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Last week, in collaboration with de Appel (@de_appel), we hosted the talk “Culture is — arts, imagination, and the planetary now"featuring architect and artist Ola Hassanain (@olahassanain) and Teesa Bahana (Director of 32° East @32degreeseast, a not-for-profit contemporary art space in Uganda). Moderated by the Fund’s Head of Programmes, Tessa Giller (@gillerish), the conversation dived into why culture is essential in times of global crises, and how artists and cultural spaces can build solidarity amid growing political, social, and environmental pressures.

This conversation was part of Exchanges, the Fund’s platform for creative cross-pollination that connects our international network with Amsterdam’s cultural landscape while building long-lasting relationships across the city’s diverse artistic scenes.

Exchanges is made possible through the generous support from the City of Amsterdam (@gemeenteamsterdam).

All images courtesy of Nikola Lamburov (@nikolalamburov).

Last week, in collaboration with de Appel (@de_appel), we hosted the talk “Culture is — arts, imagination, and the planetary now"featuring architect and artist Ola Hassanain (@olahassanain) and Teesa Bahana (Director of 32° East @32degreeseast, a not-for-profit contemporary art space in Uganda). Moderated by the Fund’s Head of Programmes, Tessa Giller (@gillerish), the conversation dived into why culture is essential in times of global crises, and how artists and cultural spaces can build solidarity amid growing political, social, and environmental pressures.

This conversation was part of Exchanges, the Fund’s platform for creative cross-pollination that connects our international network with Amsterdam’s cultural landscape while building long-lasting relationships across the city’s diverse artistic scenes.

Exchanges is made possible through the generous support from the City of Amsterdam (@gemeenteamsterdam).

All images courtesy of Nikola Lamburov (@nikolalamburov).

Last week, in collaboration with de Appel (@de_appel), we hosted the talk “Culture is — arts, imagination, and the planetary now"featuring architect and artist Ola Hassanain (@olahassanain) and Teesa Bahana (Director of 32° East @32degreeseast, a not-for-profit contemporary art space in Uganda). Moderated by the Fund’s Head of Programmes, Tessa Giller (@gillerish), the conversation dived into why culture is essential in times of global crises, and how artists and cultural spaces can build solidarity amid growing political, social, and environmental pressures.

This conversation was part of Exchanges, the Fund’s platform for creative cross-pollination that connects our international network with Amsterdam’s cultural landscape while building long-lasting relationships across the city’s diverse artistic scenes.

Exchanges is made possible through the generous support from the City of Amsterdam (@gemeenteamsterdam).

All images courtesy of Nikola Lamburov (@nikolalamburov).

Last week, in collaboration with de Appel (@de_appel), we hosted the talk “Culture is — arts, imagination, and the planetary now"featuring architect and artist Ola Hassanain (@olahassanain) and Teesa Bahana (Director of 32° East @32degreeseast, a not-for-profit contemporary art space in Uganda). Moderated by the Fund’s Head of Programmes, Tessa Giller (@gillerish), the conversation dived into why culture is essential in times of global crises, and how artists and cultural spaces can build solidarity amid growing political, social, and environmental pressures.

This conversation was part of Exchanges, the Fund’s platform for creative cross-pollination that connects our international network with Amsterdam’s cultural landscape while building long-lasting relationships across the city’s diverse artistic scenes.

Exchanges is made possible through the generous support from the City of Amsterdam (@gemeenteamsterdam).

All images courtesy of Nikola Lamburov (@nikolalamburov).

Last week, in collaboration with de Appel (@de_appel), we hosted the talk “Culture is — arts, imagination, and the planetary now"featuring architect and artist Ola Hassanain (@olahassanain) and Teesa Bahana (Director of 32° East @32degreeseast, a not-for-profit contemporary art space in Uganda). Moderated by the Fund’s Head of Programmes, Tessa Giller (@gillerish), the conversation dived into why culture is essential in times of global crises, and how artists and cultural spaces can build solidarity amid growing political, social, and environmental pressures.

This conversation was part of Exchanges, the Fund’s platform for creative cross-pollination that connects our international network with Amsterdam’s cultural landscape while building long-lasting relationships across the city’s diverse artistic scenes.

Exchanges is made possible through the generous support from the City of Amsterdam (@gemeenteamsterdam).

All images courtesy of Nikola Lamburov (@nikolalamburov).

Srdečně zveme na projekt umělkyně a architektky Oly Hassanain The Watching Counsel (Rada přihlížejících). // We cordially invite you to “The Watching Counsel,” a project by Ola Hassanain.

📅 13. 6. 13 - 18 h
📍 Galerie Rudolfinum - Dvorana, Alsovo nabr. 12, P1

Projekt The Watching Counsel (Rada přihlížejících, se zabývá pojmem (ne)obyvatelnosti ve vztahu k ekologické a politické nestabilitě a fragmentované realitě současnosti. Ola Hassainan s kurátorkou simonou markel dvorák kladou do popředí propojenost globálních událostí, které život stále více destabilizují a činí křehčí na nejhlubších úrovních. Projekt představuje příspěvky pozvaných umělkyň a umělců v rámci zvukové krajiny, která prostupuje velkým sálem Rudolfina v Praze.

The Watching Counsel se koná v rámci cyklu Café Chalupecký: Dialogy na rozhraní a je součástí doprovodného programu k výstavě DATAS {The Data and the Sovereign}. Více na sjch.cz.

AUTORKA KONCEPCE: Ola Hassanain
PARTICIPUJÍCÍ UMĚLKYNĚ A UMĚLCI: Pelumi Adejumo, Simnikiwe Buhlungu, Critical Tech Group, Tamara Kametani, Magdi Masaraa & JJJJJerome Ellis, Vojtěch Radakulan, Marie Tučková
@pelumiadejumo
@simnikiwebuhlungu
@tamarakametani
@magdimasaraa @jjjjjeromeellis
@vojtechradakulan
@rivermoans

KURÁTORKA: simona markel dvorák

Za podpory/ Under the auspices of: Ministerstva kultury České republiky, Magistrátu hl. m. Prahy, Goethe Institutu Súdán, Goethe Institutu Česká republika, Fondu Mondriaan a programu Culture Moves Europe.

EN

The Watching Counsel addresses the notion of (un)habitability in relation to ecological, political instabilities and the fragmented realities of the present. It generates new forms of e care, participation and collective agency. Conceived and spatially designed by artist and architect Ola Hassanai, the project unfolds in dialogue with curator simona markel dvorák. Together, they foreground the intensifying interconnectedness of global events that increasingly destabilize and fragilize life at its deepest levels, calling for renewed awareness of the interdependence between places, bodies, species, politics, and climate.

This Wednesday: 𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴, a film screening and talk programme with Areej Ashhab, Ola Hassanain and Dina Mimi!

What does the ground unleash when it is denied keeping what it holds? How does soil get implicated in the carrying of catastrophe? And how does continuous excavation for artefacts reveal an obsession to erase history in order to create a new one?

We will be screening Dina Mimi’s short film 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, which narrates the story of Ram(z)i, a lonely working class man who died twice. Areej Ashhab will be sharing excerpts from her film 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, and connecting them to her new installation commissioned for this exhibition.

Additionally, Ola Hassanain will present her spatial installation for the exhibition, 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, and contextualise it within her ongoing project 𝘛𝘦𝘭𝘭 𝘛𝘩𝘦 𝘞𝘢𝘵𝘦𝘳 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦 𝘊𝘭𝘢𝘺 𝘒𝘦𝘱𝘵 𝘚𝘦𝘤𝘳𝘦𝘵. The films and talk will be followed by a conversation between Ola, Dina, and Areej, moderated by Margarita Osipian—interweaving their individual works and the stories that unfold through them.

Ticket: €7,50
Student and solidarity ticket: €5

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴: 𝘧𝘪𝘭𝘮 𝘴𝘤𝘳𝘦𝘦𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘵𝘢𝘭𝘬 𝘱𝘳𝘰𝘨𝘳𝘢𝘮𝘮𝘦
📍 W139
📆 Wednesday 27 May 2026
🕐 20:00 - 22:00

Slide 1 and 2: Stills from 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, Dina Mimi
Slide 3 and 4: Stills from 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, Areej Ashhab
Slide 5: Closeup from 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, Ola Hassanain, picture by Sander van Wettum

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴 is part of flour, water, soil, a group show initiated by @mariakhatchadourian and on view at W139 until 12 July 2026.

But your ticket via the link in bio!

This Wednesday: 𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴, a film screening and talk programme with Areej Ashhab, Ola Hassanain and Dina Mimi!

What does the ground unleash when it is denied keeping what it holds? How does soil get implicated in the carrying of catastrophe? And how does continuous excavation for artefacts reveal an obsession to erase history in order to create a new one?

We will be screening Dina Mimi’s short film 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, which narrates the story of Ram(z)i, a lonely working class man who died twice. Areej Ashhab will be sharing excerpts from her film 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, and connecting them to her new installation commissioned for this exhibition.

Additionally, Ola Hassanain will present her spatial installation for the exhibition, 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, and contextualise it within her ongoing project 𝘛𝘦𝘭𝘭 𝘛𝘩𝘦 𝘞𝘢𝘵𝘦𝘳 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦 𝘊𝘭𝘢𝘺 𝘒𝘦𝘱𝘵 𝘚𝘦𝘤𝘳𝘦𝘵. The films and talk will be followed by a conversation between Ola, Dina, and Areej, moderated by Margarita Osipian—interweaving their individual works and the stories that unfold through them.

Ticket: €7,50
Student and solidarity ticket: €5

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴: 𝘧𝘪𝘭𝘮 𝘴𝘤𝘳𝘦𝘦𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘵𝘢𝘭𝘬 𝘱𝘳𝘰𝘨𝘳𝘢𝘮𝘮𝘦
📍 W139
📆 Wednesday 27 May 2026
🕐 20:00 - 22:00

Slide 1 and 2: Stills from 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, Dina Mimi
Slide 3 and 4: Stills from 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, Areej Ashhab
Slide 5: Closeup from 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, Ola Hassanain, picture by Sander van Wettum

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴 is part of flour, water, soil, a group show initiated by @mariakhatchadourian and on view at W139 until 12 July 2026.

But your ticket via the link in bio!

This Wednesday: 𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴, a film screening and talk programme with Areej Ashhab, Ola Hassanain and Dina Mimi!

What does the ground unleash when it is denied keeping what it holds? How does soil get implicated in the carrying of catastrophe? And how does continuous excavation for artefacts reveal an obsession to erase history in order to create a new one?

We will be screening Dina Mimi’s short film 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, which narrates the story of Ram(z)i, a lonely working class man who died twice. Areej Ashhab will be sharing excerpts from her film 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, and connecting them to her new installation commissioned for this exhibition.

Additionally, Ola Hassanain will present her spatial installation for the exhibition, 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, and contextualise it within her ongoing project 𝘛𝘦𝘭𝘭 𝘛𝘩𝘦 𝘞𝘢𝘵𝘦𝘳 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦 𝘊𝘭𝘢𝘺 𝘒𝘦𝘱𝘵 𝘚𝘦𝘤𝘳𝘦𝘵. The films and talk will be followed by a conversation between Ola, Dina, and Areej, moderated by Margarita Osipian—interweaving their individual works and the stories that unfold through them.

Ticket: €7,50
Student and solidarity ticket: €5

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴: 𝘧𝘪𝘭𝘮 𝘴𝘤𝘳𝘦𝘦𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘵𝘢𝘭𝘬 𝘱𝘳𝘰𝘨𝘳𝘢𝘮𝘮𝘦
📍 W139
📆 Wednesday 27 May 2026
🕐 20:00 - 22:00

Slide 1 and 2: Stills from 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, Dina Mimi
Slide 3 and 4: Stills from 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, Areej Ashhab
Slide 5: Closeup from 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, Ola Hassanain, picture by Sander van Wettum

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴 is part of flour, water, soil, a group show initiated by @mariakhatchadourian and on view at W139 until 12 July 2026.

But your ticket via the link in bio!

This Wednesday: 𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴, a film screening and talk programme with Areej Ashhab, Ola Hassanain and Dina Mimi!

What does the ground unleash when it is denied keeping what it holds? How does soil get implicated in the carrying of catastrophe? And how does continuous excavation for artefacts reveal an obsession to erase history in order to create a new one?

We will be screening Dina Mimi’s short film 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, which narrates the story of Ram(z)i, a lonely working class man who died twice. Areej Ashhab will be sharing excerpts from her film 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, and connecting them to her new installation commissioned for this exhibition.

Additionally, Ola Hassanain will present her spatial installation for the exhibition, 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, and contextualise it within her ongoing project 𝘛𝘦𝘭𝘭 𝘛𝘩𝘦 𝘞𝘢𝘵𝘦𝘳 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦 𝘊𝘭𝘢𝘺 𝘒𝘦𝘱𝘵 𝘚𝘦𝘤𝘳𝘦𝘵. The films and talk will be followed by a conversation between Ola, Dina, and Areej, moderated by Margarita Osipian—interweaving their individual works and the stories that unfold through them.

Ticket: €7,50
Student and solidarity ticket: €5

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴: 𝘧𝘪𝘭𝘮 𝘴𝘤𝘳𝘦𝘦𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘵𝘢𝘭𝘬 𝘱𝘳𝘰𝘨𝘳𝘢𝘮𝘮𝘦
📍 W139
📆 Wednesday 27 May 2026
🕐 20:00 - 22:00

Slide 1 and 2: Stills from 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, Dina Mimi
Slide 3 and 4: Stills from 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, Areej Ashhab
Slide 5: Closeup from 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, Ola Hassanain, picture by Sander van Wettum

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴 is part of flour, water, soil, a group show initiated by @mariakhatchadourian and on view at W139 until 12 July 2026.

But your ticket via the link in bio!

This Wednesday: 𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴, a film screening and talk programme with Areej Ashhab, Ola Hassanain and Dina Mimi!

What does the ground unleash when it is denied keeping what it holds? How does soil get implicated in the carrying of catastrophe? And how does continuous excavation for artefacts reveal an obsession to erase history in order to create a new one?

We will be screening Dina Mimi’s short film 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, which narrates the story of Ram(z)i, a lonely working class man who died twice. Areej Ashhab will be sharing excerpts from her film 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, and connecting them to her new installation commissioned for this exhibition.

Additionally, Ola Hassanain will present her spatial installation for the exhibition, 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, and contextualise it within her ongoing project 𝘛𝘦𝘭𝘭 𝘛𝘩𝘦 𝘞𝘢𝘵𝘦𝘳 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦 𝘊𝘭𝘢𝘺 𝘒𝘦𝘱𝘵 𝘚𝘦𝘤𝘳𝘦𝘵. The films and talk will be followed by a conversation between Ola, Dina, and Areej, moderated by Margarita Osipian—interweaving their individual works and the stories that unfold through them.

Ticket: €7,50
Student and solidarity ticket: €5

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴: 𝘧𝘪𝘭𝘮 𝘴𝘤𝘳𝘦𝘦𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘵𝘢𝘭𝘬 𝘱𝘳𝘰𝘨𝘳𝘢𝘮𝘮𝘦
📍 W139
📆 Wednesday 27 May 2026
🕐 20:00 - 22:00

Slide 1 and 2: Stills from 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, Dina Mimi
Slide 3 and 4: Stills from 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, Areej Ashhab
Slide 5: Closeup from 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, Ola Hassanain, picture by Sander van Wettum

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴 is part of flour, water, soil, a group show initiated by @mariakhatchadourian and on view at W139 until 12 July 2026.

But your ticket via the link in bio!

Join us on Wednesday 27 May for 𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴: a film screening and talk programme with Areej Ashhab, Ola Hassanain and Dina Mimi!

During the programme we will open a conversation about the artefact as witness, the erasure of history through excavation, the objects and topologies of repair, and the relationship of people to their material environments.

Areej Ashhab will be sharing excerpts from her film 𝘓𝘪𝘮𝘦 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘌𝘭𝘦𝘮𝘦𝘯𝘵𝘴, and connecting them to her new installation, 𝘛𝘩𝘦 𝘎𝘳𝘰𝘶𝘯𝘥 𝘒𝘦𝘦𝘱𝘴 𝘞𝘩𝘢𝘵 𝘪𝘵 𝘏𝘰𝘭𝘥𝘴, commissioned for this exhibition. We will also be screening Dina Mimi’s short film 𝘛𝘩𝘦 𝘌𝘺𝘦𝘴 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘦𝘦, which narrates the story of Ram(z)i, a lonely working class man who died twice.

Additionally, Ola Hassanain will present her spatial installation for the exhibition, 𝘞𝘢𝘵𝘦𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘗𝘰𝘪𝘯𝘵𝘴, and contextualise it within her ongoing project 𝘛𝘦𝘭𝘭 𝘛𝘩𝘦 𝘞𝘢𝘵𝘦𝘳 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦 𝘊𝘭𝘢𝘺 𝘒𝘦𝘱𝘵 𝘚𝘦𝘤𝘳𝘦𝘵. The films and talk will be followed by a conversation between Ola, Dina, and Areej, moderated by Margarita Osipian—interweaving their individual works and the stories that unfold through them.

Ticket: €7,50
Student and solidarity ticket: €5

𝘢𝘧𝘵𝘦𝘳 𝘢𝘧𝘵𝘦𝘳𝘭𝘪𝘷𝘦𝘴: 𝘧𝘪𝘭𝘮 𝘴𝘤𝘳𝘦𝘦𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘵𝘢𝘭𝘬 𝘱𝘳𝘰𝘨𝘳𝘢𝘮𝘮𝘦
📍 W139
📆 27 May 2026
🕐 20:00 - 22:00

Visual identity by @farahfayyad

after afterlives is part of 𝘸𝘢𝘵𝘦𝘳, 𝘧𝘭𝘰𝘶𝘳, 𝘴𝘰𝘪𝘭, a group show initiated by @mariakhatchadourian and on view at W139 until 12 July 2026.

More information on our website!

Water Collection Points (2026)

Within this exhibition, a series of water collection points constitutes one of three spatial vocabularies that collectively form a watching station. A watching station represents a spatial concept, a definitive script derived from "Tell The Water What The Clay Kept Secret." This larger project by Ola involves the development of scripts for whispers, watching, and arrivals, which contextualize the evolving material environments of communities within the Gezira Scheme, recognized as one of the world's most extensive irrigation projects.

Water Collection Points (2026)

Within this exhibition, a series of water collection points constitutes one of three spatial vocabularies that collectively form a watching station. A watching station represents a spatial concept, a definitive script derived from "Tell The Water What The Clay Kept Secret." This larger project by Ola involves the development of scripts for whispers, watching, and arrivals, which contextualize the evolving material environments of communities within the Gezira Scheme, recognized as one of the world's most extensive irrigation projects.

Water Collection Points (2026)

Within this exhibition, a series of water collection points constitutes one of three spatial vocabularies that collectively form a watching station. A watching station represents a spatial concept, a definitive script derived from "Tell The Water What The Clay Kept Secret." This larger project by Ola involves the development of scripts for whispers, watching, and arrivals, which contextualize the evolving material environments of communities within the Gezira Scheme, recognized as one of the world's most extensive irrigation projects.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

I am pleased to provide moments of and leading up to the group exhibition, "Flour, Water, Soil," which commenced yesterday. This exhibition, initiated by Maria Khatchadourian, showcases new and adapted site-specific works from Areej Ashhab, the duo Common Ground, Ai Ozaki, and Belit Sağ. Collectively, these works explore themes of earth, seeds, water, fermentation, and destruction, examining the intricate relationship between care and violence within these contexts.

I am appreciative of the opportunity to contribute to this exhibition, integrating elements of a thought process that has received support from the Amsterdam Art Fund @afk020 over the past year.

It has been a distinct pleasure collaborating with Margarita Osipian and the entire team at @w139amsterdam , whose dedication, expertise, and supportive approach have been invaluable.

Work in progress

Work in progress...

هل يمكن للمكان وساكنيه أن يقيّدوا الممارسة الفنية، أم يفتحوا له مساحات جديدة؟
في إطار برنامج «خطوط النظر»، تُقام ندوة عامة تجمع أصواتًا من السنغال وأوغندا والسودان ومصر، في حوار مفتوح حول الطرق التي يتقاطع فيها الفن مع المكان والمجتمع، وكيف يمكن أن يصنع روابط جديدة ويكشف إمكانيات لم نرها من قبل.

** النقاش يقدم بالإنجليزية مع توفير ترجمة فورية إلى اللغة العربية

انضموا لنا في هذا النقاش المفتوح، الذي يليه حفل ختام في متنزه الخليفة

📍 4 أكتوبر 2025 | مركز الخليفة الخدمي | 10:00 - 07:00 مساءً

🎟️ الفعالية عامة ومجانية
لمزيد من التفاصيل والتسجيل : اللينك في البايو

How do places and their communities inform artistic practice?
The Sightlines public symposium brings together voices from Senegal, Uganda, Sudan, and Egypt in an open dialogue on how art intersects with place and community and how it can forge new connections and possibilities.

** The discussion will be held in English, live Arabic translation will be provided.

Join us for this conversation followed by a closing reception at Khalifa Environmental Park.
📍 4 October 2025 | Khalifa Community Center | 07:00 - 10:00

🎟️ Free and open to all
For details and registration: link in bio

تم تنفيذ هذا المشروع بدعم من الصندوق العربي للثقافة والفنون – آفاق، من خلال منحة مقدّمة من الوكالة السويسرية للتنمية والتعاون – SDC.
This Project is implemented with the support of the Arab Fund for Arts and Culture – AFAC, through a grant from the Swiss Agency for Development and Cooperation – SDC.

هل يمكن للمكان وساكنيه أن يقيّدوا الممارسة الفنية، أم يفتحوا له مساحات جديدة؟
في إطار برنامج «خطوط النظر»، تُقام ندوة عامة تجمع أصواتًا من السنغال وأوغندا والسودان ومصر، في حوار مفتوح حول الطرق التي يتقاطع فيها الفن مع المكان والمجتمع، وكيف يمكن أن يصنع روابط جديدة ويكشف إمكانيات لم نرها من قبل.

** النقاش يقدم بالإنجليزية مع توفير ترجمة فورية إلى اللغة العربية

انضموا لنا في هذا النقاش المفتوح، الذي يليه حفل ختام في متنزه الخليفة

📍 4 أكتوبر 2025 | مركز الخليفة الخدمي | 10:00 - 07:00 مساءً

🎟️ الفعالية عامة ومجانية
لمزيد من التفاصيل والتسجيل : اللينك في البايو

How do places and their communities inform artistic practice?
The Sightlines public symposium brings together voices from Senegal, Uganda, Sudan, and Egypt in an open dialogue on how art intersects with place and community and how it can forge new connections and possibilities.

** The discussion will be held in English, live Arabic translation will be provided.

Join us for this conversation followed by a closing reception at Khalifa Environmental Park.
📍 4 October 2025 | Khalifa Community Center | 07:00 - 10:00

🎟️ Free and open to all
For details and registration: link in bio

تم تنفيذ هذا المشروع بدعم من الصندوق العربي للثقافة والفنون – آفاق، من خلال منحة مقدّمة من الوكالة السويسرية للتنمية والتعاون – SDC.
This Project is implemented with the support of the Arab Fund for Arts and Culture – AFAC, through a grant from the Swiss Agency for Development and Cooperation – SDC.

هل يمكن للمكان وساكنيه أن يقيّدوا الممارسة الفنية، أم يفتحوا له مساحات جديدة؟
في إطار برنامج «خطوط النظر»، تُقام ندوة عامة تجمع أصواتًا من السنغال وأوغندا والسودان ومصر، في حوار مفتوح حول الطرق التي يتقاطع فيها الفن مع المكان والمجتمع، وكيف يمكن أن يصنع روابط جديدة ويكشف إمكانيات لم نرها من قبل.

** النقاش يقدم بالإنجليزية مع توفير ترجمة فورية إلى اللغة العربية

انضموا لنا في هذا النقاش المفتوح، الذي يليه حفل ختام في متنزه الخليفة

📍 4 أكتوبر 2025 | مركز الخليفة الخدمي | 10:00 - 07:00 مساءً

🎟️ الفعالية عامة ومجانية
لمزيد من التفاصيل والتسجيل : اللينك في البايو

How do places and their communities inform artistic practice?
The Sightlines public symposium brings together voices from Senegal, Uganda, Sudan, and Egypt in an open dialogue on how art intersects with place and community and how it can forge new connections and possibilities.

** The discussion will be held in English, live Arabic translation will be provided.

Join us for this conversation followed by a closing reception at Khalifa Environmental Park.
📍 4 October 2025 | Khalifa Community Center | 07:00 - 10:00

🎟️ Free and open to all
For details and registration: link in bio

تم تنفيذ هذا المشروع بدعم من الصندوق العربي للثقافة والفنون – آفاق، من خلال منحة مقدّمة من الوكالة السويسرية للتنمية والتعاون – SDC.
This Project is implemented with the support of the Arab Fund for Arts and Culture – AFAC, through a grant from the Swiss Agency for Development and Cooperation – SDC.

هل يمكن للمكان وساكنيه أن يقيّدوا الممارسة الفنية، أم يفتحوا له مساحات جديدة؟
في إطار برنامج «خطوط النظر»، تُقام ندوة عامة تجمع أصواتًا من السنغال وأوغندا والسودان ومصر، في حوار مفتوح حول الطرق التي يتقاطع فيها الفن مع المكان والمجتمع، وكيف يمكن أن يصنع روابط جديدة ويكشف إمكانيات لم نرها من قبل.

** النقاش يقدم بالإنجليزية مع توفير ترجمة فورية إلى اللغة العربية

انضموا لنا في هذا النقاش المفتوح، الذي يليه حفل ختام في متنزه الخليفة

📍 4 أكتوبر 2025 | مركز الخليفة الخدمي | 10:00 - 07:00 مساءً

🎟️ الفعالية عامة ومجانية
لمزيد من التفاصيل والتسجيل : اللينك في البايو

How do places and their communities inform artistic practice?
The Sightlines public symposium brings together voices from Senegal, Uganda, Sudan, and Egypt in an open dialogue on how art intersects with place and community and how it can forge new connections and possibilities.

** The discussion will be held in English, live Arabic translation will be provided.

Join us for this conversation followed by a closing reception at Khalifa Environmental Park.
📍 4 October 2025 | Khalifa Community Center | 07:00 - 10:00

🎟️ Free and open to all
For details and registration: link in bio

تم تنفيذ هذا المشروع بدعم من الصندوق العربي للثقافة والفنون – آفاق، من خلال منحة مقدّمة من الوكالة السويسرية للتنمية والتعاون – SDC.
This Project is implemented with the support of the Arab Fund for Arts and Culture – AFAC, through a grant from the Swiss Agency for Development and Cooperation – SDC.

هل يمكن للمكان وساكنيه أن يقيّدوا الممارسة الفنية، أم يفتحوا له مساحات جديدة؟
في إطار برنامج «خطوط النظر»، تُقام ندوة عامة تجمع أصواتًا من السنغال وأوغندا والسودان ومصر، في حوار مفتوح حول الطرق التي يتقاطع فيها الفن مع المكان والمجتمع، وكيف يمكن أن يصنع روابط جديدة ويكشف إمكانيات لم نرها من قبل.

** النقاش يقدم بالإنجليزية مع توفير ترجمة فورية إلى اللغة العربية

انضموا لنا في هذا النقاش المفتوح، الذي يليه حفل ختام في متنزه الخليفة

📍 4 أكتوبر 2025 | مركز الخليفة الخدمي | 10:00 - 07:00 مساءً

🎟️ الفعالية عامة ومجانية
لمزيد من التفاصيل والتسجيل : اللينك في البايو

How do places and their communities inform artistic practice?
The Sightlines public symposium brings together voices from Senegal, Uganda, Sudan, and Egypt in an open dialogue on how art intersects with place and community and how it can forge new connections and possibilities.

** The discussion will be held in English, live Arabic translation will be provided.

Join us for this conversation followed by a closing reception at Khalifa Environmental Park.
📍 4 October 2025 | Khalifa Community Center | 07:00 - 10:00

🎟️ Free and open to all
For details and registration: link in bio

تم تنفيذ هذا المشروع بدعم من الصندوق العربي للثقافة والفنون – آفاق، من خلال منحة مقدّمة من الوكالة السويسرية للتنمية والتعاون – SDC.
This Project is implemented with the support of the Arab Fund for Arts and Culture – AFAC, through a grant from the Swiss Agency for Development and Cooperation – SDC.

هل يمكن للمكان وساكنيه أن يقيّدوا الممارسة الفنية، أم يفتحوا له مساحات جديدة؟
في إطار برنامج «خطوط النظر»، تُقام ندوة عامة تجمع أصواتًا من السنغال وأوغندا والسودان ومصر، في حوار مفتوح حول الطرق التي يتقاطع فيها الفن مع المكان والمجتمع، وكيف يمكن أن يصنع روابط جديدة ويكشف إمكانيات لم نرها من قبل.

** النقاش يقدم بالإنجليزية مع توفير ترجمة فورية إلى اللغة العربية

انضموا لنا في هذا النقاش المفتوح، الذي يليه حفل ختام في متنزه الخليفة

📍 4 أكتوبر 2025 | مركز الخليفة الخدمي | 10:00 - 07:00 مساءً

🎟️ الفعالية عامة ومجانية
لمزيد من التفاصيل والتسجيل : اللينك في البايو

How do places and their communities inform artistic practice?
The Sightlines public symposium brings together voices from Senegal, Uganda, Sudan, and Egypt in an open dialogue on how art intersects with place and community and how it can forge new connections and possibilities.

** The discussion will be held in English, live Arabic translation will be provided.

Join us for this conversation followed by a closing reception at Khalifa Environmental Park.
📍 4 October 2025 | Khalifa Community Center | 07:00 - 10:00

🎟️ Free and open to all
For details and registration: link in bio

تم تنفيذ هذا المشروع بدعم من الصندوق العربي للثقافة والفنون – آفاق، من خلال منحة مقدّمة من الوكالة السويسرية للتنمية والتعاون – SDC.
This Project is implemented with the support of the Arab Fund for Arts and Culture – AFAC, through a grant from the Swiss Agency for Development and Cooperation – SDC.

هل يمكن للمكان وساكنيه أن يقيّدوا الممارسة الفنية، أم يفتحوا له مساحات جديدة؟
في إطار برنامج «خطوط النظر»، تُقام ندوة عامة تجمع أصواتًا من السنغال وأوغندا والسودان ومصر، في حوار مفتوح حول الطرق التي يتقاطع فيها الفن مع المكان والمجتمع، وكيف يمكن أن يصنع روابط جديدة ويكشف إمكانيات لم نرها من قبل.

** النقاش يقدم بالإنجليزية مع توفير ترجمة فورية إلى اللغة العربية

انضموا لنا في هذا النقاش المفتوح، الذي يليه حفل ختام في متنزه الخليفة

📍 4 أكتوبر 2025 | مركز الخليفة الخدمي | 10:00 - 07:00 مساءً

🎟️ الفعالية عامة ومجانية
لمزيد من التفاصيل والتسجيل : اللينك في البايو

How do places and their communities inform artistic practice?
The Sightlines public symposium brings together voices from Senegal, Uganda, Sudan, and Egypt in an open dialogue on how art intersects with place and community and how it can forge new connections and possibilities.

** The discussion will be held in English, live Arabic translation will be provided.

Join us for this conversation followed by a closing reception at Khalifa Environmental Park.
📍 4 October 2025 | Khalifa Community Center | 07:00 - 10:00

🎟️ Free and open to all
For details and registration: link in bio

تم تنفيذ هذا المشروع بدعم من الصندوق العربي للثقافة والفنون – آفاق، من خلال منحة مقدّمة من الوكالة السويسرية للتنمية والتعاون – SDC.
This Project is implemented with the support of the Arab Fund for Arts and Culture – AFAC, through a grant from the Swiss Agency for Development and Cooperation – SDC.

Join us on Saturday for the lecture performance 'The Watcher' by @olahassanain from 17:00 - 18:00
at Fobrux.

🌱In this lecture performance, Ola Hassanain highlights how a state of uninhabitability has been propped and maintained as a continuous cycle of catastrophe across Sudan and The Netherlands. A sonic and visual score, embodied by the character of The Watcher in motion, proposes ‘watching’ as a possible space to inhabit, to circumvent the foreclosure on our relationships to material environment, compromised under conditions of ecological erasures and evictions.

The lecture performance is in English.

Image credits: Ola Hassanain, installation shots from the Watcher, Melly Rotterdam, courtesy of the artist and Kristien Daem.

Join us on Saturday for the lecture performance 'The Watcher' by @olahassanain from 17:00 - 18:00
at Fobrux.

🌱In this lecture performance, Ola Hassanain highlights how a state of uninhabitability has been propped and maintained as a continuous cycle of catastrophe across Sudan and The Netherlands. A sonic and visual score, embodied by the character of The Watcher in motion, proposes ‘watching’ as a possible space to inhabit, to circumvent the foreclosure on our relationships to material environment, compromised under conditions of ecological erasures and evictions.

The lecture performance is in English.

Image credits: Ola Hassanain, installation shots from the Watcher, Melly Rotterdam, courtesy of the artist and Kristien Daem.