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#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

#losangeles | catching up with friends | doing things

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

@tiff_net 💥

20 YEARS
School for Independent Film

We are incredibly honored to have been invited to present two screening programs celebrating our 20th anniversary. The programs featured a selection of artists and filmmakers who have either taught or studied with us over the past two decades.

The screenings included works by Friedl vom Gröller, Antoinette Zwirchmayr, Carlotta Wachotsch, Hugo Max, Helga Fanderl, Viktoria Schmid, Philipp Fleischmann, Natalia del Mar Kasik, Eve Heller, Jan Soldat, Antonia de la Luz Kasik, Rose Lowder, Kenneth Anger, Ulrike Schild, Mina Martina, Axel Ranisch, Nazli Dincel, Lilith Kraxner, Stuti Bansal, Björn Kämmerer, Raphael Reichl, Hans Scheugl, Peter Weibel, Peter Kubelka, Betty Blitz, Peter Tscherkassky, and Eva Giolo.

Curated by Philipp Fleischmann
@philippfleischmann

Many thanks to Andréa Picard @andrea_tavie for inviting us, and to the amazing team at TIFF Cinematheque for making these such flawless evenings and the audience for a truly memorable experience.

@carlottawachotsch @_hugomax @viktoriaaa_schmid @nti.mar @eve_lynn_heller @ulrikeschild_ @photomartinamina @nazlidincel @bluish.film @stutibansal044 @coco.power.ranger @betty.blitz @petertscherkassky @evagiolo

1,2,3,6,7,8,9 📸 @philippfleischmann
4,5,10,12 📸 @sasch_vienna
11 📸 @oliverhusain

got flowers 🙃

many thanks to the wonderful class 25/26 💐we just had a great final screening @belvedere21wien showing their works. impressive! but it’s not over yet… see you in two weeks for diploma @schulefriedlkubelka_film

got flowers 🙃

many thanks to the wonderful class 25/26 💐we just had a great final screening @belvedere21wien showing their works. impressive! but it’s not over yet… see you in two weeks for diploma @schulefriedlkubelka_film

Philipp Fleischmann

artistic direction and teaching program 2025/2026

Thank you ❤️

#schulefriedlkubelka #schulefriedlkubelka_film @philippfleischmann

🅡
Mobile Energy @philippfleischmann
28/11/2025 — 17/01/2026
Curated by Hana O. O. Haas
.
.
.
Philipp Fleischmann
One Meter of White, 2024
Series of Photograms
Photogram, black-and-white
Variable dimensions

Philipp Fleischmann (b. 1985 in Hollabrunn, lives and works in Vienna) is an artist and filmmaker based in Vienna, Austria. Since 2014, he has served as the artistic director of the School Friedl Kubelka for Independent Film, where he himself studied in 2006. He pursued further studies at the Academy of Fine Arts Vienna with Dorit Margreiter Choy and at the Royal Danish Art Academy with Gerard Byrne. His works are held in museum and private collections. Since 2023, Fleischmann has been a board member of the Vienna Secession. In 2025, he was awarded the Austrian Prize for Film and Art. Exhibitions and screenings (selection): 34th Bienal de São Paulo; 16th Biennale de Lyon; FJK3, Vienna; Salzburger Kunstverein; Kunstverein Braunschweig; Innsbruck International; mumok Kino, Vienna; Secession, Vienna; MAK Schindler Residency Program, Los Angeles; Museum of the Moving Image, NYC; Berlinale; Toronto International Film Festival; Ann Arbor Film Festival.

@ravnikar_org in collaboration with @ulay.foundation

📸©️Manuel Carreon Lopez | kunst-dokumentation.com

#mobileenergy
#philippfleischmann
#ulayfoundation

🅡
Mobile Energy @philippfleischmann
28/11/2025 — 17/01/2026
Curated by Hana O. O. Haas
.
.
.
Philipp Fleischmann
One Meter of White, 2024
Series of Photograms
Photogram, black-and-white
Variable dimensions

Philipp Fleischmann (b. 1985 in Hollabrunn, lives and works in Vienna) is an artist and filmmaker based in Vienna, Austria. Since 2014, he has served as the artistic director of the School Friedl Kubelka for Independent Film, where he himself studied in 2006. He pursued further studies at the Academy of Fine Arts Vienna with Dorit Margreiter Choy and at the Royal Danish Art Academy with Gerard Byrne. His works are held in museum and private collections. Since 2023, Fleischmann has been a board member of the Vienna Secession. In 2025, he was awarded the Austrian Prize for Film and Art. Exhibitions and screenings (selection): 34th Bienal de São Paulo; 16th Biennale de Lyon; FJK3, Vienna; Salzburger Kunstverein; Kunstverein Braunschweig; Innsbruck International; mumok Kino, Vienna; Secession, Vienna; MAK Schindler Residency Program, Los Angeles; Museum of the Moving Image, NYC; Berlinale; Toronto International Film Festival; Ann Arbor Film Festival.

@ravnikar_org in collaboration with @ulay.foundation

📸©️Manuel Carreon Lopez | kunst-dokumentation.com

#mobileenergy
#philippfleischmann
#ulayfoundation

🅡
Mobile Energy @philippfleischmann
28/11/2025 — 17/01/2026
Curated by Hana O. O. Haas
.
.
.
Philipp Fleischmann
Film Sculpture (9), 2025
16 mm film, colour, silent, aluminium, polyoxymethylene
Variable dimensions

Fleischmann’s film sculptures operate as spatial instruments that respond to their exhibition environments through scale, rhythm, and duration. They transform space into resonant chambers for stroboscopic abstractions and chromatic sequences. In Film Sculpture (9), a 16mm film strip moves through projection, LED-lit rails, and material presence. For the first time fully freestanding, projector and screen form part of the sculpture itself, conceived as a Möbius loop where inside and outside merge. As in Fleischmann’s practice overall, the work resists fixity and remains in constant transformation.

One Meter of White explores infinite formal variations derived from a single length of 16mm film, repeatedly reworked after the perforations are removed.

Philipp Fleischmann (b. 1985, Hollabrunn; lives and works in Vienna) is an artist and filmmaker. Since 2014, he has been artistic director of the School Friedl Kubelka for Independent Film. His work has been shown at the fjk3–Contemporary Art Space, Vienna, Bienal de São Paulo, Biennale de Lyon, Secession Vienna, mumokKino, MAK Schindler Residency Program (LA), Museum of the Moving Image (NYC), Berlinale, and Toronto International Film Festival. In 2025, he received the Austrian Prize for Film and Art.

@ravnikar_org in collaboration with @ulay.foundation

📸©️Manuel Carreon Lopez | kunst-dokumentation.com

#mobileenergy
#philippfleischmann
#ulayfoundation

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

Ljubljana

MOBILE ENERGY
curated by @hana.ostanozbolthaas at @ravnikar_org

@ulay.foundation @abramovicinstitute @angelikaloderer #oho @nika.erjavec @straujosef

1- dino
2- one meter of white
3- plečnik
4- film sculpture (9)
5- plečnik
6- film sculpture (9)
7- @47l58uca
8- @47l58uca @philippfleischmann
9- when @abramovicinstitute marina abramović arrives to your opening and even the iphone can’t take it
10- mira mann
11- hannah koselj marušič
12 - two s, one p, one fs (not a good idea to pose like this!) @vivasalva

HAPPY 20th!

This Thursday and Friday, we celebrate the 20th anniversary of the ‘School for Independent Film’ with 4 screenings @austrianfilmmuseum which I had the enormous pleasure to curate.

I’ve held many roles throughout the school’s existence @schulefriedlkubelka_filmIt began when Friedl Kubelka told me she was thinking of starting a second school for film. At the time, I was part of the photography class at @schulefriedlkubelka_photo and we were on a trip to Paris. I remember that moment vividly. I had always wanted to study film; I studied photography only because I had no other option. Where what is willed must be! Friedl shared the motto for the film school with me on the streets of Paris, and it has stayed with me ever since.

I reacted so strongly to it because I wanted so badly to work with film on my own terms. Before then, I had worked in the commercial film and television industry throughout my teenage years.

It all starts with the mind—with a thought, with a desire. The rest follows. This has proven true both for my artist self, shaped during those years, and for my “artistic director” self, now responsible for the school’s vision for the past 13 years. Today I feel good that I’ve never given up and continued to believe in the necessity of this school to exist. BIG Love to my team and friends, couldn’t have done this without you!

Happy Birthday to this cute, wild, crazy environment. I can’t believe the ride we’ve had and how many, many, many amazing people we’ve met along the way.

Hope to see you at the screenings!

😘 XP

HAPPY 20th!

This Thursday and Friday, we celebrate the 20th anniversary of the ‘School for Independent Film’ with 4 screenings @austrianfilmmuseum which I had the enormous pleasure to curate.

I’ve held many roles throughout the school’s existence @schulefriedlkubelka_filmIt began when Friedl Kubelka told me she was thinking of starting a second school for film. At the time, I was part of the photography class at @schulefriedlkubelka_photo and we were on a trip to Paris. I remember that moment vividly. I had always wanted to study film; I studied photography only because I had no other option. Where what is willed must be! Friedl shared the motto for the film school with me on the streets of Paris, and it has stayed with me ever since.

I reacted so strongly to it because I wanted so badly to work with film on my own terms. Before then, I had worked in the commercial film and television industry throughout my teenage years.

It all starts with the mind—with a thought, with a desire. The rest follows. This has proven true both for my artist self, shaped during those years, and for my “artistic director” self, now responsible for the school’s vision for the past 13 years. Today I feel good that I’ve never given up and continued to believe in the necessity of this school to exist. BIG Love to my team and friends, couldn’t have done this without you!

Happy Birthday to this cute, wild, crazy environment. I can’t believe the ride we’ve had and how many, many, many amazing people we’ve met along the way.

Hope to see you at the screenings!

😘 XP

HAPPY 20th!

This Thursday and Friday, we celebrate the 20th anniversary of the ‘School for Independent Film’ with 4 screenings @austrianfilmmuseum which I had the enormous pleasure to curate.

I’ve held many roles throughout the school’s existence @schulefriedlkubelka_filmIt began when Friedl Kubelka told me she was thinking of starting a second school for film. At the time, I was part of the photography class at @schulefriedlkubelka_photo and we were on a trip to Paris. I remember that moment vividly. I had always wanted to study film; I studied photography only because I had no other option. Where what is willed must be! Friedl shared the motto for the film school with me on the streets of Paris, and it has stayed with me ever since.

I reacted so strongly to it because I wanted so badly to work with film on my own terms. Before then, I had worked in the commercial film and television industry throughout my teenage years.

It all starts with the mind—with a thought, with a desire. The rest follows. This has proven true both for my artist self, shaped during those years, and for my “artistic director” self, now responsible for the school’s vision for the past 13 years. Today I feel good that I’ve never given up and continued to believe in the necessity of this school to exist. BIG Love to my team and friends, couldn’t have done this without you!

Happy Birthday to this cute, wild, crazy environment. I can’t believe the ride we’ve had and how many, many, many amazing people we’ve met along the way.

Hope to see you at the screenings!

😘 XP

HAPPY 20th!

This Thursday and Friday, we celebrate the 20th anniversary of the ‘School for Independent Film’ with 4 screenings @austrianfilmmuseum which I had the enormous pleasure to curate.

I’ve held many roles throughout the school’s existence @schulefriedlkubelka_filmIt began when Friedl Kubelka told me she was thinking of starting a second school for film. At the time, I was part of the photography class at @schulefriedlkubelka_photo and we were on a trip to Paris. I remember that moment vividly. I had always wanted to study film; I studied photography only because I had no other option. Where what is willed must be! Friedl shared the motto for the film school with me on the streets of Paris, and it has stayed with me ever since.

I reacted so strongly to it because I wanted so badly to work with film on my own terms. Before then, I had worked in the commercial film and television industry throughout my teenage years.

It all starts with the mind—with a thought, with a desire. The rest follows. This has proven true both for my artist self, shaped during those years, and for my “artistic director” self, now responsible for the school’s vision for the past 13 years. Today I feel good that I’ve never given up and continued to believe in the necessity of this school to exist. BIG Love to my team and friends, couldn’t have done this without you!

Happy Birthday to this cute, wild, crazy environment. I can’t believe the ride we’ve had and how many, many, many amazing people we’ve met along the way.

Hope to see you at the screenings!

😘 XP

#filmsculpture (9)

Film Sculpture (9), 2025
16mm Film, Color, Aluminium, Polyoxymethylen

Co-produced by and first exhibited at @franzjosefskai3 during the show ‘13 Film Works‘ in spring 2025.

Video by @shandranick

time off #tp

I‘m very honored to share with you my current interview for @CollectorsAgenda with the amazing and wonderful @PhilippFleischmann, whose work I‘ve been admiring for a long while! Thank you for taking the time to talk to me about your practice and motivation 💖

»The Austrian artist Philipp Fleischmann works with analogue film formats, reflecting on institutional architecture through experimental methods. In his process-oriented practice, he develops specially constructed cameras that create a direct connection between space, light, and materiality. He is interested in the interplay of visibility and representation, and how cultural institutions shape our perception. Conceptual rigor is combined with a precise visual language, resulting in cinematic works that oscillate between documentation, abstraction, and spatial intervention.«

📌 Read the full article on Collectors Agenda‘s website

Photos: (c) @Maximilian_Pramatarov

#PhilippFleischmann #CollectorsAgenda

I‘m very honored to share with you my current interview for @CollectorsAgenda with the amazing and wonderful @PhilippFleischmann, whose work I‘ve been admiring for a long while! Thank you for taking the time to talk to me about your practice and motivation 💖

»The Austrian artist Philipp Fleischmann works with analogue film formats, reflecting on institutional architecture through experimental methods. In his process-oriented practice, he develops specially constructed cameras that create a direct connection between space, light, and materiality. He is interested in the interplay of visibility and representation, and how cultural institutions shape our perception. Conceptual rigor is combined with a precise visual language, resulting in cinematic works that oscillate between documentation, abstraction, and spatial intervention.«

📌 Read the full article on Collectors Agenda‘s website

Photos: (c) @Maximilian_Pramatarov

#PhilippFleischmann #CollectorsAgenda

I‘m very honored to share with you my current interview for @CollectorsAgenda with the amazing and wonderful @PhilippFleischmann, whose work I‘ve been admiring for a long while! Thank you for taking the time to talk to me about your practice and motivation 💖

»The Austrian artist Philipp Fleischmann works with analogue film formats, reflecting on institutional architecture through experimental methods. In his process-oriented practice, he develops specially constructed cameras that create a direct connection between space, light, and materiality. He is interested in the interplay of visibility and representation, and how cultural institutions shape our perception. Conceptual rigor is combined with a precise visual language, resulting in cinematic works that oscillate between documentation, abstraction, and spatial intervention.«

📌 Read the full article on Collectors Agenda‘s website

Photos: (c) @Maximilian_Pramatarov

#PhilippFleischmann #CollectorsAgenda

I‘m very honored to share with you my current interview for @CollectorsAgenda with the amazing and wonderful @PhilippFleischmann, whose work I‘ve been admiring for a long while! Thank you for taking the time to talk to me about your practice and motivation 💖

»The Austrian artist Philipp Fleischmann works with analogue film formats, reflecting on institutional architecture through experimental methods. In his process-oriented practice, he develops specially constructed cameras that create a direct connection between space, light, and materiality. He is interested in the interplay of visibility and representation, and how cultural institutions shape our perception. Conceptual rigor is combined with a precise visual language, resulting in cinematic works that oscillate between documentation, abstraction, and spatial intervention.«

📌 Read the full article on Collectors Agenda‘s website

Photos: (c) @Maximilian_Pramatarov

#PhilippFleischmann #CollectorsAgenda

I‘m very honored to share with you my current interview for @CollectorsAgenda with the amazing and wonderful @PhilippFleischmann, whose work I‘ve been admiring for a long while! Thank you for taking the time to talk to me about your practice and motivation 💖

»The Austrian artist Philipp Fleischmann works with analogue film formats, reflecting on institutional architecture through experimental methods. In his process-oriented practice, he develops specially constructed cameras that create a direct connection between space, light, and materiality. He is interested in the interplay of visibility and representation, and how cultural institutions shape our perception. Conceptual rigor is combined with a precise visual language, resulting in cinematic works that oscillate between documentation, abstraction, and spatial intervention.«

📌 Read the full article on Collectors Agenda‘s website

Photos: (c) @Maximilian_Pramatarov

#PhilippFleischmann #CollectorsAgenda

I‘m very honored to share with you my current interview for @CollectorsAgenda with the amazing and wonderful @PhilippFleischmann, whose work I‘ve been admiring for a long while! Thank you for taking the time to talk to me about your practice and motivation 💖

»The Austrian artist Philipp Fleischmann works with analogue film formats, reflecting on institutional architecture through experimental methods. In his process-oriented practice, he develops specially constructed cameras that create a direct connection between space, light, and materiality. He is interested in the interplay of visibility and representation, and how cultural institutions shape our perception. Conceptual rigor is combined with a precise visual language, resulting in cinematic works that oscillate between documentation, abstraction, and spatial intervention.«

📌 Read the full article on Collectors Agenda‘s website

Photos: (c) @Maximilian_Pramatarov

#PhilippFleischmann #CollectorsAgenda

I‘m very honored to share with you my current interview for @CollectorsAgenda with the amazing and wonderful @PhilippFleischmann, whose work I‘ve been admiring for a long while! Thank you for taking the time to talk to me about your practice and motivation 💖

»The Austrian artist Philipp Fleischmann works with analogue film formats, reflecting on institutional architecture through experimental methods. In his process-oriented practice, he develops specially constructed cameras that create a direct connection between space, light, and materiality. He is interested in the interplay of visibility and representation, and how cultural institutions shape our perception. Conceptual rigor is combined with a precise visual language, resulting in cinematic works that oscillate between documentation, abstraction, and spatial intervention.«

📌 Read the full article on Collectors Agenda‘s website

Photos: (c) @Maximilian_Pramatarov

#PhilippFleischmann #CollectorsAgenda

the one and only

@vaginaldavis_official

🩷 don‘t miss her show @gropiusbau

#fabelhaft