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'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

'Forever chemicals' is a nickname that the scientific community has given to PFAS (Per- and polyfluoroalkyl substances), synthetic compounds that don't break down naturally. eg. microplastics that dont fully degrade; now present in our water, in our bloodstream & lungs, which will be there after the rest of us deteriorates

the late 90s/2000s was a time of technological optimism: the unlimited possibility & freedom it presented, as well as simulations of community and connectivity. we're now experiencing what unbound advancement has led to, reaching a state where everything is extreme and the world seems to be in a state of irreversible emergency

icl its a weird time to be releasing an album, let alone music in general..

my first EP 'Kagura' was a searching for self, wading thru the confusing depths of a very personal grief, tracing it alongside that of my ancestors in Nagasaki and connecting it to the grief of my community here. An excavation of my internal world & integration thru devastation

naturally, collaborating with @jakeydeg meant looking around & interrogating the external world. This album is a observation of where we're at, having past the tipping point that once seemed so abstract & far off into the future..
observing the consequences of our hyperconsumption, overstimulation, excess ~ the endless streaming of information, surveillance, data mining, gen0c1de, fake news, millionaires biohacking & freezing their consciousness while extracting on mass scale..

i realise that these songs are a grasping for the fragments of humanity that's left, that remains within us despite the literal & metaphorical contamination of the mind, the flesh, & the earth-body

questioning what we are, underneath the layers of artifice, the conditioning, the masks we adopt/project. & what it means to exist, to grow, to love in a world like this?

at the end of the day its a blessing to be alive, to witness n experience humanness at its purest, in whatever form it takes; joy, despair, anger, connection ~

in a time of such instability and fragmentation its still possible to return to our oneness

cos thats kind of all we have, you know? 🫧

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

cosmic breaks are for lover gxrls 🛰️

some clips from a jet lagged / (literally) timestretched exploration thru celestial jungle, breakbeat & dnb on @foundation.fm ~ 謎です ~

normally i dont prepare sets much & keep djing intentionally spontaneous n freeflow, so it was a nice change to treat this show more like a lil project, mapping a path of ebb & flow in cymatic frequencies to mirror the upcoming forever chemicals album drop

listen in full on foundation FM & youtube 🫧

bringing more of this to the @cafe_1001 rotary mixer this coming tuesday 28 th october w @jakeydeg @777simms @shivanidaysoundtracking some serious moves♟️@knightclubchess

welcomed in solstice in togetherness with a dream audience ˏˋ°•*⁀➷

beaming up through the helix of clouds to connect across continents w the lovely @sheisjoya @joshua_arvy_so ty for inviting us to showcase work from ‘forever chemicals’

& with refugee week last week, all profits from the show will go to @refugeeaction to support people seeking asylum worldwide. ׂׂ

𝄃𝄃𝄂𝄂𝄀𝄁𝄃𝄂𝄂𝄃 + new single endless brainspill w/ @stone____________________ rmx premiered on 🤍 @kexp & @nts_radio ty for transmitting us out on the air, more fragments next month ‧₊˚✩ ₊˚🎧⊹

🫧 @jessyungtiger

welcomed in solstice in togetherness with a dream audience ˏˋ°•*⁀➷

beaming up through the helix of clouds to connect across continents w the lovely @sheisjoya @joshua_arvy_so ty for inviting us to showcase work from ‘forever chemicals’

& with refugee week last week, all profits from the show will go to @refugeeaction to support people seeking asylum worldwide. ׂׂ

𝄃𝄃𝄂𝄂𝄀𝄁𝄃𝄂𝄂𝄃 + new single endless brainspill w/ @stone____________________ rmx premiered on 🤍 @kexp & @nts_radio ty for transmitting us out on the air, more fragments next month ‧₊˚✩ ₊˚🎧⊹

🫧 @jessyungtiger

welcomed in solstice in togetherness with a dream audience ˏˋ°•*⁀➷

beaming up through the helix of clouds to connect across continents w the lovely @sheisjoya @joshua_arvy_so ty for inviting us to showcase work from ‘forever chemicals’

& with refugee week last week, all profits from the show will go to @refugeeaction to support people seeking asylum worldwide. ׂׂ

𝄃𝄃𝄂𝄂𝄀𝄁𝄃𝄂𝄂𝄃 + new single endless brainspill w/ @stone____________________ rmx premiered on 🤍 @kexp & @nts_radio ty for transmitting us out on the air, more fragments next month ‧₊˚✩ ₊˚🎧⊹

🫧 @jessyungtiger

welcomed in solstice in togetherness with a dream audience ˏˋ°•*⁀➷

beaming up through the helix of clouds to connect across continents w the lovely @sheisjoya @joshua_arvy_so ty for inviting us to showcase work from ‘forever chemicals’

& with refugee week last week, all profits from the show will go to @refugeeaction to support people seeking asylum worldwide. ׂׂ

𝄃𝄃𝄂𝄂𝄀𝄁𝄃𝄂𝄂𝄃 + new single endless brainspill w/ @stone____________________ rmx premiered on 🤍 @kexp & @nts_radio ty for transmitting us out on the air, more fragments next month ‧₊˚✩ ₊˚🎧⊹

🫧 @jessyungtiger

welcomed in solstice in togetherness with a dream audience ˏˋ°•*⁀➷

beaming up through the helix of clouds to connect across continents w the lovely @sheisjoya @joshua_arvy_so ty for inviting us to showcase work from ‘forever chemicals’

& with refugee week last week, all profits from the show will go to @refugeeaction to support people seeking asylum worldwide. ׂׂ

𝄃𝄃𝄂𝄂𝄀𝄁𝄃𝄂𝄂𝄃 + new single endless brainspill w/ @stone____________________ rmx premiered on 🤍 @kexp & @nts_radio ty for transmitting us out on the air, more fragments next month ‧₊˚✩ ₊˚🎧⊹

🫧 @jessyungtiger

Bricks N' Mortar is back and we're kicking off our summer in style.

After a sellout at Brixton Jamm earlier in the year and two big fat Saturday nights at the Den in March, we're back with a specially curated lineup featuring some of London's finest party starters. The sun rises in the east - E8.

This is a genre-fluid rave, with each DJ given full creative license to explore and push their own sound. Expect high energy, heavy bass and infectious drums throughout; everything from Global Club, UK Funky, Ama and Tribal to UK Garage, 140, UK Underground, Jungle, Dancehall + Bouyon

Early bird gets the worm... [early bird free tickets available until 17/05/26]

@lisakeeks_ (@iheartmotions @body2bass)
@xt1ana (@badbitchmusicc @blackbritishhallparty)
@sophianicole02 (@heatindexuk)
@okami_zone (@sisucrew @halfeastrecords )
@silc0__

🎨 @rose.thompson

Saturday, May 30th

10.30 - 03:00
Dalston Den, 91-93 Kingsland High St. | E8 9PB

Extremely limited capacity 🚨

Tickets on RA ⛓️‍💥

18+ (ID required)

東京!!! カラオケせんか?
今週の土曜日 16.05 に渋谷で jungle、drum and bass、dub のパーティーやります!

「 BRAINSPILL 」this Saturday in SHIBUYA 16/05/2026

UK 🔄 JP selectors serving up a night of pure jungle, dnb, dub and bass music in the heart of Tokyo ⚡⚡

22:00 ~ 05:00

venue: Toronako Shokudo
渋谷区宇田川町10-1, Shibuya, Tokyo 1500042

¥2000
¥1500 before midnight 24時前

一緒に遊ぼうね🔊🔊🔊

#tokyonightlife #drumandbass #dj #junglemusic

💿 @my_favorite_soba_2020 - BOW (@submerse remix)

2026.5.11(mon) DEAR MONDAY, vol.285

w/ ŌKAMI(UK), Blue Ringed Baby(UK), Pistaccio(AU), yu-more

host dj: HSC

entrance: 1500yen

venue: Rake?Raka?

SP guests from England and Australia!!

Now in its sixth year, RAKERAKA's signature party, “DEAR MONDAY,” having carved out a long-standing, secretive presence among music enthusiasts. Unlike boisterous parties, it's the good venue for those who wish to savour dope underground music at their own leisurely pace and This underground hideaway-like venue sees music lovers gather at a leisurely pace.

Episode 285 is a special edition!DJ ŌKAMI and DJ Blue Ringed Baby, hailing from the UK, will masterfully weave atmospheric jungle and bass music to bring the spirit of RAVE to the dancefloor. Meanwhile, Australia’s DJ Pistaccio is set to set the dancefloor alight with a set centred on tech house and deep house. And DJ yu-more, making an appearance after a long absence, is also a producer who blends the soul of drum and bass, breakbeats and house, making him the perfect DJ to tie together this special night of diverse musical styles. Furthermore, organiser HSC, who focuses on British mutant rave music and emphasises ritualism and storytelling, will guide you on an intoxicating musical journey in a post-club, freeform style. RAKERAKA's Monday nights feature the exceptional FUNKTION-ONE sound system and cool music flowing onto the dance floor, creating an atmosphere reminiscent of an Asian ritual space in the darkness! Let's gooo!!

2026.5.11(mon) DEAR MONDAY, vol.285

w/ ŌKAMI(UK), Blue Ringed Baby(UK), Pistaccio(AU), yu-more

host dj: HSC

entrance: 1500yen

venue: Rake?Raka?

SP guests from England and Australia!!

Now in its sixth year, RAKERAKA's signature party, “DEAR MONDAY,” having carved out a long-standing, secretive presence among music enthusiasts. Unlike boisterous parties, it's the good venue for those who wish to savour dope underground music at their own leisurely pace and This underground hideaway-like venue sees music lovers gather at a leisurely pace.

Episode 285 is a special edition!DJ ŌKAMI and DJ Blue Ringed Baby, hailing from the UK, will masterfully weave atmospheric jungle and bass music to bring the spirit of RAVE to the dancefloor. Meanwhile, Australia’s DJ Pistaccio is set to set the dancefloor alight with a set centred on tech house and deep house. And DJ yu-more, making an appearance after a long absence, is also a producer who blends the soul of drum and bass, breakbeats and house, making him the perfect DJ to tie together this special night of diverse musical styles. Furthermore, organiser HSC, who focuses on British mutant rave music and emphasises ritualism and storytelling, will guide you on an intoxicating musical journey in a post-club, freeform style. RAKERAKA's Monday nights feature the exceptional FUNKTION-ONE sound system and cool music flowing onto the dance floor, creating an atmosphere reminiscent of an Asian ritual space in the darkness! Let's gooo!!

2026.5.11(mon) DEAR MONDAY, vol.285

w/ ŌKAMI(UK), Blue Ringed Baby(UK), Pistaccio(AU), yu-more

host dj: HSC

entrance: 1500yen

venue: Rake?Raka?

SP guests from England and Australia!!

Now in its sixth year, RAKERAKA's signature party, “DEAR MONDAY,” having carved out a long-standing, secretive presence among music enthusiasts. Unlike boisterous parties, it's the good venue for those who wish to savour dope underground music at their own leisurely pace and This underground hideaway-like venue sees music lovers gather at a leisurely pace.

Episode 285 is a special edition!DJ ŌKAMI and DJ Blue Ringed Baby, hailing from the UK, will masterfully weave atmospheric jungle and bass music to bring the spirit of RAVE to the dancefloor. Meanwhile, Australia’s DJ Pistaccio is set to set the dancefloor alight with a set centred on tech house and deep house. And DJ yu-more, making an appearance after a long absence, is also a producer who blends the soul of drum and bass, breakbeats and house, making him the perfect DJ to tie together this special night of diverse musical styles. Furthermore, organiser HSC, who focuses on British mutant rave music and emphasises ritualism and storytelling, will guide you on an intoxicating musical journey in a post-club, freeform style. RAKERAKA's Monday nights feature the exceptional FUNKTION-ONE sound system and cool music flowing onto the dance floor, creating an atmosphere reminiscent of an Asian ritual space in the darkness! Let's gooo!!

2026.5.11(mon) DEAR MONDAY, vol.285

w/ ŌKAMI(UK), Blue Ringed Baby(UK), Pistaccio(AU), yu-more

host dj: HSC

entrance: 1500yen

venue: Rake?Raka?

SP guests from England and Australia!!

Now in its sixth year, RAKERAKA's signature party, “DEAR MONDAY,” having carved out a long-standing, secretive presence among music enthusiasts. Unlike boisterous parties, it's the good venue for those who wish to savour dope underground music at their own leisurely pace and This underground hideaway-like venue sees music lovers gather at a leisurely pace.

Episode 285 is a special edition!DJ ŌKAMI and DJ Blue Ringed Baby, hailing from the UK, will masterfully weave atmospheric jungle and bass music to bring the spirit of RAVE to the dancefloor. Meanwhile, Australia’s DJ Pistaccio is set to set the dancefloor alight with a set centred on tech house and deep house. And DJ yu-more, making an appearance after a long absence, is also a producer who blends the soul of drum and bass, breakbeats and house, making him the perfect DJ to tie together this special night of diverse musical styles. Furthermore, organiser HSC, who focuses on British mutant rave music and emphasises ritualism and storytelling, will guide you on an intoxicating musical journey in a post-club, freeform style. RAKERAKA's Monday nights feature the exceptional FUNKTION-ONE sound system and cool music flowing onto the dance floor, creating an atmosphere reminiscent of an Asian ritual space in the darkness! Let's gooo!!

sidequest as my own streetfighter

田舎ギャルとは 🐾

#asmr

「 BRAINSPILL 」SHIBUYA 16.05

UK 🔄 JP selectors serving up a night of pure junglism & breaks in the centre of Tokyo ⚡⚡
ジャングル、ブレーキス、dnb、フットワークなど

22:00 ~ 05:00

venue: Toronako Shokudo
渋谷区宇田川町10-1, Shibuya, Tokyo 1500042

¥2000
¥1500 before midnight 24時前

楽しみにしてま〜す

flyer by @jakeydeg

「forever chemicals」jpn tour 2026 🎌

we are so excited to share the album & blissed out world we’ve been building across Tokyo & Osaka this May !! Inc. a run of dj sets, radio and live shows

11.05 ラケ?ラカ?, Osaka
13.05 @tokyobeerlab
14.05 @room303radio
15.05 @ektalprofile
15.05 @clubknight.cc / @hven.tokyo
16.05 @toranoko_shokudo
17.05 @shibasakimod (live)
17.05 @rubyroomtokyo (live w/ @stdrums)

———-

来月、東京と大阪の会場で、皆さんとこのアルバムの世界を共有できることを、心から楽しみにしています！！DJセットやラジオ、ライブ公演などが予定されていますので、よろしくお願いします〜

graphic & creative by blue ringed baby

「forever chemicals」jpn tour 2026 🎌

we are so excited to share the album & blissed out world we’ve been building across Tokyo & Osaka this May !! Inc. a run of dj sets, radio and live shows

11.05 ラケ?ラカ?, Osaka
13.05 @tokyobeerlab
14.05 @room303radio
15.05 @ektalprofile
15.05 @clubknight.cc / @hven.tokyo
16.05 @toranoko_shokudo
17.05 @shibasakimod (live)
17.05 @rubyroomtokyo (live w/ @stdrums)

———-

来月、東京と大阪の会場で、皆さんとこのアルバムの世界を共有できることを、心から楽しみにしています！！DJセットやラジオ、ライブ公演などが予定されていますので、よろしくお願いします〜

graphic & creative by blue ringed baby

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

Holy babies
under rubble
what you here taking us for
why you not taking my call?

🫧 @o.rbyss
🪷 styling @sillysillyorchid

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

{{{ FREEOLOGY }}}
is a process
we grow it
in the streets
in the dance
wherever necessary
its all connected ~

soundtracking the resistance here during aries season:

🌐 10/04 @phonoxlondon w/ @saliahgram
♨️ 17/04 international @jacobsmorgan_ day
🌐 23/04 @palaisldn w/ @sisucrew
🛰️ 26/04 @voices_radio for @esea.sisters

📽️🌱 @taosoljam + central ldn 2021 - 2024

Myself and @okami_zone went B2B last week on @brixtonradiolive Snippets from the show... Tracks ft..

Slide 1: @alzociii

Slide 2: @amvnnnnn

Slide 3: @charlie_fracture @futureretrolondon

Slide 4: ???

Slide 5: @doubleorupture

We spun heavyweight jungle + proper buff riddims all the way through!
Energy was mad from start to finish… real vibes.

Big love to everyone locked in
Who caught it!

#JungleMusic #UndergroundMusic #femaledj #BrixtonRadio #junglist

Myself and @okami_zone went B2B last week on @brixtonradiolive Snippets from the show... Tracks ft..

Slide 1: @alzociii

Slide 2: @amvnnnnn

Slide 3: @charlie_fracture @futureretrolondon

Slide 4: ???

Slide 5: @doubleorupture

We spun heavyweight jungle + proper buff riddims all the way through!
Energy was mad from start to finish… real vibes.

Big love to everyone locked in
Who caught it!

#JungleMusic #UndergroundMusic #femaledj #BrixtonRadio #junglist

Myself and @okami_zone went B2B last week on @brixtonradiolive Snippets from the show... Tracks ft..

Slide 1: @alzociii

Slide 2: @amvnnnnn

Slide 3: @charlie_fracture @futureretrolondon

Slide 4: ???

Slide 5: @doubleorupture

We spun heavyweight jungle + proper buff riddims all the way through!
Energy was mad from start to finish… real vibes.

Big love to everyone locked in
Who caught it!

#JungleMusic #UndergroundMusic #femaledj #BrixtonRadio #junglist

Myself and @okami_zone went B2B last week on @brixtonradiolive Snippets from the show... Tracks ft..

Slide 1: @alzociii

Slide 2: @amvnnnnn

Slide 3: @charlie_fracture @futureretrolondon

Slide 4: ???

Slide 5: @doubleorupture

We spun heavyweight jungle + proper buff riddims all the way through!
Energy was mad from start to finish… real vibes.

Big love to everyone locked in
Who caught it!

#JungleMusic #UndergroundMusic #femaledj #BrixtonRadio #junglist

Myself and @okami_zone went B2B last week on @brixtonradiolive Snippets from the show... Tracks ft..

Slide 1: @alzociii

Slide 2: @amvnnnnn

Slide 3: @charlie_fracture @futureretrolondon

Slide 4: ???

Slide 5: @doubleorupture

We spun heavyweight jungle + proper buff riddims all the way through!
Energy was mad from start to finish… real vibes.

Big love to everyone locked in
Who caught it!

#JungleMusic #UndergroundMusic #femaledj #BrixtonRadio #junglist