimensions.
curated by Oğuz Karakütük
on view until 8th March 2026
Arter Museum Istanbul
@arteristanbul
@fabiennelevygallery
Rehearsing (One) / Rehearsing (Two)
2023 Archival pigment print
167x137x8 cm (framed)
photos by Orhan Cem Çetin
Grateful to exhibit in the current group show ‘I Need More Time’ at Arter Museum Istanbul with my work ‘Rehearsing’ (presented back-to-back for the first time)
Alongside works by:
Arda Asena,
Ruth van Beek,
Szilvia Bolla,
Rachelle Bussières,
Antony Cairns,
Orhan Cem Çetin,
Görkem Ergün,
Ege Kanar,
Şahin Kaygun,
Lebohang Kganye,
Dionne Lee,
Alix Marie,
Rehan Miskci,
Taiyo Onorato & Nico Krebs,
Ayako Sakuragi,
Dafna Talmor,
Rodrigo Valenzuela
Drawing on the new forms and potentials of lens-based practices, the exhibition proposes a polyphonic approach that resists rapid production cycles, fixed representational norms, and technical determinism. The works on view reveal the gestures embedded in their production processes, the tools employed, as well as the possible transformations occurring across surface and time, thus opening up photography to critical inquiry not only as a representational medium but also in its material and conceptual dimensions.
curated by Oğuz Karakütük
on view until 8th March 2026
Arter Museum Istanbul
@arteristanbul
@fabiennelevygallery
Rehearsing (One) / Rehearsing (Two)
2023 Archival pigment print
167x137x8 cm (framed)
photos by Orhan Cem Çetin
Grateful to exhibit in the current group show ‘I Need More Time’ at Arter Museum Istanbul with my work ‘Rehearsing’ (presented back-to-back for the first time)
Alongside works by:
Arda Asena,
Ruth van Beek,
Szilvia Bolla,
Rachelle Bussières,
Antony Cairns,
Orhan Cem Çetin,
Görkem Ergün,
Ege Kanar,
Şahin Kaygun,
Lebohang Kganye,
Dionne Lee,
Alix Marie,
Rehan Miskci,
Taiyo Onorato & Nico Krebs,
Ayako Sakuragi,
Dafna Talmor,
Rodrigo Valenzuela
Drawing on the new forms and potentials of lens-based practices, the exhibition proposes a polyphonic approach that resists rapid production cycles, fixed representational norms, and technical determinism. The works on view reveal the gestures embedded in their production processes, the tools employed, as well as the possible transformations occurring across surface and time, thus opening up photography to critical inquiry not only as a representational medium but also in its material and conceptual dimensions.
curated by Oğuz Karakütük
on view until 8th March 2026
Arter Museum Istanbul
@arteristanbul
@fabiennelevygallery
Rehearsing (One) / Rehearsing (Two)
2023 Archival pigment print
167x137x8 cm (framed)
photos by Orhan Cem Çetin
Last days to see ‘Counterweights’ at Makasiini Contemporary!
On view until 12th October
Interlaced, 2025
80x100cm
@makasiinicontemporary
Last days to see ‘Counterweights’ at Makasiini Contemporary!
On view until 12th October
Interlaced, 2025
80x100cm
@makasiinicontemporary
So happy to be part of the exhibition “Gen Z: Shaping a New Gaze” at Photo Elysée with my work Tile (Four).
Many thanks to @nathalie.herschdorfer, @juliedayer, @hannahprobsting and the team of Photo Elysée for bringing together this beautiful show!
On view until February 2026
@photo.elysee
So happy to be part of the exhibition “Gen Z: Shaping a New Gaze” at Photo Elysée with my work Tile (Four).
Many thanks to @nathalie.herschdorfer, @juliedayer, @hannahprobsting and the team of Photo Elysée for bringing together this beautiful show!
On view until February 2026
@photo.elysee
So happy to be part of the exhibition “Gen Z: Shaping a New Gaze” at Photo Elysée with my work Tile (Four).
Many thanks to @nathalie.herschdorfer, @juliedayer, @hannahprobsting and the team of Photo Elysée for bringing together this beautiful show!
On view until February 2026
@photo.elysee
So happy to be part of the exhibition “Gen Z: Shaping a New Gaze” at Photo Elysée with my work Tile (Four).
Many thanks to @nathalie.herschdorfer, @juliedayer, @hannahprobsting and the team of Photo Elysée for bringing together this beautiful show!
On view until February 2026
@photo.elysee
Opening today at Makasiini Contemporary!
Counterweights
The glitchy, surreal images in the work of Alina Frieske (b. 1994) constantly evade resolution. Her ethereal scenes of bodies and still lifes cohere and then fall apart, abstracted by an element that reads at once as refracted light and pixilation. Everywhere there are familiar suggestions of context, but upon closer inspection, dimension itself is off, uncanny. The German artist’s practice intersects methodologies from painting, photography, and assemblage, and her subject is the fraught space between our public and private selves, and the way representation plays out in our intensely networked virtual reality.
on view from 12 September – 12 October 2025
@makasiinicontemporary
Pivot around, 2025
Archival Print
100x80cm
Installation image by Jere Satamo
Work in progress for my upcoming show. Looking forward to present a new series at Makasiini Contemporary in a few days! Excited to come to Finland!
Counterweights
12 September – 12 October 2025
Makasiini Contemporary
@makasiinicontemporary
Work in progress for my upcoming show. Looking forward to present a new series at Makasiini Contemporary in a few days! Excited to come to Finland!
Counterweights
12 September – 12 October 2025
Makasiini Contemporary
@makasiinicontemporary
Work in progress for my upcoming show. Looking forward to present a new series at Makasiini Contemporary in a few days! Excited to come to Finland!
Counterweights
12 September – 12 October 2025
Makasiini Contemporary
@makasiinicontemporary
Spent such an exciting week at Paris Photo with wonderful conversations and encounters!
It was so inspiring to have the talk “The Digital Lure: Photographic Seductions in the 21st Century“ together with @gretchenandrew @mmandiberg and @marcodemutiis
Thanks to @ninaroehrs for the invitation!
Grateful to be selected for Elles x Paris Photo path curated by @raphaellestopin
Many thanks to @fabiennelevygallery and the team for everything!
Hope to be back in Paris very soon again! 🤍🤍
Installation photos by @substancemat
Spent such an exciting week at Paris Photo with wonderful conversations and encounters!
It was so inspiring to have the talk “The Digital Lure: Photographic Seductions in the 21st Century“ together with @gretchenandrew @mmandiberg and @marcodemutiis
Thanks to @ninaroehrs for the invitation!
Grateful to be selected for Elles x Paris Photo path curated by @raphaellestopin
Many thanks to @fabiennelevygallery and the team for everything!
Hope to be back in Paris very soon again! 🤍🤍
Installation photos by @substancemat
Spent such an exciting week at Paris Photo with wonderful conversations and encounters!
It was so inspiring to have the talk “The Digital Lure: Photographic Seductions in the 21st Century“ together with @gretchenandrew @mmandiberg and @marcodemutiis
Thanks to @ninaroehrs for the invitation!
Grateful to be selected for Elles x Paris Photo path curated by @raphaellestopin
Many thanks to @fabiennelevygallery and the team for everything!
Hope to be back in Paris very soon again! 🤍🤍
Installation photos by @substancemat
Spent such an exciting week at Paris Photo with wonderful conversations and encounters!
It was so inspiring to have the talk “The Digital Lure: Photographic Seductions in the 21st Century“ together with @gretchenandrew @mmandiberg and @marcodemutiis
Thanks to @ninaroehrs for the invitation!
Grateful to be selected for Elles x Paris Photo path curated by @raphaellestopin
Many thanks to @fabiennelevygallery and the team for everything!
Hope to be back in Paris very soon again! 🤍🤍
Installation photos by @substancemat
Spent such an exciting week at Paris Photo with wonderful conversations and encounters!
It was so inspiring to have the talk “The Digital Lure: Photographic Seductions in the 21st Century“ together with @gretchenandrew @mmandiberg and @marcodemutiis
Thanks to @ninaroehrs for the invitation!
Grateful to be selected for Elles x Paris Photo path curated by @raphaellestopin
Many thanks to @fabiennelevygallery and the team for everything!
Hope to be back in Paris very soon again! 🤍🤍
Installation photos by @substancemat
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