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On our own journeys in the multiverse of movement! Maybe the brightest urban celebration I’ve witnessed in Riga for years.

Cub pack @xamet @_maxim_skvorcov_ @n.nikers at @rimirigamarathon

The type of shit is in my calendar when I’m already overstimulated@rimirigamarathon

@mowe_festival im ExBrache

Thanks to
@kmkmkm.mkmkmk
@mdvdv____
@peanut.buttcher
@mickey_gaultier
@_goregor
#ExRotaprint

Photos by @peanut.buttcher

@mowe_festival im ExBrache

Thanks to
@kmkmkm.mkmkmk
@mdvdv____
@peanut.buttcher
@mickey_gaultier
@_goregor
#ExRotaprint

Photos by @peanut.buttcher

@mowe_festival im ExBrache

Thanks to
@kmkmkm.mkmkmk
@mdvdv____
@peanut.buttcher
@mickey_gaultier
@_goregor
#ExRotaprint

Photos by @peanut.buttcher

@mowe_festival im ExBrache

Thanks to
@kmkmkm.mkmkmk
@mdvdv____
@peanut.buttcher
@mickey_gaultier
@_goregor
#ExRotaprint

Photos by @peanut.buttcher

@mowe_festival im ExBrache

Thanks to
@kmkmkm.mkmkmk
@mdvdv____
@peanut.buttcher
@mickey_gaultier
@_goregor
#ExRotaprint

Photos by @peanut.buttcher

@mowe_festival im ExBrache

Thanks to
@kmkmkm.mkmkmk
@mdvdv____
@peanut.buttcher
@mickey_gaultier
@_goregor
#ExRotaprint

Photos by @peanut.buttcher

@mowe_festival im ExBrache

Thanks to
@kmkmkm.mkmkmk
@mdvdv____
@peanut.buttcher
@mickey_gaultier
@_goregor
#ExRotaprint

Photos by @peanut.buttcher

I’m at my threshold this month already and the race @rimirigamarathon hasn’t even started yet. But at last the city of my heart and my pack hug me!

I’m at my threshold this month already and the race @rimirigamarathon hasn’t even started yet. But at last the city of my heart and my pack hug me!

ExBrache May flexin’

Join us on Saturday, May 9 for the activation of the ExBrache space in Wedding. As part of the @mowe_festival we are opening the garden on the former wasteland of the ExRotaprint factory and welcoming new and old friends to learn more about its history through a tour of the facilities, join forces to create a new sanctuary through collective amphitheater repair, and unwind at the Socialkasse bar with mellow music @kmkmkm.mkmkmk @mdvdv____and snacks.

09. – 10. Mai 14:00-20:00 Uhr |will be the Mural/Live painting: Children’s Series mit Egor Gor @_goregor

ExBrache
Reinickendorfer Str. 41
13357 Berlin
Zugang über Lidl Parkplatz

ExRotaprint
Gottschedstr. 4
13357 Berlin

I lowkey have a masters degree in digital humanities from

Dear friends,

For the past five years, I’ve coordinated Gasp Magazine @gasp.magazine, a self-organised platform dedicated to critical, creative, and intimate approaches to sexuality discourse. Some of you know me through this work, and some of you have been part of it.

Since its beginning, Gasp Magazine has:

- Published two print volumes featuring poetry, photography, essays, and original illustrations
- Organised workshops on sexuality education, safety, and wellbeing
- Hosted creative laboratories, academic seminars, and conferences on queer feminism, sexuality, and urban studies
- Published translations and critical essays on consent, sex work, sexuality, and fascism

All of this work is independent, deeply collaborative, and sustained almost entirely through volunteer labour.

As we turn five, we’re facing a difficult reality: we do not have consistent funding. The project is currently maintained by a very small team, a single coordinator and a designer, while the need for spaces that allow complex, critical conversations around sexuality is becoming more urgent in increasingly rigid and hostile contexts.

We are now fundraising to migrate to a new website.

Our current platform has become limiting. It makes regular publishing difficult and prevents us from maintaining a stable, accessible archive of contributors’ work. A new web infrastructure would allow us to:

- Publish more consistently
- Archive work reliably
- Improve accessibility across devices and regions
- Strengthen security and independence from third-party platforms

This step is essential not only to continue, but to grow, and to move toward more sustainable models, including the possibility of compensating contributors in the future.

If you can, please support our fundraiser through the link in bio.

If donating isn’t possible, sharing this also makes a difference.

You can explore our work at g-a-s-p-m-a-g.com

Thank you for being part of this, whether as readers, collaborators, or supporters.

Photos are from our chaotic and naughty archive.

Dear friends,

For the past five years, I’ve coordinated Gasp Magazine @gasp.magazine, a self-organised platform dedicated to critical, creative, and intimate approaches to sexuality discourse. Some of you know me through this work, and some of you have been part of it.

Since its beginning, Gasp Magazine has:

- Published two print volumes featuring poetry, photography, essays, and original illustrations
- Organised workshops on sexuality education, safety, and wellbeing
- Hosted creative laboratories, academic seminars, and conferences on queer feminism, sexuality, and urban studies
- Published translations and critical essays on consent, sex work, sexuality, and fascism

All of this work is independent, deeply collaborative, and sustained almost entirely through volunteer labour.

As we turn five, we’re facing a difficult reality: we do not have consistent funding. The project is currently maintained by a very small team, a single coordinator and a designer, while the need for spaces that allow complex, critical conversations around sexuality is becoming more urgent in increasingly rigid and hostile contexts.

We are now fundraising to migrate to a new website.

Our current platform has become limiting. It makes regular publishing difficult and prevents us from maintaining a stable, accessible archive of contributors’ work. A new web infrastructure would allow us to:

- Publish more consistently
- Archive work reliably
- Improve accessibility across devices and regions
- Strengthen security and independence from third-party platforms

This step is essential not only to continue, but to grow, and to move toward more sustainable models, including the possibility of compensating contributors in the future.

If you can, please support our fundraiser through the link in bio.

If donating isn’t possible, sharing this also makes a difference.

You can explore our work at g-a-s-p-m-a-g.com

Thank you for being part of this, whether as readers, collaborators, or supporters.

Photos are from our chaotic and naughty archive.

Dear friends,

For the past five years, I’ve coordinated Gasp Magazine @gasp.magazine, a self-organised platform dedicated to critical, creative, and intimate approaches to sexuality discourse. Some of you know me through this work, and some of you have been part of it.

Since its beginning, Gasp Magazine has:

- Published two print volumes featuring poetry, photography, essays, and original illustrations
- Organised workshops on sexuality education, safety, and wellbeing
- Hosted creative laboratories, academic seminars, and conferences on queer feminism, sexuality, and urban studies
- Published translations and critical essays on consent, sex work, sexuality, and fascism

All of this work is independent, deeply collaborative, and sustained almost entirely through volunteer labour.

As we turn five, we’re facing a difficult reality: we do not have consistent funding. The project is currently maintained by a very small team, a single coordinator and a designer, while the need for spaces that allow complex, critical conversations around sexuality is becoming more urgent in increasingly rigid and hostile contexts.

We are now fundraising to migrate to a new website.

Our current platform has become limiting. It makes regular publishing difficult and prevents us from maintaining a stable, accessible archive of contributors’ work. A new web infrastructure would allow us to:

- Publish more consistently
- Archive work reliably
- Improve accessibility across devices and regions
- Strengthen security and independence from third-party platforms

This step is essential not only to continue, but to grow, and to move toward more sustainable models, including the possibility of compensating contributors in the future.

If you can, please support our fundraiser through the link in bio.

If donating isn’t possible, sharing this also makes a difference.

You can explore our work at g-a-s-p-m-a-g.com

Thank you for being part of this, whether as readers, collaborators, or supporters.

Photos are from our chaotic and naughty archive.

Dear friends,

For the past five years, I’ve coordinated Gasp Magazine @gasp.magazine, a self-organised platform dedicated to critical, creative, and intimate approaches to sexuality discourse. Some of you know me through this work, and some of you have been part of it.

Since its beginning, Gasp Magazine has:

- Published two print volumes featuring poetry, photography, essays, and original illustrations
- Organised workshops on sexuality education, safety, and wellbeing
- Hosted creative laboratories, academic seminars, and conferences on queer feminism, sexuality, and urban studies
- Published translations and critical essays on consent, sex work, sexuality, and fascism

All of this work is independent, deeply collaborative, and sustained almost entirely through volunteer labour.

As we turn five, we’re facing a difficult reality: we do not have consistent funding. The project is currently maintained by a very small team, a single coordinator and a designer, while the need for spaces that allow complex, critical conversations around sexuality is becoming more urgent in increasingly rigid and hostile contexts.

We are now fundraising to migrate to a new website.

Our current platform has become limiting. It makes regular publishing difficult and prevents us from maintaining a stable, accessible archive of contributors’ work. A new web infrastructure would allow us to:

- Publish more consistently
- Archive work reliably
- Improve accessibility across devices and regions
- Strengthen security and independence from third-party platforms

This step is essential not only to continue, but to grow, and to move toward more sustainable models, including the possibility of compensating contributors in the future.

If you can, please support our fundraiser through the link in bio.

If donating isn’t possible, sharing this also makes a difference.

You can explore our work at g-a-s-p-m-a-g.com

Thank you for being part of this, whether as readers, collaborators, or supporters.

Photos are from our chaotic and naughty archive.

Dear friends,

For the past five years, I’ve coordinated Gasp Magazine @gasp.magazine, a self-organised platform dedicated to critical, creative, and intimate approaches to sexuality discourse. Some of you know me through this work, and some of you have been part of it.

Since its beginning, Gasp Magazine has:

- Published two print volumes featuring poetry, photography, essays, and original illustrations
- Organised workshops on sexuality education, safety, and wellbeing
- Hosted creative laboratories, academic seminars, and conferences on queer feminism, sexuality, and urban studies
- Published translations and critical essays on consent, sex work, sexuality, and fascism

All of this work is independent, deeply collaborative, and sustained almost entirely through volunteer labour.

As we turn five, we’re facing a difficult reality: we do not have consistent funding. The project is currently maintained by a very small team, a single coordinator and a designer, while the need for spaces that allow complex, critical conversations around sexuality is becoming more urgent in increasingly rigid and hostile contexts.

We are now fundraising to migrate to a new website.

Our current platform has become limiting. It makes regular publishing difficult and prevents us from maintaining a stable, accessible archive of contributors’ work. A new web infrastructure would allow us to:

- Publish more consistently
- Archive work reliably
- Improve accessibility across devices and regions
- Strengthen security and independence from third-party platforms

This step is essential not only to continue, but to grow, and to move toward more sustainable models, including the possibility of compensating contributors in the future.

If you can, please support our fundraiser through the link in bio.

If donating isn’t possible, sharing this also makes a difference.

You can explore our work at g-a-s-p-m-a-g.com

Thank you for being part of this, whether as readers, collaborators, or supporters.

Photos are from our chaotic and naughty archive.

Dear friends,

For the past five years, I’ve coordinated Gasp Magazine @gasp.magazine, a self-organised platform dedicated to critical, creative, and intimate approaches to sexuality discourse. Some of you know me through this work, and some of you have been part of it.

Since its beginning, Gasp Magazine has:

- Published two print volumes featuring poetry, photography, essays, and original illustrations
- Organised workshops on sexuality education, safety, and wellbeing
- Hosted creative laboratories, academic seminars, and conferences on queer feminism, sexuality, and urban studies
- Published translations and critical essays on consent, sex work, sexuality, and fascism

All of this work is independent, deeply collaborative, and sustained almost entirely through volunteer labour.

As we turn five, we’re facing a difficult reality: we do not have consistent funding. The project is currently maintained by a very small team, a single coordinator and a designer, while the need for spaces that allow complex, critical conversations around sexuality is becoming more urgent in increasingly rigid and hostile contexts.

We are now fundraising to migrate to a new website.

Our current platform has become limiting. It makes regular publishing difficult and prevents us from maintaining a stable, accessible archive of contributors’ work. A new web infrastructure would allow us to:

- Publish more consistently
- Archive work reliably
- Improve accessibility across devices and regions
- Strengthen security and independence from third-party platforms

This step is essential not only to continue, but to grow, and to move toward more sustainable models, including the possibility of compensating contributors in the future.

If you can, please support our fundraiser through the link in bio.

If donating isn’t possible, sharing this also makes a difference.

You can explore our work at g-a-s-p-m-a-g.com

Thank you for being part of this, whether as readers, collaborators, or supporters.

Photos are from our chaotic and naughty archive.

Dear friends,

For the past five years, I’ve coordinated Gasp Magazine @gasp.magazine, a self-organised platform dedicated to critical, creative, and intimate approaches to sexuality discourse. Some of you know me through this work, and some of you have been part of it.

Since its beginning, Gasp Magazine has:

- Published two print volumes featuring poetry, photography, essays, and original illustrations
- Organised workshops on sexuality education, safety, and wellbeing
- Hosted creative laboratories, academic seminars, and conferences on queer feminism, sexuality, and urban studies
- Published translations and critical essays on consent, sex work, sexuality, and fascism

All of this work is independent, deeply collaborative, and sustained almost entirely through volunteer labour.

As we turn five, we’re facing a difficult reality: we do not have consistent funding. The project is currently maintained by a very small team, a single coordinator and a designer, while the need for spaces that allow complex, critical conversations around sexuality is becoming more urgent in increasingly rigid and hostile contexts.

We are now fundraising to migrate to a new website.

Our current platform has become limiting. It makes regular publishing difficult and prevents us from maintaining a stable, accessible archive of contributors’ work. A new web infrastructure would allow us to:

- Publish more consistently
- Archive work reliably
- Improve accessibility across devices and regions
- Strengthen security and independence from third-party platforms

This step is essential not only to continue, but to grow, and to move toward more sustainable models, including the possibility of compensating contributors in the future.

If you can, please support our fundraiser through the link in bio.

If donating isn’t possible, sharing this also makes a difference.

You can explore our work at g-a-s-p-m-a-g.com

Thank you for being part of this, whether as readers, collaborators, or supporters.

Photos are from our chaotic and naughty archive.

What did you expect from the Vaccines? I saw a concert poster in the street during a run and got struck for a good little while.

Get the point?

Berlin half marathon, swift like mid-spring wind: @berlinerhalbmarathon @amanal_petros @xamet @mdvdv____ @mickey_gaultier