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There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

There was no dust to settle after this year’s lush @pitchmusicandarts 🏞️🤍

After six amazing years of providing audio for the Pitch Black stage, we were invited to make the exciting move over to the newly redesigned @resident_advisor stage last weekend.

Working alongside the pitch core production team (@harveyogle) and stage and lighting designers @studio.raito, we were able to fly the PA once again while working within the circular stage design. It was a pleasure working alongside Colin, Tijs, Yunus and @brendan.harwood supporting the aural aspect of the incredible visual immersion they created in the space.

Another year down at pitch, and potentially the best one yet. We’re super proud of this one & can’t wait for next year!

Main PA:
6x EVO7TL
6x EVO7TH
6x EVO7T
20x F124 (broadside array, five clusters)

Outfill:
4x EVO7E

Infill:
4x EVO6E

Delay:
4x EVO6EH
4x F215
2x F1201

Monitoring:
2x EVO2
2x BR221

All amplification and processing by @fullfataudioofficial and @nstaudio

Photos and videos by @nicolo_gzp

@funktiononeofficial

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

41 speakers & 32 subs across the dusty northern Victorian plains, the icy cold Alpine region and a velodrome in between, we’re feeling proud to be on the other side of our biggest new year’s to date!

All five stages were powered by @fullfataudioofficial & @nstaudio ❤️

@diega.au / 📍Mount Baw Baw, VIC (slides 1-6)

Main Stage
4x Evo 7TH
4x Evo 7T
5x F124
1x F1201 (centre fill)

+ Evo 2 + BR118 monitoring

Side Stage
2x Res 4
6x F121

+ Quest band monitor package

un:send / 📍 Tallarook, VIC (slides 6-12)

Main Stage
4x Evo 6E
6x F221 (2x in end-fire cardioid configuration)
2x F101 infill

+ PSM18 & BR121 Monitoring

Side Stage
4x F1201.2 (four point configuration)
2x BR221

@ltecnyd / 📍Coburg Velodrome, VIC

Stage 3
2x Evo 7TH
6x Evo 7T
11x F124
2x Evo 6EH
2x F215

+ PSM12 & F215 monitoring

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

Cat’s out of the bag!

This one’s been a long time coming, but we are so excited to have launched our new Evo 7 touring rig on one of the best dancefloors we have the privilege of supplying audio for, @strawberryfields_festival’s Deep Jungle stage last weekend.

We’ve been slowly acquiring enough boxes over the last few years to make this system happen, and are stoked with the end result.

A massive thank you to SF for having us back once again & James Melani from @alter_place for facilitating our sound design into the overall stage design.

Main PA
6x Evo 7TL
6x Evo 7TH
12x Evo 7T
15x F124
6x F221

Sidefill
4x Evo 6E

Infill
4x Evo 6EH
4x F215
2x F1201

Delay
4x Evo 7E

DJ Monitoring
2x PSM18
2x BR121

Circle of Live Monitoring @circleof.live
2x PSM12
4x F1201.2
2x BR118

Amplification, control and processing by
NST Audio @nstaudio
Full Fat Audio @fullfataudioofficial
Allen & Heath @allenandheath
IGS Audio @igsaudio
ONEstage @onestageau

Photos by @nicolo_gzp

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

While some of the team were on a boat, the other half were inside a dormant volcano for this year’s edition of @ballista___ ⛰️

With two nights of programming, we provided audio and backline for their fifth edition. Thanks again to the team at Ballista for having us!

Main PA
4x Evo 7
2x F215
4x F121
2x F124

+ 2x F1201 infill

Monitoring
2x PSM18
2x BR121

all amps and processing by @fullfataudioofficial & @nstaudio

Very excited to welcome the new Evolution 2 to our rental stock! We opted for the tri-amped version for added flexibility and control.

You’ll be seeing a lot of these versatile speakers over the coming festival season as infill, outfill, small PA configurations and all the rest.

@funktiononeofficial

Very excited to welcome the new Evolution 2 to our rental stock! We opted for the tri-amped version for added flexibility and control.

You’ll be seeing a lot of these versatile speakers over the coming festival season as infill, outfill, small PA configurations and all the rest.

@funktiononeofficial

Very excited to welcome the new Evolution 2 to our rental stock! We opted for the tri-amped version for added flexibility and control.

You’ll be seeing a lot of these versatile speakers over the coming festival season as infill, outfill, small PA configurations and all the rest.

@funktiononeofficial

Very excited to welcome the new Evolution 2 to our rental stock! We opted for the tri-amped version for added flexibility and control.

You’ll be seeing a lot of these versatile speakers over the coming festival season as infill, outfill, small PA configurations and all the rest.

@funktiononeofficial

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

It’s been a while since we’ve posted (we’ve got a lot of catching up to do!)

To kick things off before the season gets into full swing, a hazy weekend in the Otways for @mon.i.ker a few weeks ago. We provided audio for two stages, an indoor and outdoor one with different needs, bespoke deployments and some really nice results.

Outdoor Stage
4x Evo 6 EH
4x F215
4x F124

+ 2x Res 4 & BR121 as monitoring

Indoor Stage (four point config)
2x F1201
2x F101
2x BR221

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

No news Sonder music and Arts.

Artist @nonews___

Lighting design and operation

Photos: @will.hamiltoncoates

An incredible display of what live instruments and phenomenal musicians can produce paired with one of the smoothest transitions. This was unbelievable to be apart of and to just listen to.

Production: @labyrinth_studios_
Foh audio: @angus_edwards_
Production manager: @sam_abrehart
Sound system : @purple_audio
Lighting supply: @starliteproductionsaustralia

Into a New Year and we spent it enjoying the sun at @ltecnyd and an intimate gathering in its sixth iteration @diega.au

LET THEM EAT CAKE / @ltecnyd

Stage 3:
Main:
8x Evo7
8x F124
3x F221
Infill: 2x 1201
2x PSM18, 2x BR121 (monitors)

Stage 4:
Main:
6x Evo7
6x F221
Balcony Fill: 2x F101
2x PSM12, 2x BR118 (monitors)

V.I.P After Party- Werribee Mansion
Room 1:
Main:
2x Evo6
6x F121
2x PSM18 (monitors)

Room 2:
Main:
2x Res 4
2x F121
2x PSM 12 (monitors)

Lawn Chill Stage:
2x F1201
2x BR121

DIEGA / @diega.au

Main Stage:
2x Evo6
4x F121

All Stages powered by @fullfataudioofficial and processing by @nstaudio

Into a New Year and we spent it enjoying the sun at @ltecnyd and an intimate gathering in its sixth iteration @diega.au

LET THEM EAT CAKE / @ltecnyd

Stage 3:
Main:
8x Evo7
8x F124
3x F221
Infill: 2x 1201
2x PSM18, 2x BR121 (monitors)

Stage 4:
Main:
6x Evo7
6x F221
Balcony Fill: 2x F101
2x PSM12, 2x BR118 (monitors)

V.I.P After Party- Werribee Mansion
Room 1:
Main:
2x Evo6
6x F121
2x PSM18 (monitors)

Room 2:
Main:
2x Res 4
2x F121
2x PSM 12 (monitors)

Lawn Chill Stage:
2x F1201
2x BR121

DIEGA / @diega.au

Main Stage:
2x Evo6
4x F121

All Stages powered by @fullfataudioofficial and processing by @nstaudio

Into a New Year and we spent it enjoying the sun at @ltecnyd and an intimate gathering in its sixth iteration @diega.au

LET THEM EAT CAKE / @ltecnyd

Stage 3:
Main:
8x Evo7
8x F124
3x F221
Infill: 2x 1201
2x PSM18, 2x BR121 (monitors)

Stage 4:
Main:
6x Evo7
6x F221
Balcony Fill: 2x F101
2x PSM12, 2x BR118 (monitors)

V.I.P After Party- Werribee Mansion
Room 1:
Main:
2x Evo6
6x F121
2x PSM18 (monitors)

Room 2:
Main:
2x Res 4
2x F121
2x PSM 12 (monitors)

Lawn Chill Stage:
2x F1201
2x BR121

DIEGA / @diega.au

Main Stage:
2x Evo6
4x F121

All Stages powered by @fullfataudioofficial and processing by @nstaudio

Into a New Year and we spent it enjoying the sun at @ltecnyd and an intimate gathering in its sixth iteration @diega.au

LET THEM EAT CAKE / @ltecnyd

Stage 3:
Main:
8x Evo7
8x F124
3x F221
Infill: 2x 1201
2x PSM18, 2x BR121 (monitors)

Stage 4:
Main:
6x Evo7
6x F221
Balcony Fill: 2x F101
2x PSM12, 2x BR118 (monitors)

V.I.P After Party- Werribee Mansion
Room 1:
Main:
2x Evo6
6x F121
2x PSM18 (monitors)

Room 2:
Main:
2x Res 4
2x F121
2x PSM 12 (monitors)

Lawn Chill Stage:
2x F1201
2x BR121

DIEGA / @diega.au

Main Stage:
2x Evo6
4x F121

All Stages powered by @fullfataudioofficial and processing by @nstaudio

Into a New Year and we spent it enjoying the sun at @ltecnyd and an intimate gathering in its sixth iteration @diega.au

LET THEM EAT CAKE / @ltecnyd

Stage 3:
Main:
8x Evo7
8x F124
3x F221
Infill: 2x 1201
2x PSM18, 2x BR121 (monitors)

Stage 4:
Main:
6x Evo7
6x F221
Balcony Fill: 2x F101
2x PSM12, 2x BR118 (monitors)

V.I.P After Party- Werribee Mansion
Room 1:
Main:
2x Evo6
6x F121
2x PSM18 (monitors)

Room 2:
Main:
2x Res 4
2x F121
2x PSM 12 (monitors)

Lawn Chill Stage:
2x F1201
2x BR121

DIEGA / @diega.au

Main Stage:
2x Evo6
4x F121

All Stages powered by @fullfataudioofficial and processing by @nstaudio

Into a New Year and we spent it enjoying the sun at @ltecnyd and an intimate gathering in its sixth iteration @diega.au

LET THEM EAT CAKE / @ltecnyd

Stage 3:
Main:
8x Evo7
8x F124
3x F221
Infill: 2x 1201
2x PSM18, 2x BR121 (monitors)

Stage 4:
Main:
6x Evo7
6x F221
Balcony Fill: 2x F101
2x PSM12, 2x BR118 (monitors)

V.I.P After Party- Werribee Mansion
Room 1:
Main:
2x Evo6
6x F121
2x PSM18 (monitors)

Room 2:
Main:
2x Res 4
2x F121
2x PSM 12 (monitors)

Lawn Chill Stage:
2x F1201
2x BR121

DIEGA / @diega.au

Main Stage:
2x Evo6
4x F121

All Stages powered by @fullfataudioofficial and processing by @nstaudio

Into a New Year and we spent it enjoying the sun at @ltecnyd and an intimate gathering in its sixth iteration @diega.au

LET THEM EAT CAKE / @ltecnyd

Stage 3:
Main:
8x Evo7
8x F124
3x F221
Infill: 2x 1201
2x PSM18, 2x BR121 (monitors)

Stage 4:
Main:
6x Evo7
6x F221
Balcony Fill: 2x F101
2x PSM12, 2x BR118 (monitors)

V.I.P After Party- Werribee Mansion
Room 1:
Main:
2x Evo6
6x F121
2x PSM18 (monitors)

Room 2:
Main:
2x Res 4
2x F121
2x PSM 12 (monitors)

Lawn Chill Stage:
2x F1201
2x BR121

DIEGA / @diega.au

Main Stage:
2x Evo6
4x F121

All Stages powered by @fullfataudioofficial and processing by @nstaudio

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Now that the dust (and caked on mud) has settled, we’re feeling grateful for our return to @strawberryfields_festival after five years.

Since our last install at the beach stage in 2019, we were super excited to take on a bigger stage for SF’s 15 year anniversary. The Deep Jungle stage has always been a favourite of ours, and working alongside stage designer @jamesmelani / @alter_place, integrating the system into the overall design was a massive pleasure. We ran both Endfire T and Compact Delta arrays for the F121 and F124 respectively to keep the bass away from the shipping containers behind them and reduce stack height, with the F121s operating asymmetrically from 40-85hz, and the 24s taking care of the oomph from 40hz down. We were impressed with the throw of the evo’s, hitting 85dBA at the toilets 100m away and still retaining intelligibility in the mid/high.

A highlight performance for us was @circleof.live by @sebastianmullaert, @sleepd93 and @kuniyuki_takahashi_music. A four-hour live improvised performance, needing only minimal overall multi-band compression on the system. The system was clear, open and effortless throughout the four hour journey, and we felt very privileged to have them working the sound-system over that time. With three different setups, Circle of Live was supported by 6 monitor sends, with an F218 under the table to provide some sub bass as the F124 Compact Delta and F121 Endfire T arrays were providing solid rear rejection.

Main PA @funktiononeofficial
12x Evo 7
16x F121
8x F124

Infill
2x Res 4

Outfill
4x Evo 6
2x F101

Monitoring
2x PSM 18
2x BR121

Circle of Live Monitoring
2x PSM 12
4x F1201 (2x 1201 thanks to inside out audio)
1x F218 (thanks to inside out audio)

Amplification and processing by @fullfataudioofficial + @nstaudio

Front of House
@allenandheath SQ6
@sslaudio Big Six
@igsaudio Multicore Compressor

A big thank you and happy birthday to SF for their 15 years!

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Some memories of the last few weeks of gigging for us here at Purple.

Kicking off the run was our good friends at Homesick, putting on an incredible display of stage design & performance in an iconic space, The Thornbury Theatre. We ran a 2 over 2 formation with the Evo 7’s and two blocks of 3 in cardioid for the F121s, helping reach the mezzanine and reduce bass noise for the neighbours behind the stage.

📍 @thornburytheatre
🔊 8x Evo 7, 6x F121 (2x cardioid), 2x PSM18, 4x QM12MP
🔊 + all backline provided by us

A week later we drove an hour east to the small town of Crossover for the second Zeerust. A weekend long festival sporting multiple smaller indoor spaces, as well as iconic outdoor performances. It’s always such a pleasure working with the Z crew, and we can’t wait to see what they do next!

📍 Crossover, VIC
🔊 Main Stage: 4x Evo 6, 6x F121, 2x PSM 18
🔊 Cave: 2x F1201, 2x BR121, 1x PSM 12
🔊 Dungeon: 2x Res 4, 2x F121, 1x PSM 12
🔊 Pond: 2x F101, 1x F121, 2x QM12MP
🔊 Faraway Tree: 2x DBR
🔊 + all backline provided by us

Last weekend saw two incredible, but vastly different audio deployments on the same day. The first was for long-standing friend of Purple, Echo Beach by Finding Figaro. Always upgrading year after year, and as capacities get larger saw our biggest Echo deployment to date, with 10x Evo’s a side on top of 4x F124 per side. One of our favourite events of the calendar and a must attend!

📍 @collingwoodchildrensfarm
🔊 10x Evo 7, 8x F124, 2x PSM 18, 2x BR121, 4x QM12MP
🔊 + all backline provided by us

And lastly, Daybreak Festival. We were very excited to tackle the acoustically challenging space of an above ground, concrete-laden carpark and were satisfied with the results. Running a broadside cardioid sub array gave us horizontal directivity control with bass which was needed for neighbours close-by, and we were able to keep the dance floor at 100dB at 20m without getting noise complaints from neighbours <100m away.

📍 Cremorne, VIC
🔊 4x Evo 7, 12x F121 (broadside cardioid array), 2x PSM 12, 2x F101 (infill), 2x F1201 (delay)
🔊 + all backline provided by us

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Two stages in Canberra for @digicultureandmusic! Our interstate adventures remained in full swing, with Digi being our first time ever setting up a rig in the capital last weekend.

We had a lot of fun with this one, and got some seriously impressive results with the delta sub array. There isn’t always the infrastructure available to break from traditional left/right stacking so a massive thank you to Digi for giving us creative & physics freedom with this deployment.

We achieved super wide coverage with the R4 outfills on top of the F121 subs, operating at a really narrow frequency band asymetrically. This gives the subs a really low workload and super high efficiency, widening the bass even further throughout the dancefloor.

Main PA (stage 1):
8x Evo 7
6x F124 (delta array)
6x F121
2x Res 4 (outfill)
+ PSM18 & BR121 monitoring

Main PA (stage 2):
2x Evo 6
4x F121
+ PSM12 monitoring

@funktiononeofficial, @fullfataudioofficial, @nstaudio
#funktionone #funktiononeofficial #purpleaudio #livesound

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121

Last weekend at @pitchmusicandarts 2024 - a hot, dusty weekend! This was the first year of Pitch Black's redesign by @studiojohnfish, bringing an extremely welcome new life to the ever growing Stage 3 which we can't wait to see develop over the next few years.

This year we ran a fully asymmetrical sub array with F124 and F121 with truly amazing results. It was our first time coupling together 12x F121 one side and 6x F124 to the other. Ground stacked with 6x Evo7's on top per side. This configuration gave us smooth bass coverage throughout the dance floor from the upper bass frequencies in the F121's down to the mid 20Hz range of the F124’s

A big thank you to pitch for having us back year after year. This year was met with extreme challenges, but we felt at ease knowing the team making the decisions showed the utmost professionalism throughout.

System: @funktiononeofficial
12x Evolution 7
12x F121
6x F124

Delay:
4x Evolution 6
2x F101

Infill:
2x Resolution 4

Outfill:
2x PSM12

Stage Fill
2x F1201

Monitors:
2x PSM18
2x BR121