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Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

Unit stills from A BOY WITH A BIRD” for @ciara_borgards starring @guyheilweil.

I can’t reiterate how cool it is meeting Ciara as PA once upon a time then somehow finding myself photographingher first big deal.

Not many people know how to direct a movie full of kids, run a tight ship, and still manage to have their humanity be present through it all.

“Remember, you’re only here because I trust you” is the greatest line any creative can get walking into set—but for unit photography it’s truly special, allowing us to be a shadow with no limits.

That is what creates what you see, through how I see.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

“A BOY WITH A BIRD” for @ciara_borgards and @nia.raee — a @usccinema MFA thesis.

I met Ciara what feels like now a little over a year ago as a PA on a shoot.

It’s really cool to now see her direct and be brought back in such a capacity to have her say “just do your thing, I trust you.”

That is a unit photographer’s best compliment.

Thanks to @nia.raee for having me, re—uniting with @mrorigin’s incredible lighting and meeting @olifernal’s incredible set design.

What a way to kick off another semester of “film school on my own terms” continuing my path of learning with USC’s sets.

FLASH. @2hollis

Modeled by: @gabrieljantonuccio @olifernal @directorniko
Director: @garretthopkinsmedia
Director of Photography: @rayfrostfilms
Edited by @directorniko
Colored by @gabrieljantonuccio

You’re now witness to something.
Hey, pay attention.
You are now witness to something great.
Right now,
FLASH.
Right now, you’re a witness to something great.
Right now, right now.
FLASH, do you trust me?
FLASH, I trust you.
Pull clutch.
You are now witness to something incredible, right now.
FLASH all the way, go fast, fast.
FLASH, FLASH
Go fast, right now
FLASH.
You are now witness to something great, a miracle
Do you get it?
Huh, are you ready?
Right now, FLASH.
Are you ready?
Are you ready?
Are you ready?
I’m ready.

#2hollis