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Join us for one final weekend of our exhibition Disobedience Archive. 💥

Spanning five chapters, the exhibition brings together 50 films that engage with disobedience in different ways — from fiction to documentary.

In “Inventur – Metzstrasse 11", for example, artist Želimir Žilnik turns his attention to the lives of guest workers in Germany, giving residents of a multicultural housing community the chance to tell their own stories.

In “Videograms of a Revolution”, Harun Farocki and Andrei Ujica take us into the midst of the Romanian Revolution, showing, among other things, how protesters seized the national television station in Bucharest and broadcast live for several days.

The exhibition remains open until 25 May.

You can visit the museum on Whit Monday as well..

Credits;
Slide 1/2/3/4: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 5: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Diaspora Activism in dialogue with Canopy: Ferment (Shimmer), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 6/7: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Radical Ecologies in dialogue with Canopy: Ferment (Splinter), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Join us for one final weekend of our exhibition Disobedience Archive. 💥

Spanning five chapters, the exhibition brings together 50 films that engage with disobedience in different ways — from fiction to documentary.

In “Inventur – Metzstrasse 11", for example, artist Želimir Žilnik turns his attention to the lives of guest workers in Germany, giving residents of a multicultural housing community the chance to tell their own stories.

In “Videograms of a Revolution”, Harun Farocki and Andrei Ujica take us into the midst of the Romanian Revolution, showing, among other things, how protesters seized the national television station in Bucharest and broadcast live for several days.

The exhibition remains open until 25 May.

You can visit the museum on Whit Monday as well..

Credits;
Slide 1/2/3/4: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 5: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Diaspora Activism in dialogue with Canopy: Ferment (Shimmer), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 6/7: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Radical Ecologies in dialogue with Canopy: Ferment (Splinter), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Join us for one final weekend of our exhibition Disobedience Archive. 💥

Spanning five chapters, the exhibition brings together 50 films that engage with disobedience in different ways — from fiction to documentary.

In “Inventur – Metzstrasse 11", for example, artist Želimir Žilnik turns his attention to the lives of guest workers in Germany, giving residents of a multicultural housing community the chance to tell their own stories.

In “Videograms of a Revolution”, Harun Farocki and Andrei Ujica take us into the midst of the Romanian Revolution, showing, among other things, how protesters seized the national television station in Bucharest and broadcast live for several days.

The exhibition remains open until 25 May.

You can visit the museum on Whit Monday as well..

Credits;
Slide 1/2/3/4: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 5: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Diaspora Activism in dialogue with Canopy: Ferment (Shimmer), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 6/7: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Radical Ecologies in dialogue with Canopy: Ferment (Splinter), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Join us for one final weekend of our exhibition Disobedience Archive. 💥

Spanning five chapters, the exhibition brings together 50 films that engage with disobedience in different ways — from fiction to documentary.

In “Inventur – Metzstrasse 11", for example, artist Želimir Žilnik turns his attention to the lives of guest workers in Germany, giving residents of a multicultural housing community the chance to tell their own stories.

In “Videograms of a Revolution”, Harun Farocki and Andrei Ujica take us into the midst of the Romanian Revolution, showing, among other things, how protesters seized the national television station in Bucharest and broadcast live for several days.

The exhibition remains open until 25 May.

You can visit the museum on Whit Monday as well..

Credits;
Slide 1/2/3/4: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 5: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Diaspora Activism in dialogue with Canopy: Ferment (Shimmer), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 6/7: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Radical Ecologies in dialogue with Canopy: Ferment (Splinter), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Join us for one final weekend of our exhibition Disobedience Archive. 💥

Spanning five chapters, the exhibition brings together 50 films that engage with disobedience in different ways — from fiction to documentary.

In “Inventur – Metzstrasse 11", for example, artist Želimir Žilnik turns his attention to the lives of guest workers in Germany, giving residents of a multicultural housing community the chance to tell their own stories.

In “Videograms of a Revolution”, Harun Farocki and Andrei Ujica take us into the midst of the Romanian Revolution, showing, among other things, how protesters seized the national television station in Bucharest and broadcast live for several days.

The exhibition remains open until 25 May.

You can visit the museum on Whit Monday as well..

Credits;
Slide 1/2/3/4: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 5: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Diaspora Activism in dialogue with Canopy: Ferment (Shimmer), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 6/7: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Radical Ecologies in dialogue with Canopy: Ferment (Splinter), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Join us for one final weekend of our exhibition Disobedience Archive. 💥

Spanning five chapters, the exhibition brings together 50 films that engage with disobedience in different ways — from fiction to documentary.

In “Inventur – Metzstrasse 11", for example, artist Želimir Žilnik turns his attention to the lives of guest workers in Germany, giving residents of a multicultural housing community the chance to tell their own stories.

In “Videograms of a Revolution”, Harun Farocki and Andrei Ujica take us into the midst of the Romanian Revolution, showing, among other things, how protesters seized the national television station in Bucharest and broadcast live for several days.

The exhibition remains open until 25 May.

You can visit the museum on Whit Monday as well..

Credits;
Slide 1/2/3/4: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 5: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Diaspora Activism in dialogue with Canopy: Ferment (Shimmer), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 6/7: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Radical Ecologies in dialogue with Canopy: Ferment (Splinter), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Join us for one final weekend of our exhibition Disobedience Archive. 💥

Spanning five chapters, the exhibition brings together 50 films that engage with disobedience in different ways — from fiction to documentary.

In “Inventur – Metzstrasse 11", for example, artist Želimir Žilnik turns his attention to the lives of guest workers in Germany, giving residents of a multicultural housing community the chance to tell their own stories.

In “Videograms of a Revolution”, Harun Farocki and Andrei Ujica take us into the midst of the Romanian Revolution, showing, among other things, how protesters seized the national television station in Bucharest and broadcast live for several days.

The exhibition remains open until 25 May.

You can visit the museum on Whit Monday as well..

Credits;
Slide 1/2/3/4: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 5: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Diaspora Activism in dialogue with Canopy: Ferment (Shimmer), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

Slide 6/7: Exhibition view Disobedience Archive (Canopy for Broken Time), In dialogue with Raqs Media Collective, Radical Ecologies in dialogue with Canopy: Ferment (Splinter), Migros Museum für Gegenwartskunst, 2026. Photo: Stefan Altenburger Photography, Zürich.

These thick concrete structures are an imprint of the occupation by Imperial Japan on the Ross Island from the 1940s. Ross Island, previously an administrative settlement of the British in Andaman Islands was turned into a military base by the Japanese navy. These bunkers are witnesses to the island’s turbulent history.

Bunkers have found a significant place in the thinking of ‘Black Waters.’ As we make a new work on a film that could not be finished in 1993, we dig up old boxes and folders to be surprised and renew our own selves and the island’s history.

#raqsmediacollective #film #archive #blackwaters

These thick concrete structures are an imprint of the occupation by Imperial Japan on the Ross Island from the 1940s. Ross Island, previously an administrative settlement of the British in Andaman Islands was turned into a military base by the Japanese navy. These bunkers are witnesses to the island’s turbulent history.

Bunkers have found a significant place in the thinking of ‘Black Waters.’ As we make a new work on a film that could not be finished in 1993, we dig up old boxes and folders to be surprised and renew our own selves and the island’s history.

#raqsmediacollective #film #archive #blackwaters

These thick concrete structures are an imprint of the occupation by Imperial Japan on the Ross Island from the 1940s. Ross Island, previously an administrative settlement of the British in Andaman Islands was turned into a military base by the Japanese navy. These bunkers are witnesses to the island’s turbulent history.

Bunkers have found a significant place in the thinking of ‘Black Waters.’ As we make a new work on a film that could not be finished in 1993, we dig up old boxes and folders to be surprised and renew our own selves and the island’s history.

#raqsmediacollective #film #archive #blackwaters

These thick concrete structures are an imprint of the occupation by Imperial Japan on the Ross Island from the 1940s. Ross Island, previously an administrative settlement of the British in Andaman Islands was turned into a military base by the Japanese navy. These bunkers are witnesses to the island’s turbulent history.

Bunkers have found a significant place in the thinking of ‘Black Waters.’ As we make a new work on a film that could not be finished in 1993, we dig up old boxes and folders to be surprised and renew our own selves and the island’s history.

#raqsmediacollective #film #archive #blackwaters

An afternoon of clearing out old boxes and suddenly materials from the past feel like an archive.

@sarai.csds

#raqsmediacollective #archive #photographs #sarai #csds

Photographic slides starting from film school days!

#raqsmediacollective #art #archive #photographs #filmschool

Photographic slides starting from film school days!

#raqsmediacollective #art #archive #photographs #filmschool

A security guard kept returning to the same artwork at the museum.
Over time, he began seeing animals in it.

“Good art,” Shuddhabrata Sengupta says on my podcast, “gives the wandering mind its freedom.”

Full video on YouTube. Link in bio

#culture #storytelling

How is time held, shared, and interrupted?

Under the shamiana, inside Disobedience Archive (Canopy for Broken Time), Monica Narula was in conversation with Marco Scotini and Yasmin Naderi Afschar. The gathering stayed with how archives might shape ways of being together, as we moved through histories that refuse to settle.

The Disobedience Archive, here a selection of fifty films, unfolds as a mesh of political and lived realities.Voices and gestures appear in shifting configurations, loosening the knot of a dominant narrative that holds us by the clock. It kept returning us to a question: how can time be experienced and depicted beyond the rigid structures of a world organised by a rigid idea of time?

In the present, where certainties are already dissolving, the archive opens up the possibilities of cracks within what is understood as the rational order of systems.

The shamiana continues to be our chosen architecture for these encounters. It is a space that inherently understands the “broken time” that we brought to the Migros Museum to hold this very conversation. Under its roof, what gathers here is a mosaic of shared life, where time is spent jointly, in attentiveness.

Thanks to everyone who came and stayed.

@monixa
@marco_scotini
@yasminafschar
@migrosmuseum
@disobedience_archive

#raqsmediacollective #art #archive #conversation #zurich

How is time held, shared, and interrupted?

Under the shamiana, inside Disobedience Archive (Canopy for Broken Time), Monica Narula was in conversation with Marco Scotini and Yasmin Naderi Afschar. The gathering stayed with how archives might shape ways of being together, as we moved through histories that refuse to settle.

The Disobedience Archive, here a selection of fifty films, unfolds as a mesh of political and lived realities.Voices and gestures appear in shifting configurations, loosening the knot of a dominant narrative that holds us by the clock. It kept returning us to a question: how can time be experienced and depicted beyond the rigid structures of a world organised by a rigid idea of time?

In the present, where certainties are already dissolving, the archive opens up the possibilities of cracks within what is understood as the rational order of systems.

The shamiana continues to be our chosen architecture for these encounters. It is a space that inherently understands the “broken time” that we brought to the Migros Museum to hold this very conversation. Under its roof, what gathers here is a mosaic of shared life, where time is spent jointly, in attentiveness.

Thanks to everyone who came and stayed.

@monixa
@marco_scotini
@yasminafschar
@migrosmuseum
@disobedience_archive

#raqsmediacollective #art #archive #conversation #zurich

How is time held, shared, and interrupted?

Under the shamiana, inside Disobedience Archive (Canopy for Broken Time), Monica Narula was in conversation with Marco Scotini and Yasmin Naderi Afschar. The gathering stayed with how archives might shape ways of being together, as we moved through histories that refuse to settle.

The Disobedience Archive, here a selection of fifty films, unfolds as a mesh of political and lived realities.Voices and gestures appear in shifting configurations, loosening the knot of a dominant narrative that holds us by the clock. It kept returning us to a question: how can time be experienced and depicted beyond the rigid structures of a world organised by a rigid idea of time?

In the present, where certainties are already dissolving, the archive opens up the possibilities of cracks within what is understood as the rational order of systems.

The shamiana continues to be our chosen architecture for these encounters. It is a space that inherently understands the “broken time” that we brought to the Migros Museum to hold this very conversation. Under its roof, what gathers here is a mosaic of shared life, where time is spent jointly, in attentiveness.

Thanks to everyone who came and stayed.

@monixa
@marco_scotini
@yasminafschar
@migrosmuseum
@disobedience_archive

#raqsmediacollective #art #archive #conversation #zurich

How is time held, shared, and interrupted?

Under the shamiana, inside Disobedience Archive (Canopy for Broken Time), Monica Narula was in conversation with Marco Scotini and Yasmin Naderi Afschar. The gathering stayed with how archives might shape ways of being together, as we moved through histories that refuse to settle.

The Disobedience Archive, here a selection of fifty films, unfolds as a mesh of political and lived realities.Voices and gestures appear in shifting configurations, loosening the knot of a dominant narrative that holds us by the clock. It kept returning us to a question: how can time be experienced and depicted beyond the rigid structures of a world organised by a rigid idea of time?

In the present, where certainties are already dissolving, the archive opens up the possibilities of cracks within what is understood as the rational order of systems.

The shamiana continues to be our chosen architecture for these encounters. It is a space that inherently understands the “broken time” that we brought to the Migros Museum to hold this very conversation. Under its roof, what gathers here is a mosaic of shared life, where time is spent jointly, in attentiveness.

Thanks to everyone who came and stayed.

@monixa
@marco_scotini
@yasminafschar
@migrosmuseum
@disobedience_archive

#raqsmediacollective #art #archive #conversation #zurich

How is time held, shared, and interrupted?

Under the shamiana, inside Disobedience Archive (Canopy for Broken Time), Monica Narula was in conversation with Marco Scotini and Yasmin Naderi Afschar. The gathering stayed with how archives might shape ways of being together, as we moved through histories that refuse to settle.

The Disobedience Archive, here a selection of fifty films, unfolds as a mesh of political and lived realities.Voices and gestures appear in shifting configurations, loosening the knot of a dominant narrative that holds us by the clock. It kept returning us to a question: how can time be experienced and depicted beyond the rigid structures of a world organised by a rigid idea of time?

In the present, where certainties are already dissolving, the archive opens up the possibilities of cracks within what is understood as the rational order of systems.

The shamiana continues to be our chosen architecture for these encounters. It is a space that inherently understands the “broken time” that we brought to the Migros Museum to hold this very conversation. Under its roof, what gathers here is a mosaic of shared life, where time is spent jointly, in attentiveness.

Thanks to everyone who came and stayed.

@monixa
@marco_scotini
@yasminafschar
@migrosmuseum
@disobedience_archive

#raqsmediacollective #art #archive #conversation #zurich

How is time held, shared, and interrupted?

Under the shamiana, inside Disobedience Archive (Canopy for Broken Time), Monica Narula was in conversation with Marco Scotini and Yasmin Naderi Afschar. The gathering stayed with how archives might shape ways of being together, as we moved through histories that refuse to settle.

The Disobedience Archive, here a selection of fifty films, unfolds as a mesh of political and lived realities.Voices and gestures appear in shifting configurations, loosening the knot of a dominant narrative that holds us by the clock. It kept returning us to a question: how can time be experienced and depicted beyond the rigid structures of a world organised by a rigid idea of time?

In the present, where certainties are already dissolving, the archive opens up the possibilities of cracks within what is understood as the rational order of systems.

The shamiana continues to be our chosen architecture for these encounters. It is a space that inherently understands the “broken time” that we brought to the Migros Museum to hold this very conversation. Under its roof, what gathers here is a mosaic of shared life, where time is spent jointly, in attentiveness.

Thanks to everyone who came and stayed.

@monixa
@marco_scotini
@yasminafschar
@migrosmuseum
@disobedience_archive

#raqsmediacollective #art #archive #conversation #zurich

How is time held, shared, and interrupted?

Under the shamiana, inside Disobedience Archive (Canopy for Broken Time), Monica Narula was in conversation with Marco Scotini and Yasmin Naderi Afschar. The gathering stayed with how archives might shape ways of being together, as we moved through histories that refuse to settle.

The Disobedience Archive, here a selection of fifty films, unfolds as a mesh of political and lived realities.Voices and gestures appear in shifting configurations, loosening the knot of a dominant narrative that holds us by the clock. It kept returning us to a question: how can time be experienced and depicted beyond the rigid structures of a world organised by a rigid idea of time?

In the present, where certainties are already dissolving, the archive opens up the possibilities of cracks within what is understood as the rational order of systems.

The shamiana continues to be our chosen architecture for these encounters. It is a space that inherently understands the “broken time” that we brought to the Migros Museum to hold this very conversation. Under its roof, what gathers here is a mosaic of shared life, where time is spent jointly, in attentiveness.

Thanks to everyone who came and stayed.

@monixa
@marco_scotini
@yasminafschar
@migrosmuseum
@disobedience_archive

#raqsmediacollective #art #archive #conversation #zurich

What makes a body, and what does it carry beyond itself?

Today, Jeebesh Bagchi will be at the Diriyah Contemporary Art Biennale for a conversation that poses our work ‘Something Rare to Lose’ as a provocation and moves across two decades of our practice. The artist talk traverses across the body, how it breathes and thirsts, in all its fragility, across the planetary, the human and the non-human horizons.

Join us as we sit with the questions of what sustains us and what exceeds us.

Thursday, 8:30PM
April 30, 2026
Auditorium, Diriyah Contemporary Art Biennale, JAX District

@jeebeshb
@contemporaryartbiennale_sa
@biennale_sa

#raqsmediacollective #art #talk #diriyah #biennale

In ‘An Occasional Untimeliness’, Raqs Media Collective sample some of the many ways in which they understand and practice temporality and the art of being ‘off-time’. ‘Occasional Untimeliness’ ties into Raqs’ sense of being sometimes at a tangent to the sequential exigencies and anxieties of modernity and of reading the image of time as an arrow.

في‭ ‬‮ "عدم‭ ‬راهنية‭ ‬عارضة‮" تستكشف‭ ‬جماعة‭ ‬راكس‭ ‬ميديا‭ ‬كولكتيف‭ ‬بعض‭ ‬الطرق‭ ‬المتعددة‭ ‬التي‭ ‬تفهم‭ ‬بها‭ ‬الزمن‭ ‬وتمارسه،‭ ‬وفنّ‭ ‬الوجود‭ ‬‮ "خارج‭ ‬الزمان"يرتبط‭ ‬هذا‭ ‬العمل‭ ‬بإحساس‭ ‬راكس‭ ‬بالوجود‭ ‬أحيانًا‭ ‬على‭ ‬هامش‭ ‬المتطلبات‭ ‬المتسلسلة‭ ‬وقلق‭ ‬الحداثة،‭ ‬وبمقاومة‭ ‬قراءة‭ ‬الزمن‭ ‬بوصفه‭ ‬سهمًا‭ ‬يتجه‭ ‬في‭ ‬مسار‭ ‬واحد‭.‬
‭______________________
on Time examines how we perceive time. It challenged the notions of time as a linear path and understanding it as a cyclical rhythm.
on Time was moderated by Nour Ibrahim (@nour_ib_ ).

تقدم نقاشات عن الزمان ه فهم نقدي لكيفية إدراكنا للزمن، حيث تحدّت مفاهيم الزمن كمسار خطي وفهمه كإيقاع دوري. وسلّط المشاركون الضوء على قصور
أدارت نور إبراهيم حوارات عن الزمان

The opening session entitled "on Time"aimed to provide a critical understanding of how we perceive time. It challenged the notions of time as a linear path and understanding it as a cyclical rhythm. The contributors highlighted the limitations of standardised time and its relation to power structures. The session provided different ways to perceive time as a way to expand our imagination. Contributors to the session were Raqs Media Collective (Monica Narula and Shuddhabrata Sengupta) and Léopold Lambert (the Funambulist). The session was moderated by Nour Ibrahim.

هدفت الجلسة الأولى والتي كانت بعنوان "عن الزمان" إلى تقديم فهم نقدي لكيفية إدراكنا للزمن، حيث تحدّت مفاهيم الزمن كمسار خطي وفهمه كإيقاع دوري. وسلّط المشاركون الضوء على قصور الزمن المعياري وعلاقته ببنى السلطة. وقدّمت الجلسة طرقًا مختلفة لإدراك الزمن كوسيلة لتوسيع آفاق الخيال. المشاركون في الجلسة هم مجموعة رقص ميديا (مونيكا نارولا وشودابارتا سينغبوتا) وليوبولد لامبرت (ذا فونامبوليست). أدارت الجلسة نور إبراهيم.

Image credits || حقوق الصورة: @thefunambulistmagazine

Have you had the chance to explore our exhibition Disobedience Archive (Canopy for Broken Times) yet? Featuring a total of 50 films, we present the most comprehensive selection of this constantly evolving video archive, initiated by Marco Scotini @marco_scotini in 2005.

The exhibition highlights various forms of resistance, social struggles, and collective self-organization. Events, voices, and gestures come together in new arrangements, offering diverse perspectives and interpretations rather than insisting on a singular truth. Additionally, the Raqs Media Collective @raqsmediacollective enriches the exhibition through a dialogue with the archive, adding another layer of interaction and reflection.

Come by and immerse yourself in the films – whether as a group, with a friend, or completely on your own.

Credits
Slide 1: Exhibition view Disobedience Archive (Canopy for Broken Time), Insurgent Communities in dialogue with Canopy: Ferment (Scatter), Migros Museum für Gegenwartskunst, 2026. Photo: Studio Stucky.

Slide 2:
Exhibition view Disobedience Archive (Canopy for Broken Time), Graciela Carnevale, Archivio Tucumán Arde, 1967-1975/2014 in dialogue with Canopy: Ferment (Stitch), Migros Museum für Gegenwartskunst, 2026. Photo: Studio Stucky.

#MigrosMuseum #DisobedienceArchive #ExhibitionView

Have you had the chance to explore our exhibition Disobedience Archive (Canopy for Broken Times) yet? Featuring a total of 50 films, we present the most comprehensive selection of this constantly evolving video archive, initiated by Marco Scotini @marco_scotini in 2005.

The exhibition highlights various forms of resistance, social struggles, and collective self-organization. Events, voices, and gestures come together in new arrangements, offering diverse perspectives and interpretations rather than insisting on a singular truth. Additionally, the Raqs Media Collective @raqsmediacollective enriches the exhibition through a dialogue with the archive, adding another layer of interaction and reflection.

Come by and immerse yourself in the films – whether as a group, with a friend, or completely on your own.

Credits
Slide 1: Exhibition view Disobedience Archive (Canopy for Broken Time), Insurgent Communities in dialogue with Canopy: Ferment (Scatter), Migros Museum für Gegenwartskunst, 2026. Photo: Studio Stucky.

Slide 2:
Exhibition view Disobedience Archive (Canopy for Broken Time), Graciela Carnevale, Archivio Tucumán Arde, 1967-1975/2014 in dialogue with Canopy: Ferment (Stitch), Migros Museum für Gegenwartskunst, 2026. Photo: Studio Stucky.

#MigrosMuseum #DisobedienceArchive #ExhibitionView

⁨ مجموعة رقص ميديا | عن عملهم “شيء نادر لنفقده”

تستكشف مجموعة رقص ميديا العلاقة بين الجسد والوعي، وكيف تتشكل التجربة الإنسانية من خلال الحضور والتواصل.
في هذا العمل، تتحول مساحة العرض إلى بيئة غامرة تتمحور حول الجسد في حالاته الهشة—حيث يصبح سرير التعافي نقطة التقاء بين الضعف والعناية، وبين الفرد والجماعة.
التجول داخل العمل هو لحظة سكون وتأمل، ودعوة لإعادة التفكير في الجسد، وفي الشبكات الدقيقة التي تحفظ الحياة.
تعرفوا عن قرب على عمل مجموعة رقص ميديا في بينالي الدرعية للفن المعاصر 2026.

📍 B5 — غابة الرّجع | حي جاكس، الدرعية
شاهدوا الحوار الكامل عبر قناة البينالي على يوتيوب @ DiriyahBiennaleFoundation

Raqs Media Collective | On their work Something Rare to Lose

Raqs Media Collective explores how bodies exist in relation to one another—through presence, care, and connection.
At the Biennale, this work unfolds as an immersive environment centered around a convalescence bed—drawing attention to the body as something fragile, rare, and deeply interconnected.
Moving through the work opens into a moment of stillness—an invitation to reflect on embodiment and the fragile processes that sustain life.
Experience Raqs Media Collective’s work at the Diriyah Contemporary Art Biennale 2026.

📍 B5 — A Collective Observation | JAX District, Diriyah
The full conversation is available on our YouTube channel @ DiriyahBiennaleFoundation⁩

#TAKE COLLABORATION X RAQS MEDIA

Dilpreet Bhullar ( @dilpreet_bhullar_026 ) traces how Raqs Media Collective ( @raqsmediacollective ) comprising Jeebesh Bagchi, ( @jeebeshb ) Monica Narula, ( @monixa ) and Shuddhabrata Sengupta ( @shuddha ) reframe collaboration as a critical methodology for producing knowledge, memory, and time.

Working across text, image, sound, and architecture, their practice displaces singular authorship to construct constellations of meaning — where archives become sites of intervention, and history unfolds not as a field of temporal collisions. Drawing from Walter Benjamin, the essay positions time as relational, unstable, and collectively negotiated.

From Coronation Park to Escapement and Hungry for Time, the works foreground memory as rupture -emerging through fragments, interruptions, and resistance within the circuits of capital, technology, and the museum.

Read the full essay in TAKE on Art’s March 2026 issue Collaboration.

Photos :

Slide 1: Courtesy Raqs Media Collective - Coronation Park, Venice Biennale.
Slide 2: Courtesy Raqs Media Collective - Hungry for Time, Academy of Fine Arts Vienna.
Slide 3: Courtesy Raqs Media Collective - Escapement, Frith Street Gallery.

#TAKE COLLABORATION X RAQS MEDIA

Dilpreet Bhullar ( @dilpreet_bhullar_026 ) traces how Raqs Media Collective ( @raqsmediacollective ) comprising Jeebesh Bagchi, ( @jeebeshb ) Monica Narula, ( @monixa ) and Shuddhabrata Sengupta ( @shuddha ) reframe collaboration as a critical methodology for producing knowledge, memory, and time.

Working across text, image, sound, and architecture, their practice displaces singular authorship to construct constellations of meaning — where archives become sites of intervention, and history unfolds not as a field of temporal collisions. Drawing from Walter Benjamin, the essay positions time as relational, unstable, and collectively negotiated.

From Coronation Park to Escapement and Hungry for Time, the works foreground memory as rupture -emerging through fragments, interruptions, and resistance within the circuits of capital, technology, and the museum.

Read the full essay in TAKE on Art’s March 2026 issue Collaboration.

Photos :

Slide 1: Courtesy Raqs Media Collective - Coronation Park, Venice Biennale.
Slide 2: Courtesy Raqs Media Collective - Hungry for Time, Academy of Fine Arts Vienna.
Slide 3: Courtesy Raqs Media Collective - Escapement, Frith Street Gallery.

#TAKE COLLABORATION X RAQS MEDIA

Dilpreet Bhullar ( @dilpreet_bhullar_026 ) traces how Raqs Media Collective ( @raqsmediacollective ) comprising Jeebesh Bagchi, ( @jeebeshb ) Monica Narula, ( @monixa ) and Shuddhabrata Sengupta ( @shuddha ) reframe collaboration as a critical methodology for producing knowledge, memory, and time.

Working across text, image, sound, and architecture, their practice displaces singular authorship to construct constellations of meaning — where archives become sites of intervention, and history unfolds not as a field of temporal collisions. Drawing from Walter Benjamin, the essay positions time as relational, unstable, and collectively negotiated.

From Coronation Park to Escapement and Hungry for Time, the works foreground memory as rupture -emerging through fragments, interruptions, and resistance within the circuits of capital, technology, and the museum.

Read the full essay in TAKE on Art’s March 2026 issue Collaboration.

Photos :

Slide 1: Courtesy Raqs Media Collective - Coronation Park, Venice Biennale.
Slide 2: Courtesy Raqs Media Collective - Hungry for Time, Academy of Fine Arts Vienna.
Slide 3: Courtesy Raqs Media Collective - Escapement, Frith Street Gallery.

#TAKE COLLABORATION X RAQS MEDIA

Dilpreet Bhullar ( @dilpreet_bhullar_026 ) traces how Raqs Media Collective ( @raqsmediacollective ) comprising Jeebesh Bagchi, ( @jeebeshb ) Monica Narula, ( @monixa ) and Shuddhabrata Sengupta ( @shuddha ) reframe collaboration as a critical methodology for producing knowledge, memory, and time.

Working across text, image, sound, and architecture, their practice displaces singular authorship to construct constellations of meaning — where archives become sites of intervention, and history unfolds not as a field of temporal collisions. Drawing from Walter Benjamin, the essay positions time as relational, unstable, and collectively negotiated.

From Coronation Park to Escapement and Hungry for Time, the works foreground memory as rupture -emerging through fragments, interruptions, and resistance within the circuits of capital, technology, and the museum.

Read the full essay in TAKE on Art’s March 2026 issue Collaboration.

Photos :

Slide 1: Courtesy Raqs Media Collective - Coronation Park, Venice Biennale.
Slide 2: Courtesy Raqs Media Collective - Hungry for Time, Academy of Fine Arts Vienna.
Slide 3: Courtesy Raqs Media Collective - Escapement, Frith Street Gallery.

#TAKE COLLABORATION X RAQS MEDIA

Dilpreet Bhullar ( @dilpreet_bhullar_026 ) traces how Raqs Media Collective ( @raqsmediacollective ) comprising Jeebesh Bagchi, ( @jeebeshb ) Monica Narula, ( @monixa ) and Shuddhabrata Sengupta ( @shuddha ) reframe collaboration as a critical methodology for producing knowledge, memory, and time.

Working across text, image, sound, and architecture, their practice displaces singular authorship to construct constellations of meaning — where archives become sites of intervention, and history unfolds not as a field of temporal collisions. Drawing from Walter Benjamin, the essay positions time as relational, unstable, and collectively negotiated.

From Coronation Park to Escapement and Hungry for Time, the works foreground memory as rupture -emerging through fragments, interruptions, and resistance within the circuits of capital, technology, and the museum.

Read the full essay in TAKE on Art’s March 2026 issue Collaboration.

Photos :

Slide 1: Courtesy Raqs Media Collective - Coronation Park, Venice Biennale.
Slide 2: Courtesy Raqs Media Collective - Hungry for Time, Academy of Fine Arts Vienna.
Slide 3: Courtesy Raqs Media Collective - Escapement, Frith Street Gallery.