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Our brand new type specimen featuring a selection of the new @briefcasetype typefaces.

Design @radeksidun @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

Our brand new type specimen featuring a selection of the new @briefcasetype typefaces.

Design @radeksidun @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

Our brand new type specimen featuring a selection of the new @briefcasetype typefaces.

Design @radeksidun @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

Our brand new type specimen featuring a selection of the new @briefcasetype typefaces.

Design @radeksidun @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

Our brand new type specimen featuring a selection of the new @briefcasetype typefaces.

Design @radeksidun @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

Last few spots available!

24 languages.
Hundreds of typographic rules.
One workshop.

Join us at ATypI 2026 🇺🇸 @atypi_org with @typofix_organd @filipdesigniq

#ATypI #Typofix #Typography #MultilingualTypography typedesign

We’re wrapping things up! With Typofix, we’re heading to the @atypi_org conference at Stanford University, where we’ll present both the printed manual and a test version of the online app.
📍Will you be at AtypI and want to be among the first to try Typofix app? Sign up for the workshop w/ @filipdesigniq and @radeksidun — link in bio🔗

🟡Typofix is like your favourite online translator, but for typography — a proofreading tool that automatically fixes typographic mistakes for all EU languages. Built with local language and typographic experts, it helps graphic designers, editors, and publishers create consistent, language-aware typography with less manual work, using a trusted database of typographic rules.

Supported by @umprum_praha and @tacr_official Programme SIGMA.

#typofix #proofreader #typography

We’re wrapping things up! With Typofix, we’re heading to the @atypi_org conference at Stanford University, where we’ll present both the printed manual and a test version of the online app.
📍Will you be at AtypI and want to be among the first to try Typofix app? Sign up for the workshop w/ @filipdesigniq and @radeksidun — link in bio🔗

🟡Typofix is like your favourite online translator, but for typography — a proofreading tool that automatically fixes typographic mistakes for all EU languages. Built with local language and typographic experts, it helps graphic designers, editors, and publishers create consistent, language-aware typography with less manual work, using a trusted database of typographic rules.

Supported by @umprum_praha and @tacr_official Programme SIGMA.

#typofix #proofreader #typography

We’re wrapping things up! With Typofix, we’re heading to the @atypi_org conference at Stanford University, where we’ll present both the printed manual and a test version of the online app.
📍Will you be at AtypI and want to be among the first to try Typofix app? Sign up for the workshop w/ @filipdesigniq and @radeksidun — link in bio🔗

🟡Typofix is like your favourite online translator, but for typography — a proofreading tool that automatically fixes typographic mistakes for all EU languages. Built with local language and typographic experts, it helps graphic designers, editors, and publishers create consistent, language-aware typography with less manual work, using a trusted database of typographic rules.

Supported by @umprum_praha and @tacr_official Programme SIGMA.

#typofix #proofreader #typography

We’re wrapping things up! With Typofix, we’re heading to the @atypi_org conference at Stanford University, where we’ll present both the printed manual and a test version of the online app.
📍Will you be at AtypI and want to be among the first to try Typofix app? Sign up for the workshop w/ @filipdesigniq and @radeksidun — link in bio🔗

🟡Typofix is like your favourite online translator, but for typography — a proofreading tool that automatically fixes typographic mistakes for all EU languages. Built with local language and typographic experts, it helps graphic designers, editors, and publishers create consistent, language-aware typography with less manual work, using a trusted database of typographic rules.

Supported by @umprum_praha and @tacr_official Programme SIGMA.

#typofix #proofreader #typography

We’re wrapping things up! With Typofix, we’re heading to the @atypi_org conference at Stanford University, where we’ll present both the printed manual and a test version of the online app.
📍Will you be at AtypI and want to be among the first to try Typofix app? Sign up for the workshop w/ @filipdesigniq and @radeksidun — link in bio🔗

🟡Typofix is like your favourite online translator, but for typography — a proofreading tool that automatically fixes typographic mistakes for all EU languages. Built with local language and typographic experts, it helps graphic designers, editors, and publishers create consistent, language-aware typography with less manual work, using a trusted database of typographic rules.

Supported by @umprum_praha and @tacr_official Programme SIGMA.

#typofix #proofreader #typography

BC Blot, BC Novatica, BC Civitas and many other typefaces covered in our @briefcasetype specimen.

Design @radeksidun and @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

BC Blot, BC Novatica, BC Civitas and many other typefaces covered in our @briefcasetype specimen.

Design @radeksidun and @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

BC Blot, BC Novatica, BC Civitas and many other typefaces covered in our @briefcasetype specimen.

Design @radeksidun and @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

BC Blot, BC Novatica, BC Civitas and many other typefaces covered in our @briefcasetype specimen.

Design @radeksidun and @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

Our brand new type specimen featuring a selection of the new @briefcasetype typefaces🗞️

Design @radeksidun @ilya___bazhanov
📸Tomáš Zumr
Fashion + styling @luciekutalkova @leedastore
Bag @heinzhelena @soap.helenaheinz
Models Yana and Karla

#graphicdesign #typeface #typedesign

TYPOFIX WORKSHOP AT ATYPI 2026 STANFORD UNIVERSITY🟡

Typofix workshop with @filipdesigniq & @radeksidun
@atypi_org 2026, Stanford University

Wed, May 27, 2026
14:00 – 17:00

How do typographic conventions differ across languages? And how to confidently handle different types of typesetting themselves?
💡Be the first to try Typofix proofreader, shift between languages and work confidently with everything from single-language texts to complex multilingual publications.

More information in bio.

#typofix

TYPOFIX WORKSHOP AT ATYPI 2026 STANFORD UNIVERSITY🟡

Typofix workshop with @filipdesigniq & @radeksidun
@atypi_org 2026, Stanford University

Wed, May 27, 2026
14:00 – 17:00

How do typographic conventions differ across languages? And how to confidently handle different types of typesetting themselves?
💡Be the first to try Typofix proofreader, shift between languages and work confidently with everything from single-language texts to complex multilingual publications.

More information in bio.

#typofix

TYPOFIX WORKSHOP AT ATYPI 2026 STANFORD UNIVERSITY🟡

Typofix workshop with @filipdesigniq & @radeksidun
@atypi_org 2026, Stanford University

Wed, May 27, 2026
14:00 – 17:00

How do typographic conventions differ across languages? And how to confidently handle different types of typesetting themselves?
💡Be the first to try Typofix proofreader, shift between languages and work confidently with everything from single-language texts to complex multilingual publications.

More information in bio.

#typofix

Today, typographer Jiří Rathouský would have celebrated his 102nd birthday and we are happy to share this week’s launch of the newly published book System Rathouský – Metro, Typo, Info Design 🎂
The publication presents a comprehensive overview of the lifelong work of Jiří Rathouský (20 April 1924 – 5 September 2003), one of the most significant Czech designers and typographers of the second half of the 20th century, outlining the principal areas of his creative and conceptual thinking within visual communication.

One of the contributors is @radeksidun – his chapter is devoted entirely to Rathouský’s type design, presenting newly discovered proposals and previously unseen material, and offering fresh insights into the development and significance of his typographic work.

All the texts were analytically developed by experts in graphic design and visual communication: @petr_babak, Pavel Coufalík, Helena Maňasová Hradská, @martin_pecina_typograf, Pavel Ryška and @radeksidun, edited by Marta Sylvestrová.

🎾 Join us for the book launch on Wednesday, April 22, at 6:00 p.m. at @artarchiv – @doxprague.
Systém Rathouský – Metro, Typo, Info Design
Pages: 431
Binding: Hardcover
Year of publication: 2026
Publisher: @moravskagalerie

#briefcasetype #jirirathousky

To mark the 165th anniversary of our factory in Bystřice pod Hostýnem, graphic designer and typographer @radeksidun has created a series of posters for us.

From among many designs, we selected four final versions, which were produced using traditional screen-printing techniques.

You’ll be able to see them soon in our showrooms.

#165yearsanniversary

Radek Sidun
Czech Republic

Jury Member — And Now East 2026

Radek Sidun (1980) devotes himself primarily to fonts and typography. His graduation thesis at the UMPRUM Academy of Arts, Architecture & Design dealt with the issue of diacritics in world languages. As a result, he is a sought-after consultant to font designers and type foundries worldwide. He’s served as a pedagogue at the Type Design and Typography studio of the UMPRUM Academy in Prague. He lectures on contemporary typography and its recent history at the same institution.

Together with Tomáš Brousil, he founded Briefcase Type Foundry in 2012. He has received several awards for his projects, such as a Gold Medal at the European Design Awards 2013 and, lately, the Certificate of Typographic Excellence 2014 by the Type Directors Club for BC News, which he designed and edited. He is a member of the editorial team of the award-winning book TYPO9010 (2015), co-author of the book Jaroslav Benda 1882-1970: Typographic Design and Typeface (2019) and author of the publication Manual of Diacritics: Case studies of newly designed accents for contemporary typefaces (2021).

He regularly lectures at international and domestic design and typography festivals.

—
Have a poster to share?
Submit your work to And Now East 2026

Radek Sidun
Czech Republic

Jury Member — And Now East 2026

Radek Sidun (1980) devotes himself primarily to fonts and typography. His graduation thesis at the UMPRUM Academy of Arts, Architecture & Design dealt with the issue of diacritics in world languages. As a result, he is a sought-after consultant to font designers and type foundries worldwide. He’s served as a pedagogue at the Type Design and Typography studio of the UMPRUM Academy in Prague. He lectures on contemporary typography and its recent history at the same institution.

Together with Tomáš Brousil, he founded Briefcase Type Foundry in 2012. He has received several awards for his projects, such as a Gold Medal at the European Design Awards 2013 and, lately, the Certificate of Typographic Excellence 2014 by the Type Directors Club for BC News, which he designed and edited. He is a member of the editorial team of the award-winning book TYPO9010 (2015), co-author of the book Jaroslav Benda 1882-1970: Typographic Design and Typeface (2019) and author of the publication Manual of Diacritics: Case studies of newly designed accents for contemporary typefaces (2021).

He regularly lectures at international and domestic design and typography festivals.

—
Have a poster to share?
Submit your work to And Now East 2026

Radek Sidun
Czech Republic

Jury Member — And Now East 2026

Radek Sidun (1980) devotes himself primarily to fonts and typography. His graduation thesis at the UMPRUM Academy of Arts, Architecture & Design dealt with the issue of diacritics in world languages. As a result, he is a sought-after consultant to font designers and type foundries worldwide. He’s served as a pedagogue at the Type Design and Typography studio of the UMPRUM Academy in Prague. He lectures on contemporary typography and its recent history at the same institution.

Together with Tomáš Brousil, he founded Briefcase Type Foundry in 2012. He has received several awards for his projects, such as a Gold Medal at the European Design Awards 2013 and, lately, the Certificate of Typographic Excellence 2014 by the Type Directors Club for BC News, which he designed and edited. He is a member of the editorial team of the award-winning book TYPO9010 (2015), co-author of the book Jaroslav Benda 1882-1970: Typographic Design and Typeface (2019) and author of the publication Manual of Diacritics: Case studies of newly designed accents for contemporary typefaces (2021).

He regularly lectures at international and domestic design and typography festivals.

—
Have a poster to share?
Submit your work to And Now East 2026

Radek Sidun
Czech Republic

Jury Member — And Now East 2026

Radek Sidun (1980) devotes himself primarily to fonts and typography. His graduation thesis at the UMPRUM Academy of Arts, Architecture & Design dealt with the issue of diacritics in world languages. As a result, he is a sought-after consultant to font designers and type foundries worldwide. He’s served as a pedagogue at the Type Design and Typography studio of the UMPRUM Academy in Prague. He lectures on contemporary typography and its recent history at the same institution.

Together with Tomáš Brousil, he founded Briefcase Type Foundry in 2012. He has received several awards for his projects, such as a Gold Medal at the European Design Awards 2013 and, lately, the Certificate of Typographic Excellence 2014 by the Type Directors Club for BC News, which he designed and edited. He is a member of the editorial team of the award-winning book TYPO9010 (2015), co-author of the book Jaroslav Benda 1882-1970: Typographic Design and Typeface (2019) and author of the publication Manual of Diacritics: Case studies of newly designed accents for contemporary typefaces (2021).

He regularly lectures at international and domestic design and typography festivals.

—
Have a poster to share?
Submit your work to And Now East 2026

Radek Sidun
Czech Republic

Jury Member — And Now East 2026

Radek Sidun (1980) devotes himself primarily to fonts and typography. His graduation thesis at the UMPRUM Academy of Arts, Architecture & Design dealt with the issue of diacritics in world languages. As a result, he is a sought-after consultant to font designers and type foundries worldwide. He’s served as a pedagogue at the Type Design and Typography studio of the UMPRUM Academy in Prague. He lectures on contemporary typography and its recent history at the same institution.

Together with Tomáš Brousil, he founded Briefcase Type Foundry in 2012. He has received several awards for his projects, such as a Gold Medal at the European Design Awards 2013 and, lately, the Certificate of Typographic Excellence 2014 by the Type Directors Club for BC News, which he designed and edited. He is a member of the editorial team of the award-winning book TYPO9010 (2015), co-author of the book Jaroslav Benda 1882-1970: Typographic Design and Typeface (2019) and author of the publication Manual of Diacritics: Case studies of newly designed accents for contemporary typefaces (2021).

He regularly lectures at international and domestic design and typography festivals.

—
Have a poster to share?
Submit your work to And Now East 2026

TypoFix Workshop — Filip Blažek & Radek Sidun

A hands-on workshop exploring multilingual typography and the nuances of typesetting across languages. Learn how to detect and correct typographic details—from quotation marks to spacing and punctuation—using TypoFix. Work with real texts, understand language-specific conventions, and streamline your typographic workflow. Precision in every detail.

Homescreen: Design for Belonging
May 27–30, 2026
Stanford University, Palo Alto, California, USA

Program now live.
Registration open.
Join us.

🔗 Link in bio.

#ATypI2026 #ATypIStanford #Typography #Stanford #ATypI

TypoFix Workshop — Filip Blažek & Radek Sidun

A hands-on workshop exploring multilingual typography and the nuances of typesetting across languages. Learn how to detect and correct typographic details—from quotation marks to spacing and punctuation—using TypoFix. Work with real texts, understand language-specific conventions, and streamline your typographic workflow. Precision in every detail.

Homescreen: Design for Belonging
May 27–30, 2026
Stanford University, Palo Alto, California, USA

Program now live.
Registration open.
Join us.

🔗 Link in bio.

#ATypI2026 #ATypIStanford #Typography #Stanford #ATypI

TypoFix Workshop — Filip Blažek & Radek Sidun

A hands-on workshop exploring multilingual typography and the nuances of typesetting across languages. Learn how to detect and correct typographic details—from quotation marks to spacing and punctuation—using TypoFix. Work with real texts, understand language-specific conventions, and streamline your typographic workflow. Precision in every detail.

Homescreen: Design for Belonging
May 27–30, 2026
Stanford University, Palo Alto, California, USA

Program now live.
Registration open.
Join us.

🔗 Link in bio.

#ATypI2026 #ATypIStanford #Typography #Stanford #ATypI

TypoFix Workshop — Filip Blažek & Radek Sidun

A hands-on workshop exploring multilingual typography and the nuances of typesetting across languages. Learn how to detect and correct typographic details—from quotation marks to spacing and punctuation—using TypoFix. Work with real texts, understand language-specific conventions, and streamline your typographic workflow. Precision in every detail.

Homescreen: Design for Belonging
May 27–30, 2026
Stanford University, Palo Alto, California, USA

Program now live.
Registration open.
Join us.

🔗 Link in bio.

#ATypI2026 #ATypIStanford #Typography #Stanford #ATypI

Filip Blažek and Radek Sidun will be speaking at ATypI 2026 Stanford

Homescreen: Design for Belonging
May 27–30, 2026
Stanford University, Palo Alto, California, USA

Workshop:
TypoFix Workshop

Program now live.
Registration open.
Join us.

🔗 Link in bio

#ATypI2026 #ATypIStanford #Typography #Stanford #ATypI

Filip Blažek and Radek Sidun will be speaking at ATypI 2026 Stanford

Homescreen: Design for Belonging
May 27–30, 2026
Stanford University, Palo Alto, California, USA

Workshop:
TypoFix Workshop

Program now live.
Registration open.
Join us.

🔗 Link in bio

#ATypI2026 #ATypIStanford #Typography #Stanford #ATypI

Design Talks #02 in Warsaw 🎤✨:

Huge thanks for the perfectly organised event in Warsaw 🙌
The lecture within @polishgraphicdesign was a real pleasure — great production, focused audience, no chaos, just genuine interest in typography and design. This is how a design talk should feel.
Huge respect to the organisers and everyone behind this 👏

Made in Central Europe: “When the entire world is written in one script, what does it actually mean to be local?”
The talk, presented by @radeksidun, explored how typography of the late 20th century is usually interpreted through a Western lens, while Central Europe — with its rich but less visible heritage — remains on the margins.
How do we maintain local authenticity in a global visual culture without falling into nostalgia?
Type travels through time. What once was fashionable can gain new meaning today. The lecture focused on parallels between past and present, the thin line between inspiration and copying, and why it still isn’t “sexy” to admit that even a new font can grow from historical roots.

🎤 Greetings to all amazing speakers included:
📍 @kyivtypefoundry — Yevgeniy Anfalov (Kyiv Type Foundry)
📍 @dominikatobola — Dominika Toboła (Neon Museum, Warsaw
📍 abcdinamo — Johannes Breyer (Dinamo Typefaces)
📍 @kiel.d.m — Kiel Danger Mutschelknaus
📍 @booksloveliza — Liza Enebeis (Studio Dumbar)
📍 @eps51 — Ben Wittner (Eps51)
📍 @radeksidun Radek Sidun (Briefcase Type Foundry)

Thank you, Warsaw.
Central Europe isn’t the periphery — it’s a source. ✊
Photos by Patryk Wisniewski @panpatryk and Lucie Kutalkova @luciekutalkova

#MadeInCentralEurope #Typography #czechtype

Design Talks #02 in Warsaw 🎤✨:

Huge thanks for the perfectly organised event in Warsaw 🙌
The lecture within @polishgraphicdesign was a real pleasure — great production, focused audience, no chaos, just genuine interest in typography and design. This is how a design talk should feel.
Huge respect to the organisers and everyone behind this 👏

Made in Central Europe: “When the entire world is written in one script, what does it actually mean to be local?”
The talk, presented by @radeksidun, explored how typography of the late 20th century is usually interpreted through a Western lens, while Central Europe — with its rich but less visible heritage — remains on the margins.
How do we maintain local authenticity in a global visual culture without falling into nostalgia?
Type travels through time. What once was fashionable can gain new meaning today. The lecture focused on parallels between past and present, the thin line between inspiration and copying, and why it still isn’t “sexy” to admit that even a new font can grow from historical roots.

🎤 Greetings to all amazing speakers included:
📍 @kyivtypefoundry — Yevgeniy Anfalov (Kyiv Type Foundry)
📍 @dominikatobola — Dominika Toboła (Neon Museum, Warsaw
📍 abcdinamo — Johannes Breyer (Dinamo Typefaces)
📍 @kiel.d.m — Kiel Danger Mutschelknaus
📍 @booksloveliza — Liza Enebeis (Studio Dumbar)
📍 @eps51 — Ben Wittner (Eps51)
📍 @radeksidun Radek Sidun (Briefcase Type Foundry)

Thank you, Warsaw.
Central Europe isn’t the periphery — it’s a source. ✊
Photos by Patryk Wisniewski @panpatryk and Lucie Kutalkova @luciekutalkova

#MadeInCentralEurope #Typography #czechtype

Design Talks #02 in Warsaw 🎤✨:

Huge thanks for the perfectly organised event in Warsaw 🙌
The lecture within @polishgraphicdesign was a real pleasure — great production, focused audience, no chaos, just genuine interest in typography and design. This is how a design talk should feel.
Huge respect to the organisers and everyone behind this 👏

Made in Central Europe: “When the entire world is written in one script, what does it actually mean to be local?”
The talk, presented by @radeksidun, explored how typography of the late 20th century is usually interpreted through a Western lens, while Central Europe — with its rich but less visible heritage — remains on the margins.
How do we maintain local authenticity in a global visual culture without falling into nostalgia?
Type travels through time. What once was fashionable can gain new meaning today. The lecture focused on parallels between past and present, the thin line between inspiration and copying, and why it still isn’t “sexy” to admit that even a new font can grow from historical roots.

🎤 Greetings to all amazing speakers included:
📍 @kyivtypefoundry — Yevgeniy Anfalov (Kyiv Type Foundry)
📍 @dominikatobola — Dominika Toboła (Neon Museum, Warsaw
📍 abcdinamo — Johannes Breyer (Dinamo Typefaces)
📍 @kiel.d.m — Kiel Danger Mutschelknaus
📍 @booksloveliza — Liza Enebeis (Studio Dumbar)
📍 @eps51 — Ben Wittner (Eps51)
📍 @radeksidun Radek Sidun (Briefcase Type Foundry)

Thank you, Warsaw.
Central Europe isn’t the periphery — it’s a source. ✊
Photos by Patryk Wisniewski @panpatryk and Lucie Kutalkova @luciekutalkova

#MadeInCentralEurope #Typography #czechtype

Design Talks #02 in Warsaw 🎤✨:

Huge thanks for the perfectly organised event in Warsaw 🙌
The lecture within @polishgraphicdesign was a real pleasure — great production, focused audience, no chaos, just genuine interest in typography and design. This is how a design talk should feel.
Huge respect to the organisers and everyone behind this 👏

Made in Central Europe: “When the entire world is written in one script, what does it actually mean to be local?”
The talk, presented by @radeksidun, explored how typography of the late 20th century is usually interpreted through a Western lens, while Central Europe — with its rich but less visible heritage — remains on the margins.
How do we maintain local authenticity in a global visual culture without falling into nostalgia?
Type travels through time. What once was fashionable can gain new meaning today. The lecture focused on parallels between past and present, the thin line between inspiration and copying, and why it still isn’t “sexy” to admit that even a new font can grow from historical roots.

🎤 Greetings to all amazing speakers included:
📍 @kyivtypefoundry — Yevgeniy Anfalov (Kyiv Type Foundry)
📍 @dominikatobola — Dominika Toboła (Neon Museum, Warsaw
📍 abcdinamo — Johannes Breyer (Dinamo Typefaces)
📍 @kiel.d.m — Kiel Danger Mutschelknaus
📍 @booksloveliza — Liza Enebeis (Studio Dumbar)
📍 @eps51 — Ben Wittner (Eps51)
📍 @radeksidun Radek Sidun (Briefcase Type Foundry)

Thank you, Warsaw.
Central Europe isn’t the periphery — it’s a source. ✊
Photos by Patryk Wisniewski @panpatryk and Lucie Kutalkova @luciekutalkova

#MadeInCentralEurope #Typography #czechtype

Design Talks #02 in Warsaw 🎤✨:

Huge thanks for the perfectly organised event in Warsaw 🙌
The lecture within @polishgraphicdesign was a real pleasure — great production, focused audience, no chaos, just genuine interest in typography and design. This is how a design talk should feel.
Huge respect to the organisers and everyone behind this 👏

Made in Central Europe: “When the entire world is written in one script, what does it actually mean to be local?”
The talk, presented by @radeksidun, explored how typography of the late 20th century is usually interpreted through a Western lens, while Central Europe — with its rich but less visible heritage — remains on the margins.
How do we maintain local authenticity in a global visual culture without falling into nostalgia?
Type travels through time. What once was fashionable can gain new meaning today. The lecture focused on parallels between past and present, the thin line between inspiration and copying, and why it still isn’t “sexy” to admit that even a new font can grow from historical roots.

🎤 Greetings to all amazing speakers included:
📍 @kyivtypefoundry — Yevgeniy Anfalov (Kyiv Type Foundry)
📍 @dominikatobola — Dominika Toboła (Neon Museum, Warsaw
📍 abcdinamo — Johannes Breyer (Dinamo Typefaces)
📍 @kiel.d.m — Kiel Danger Mutschelknaus
📍 @booksloveliza — Liza Enebeis (Studio Dumbar)
📍 @eps51 — Ben Wittner (Eps51)
📍 @radeksidun Radek Sidun (Briefcase Type Foundry)

Thank you, Warsaw.
Central Europe isn’t the periphery — it’s a source. ✊
Photos by Patryk Wisniewski @panpatryk and Lucie Kutalkova @luciekutalkova

#MadeInCentralEurope #Typography #czechtype

Design Talks #02 in Warsaw 🎤✨:

Huge thanks for the perfectly organised event in Warsaw 🙌
The lecture within @polishgraphicdesign was a real pleasure — great production, focused audience, no chaos, just genuine interest in typography and design. This is how a design talk should feel.
Huge respect to the organisers and everyone behind this 👏

Made in Central Europe: “When the entire world is written in one script, what does it actually mean to be local?”
The talk, presented by @radeksidun, explored how typography of the late 20th century is usually interpreted through a Western lens, while Central Europe — with its rich but less visible heritage — remains on the margins.
How do we maintain local authenticity in a global visual culture without falling into nostalgia?
Type travels through time. What once was fashionable can gain new meaning today. The lecture focused on parallels between past and present, the thin line between inspiration and copying, and why it still isn’t “sexy” to admit that even a new font can grow from historical roots.

🎤 Greetings to all amazing speakers included:
📍 @kyivtypefoundry — Yevgeniy Anfalov (Kyiv Type Foundry)
📍 @dominikatobola — Dominika Toboła (Neon Museum, Warsaw
📍 abcdinamo — Johannes Breyer (Dinamo Typefaces)
📍 @kiel.d.m — Kiel Danger Mutschelknaus
📍 @booksloveliza — Liza Enebeis (Studio Dumbar)
📍 @eps51 — Ben Wittner (Eps51)
📍 @radeksidun Radek Sidun (Briefcase Type Foundry)

Thank you, Warsaw.
Central Europe isn’t the periphery — it’s a source. ✊
Photos by Patryk Wisniewski @panpatryk and Lucie Kutalkova @luciekutalkova

#MadeInCentralEurope #Typography #czechtype

Design Talks #02 in Warsaw 🎤✨:

Huge thanks for the perfectly organised event in Warsaw 🙌
The lecture within @polishgraphicdesign was a real pleasure — great production, focused audience, no chaos, just genuine interest in typography and design. This is how a design talk should feel.
Huge respect to the organisers and everyone behind this 👏

Made in Central Europe: “When the entire world is written in one script, what does it actually mean to be local?”
The talk, presented by @radeksidun, explored how typography of the late 20th century is usually interpreted through a Western lens, while Central Europe — with its rich but less visible heritage — remains on the margins.
How do we maintain local authenticity in a global visual culture without falling into nostalgia?
Type travels through time. What once was fashionable can gain new meaning today. The lecture focused on parallels between past and present, the thin line between inspiration and copying, and why it still isn’t “sexy” to admit that even a new font can grow from historical roots.

🎤 Greetings to all amazing speakers included:
📍 @kyivtypefoundry — Yevgeniy Anfalov (Kyiv Type Foundry)
📍 @dominikatobola — Dominika Toboła (Neon Museum, Warsaw
📍 abcdinamo — Johannes Breyer (Dinamo Typefaces)
📍 @kiel.d.m — Kiel Danger Mutschelknaus
📍 @booksloveliza — Liza Enebeis (Studio Dumbar)
📍 @eps51 — Ben Wittner (Eps51)
📍 @radeksidun Radek Sidun (Briefcase Type Foundry)

Thank you, Warsaw.
Central Europe isn’t the periphery — it’s a source. ✊
Photos by Patryk Wisniewski @panpatryk and Lucie Kutalkova @luciekutalkova

#MadeInCentralEurope #Typography #czechtype