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The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

The flock returned with more ways to work with sounds and lights: how we play a bit, how we chat aloud and how we feel alone.

The three acts consist of Preston manipulating and distorting a goose’s moment around the village, Timothy transcribing conversations between the geeeese in sheets, and three geese foleying a lone walk, with acoustic instruments, bird quirks, and moving graphics.

A big thanks to @floatingprojects, @andiosound for inviting us to this audio & visual art showcase.

—
2026.03.27
gEEEEEse square at Floating Projects’ Year 11 Spatial Calibration
@tuna_production_@wingkinlui @tim_footage @space_bar_presser and odsynth

Hosted by @floatingprojects
Photos by @soft.groundprod Helen Leung

#synthesiser #soundart #hydravideosynth #livecoding #mediaart

Full set link in
@2hz_harmony
@wingkinlui
@odsynth
bio.

-

@space_bar_presser

Making good sound/music目標遠大，相信千里之行始於足下，勇敢嘗試，互相支持，一齊學習進步 。 享受過程，May the sound be with us.

-

@odsynth

It’s like we’re floating in space.

-

@wingkinlui

Learning to layer the space with slow textures and sharp pulses—padding and seasoning my teammates’ sonic wormhole.

-

@oooooooooobean

呢set可以好自由咁玩, which is very nice. More to come.

-

@2hz_harmony

我本無才，萬幸老友相伴，無理取鬧至今。現，窺得某開端，心為所動，卻不能為其所以言。

-

@yuwen__o

燈光師係dimmer又係timer，2hz 用垃圾袋將全部人打包帶走。

-

@youngjoey32

努力興建 盡情破壞

-

@fuclub.xan

Audio live signal 連 Led wall visual 先係光芒
結果變咗做指令大師咩都試吓囉

-

Hong

2hz玩到戶口得返兩位數

Frequency Chasing 🦆 頻蹸
This performance was conceived as an invitation to play—an invitation to novices like me to get on board playing in a 25-minute sound performance, while not being intimidated. Thus, a few simple rules that can be easily understood, yet offer a lot to interpret.

The first draft of the rules was simpler but too maindain, with the help of Tina, we got it tighter, and then @space_bar_presser offered to visualise the game, which helps the audience to understand the dynamics.

I thought this can’t be hard, we sometimes fiddle with our synths for hours anyway. I was wrong.

Turns out the discovery of the right instrument and signal path is an endless pursuit. Anyone who plays with computer music or synthesisers will understand the curse by the power of computation: A synthesiser can make any sound, and so the question is, which sound?

Then, how to engage and respond to each other, is it with your ears, or your eyes, and then how to respond? Some of us dance on acoustic instruments like a swan, and I’m stuck steering a battleship of a sequencer that sometimes feels like diffusing a bomb. It sinks in on me during the final rehearsals that it feels like I sometimes struggle to steer back into the formation.

What pull us all together is a lot of talk, among ourselves and some good folks like Adam, Karen and more on almost anything.

And it pays off; somehow, we gained dynamism and engagement musically in a burst at the performance, so that’s wonderful.

Thank you for coming, and I hope to see you again in the next Frequency Chasing.

—
2025.10.14
@space_bar_presser @wingkinlui_png @tuna_production_ @tim_footage & @odsynth
Frequency Chasing at Sonic Anchor #48
Hosted by @contemporarymusikinghk
📷Photo credit: 1,3,4,6,7 by @soft.groundprod

Frequency Chasing 🦆 頻蹸
This performance was conceived as an invitation to play—an invitation to novices like me to get on board playing in a 25-minute sound performance, while not being intimidated. Thus, a few simple rules that can be easily understood, yet offer a lot to interpret.

The first draft of the rules was simpler but too maindain, with the help of Tina, we got it tighter, and then @space_bar_presser offered to visualise the game, which helps the audience to understand the dynamics.

I thought this can’t be hard, we sometimes fiddle with our synths for hours anyway. I was wrong.

Turns out the discovery of the right instrument and signal path is an endless pursuit. Anyone who plays with computer music or synthesisers will understand the curse by the power of computation: A synthesiser can make any sound, and so the question is, which sound?

Then, how to engage and respond to each other, is it with your ears, or your eyes, and then how to respond? Some of us dance on acoustic instruments like a swan, and I’m stuck steering a battleship of a sequencer that sometimes feels like diffusing a bomb. It sinks in on me during the final rehearsals that it feels like I sometimes struggle to steer back into the formation.

What pull us all together is a lot of talk, among ourselves and some good folks like Adam, Karen and more on almost anything.

And it pays off; somehow, we gained dynamism and engagement musically in a burst at the performance, so that’s wonderful.

Thank you for coming, and I hope to see you again in the next Frequency Chasing.

—
2025.10.14
@space_bar_presser @wingkinlui_png @tuna_production_ @tim_footage & @odsynth
Frequency Chasing at Sonic Anchor #48
Hosted by @contemporarymusikinghk
📷Photo credit: 1,3,4,6,7 by @soft.groundprod

Frequency Chasing 🦆 頻蹸
This performance was conceived as an invitation to play—an invitation to novices like me to get on board playing in a 25-minute sound performance, while not being intimidated. Thus, a few simple rules that can be easily understood, yet offer a lot to interpret.

The first draft of the rules was simpler but too maindain, with the help of Tina, we got it tighter, and then @space_bar_presser offered to visualise the game, which helps the audience to understand the dynamics.

I thought this can’t be hard, we sometimes fiddle with our synths for hours anyway. I was wrong.

Turns out the discovery of the right instrument and signal path is an endless pursuit. Anyone who plays with computer music or synthesisers will understand the curse by the power of computation: A synthesiser can make any sound, and so the question is, which sound?

Then, how to engage and respond to each other, is it with your ears, or your eyes, and then how to respond? Some of us dance on acoustic instruments like a swan, and I’m stuck steering a battleship of a sequencer that sometimes feels like diffusing a bomb. It sinks in on me during the final rehearsals that it feels like I sometimes struggle to steer back into the formation.

What pull us all together is a lot of talk, among ourselves and some good folks like Adam, Karen and more on almost anything.

And it pays off; somehow, we gained dynamism and engagement musically in a burst at the performance, so that’s wonderful.

Thank you for coming, and I hope to see you again in the next Frequency Chasing.

—
2025.10.14
@space_bar_presser @wingkinlui_png @tuna_production_ @tim_footage & @odsynth
Frequency Chasing at Sonic Anchor #48
Hosted by @contemporarymusikinghk
📷Photo credit: 1,3,4,6,7 by @soft.groundprod

Frequency Chasing 🦆 頻蹸
This performance was conceived as an invitation to play—an invitation to novices like me to get on board playing in a 25-minute sound performance, while not being intimidated. Thus, a few simple rules that can be easily understood, yet offer a lot to interpret.

The first draft of the rules was simpler but too maindain, with the help of Tina, we got it tighter, and then @space_bar_presser offered to visualise the game, which helps the audience to understand the dynamics.

I thought this can’t be hard, we sometimes fiddle with our synths for hours anyway. I was wrong.

Turns out the discovery of the right instrument and signal path is an endless pursuit. Anyone who plays with computer music or synthesisers will understand the curse by the power of computation: A synthesiser can make any sound, and so the question is, which sound?

Then, how to engage and respond to each other, is it with your ears, or your eyes, and then how to respond? Some of us dance on acoustic instruments like a swan, and I’m stuck steering a battleship of a sequencer that sometimes feels like diffusing a bomb. It sinks in on me during the final rehearsals that it feels like I sometimes struggle to steer back into the formation.

What pull us all together is a lot of talk, among ourselves and some good folks like Adam, Karen and more on almost anything.

And it pays off; somehow, we gained dynamism and engagement musically in a burst at the performance, so that’s wonderful.

Thank you for coming, and I hope to see you again in the next Frequency Chasing.

—
2025.10.14
@space_bar_presser @wingkinlui_png @tuna_production_ @tim_footage & @odsynth
Frequency Chasing at Sonic Anchor #48
Hosted by @contemporarymusikinghk
📷Photo credit: 1,3,4,6,7 by @soft.groundprod

Frequency Chasing 🦆 頻蹸
This performance was conceived as an invitation to play—an invitation to novices like me to get on board playing in a 25-minute sound performance, while not being intimidated. Thus, a few simple rules that can be easily understood, yet offer a lot to interpret.

The first draft of the rules was simpler but too maindain, with the help of Tina, we got it tighter, and then @space_bar_presser offered to visualise the game, which helps the audience to understand the dynamics.

I thought this can’t be hard, we sometimes fiddle with our synths for hours anyway. I was wrong.

Turns out the discovery of the right instrument and signal path is an endless pursuit. Anyone who plays with computer music or synthesisers will understand the curse by the power of computation: A synthesiser can make any sound, and so the question is, which sound?

Then, how to engage and respond to each other, is it with your ears, or your eyes, and then how to respond? Some of us dance on acoustic instruments like a swan, and I’m stuck steering a battleship of a sequencer that sometimes feels like diffusing a bomb. It sinks in on me during the final rehearsals that it feels like I sometimes struggle to steer back into the formation.

What pull us all together is a lot of talk, among ourselves and some good folks like Adam, Karen and more on almost anything.

And it pays off; somehow, we gained dynamism and engagement musically in a burst at the performance, so that’s wonderful.

Thank you for coming, and I hope to see you again in the next Frequency Chasing.

—
2025.10.14
@space_bar_presser @wingkinlui_png @tuna_production_ @tim_footage & @odsynth
Frequency Chasing at Sonic Anchor #48
Hosted by @contemporarymusikinghk
📷Photo credit: 1,3,4,6,7 by @soft.groundprod

Frequency Chasing 🦆 頻蹸
This performance was conceived as an invitation to play—an invitation to novices like me to get on board playing in a 25-minute sound performance, while not being intimidated. Thus, a few simple rules that can be easily understood, yet offer a lot to interpret.

The first draft of the rules was simpler but too maindain, with the help of Tina, we got it tighter, and then @space_bar_presser offered to visualise the game, which helps the audience to understand the dynamics.

I thought this can’t be hard, we sometimes fiddle with our synths for hours anyway. I was wrong.

Turns out the discovery of the right instrument and signal path is an endless pursuit. Anyone who plays with computer music or synthesisers will understand the curse by the power of computation: A synthesiser can make any sound, and so the question is, which sound?

Then, how to engage and respond to each other, is it with your ears, or your eyes, and then how to respond? Some of us dance on acoustic instruments like a swan, and I’m stuck steering a battleship of a sequencer that sometimes feels like diffusing a bomb. It sinks in on me during the final rehearsals that it feels like I sometimes struggle to steer back into the formation.

What pull us all together is a lot of talk, among ourselves and some good folks like Adam, Karen and more on almost anything.

And it pays off; somehow, we gained dynamism and engagement musically in a burst at the performance, so that’s wonderful.

Thank you for coming, and I hope to see you again in the next Frequency Chasing.

—
2025.10.14
@space_bar_presser @wingkinlui_png @tuna_production_ @tim_footage & @odsynth
Frequency Chasing at Sonic Anchor #48
Hosted by @contemporarymusikinghk
📷Photo credit: 1,3,4,6,7 by @soft.groundprod

Frequency Chasing 🦆 頻蹸
This performance was conceived as an invitation to play—an invitation to novices like me to get on board playing in a 25-minute sound performance, while not being intimidated. Thus, a few simple rules that can be easily understood, yet offer a lot to interpret.

The first draft of the rules was simpler but too maindain, with the help of Tina, we got it tighter, and then @space_bar_presser offered to visualise the game, which helps the audience to understand the dynamics.

I thought this can’t be hard, we sometimes fiddle with our synths for hours anyway. I was wrong.

Turns out the discovery of the right instrument and signal path is an endless pursuit. Anyone who plays with computer music or synthesisers will understand the curse by the power of computation: A synthesiser can make any sound, and so the question is, which sound?

Then, how to engage and respond to each other, is it with your ears, or your eyes, and then how to respond? Some of us dance on acoustic instruments like a swan, and I’m stuck steering a battleship of a sequencer that sometimes feels like diffusing a bomb. It sinks in on me during the final rehearsals that it feels like I sometimes struggle to steer back into the formation.

What pull us all together is a lot of talk, among ourselves and some good folks like Adam, Karen and more on almost anything.

And it pays off; somehow, we gained dynamism and engagement musically in a burst at the performance, so that’s wonderful.

Thank you for coming, and I hope to see you again in the next Frequency Chasing.

—
2025.10.14
@space_bar_presser @wingkinlui_png @tuna_production_ @tim_footage & @odsynth
Frequency Chasing at Sonic Anchor #48
Hosted by @contemporarymusikinghk
📷Photo credit: 1,3,4,6,7 by @soft.groundprod

260504 Midnight Service
Test pallet on Hydra Video Synth
#livecoding #hydra #pigments #synths

260405 Midnight Service
Dots into grids
—-
#hydravideosynth #arturiapigments #livecoding

A street recording with pocket synthesiser instruments.
251129Pocket Turmoil
-
Featuring the space hat (percussion with the signature #teenageengineeringop1 CWO effect), #korgvolca Sample 2, NTS-1, and an analogue synthesiser, punctuated by the occasional invasion of train noise. With some good headphones, you can hear the express train rumbling across your head.

@space_bar_presser
@tuna_production_ Tina Yeung
@tim_footage Timothy Choi
@wingkinlui_png 呂建穎

251102 midnight service
Lakeview
#arturiapurelofi #arturiapigments #hydravideosynth #livecoding

🔖𝗦𝗼𝗻𝗶𝗰 𝗔𝗻𝗰𝗵𝗼𝗿 #𝟰𝟴 𝗢𝗻 𝘁𝗵𝗮𝘁 𝗡𝗼𝘁𝗲 - 頻蹸 𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗖𝗵𝗮𝘀𝗶𝗻𝗴 @contemporarymusikinghk

👾Game on! 👾

Come see a mini-game of frequency hopping, where five friends each start with a wide slice of the spectrum, then their bandwidths are repeatedly squeezed: big waves crush into tiny lines until each player can ride only a slender frequency thread.

🎹 The Synth Geeks: Andy, Preston, & Patrick
🛠️ The Virtual Sculptors: Tina & Andy
🔢 The Number Crunchers: Preston & Patrick
🌟 The Kaomoji Enthusiasts: Tina & Preston d( • ̀ω•́ )b
⛰️ The Hillside Neighbors: Preston & Timothy
🐈 The Animal Lovers: Timothy & Tina

When we’re not plugged in, we’re probably bouldering 🧗‍♀️

⚓️ Our connection is a shared pace, spoken through instruments, code, climbing holds, and more. This performance is our next conversation: compressing frequencies and adapting to limits as we set sail from McAulay in 5 narrow bands.

👋🏻 Meet us on Tuesday!

—————

📆14 Oct (Tue) / 8PM

📍McAulay Studio, Hong Kong Art Centre

🔹Co-presented by: @contemporarymusikinghk⁠ @hongkongartcentre

🎫 Ticket sale link @contemporarymusikinghk

🔖𝗦𝗼𝗻𝗶𝗰 𝗔𝗻𝗰𝗵𝗼𝗿 #𝟰𝟴 𝗢𝗻 𝘁𝗵𝗮𝘁 𝗡𝗼𝘁𝗲 - 頻蹸 𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗖𝗵𝗮𝘀𝗶𝗻𝗴 @contemporarymusikinghk

👾Game on! 👾

Come see a mini-game of frequency hopping, where five friends each start with a wide slice of the spectrum, then their bandwidths are repeatedly squeezed: big waves crush into tiny lines until each player can ride only a slender frequency thread.

🎹 The Synth Geeks: Andy, Preston, & Patrick
🛠️ The Virtual Sculptors: Tina & Andy
🔢 The Number Crunchers: Preston & Patrick
🌟 The Kaomoji Enthusiasts: Tina & Preston d( • ̀ω•́ )b
⛰️ The Hillside Neighbors: Preston & Timothy
🐈 The Animal Lovers: Timothy & Tina

When we’re not plugged in, we’re probably bouldering 🧗‍♀️

⚓️ Our connection is a shared pace, spoken through instruments, code, climbing holds, and more. This performance is our next conversation: compressing frequencies and adapting to limits as we set sail from McAulay in 5 narrow bands.

👋🏻 Meet us on Tuesday!

—————

📆14 Oct (Tue) / 8PM

📍McAulay Studio, Hong Kong Art Centre

🔹Co-presented by: @contemporarymusikinghk⁠ @hongkongartcentre

🎫 Ticket sale link @contemporarymusikinghk

🔖𝗦𝗼𝗻𝗶𝗰 𝗔𝗻𝗰𝗵𝗼𝗿 #𝟰𝟴 𝗢𝗻 𝘁𝗵𝗮𝘁 𝗡𝗼𝘁𝗲 - 頻蹸 𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗖𝗵𝗮𝘀𝗶𝗻𝗴 @contemporarymusikinghk

👾Game on! 👾

Come see a mini-game of frequency hopping, where five friends each start with a wide slice of the spectrum, then their bandwidths are repeatedly squeezed: big waves crush into tiny lines until each player can ride only a slender frequency thread.

🎹 The Synth Geeks: Andy, Preston, & Patrick
🛠️ The Virtual Sculptors: Tina & Andy
🔢 The Number Crunchers: Preston & Patrick
🌟 The Kaomoji Enthusiasts: Tina & Preston d( • ̀ω•́ )b
⛰️ The Hillside Neighbors: Preston & Timothy
🐈 The Animal Lovers: Timothy & Tina

When we’re not plugged in, we’re probably bouldering 🧗‍♀️

⚓️ Our connection is a shared pace, spoken through instruments, code, climbing holds, and more. This performance is our next conversation: compressing frequencies and adapting to limits as we set sail from McAulay in 5 narrow bands.

👋🏻 Meet us on Tuesday!

—————

📆14 Oct (Tue) / 8PM

📍McAulay Studio, Hong Kong Art Centre

🔹Co-presented by: @contemporarymusikinghk⁠ @hongkongartcentre

🎫 Ticket sale link @contemporarymusikinghk

🔖𝗦𝗼𝗻𝗶𝗰 𝗔𝗻𝗰𝗵𝗼𝗿 #𝟰𝟴 𝗢𝗻 𝘁𝗵𝗮𝘁 𝗡𝗼𝘁𝗲 - 頻蹸 𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗖𝗵𝗮𝘀𝗶𝗻𝗴 @contemporarymusikinghk

👾Game on! 👾

Come see a mini-game of frequency hopping, where five friends each start with a wide slice of the spectrum, then their bandwidths are repeatedly squeezed: big waves crush into tiny lines until each player can ride only a slender frequency thread.

🎹 The Synth Geeks: Andy, Preston, & Patrick
🛠️ The Virtual Sculptors: Tina & Andy
🔢 The Number Crunchers: Preston & Patrick
🌟 The Kaomoji Enthusiasts: Tina & Preston d( • ̀ω•́ )b
⛰️ The Hillside Neighbors: Preston & Timothy
🐈 The Animal Lovers: Timothy & Tina

When we’re not plugged in, we’re probably bouldering 🧗‍♀️

⚓️ Our connection is a shared pace, spoken through instruments, code, climbing holds, and more. This performance is our next conversation: compressing frequencies and adapting to limits as we set sail from McAulay in 5 narrow bands.

👋🏻 Meet us on Tuesday!

—————

📆14 Oct (Tue) / 8PM

📍McAulay Studio, Hong Kong Art Centre

🔹Co-presented by: @contemporarymusikinghk⁠ @hongkongartcentre

🎫 Ticket sale link @contemporarymusikinghk

🔖𝗦𝗼𝗻𝗶𝗰 𝗔𝗻𝗰𝗵𝗼𝗿 #𝟰𝟴 𝗢𝗻 𝘁𝗵𝗮𝘁 𝗡𝗼𝘁𝗲 - 頻蹸 𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗖𝗵𝗮𝘀𝗶𝗻𝗴 @contemporarymusikinghk

👾Game on! 👾

Come see a mini-game of frequency hopping, where five friends each start with a wide slice of the spectrum, then their bandwidths are repeatedly squeezed: big waves crush into tiny lines until each player can ride only a slender frequency thread.

🎹 The Synth Geeks: Andy, Preston, & Patrick
🛠️ The Virtual Sculptors: Tina & Andy
🔢 The Number Crunchers: Preston & Patrick
🌟 The Kaomoji Enthusiasts: Tina & Preston d( • ̀ω•́ )b
⛰️ The Hillside Neighbors: Preston & Timothy
🐈 The Animal Lovers: Timothy & Tina

When we’re not plugged in, we’re probably bouldering 🧗‍♀️

⚓️ Our connection is a shared pace, spoken through instruments, code, climbing holds, and more. This performance is our next conversation: compressing frequencies and adapting to limits as we set sail from McAulay in 5 narrow bands.

👋🏻 Meet us on Tuesday!

—————

📆14 Oct (Tue) / 8PM

📍McAulay Studio, Hong Kong Art Centre

🔹Co-presented by: @contemporarymusikinghk⁠ @hongkongartcentre

🎫 Ticket sale link @contemporarymusikinghk

🔖𝗦𝗼𝗻𝗶𝗰 𝗔𝗻𝗰𝗵𝗼𝗿 #𝟰𝟴 𝗢𝗻 𝘁𝗵𝗮𝘁 𝗡𝗼𝘁𝗲 - 頻蹸 𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗖𝗵𝗮𝘀𝗶𝗻𝗴 @contemporarymusikinghk

👾Game on! 👾

Come see a mini-game of frequency hopping, where five friends each start with a wide slice of the spectrum, then their bandwidths are repeatedly squeezed: big waves crush into tiny lines until each player can ride only a slender frequency thread.

🎹 The Synth Geeks: Andy, Preston, & Patrick
🛠️ The Virtual Sculptors: Tina & Andy
🔢 The Number Crunchers: Preston & Patrick
🌟 The Kaomoji Enthusiasts: Tina & Preston d( • ̀ω•́ )b
⛰️ The Hillside Neighbors: Preston & Timothy
🐈 The Animal Lovers: Timothy & Tina

When we’re not plugged in, we’re probably bouldering 🧗‍♀️

⚓️ Our connection is a shared pace, spoken through instruments, code, climbing holds, and more. This performance is our next conversation: compressing frequencies and adapting to limits as we set sail from McAulay in 5 narrow bands.

👋🏻 Meet us on Tuesday!

—————

📆14 Oct (Tue) / 8PM

📍McAulay Studio, Hong Kong Art Centre

🔹Co-presented by: @contemporarymusikinghk⁠ @hongkongartcentre

🎫 Ticket sale link @contemporarymusikinghk

🔖𝗦𝗼𝗻𝗶𝗰 𝗔𝗻𝗰𝗵𝗼𝗿 #𝟰𝟴 𝗢𝗻 𝘁𝗵𝗮𝘁 𝗡𝗼𝘁𝗲 - 頻蹸 𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗖𝗵𝗮𝘀𝗶𝗻𝗴 @contemporarymusikinghk

👾Game on! 👾

Come see a mini-game of frequency hopping, where five friends each start with a wide slice of the spectrum, then their bandwidths are repeatedly squeezed: big waves crush into tiny lines until each player can ride only a slender frequency thread.

🎹 The Synth Geeks: Andy, Preston, & Patrick
🛠️ The Virtual Sculptors: Tina & Andy
🔢 The Number Crunchers: Preston & Patrick
🌟 The Kaomoji Enthusiasts: Tina & Preston d( • ̀ω•́ )b
⛰️ The Hillside Neighbors: Preston & Timothy
🐈 The Animal Lovers: Timothy & Tina

When we’re not plugged in, we’re probably bouldering 🧗‍♀️

⚓️ Our connection is a shared pace, spoken through instruments, code, climbing holds, and more. This performance is our next conversation: compressing frequencies and adapting to limits as we set sail from McAulay in 5 narrow bands.

👋🏻 Meet us on Tuesday!

—————

📆14 Oct (Tue) / 8PM

📍McAulay Studio, Hong Kong Art Centre

🔹Co-presented by: @contemporarymusikinghk⁠ @hongkongartcentre

🎫 Ticket sale link @contemporarymusikinghk

251008 Ubahn Hongkong
#livecoding #hydravideosynth on mobile phone
#videosynth #live #mtr

Mobile service 251002
[video only]
#hydravideosynth on iOS safari
Back camera, colour oscilation
#videosynthesizer #livecoding

Waves 250829
@hydravideosynth on mobile Safari

typhoon service 250924
Analogue synth + #arturiapigments
#midiseq #ms2k #synth #livecoding