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Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Thank you all for the birthday love! The 20s were tough, honestly. When I turned 30 last year, I made a promise to pour into ME a bit more. After only Stage Managing for the past couple of years, I missed performing. This past year I took a leap of faith to dip my toes back in and I’m grateful for every opportunity:

🐢 @newwavedrama 24 Hour Play Edition alongside the lovable @samuelkrogh in “Do Not Take My Ass to Jackson” written by @xenologists and Directed by @zmeskauskas

👻 @theatrelab_fau “Heebie Jeebies: Tales From The Midnight Campfire” written by Gina Montet and directed by @stabillions

🏆 First time award show host (WHAT?!) after being asked to be one of the @carbonellawards hosts, expertly produced by @andrew_r_kato , @eloisaferrer1982 and @fantel_music. Also, the fact that the award show took place on an FAU stage, where I graduated from 10 years ago not sure if I would even make a DENT here in the theatre scene… to now be a host for the community 10 years later is not symbolically lost on me… 🥹

🧠 A workshop staged reading of “Sapiosexual” written by the brilliant @aurinsquire and directed by the talented @chrisrensh

🏳️‍🌈 @zoeticstagemia production of “The Inheritance: Part One” directed by Stuart Meltzer at the @arshtcenter. An experience that really solidified “community” for me and the importance of history and identity.

👨🏾‍🤝‍👨🏻 @newcityplayers to perform in an EMOTIONAL two-hander directed by @timothymarkdavis , “A Case For The Existence of God” alongside the greatest scene partner I think I’ve had to date- and now, also a growing friend, @ryan_a.d . A show reminding me that it’s okay to not be okay and that help is only an outstretched hand away. Friendship is healing power.

📖💃🏻@theatrelab_fau Owl New Play Festival in the staged reading of “Last Queen of San Domino” written by @chestervancandoanything ,choreographed by @allie.beltran and directed by @mleeds1492 .

Including other survival jobs/ side quests: whether it was onstage, working on my latte art, wrangling puppies… or kids - I’m proud of year 30. I’m excited to see what adventures this new year of 31 will bring. ❤️ To 31! 🥳

Also, biceps 💪🏾

Hi Theatre Lab! I’m back 💜🤓
.
.
.

#theatrelab #actor #owlnewplayfestival

Break legs friends!

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

“Yeah, maybe it’s okay.” 💜

#ACaseForTheExistenceOfGod #closing #grateful

IYKYK.
2 more shows.

The stars of A CASE FOR THE EXISTENCE OF GOD were on @insidesoflo, sharing the importance of this story and the impact it's having in our community.

Get your tickets NOW before this powerful drama of fatherhood, friendship, and vulnerability closes on March 8th! Thank you to @arielonset for this Front Row Look!

Tickets & Showtimes at the link in our bio^^

"fueled by electrifying performances by Ryan Didato and Randall Swinton"
-FTOS review

A beautiful play about two fathers who have the courage to connect.Join us.
Running through MAR 8 in Wilton Manors.
Tickets & Showtimes in bio^^

"fueled by electrifying performances by Ryan Didato and Randall Swinton"
-FTOS review

A beautiful play about two fathers who have the courage to connect.Join us.
Running through MAR 8 in Wilton Manors.
Tickets & Showtimes in bio^^

"fueled by electrifying performances by Ryan Didato and Randall Swinton"
-FTOS review

A beautiful play about two fathers who have the courage to connect.Join us.
Running through MAR 8 in Wilton Manors.
Tickets & Showtimes in bio^^

Happy Black History Month from 2 Chocolate Cuties 🤎😘

….currently fighting urges to adopt puppies, not sure I’m gonna succeed 😬

Happy Black History Month from 2 Chocolate Cuties 🤎😘

….currently fighting urges to adopt puppies, not sure I’m gonna succeed 😬

🎬 MAKE YOUR CASE 🎬

Randall makes his case for why "the show must go on" is a terrible life philosophy.
What do YOU think? Comment below 👇

A CASE FOR THE EXISTENCE OF GOD runs FEB 21 - MAR 8
Link in bio for tickets ✨

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

IT’S OPENING NIGHT!! 🥹 I’m so touched by this script and grateful for this show. It’s gonna be a good one… honored to do this alongside @ryan_a.d ❤️ Thankful to this amazing crew and team for getting us here! Ryan, let’s do it, brother!! 🤟🏾

Tickets can be purchased at:

https://newcityplayers.org/shows/a-case-for-the-existence-of-god

#livetheatre #fortlauderdale #newcityplayers #acasefortheexistenceofgod #samueldhunter

CASE official trailer has dropped! Join us for this beautiful story about unexpected friendship, fatherhood, and finding grace in the most unlikely places.

FEB 20 - MAR 8 | Wilton Manors | Link in bio for tix^

Executive Producer:
@clearwavedental

Season Producers:
@cfbroward
@browardarts

Community Partners: @namibroward @wildbloompoetry

Lobby Sponsor:
@theandynovak @choicemortgagegroup

Starring:
@ryan_a.d
@randywolfshield

Creative Team:
Director - @timothymarkdavis
Playwright - Samuel D. Hunter
Asst. Director - Michael Gioia
Stage Manager - @ambilichoo
Asst. Stage Manager - @catalinaguardo
Scenic Design - @michaelmcclaindesign
Sound Design - @ripgrimey
Lighting Design - @desiraemerritt.ld
Props & Set Dressing Design - @chocl8nomad
Costume Design - @casey.l.sacco
Technical Director - @johnbarry_green
Run Crew - @hpetion + Sean Ryan
House Manager - @meg.lit

The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.

A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^

The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.

A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^

The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.

A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^

The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.

A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^

The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.

A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^

The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.

A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^

The space between strangers. The moment of recognition. The choice to reach across.
These are the quiet moments that change everything. Ryan Didato and Randall Swinton bring Samuel D. Hunter's beautiful story to life—a play about two fathers who discover that sometimes salvation comes from the person sitting right across from you.

A CASE FOR THE EXISTENCE OF GOD runs February 21 - March 8 in Wilton Manors.
Tickets link in bio^