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Giữa rất nhiều ý tưởng và chi tiết của Hạ Màn, Trân là người giữ cho mọi thứ luôn đi cùng nhau. Từ từng đạo cụ nhỏ nhất, tất cả cần được đặt đúng chỗ, đúng lúc để câu chuyện có thể diễn ra một cách tự nhiên. Phía sau sự “đúng chỗ” đó không chỉ là sắp xếp, mà là một sự nhạy cảm với chi tiết và cách các yếu tố liên hệ với nhau trong cùng một không gian.

Với Trân, Hạ Màn giống như một bài toán không có lời giải sẵn. Mỗi chi tiết được thêm vào, mỗi thứ được giữ lại hay bỏ đi, đều là những lựa chọn cần thiết để cuối cùng mọi thứ có thể khớp lại với nhau một cách hợp lý và trọn vẹn.

#HaMan #saigontheatre #nghethuatsankhau #stageproduction #behindthescenes

Giữa rất nhiều ý tưởng và chi tiết của Hạ Màn, Trân là người giữ cho mọi thứ luôn đi cùng nhau. Từ từng đạo cụ nhỏ nhất, tất cả cần được đặt đúng chỗ, đúng lúc để câu chuyện có thể diễn ra một cách tự nhiên. Phía sau sự “đúng chỗ” đó không chỉ là sắp xếp, mà là một sự nhạy cảm với chi tiết và cách các yếu tố liên hệ với nhau trong cùng một không gian.

Với Trân, Hạ Màn giống như một bài toán không có lời giải sẵn. Mỗi chi tiết được thêm vào, mỗi thứ được giữ lại hay bỏ đi, đều là những lựa chọn cần thiết để cuối cùng mọi thứ có thể khớp lại với nhau một cách hợp lý và trọn vẹn.

#HaMan #saigontheatre #nghethuatsankhau #stageproduction #behindthescenes

Giữa rất nhiều ý tưởng và chi tiết của Hạ Màn, Trân là người giữ cho mọi thứ luôn đi cùng nhau. Từ từng đạo cụ nhỏ nhất, tất cả cần được đặt đúng chỗ, đúng lúc để câu chuyện có thể diễn ra một cách tự nhiên. Phía sau sự “đúng chỗ” đó không chỉ là sắp xếp, mà là một sự nhạy cảm với chi tiết và cách các yếu tố liên hệ với nhau trong cùng một không gian.

Với Trân, Hạ Màn giống như một bài toán không có lời giải sẵn. Mỗi chi tiết được thêm vào, mỗi thứ được giữ lại hay bỏ đi, đều là những lựa chọn cần thiết để cuối cùng mọi thứ có thể khớp lại với nhau một cách hợp lý và trọn vẹn.

#HaMan #saigontheatre #nghethuatsankhau #stageproduction #behindthescenes

Giữa rất nhiều ý tưởng và chi tiết của Hạ Màn, Trân là người giữ cho mọi thứ luôn đi cùng nhau. Từ từng đạo cụ nhỏ nhất, tất cả cần được đặt đúng chỗ, đúng lúc để câu chuyện có thể diễn ra một cách tự nhiên. Phía sau sự “đúng chỗ” đó không chỉ là sắp xếp, mà là một sự nhạy cảm với chi tiết và cách các yếu tố liên hệ với nhau trong cùng một không gian.

Với Trân, Hạ Màn giống như một bài toán không có lời giải sẵn. Mỗi chi tiết được thêm vào, mỗi thứ được giữ lại hay bỏ đi, đều là những lựa chọn cần thiết để cuối cùng mọi thứ có thể khớp lại với nhau một cách hợp lý và trọn vẹn.

#HaMan #saigontheatre #nghethuatsankhau #stageproduction #behindthescenes

🧑🏻‍🎤🗣️🫂🧃🦕🐟🐎🍀🔇🧌🧞‍♂️🖌️🤷‍♀️🐦‍🔥🫚

🧑🏻‍🎤🗣️🫂🧃🦕🐟🐎🍀🔇🧌🧞‍♂️🖌️🤷‍♀️🐦‍🔥🫚

🧑🏻‍🎤🗣️🫂🧃🦕🐟🐎🍀🔇🧌🧞‍♂️🖌️🤷‍♀️🐦‍🔥🫚

🧑🏻‍🎤🗣️🫂🧃🦕🐟🐎🍀🔇🧌🧞‍♂️🖌️🤷‍♀️🐦‍🔥🫚

🧑🏻‍🎤🗣️🫂🧃🦕🐟🐎🍀🔇🧌🧞‍♂️🖌️🤷‍♀️🐦‍🔥🫚

🧑🏻‍🎤🗣️🫂🧃🦕🐟🐎🍀🔇🧌🧞‍♂️🖌️🤷‍♀️🐦‍🔥🫚

The Year of the Wood Snake brought its share of turbulence, tension, and taxes.
It asked for discernment.
It asked us to choose carefully who stands in our kitchen when the fire is high.

We grew fast, from a small circle of like-minded, passionate teammates into a collective that builds worlds and tells stories through the spaces we create.

This year, we built a space of our own. A place to gather. To dream. To make things happen together. And in the process, we learned that not everyone who shares a table shares the same hunger.

Still, we are grateful for growth, for lessons, for the kind of companionship that feels steady rather than loud.

2025 sharpened us.
In 2026, we cook differently.

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
-
Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

From a single detail to a space where every artist has their own world, we finally hit the finish line. After a mountain of chaotic sketches and archived drafts, everything distilled into three core shapes.

These seven pop-up booths are more than just structures. Each becomes a distinct world for its artist, stripping everything back to only what’s truly signature. No decorative noise, no extra fluff. Inside, you’re free to wander, get closer to the artist’s inner child, and leave a little note behind. Just a place to feel, before the music starts.
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Từ một chi tiết nhỏ đến 7 thế giới khác nhau
Sau nhiều bản sketch lộn xộn và những ý tưởng phải cất lại, mọi thứ được cô đọng trong 3 hình khối chính.

7 pop-up booth. Mỗi booth được thiết kế để tạo nên một không gian đặc trưng riêng cho từng nghệ sĩ, nơi mà bạn có thể lang thang khám phá, chạm gần hơn tới thế giới nội tâm của nghệ sĩ và để lại lời nhắn nhỏ trước khi âm nhạc cất lên.

Co-Creative Director: Duy Plue & Bil (Microwave Soups)
Project Managing: Duy Plue
Creative Lead: Bil (Microwave Soups)
Idea & Communication: Trân (Microwave Soups)

Head of Art booth operation: Linh Nguyễn

3D Lead – Booth Concept: Lương (Microwave Soups)
3D Lead – Interior Zone: Thảo Nhi

3D Concept Artists: Khôi Nguyên (Microwave Soups)
Art coordinator: My (Microwave Soups)

With contribution from Hào, Nhật Minh, Tôn

Construction by Hữu Minh Nguyễn & Thành Hưng team

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
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Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

Bắt đầu bằng việc cải tạo nhà cho một người bạn, rồi dần dần trở thành một thế giới nhỏ, nhiều màu sắc, nằm lệch nhịp giữa đô thị. Với Soups, giữa những ngày on-set liên tục với film và MV, cải tạo Nhà A1 giống như một khoảng nghỉ nhỏ mà bọn mình rất vui.
-
Blue tiles with grey grout run across the floor like a quiet grid. Steel, velvet, wood, ceramic, none of them matches, and that’s the point. Exposed steel joints remain in-sight. A red lamp head peeks out where you don’t expect it. A mirror so thin it feels like a sketch line rather than an object.

Small decisions form the space:
a diagonal wall cut for feng shui,
a rocking chair placed on the bed,
toys arranged and rearranged into different stories every day,
a soft butter-yellow nook just for zoning out.

A house for one (and a tiny dinosaur) but made by many, in the midst of the hectic film shoots and music videos, this renovation feels like hitting pause.

For our friend Phan Anh aka @colorcolortomtom

Concept & Overall Direction
Bil (Microwave Soups)

3D Concept Development & Team Lead
Qakalous (Microwave Soups)

Production Management & On-site Execution
Trân (Microwave Soups)
in collaboration with Phan Anh
Draughtsman: Loc Q Le (Spacing Head)

3D Development
Khôi Nguyên (Microwave Soups)
Thảo Nhi

📸 @phuocphammm

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ for @lngshot4sho @moresojuplease
@morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown / Part 2
Hip-hop isn’t our comfort zone.
So this set came from adaptation, learning through research, references, trial, and error.

The giant tracksuit started as a joke, then became a rule. Streetwear stretched into a single oversized form, turning costume into architecture.

Alongside it, the chains and belt were custom-designed and illustrated specifically for LNGSHOT scaled-up hip-hop symbols treated as graphic objects, meant to belong only to this world and this group.

Building everything was far from easy.
Fabric choices, construction methods, materials, and scale had to work within very real budget limits. It stayed a work in progress until the very last moment and taught us more about materials than we expected.

It’s playful, exaggerated, and slightly uncomfortable because identity, when forced into uniform, always is.

Art Department | @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | Ok Man, @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ - @lngshot4sho @moresojuplease @morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown - Part 1
We treated the city like a system under pressure.
Everyday spaces, offices, streets, traffic jams, were kept real, but slightly hacked.

The all-white broken car was conceived as a beautiful collapse. A hyper-clean white cube framing destruction like a luxury artifact, a set driven by the director’s insistence on absolute restraint, pushing both PD and DP to their limits, where cleanliness left no room to hide and every decision became unforgiving.

The evil CEO office was built from outdated symbols of power.Familiar enough to feel real, but deliberately placeless, leaving you unsure whether it was shot in Korea, somewhere else, or in a corporate fantasy that exists everywhere.

We share these first two sets to show the contrast:
one brutally clean, flat, controlled, and unforgiving.
One overloaded with texture, character, and detail.
Two opposite instincts. Both equally hard to get right.

Art department by @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | @ok_____man , @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ - @lngshot4sho @moresojuplease @morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown - Part 1
We treated the city like a system under pressure.
Everyday spaces, offices, streets, traffic jams, were kept real, but slightly hacked.

The all-white broken car was conceived as a beautiful collapse. A hyper-clean white cube framing destruction like a luxury artifact, a set driven by the director’s insistence on absolute restraint, pushing both PD and DP to their limits, where cleanliness left no room to hide and every decision became unforgiving.

The evil CEO office was built from outdated symbols of power.Familiar enough to feel real, but deliberately placeless, leaving you unsure whether it was shot in Korea, somewhere else, or in a corporate fantasy that exists everywhere.

We share these first two sets to show the contrast:
one brutally clean, flat, controlled, and unforgiving.
One overloaded with texture, character, and detail.
Two opposite instincts. Both equally hard to get right.

Art department by @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | @ok_____man , @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ - @lngshot4sho @moresojuplease @morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown - Part 1
We treated the city like a system under pressure.
Everyday spaces, offices, streets, traffic jams, were kept real, but slightly hacked.

The all-white broken car was conceived as a beautiful collapse. A hyper-clean white cube framing destruction like a luxury artifact, a set driven by the director’s insistence on absolute restraint, pushing both PD and DP to their limits, where cleanliness left no room to hide and every decision became unforgiving.

The evil CEO office was built from outdated symbols of power.Familiar enough to feel real, but deliberately placeless, leaving you unsure whether it was shot in Korea, somewhere else, or in a corporate fantasy that exists everywhere.

We share these first two sets to show the contrast:
one brutally clean, flat, controlled, and unforgiving.
One overloaded with texture, character, and detail.
Two opposite instincts. Both equally hard to get right.

Art department by @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | @ok_____man , @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ - @lngshot4sho @moresojuplease @morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown - Part 1
We treated the city like a system under pressure.
Everyday spaces, offices, streets, traffic jams, were kept real, but slightly hacked.

The all-white broken car was conceived as a beautiful collapse. A hyper-clean white cube framing destruction like a luxury artifact, a set driven by the director’s insistence on absolute restraint, pushing both PD and DP to their limits, where cleanliness left no room to hide and every decision became unforgiving.

The evil CEO office was built from outdated symbols of power.Familiar enough to feel real, but deliberately placeless, leaving you unsure whether it was shot in Korea, somewhere else, or in a corporate fantasy that exists everywhere.

We share these first two sets to show the contrast:
one brutally clean, flat, controlled, and unforgiving.
One overloaded with texture, character, and detail.
Two opposite instincts. Both equally hard to get right.

Art department by @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | @ok_____man , @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ - @lngshot4sho @moresojuplease @morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown - Part 1
We treated the city like a system under pressure.
Everyday spaces, offices, streets, traffic jams, were kept real, but slightly hacked.

The all-white broken car was conceived as a beautiful collapse. A hyper-clean white cube framing destruction like a luxury artifact, a set driven by the director’s insistence on absolute restraint, pushing both PD and DP to their limits, where cleanliness left no room to hide and every decision became unforgiving.

The evil CEO office was built from outdated symbols of power.Familiar enough to feel real, but deliberately placeless, leaving you unsure whether it was shot in Korea, somewhere else, or in a corporate fantasy that exists everywhere.

We share these first two sets to show the contrast:
one brutally clean, flat, controlled, and unforgiving.
One overloaded with texture, character, and detail.
Two opposite instincts. Both equally hard to get right.

Art department by @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | @ok_____man , @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ - @lngshot4sho @moresojuplease @morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown - Part 1
We treated the city like a system under pressure.
Everyday spaces, offices, streets, traffic jams, were kept real, but slightly hacked.

The all-white broken car was conceived as a beautiful collapse. A hyper-clean white cube framing destruction like a luxury artifact, a set driven by the director’s insistence on absolute restraint, pushing both PD and DP to their limits, where cleanliness left no room to hide and every decision became unforgiving.

The evil CEO office was built from outdated symbols of power.Familiar enough to feel real, but deliberately placeless, leaving you unsure whether it was shot in Korea, somewhere else, or in a corporate fantasy that exists everywhere.

We share these first two sets to show the contrast:
one brutally clean, flat, controlled, and unforgiving.
One overloaded with texture, character, and detail.
Two opposite instincts. Both equally hard to get right.

Art department by @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | @ok_____man , @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

SAUCIN’ - @lngshot4sho @moresojuplease @morevision.kr @ambienceseoul @antiantiart_

Production Design Breakdown - Part 1
We treated the city like a system under pressure.
Everyday spaces, offices, streets, traffic jams, were kept real, but slightly hacked.

The all-white broken car was conceived as a beautiful collapse. A hyper-clean white cube framing destruction like a luxury artifact, a set driven by the director’s insistence on absolute restraint, pushing both PD and DP to their limits, where cleanliness left no room to hide and every decision became unforgiving.

The evil CEO office was built from outdated symbols of power.Familiar enough to feel real, but deliberately placeless, leaving you unsure whether it was shot in Korea, somewhere else, or in a corporate fantasy that exists everywhere.

We share these first two sets to show the contrast:
one brutally clean, flat, controlled, and unforgiving.
One overloaded with texture, character, and detail.
Two opposite instincts. Both equally hard to get right.

Art department by @microwavesoups
Production Design | @lebowery (Microwave Soups)
Art Direction | @noneviolet (Microwave Soups)
Lead 3D Concept | @qakalous (Microwave Soups)
3D Concept Artists | @_nnhii_ (Microwave Soups) @kng.td (Microwave Soups), Hong Dang (Microwave Soups)
Standby Art Director | @haof.tawng (Microwave Soups)
LNGSHOT Illustrator | @ok_____man , @colorcolortomtom
Main Street Texture | @traanfhui @haof.tawng (Microwave Soups)
On-Set Dressers | @traanfhui @haof.tawng (Microwave Soups) @noneviolet (Microwave Soups) @kng.td (Microwave Soups) @_nnhii_ (Microwave Soups) @lebowery (Microwave Soups) @qakalous (Microwave Soups)

Props Master | Thái Nhứt
Set Construction | Thái Nhứt Team

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

@vvup.official
Last but never least: the unaired and the improvised. We played with small, shifting sets, adapting on the fly to a visual flow that refused to sit still. Risky palettes and oddball materials? Turns out fur and magenta can be both kitsch and killer. Even a runway on a broken plane becomes a glam fever dream when camp takes the wheel. Keeping the spirit loud, proud, and gloriously unhinged.

Directed by @lf.pvnirvana @astro.boyyy
Production houses @antiantiart_ @studio_mecca_
Creative by @paak.bee
Shot by @kelvincwz_dp
Production design by @microwavesoups
Post by @aaa.postproduction

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

with @vantage.pictures @spaceylights @kelvincwz_dp

We stayed up through 4 eerie nights under the invisible moonlight. Cold winds of the seaside suburban neighbourhood and the flashy lights attract humans and monsters alike. Smoke and haze couldn’t subside due to the strong wind, but the terror remains. Spiders and skeletons swarmed the place, the seemingly normal mansion turns horror dream house. The impossible giant skeleton, the leaky cauldron, interior that pays homage to The Shining, all was scarily entertaining.

@vespa_vietnam — NEW CORE 2025
CHAPTER 02: TAKASHIMAYA / THE ATRIUM

Adaptation is never easy, context shapes how we’re seen, and how we’re understood. At Takashimaya, the openness of the atrium challenged us to design a gesture that draws people in without obstructing flow.
That gesture became a funnel-shaped mirror: reflective, architectural, and quietly magnetic. It blends into its surroundings, yet distorts them just enough to spark curiosity. The mechanical logic of the Vĩnh Phúc factory lives on:
in how the funnel was constructed, in the exposed bike parts, in how merchandise is displayed with restraint and precision. Together, the exhibition evolves into new setting, celebrating Vespa’s design in all conditions.

@vespa_vietnam — NEW CORE 2025
CHAPTER 02: TAKASHIMAYA / THE ATRIUM

Adaptation is never easy, context shapes how we’re seen, and how we’re understood. At Takashimaya, the openness of the atrium challenged us to design a gesture that draws people in without obstructing flow.
That gesture became a funnel-shaped mirror: reflective, architectural, and quietly magnetic. It blends into its surroundings, yet distorts them just enough to spark curiosity. The mechanical logic of the Vĩnh Phúc factory lives on:
in how the funnel was constructed, in the exposed bike parts, in how merchandise is displayed with restraint and precision. Together, the exhibition evolves into new setting, celebrating Vespa’s design in all conditions.

@vespa_vietnam — NEW CORE 2025
CHAPTER 02: TAKASHIMAYA / THE ATRIUM

Adaptation is never easy, context shapes how we’re seen, and how we’re understood. At Takashimaya, the openness of the atrium challenged us to design a gesture that draws people in without obstructing flow.
That gesture became a funnel-shaped mirror: reflective, architectural, and quietly magnetic. It blends into its surroundings, yet distorts them just enough to spark curiosity. The mechanical logic of the Vĩnh Phúc factory lives on:
in how the funnel was constructed, in the exposed bike parts, in how merchandise is displayed with restraint and precision. Together, the exhibition evolves into new setting, celebrating Vespa’s design in all conditions.

@vespa_vietnam — NEW CORE 2025
CHAPTER 02: TAKASHIMAYA / THE ATRIUM

Adaptation is never easy, context shapes how we’re seen, and how we’re understood. At Takashimaya, the openness of the atrium challenged us to design a gesture that draws people in without obstructing flow.
That gesture became a funnel-shaped mirror: reflective, architectural, and quietly magnetic. It blends into its surroundings, yet distorts them just enough to spark curiosity. The mechanical logic of the Vĩnh Phúc factory lives on:
in how the funnel was constructed, in the exposed bike parts, in how merchandise is displayed with restraint and precision. Together, the exhibition evolves into new setting, celebrating Vespa’s design in all conditions.

@vespa_vietnam — NEW CORE 2025
CHAPTER 02: TAKASHIMAYA / THE ATRIUM

Adaptation is never easy, context shapes how we’re seen, and how we’re understood. At Takashimaya, the openness of the atrium challenged us to design a gesture that draws people in without obstructing flow.
That gesture became a funnel-shaped mirror: reflective, architectural, and quietly magnetic. It blends into its surroundings, yet distorts them just enough to spark curiosity. The mechanical logic of the Vĩnh Phúc factory lives on:
in how the funnel was constructed, in the exposed bike parts, in how merchandise is displayed with restraint and precision. Together, the exhibition evolves into new setting, celebrating Vespa’s design in all conditions.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Yêu Hay Không Yêu EP - @camm.ng

From clumsy sketches to standing towers or feast of patchworks, the world of Yêu Hay Không Yêu took shape one fold at a time.
We carved, taped, painted, and got glue on everything . With no real plan except “let’s build something that feels like falling in love for the first time.”

No blueprint, just feelings.
Every texture here was hand-picked to clash just enough: glossy roofs, sponge-painted skies, hand-stitched plaid and velvet, baguettes and mochi sweets, clunky cardboard towers on trembling legs.
A little silly. A little honest. Very much Cầm.

Túc Tắc Xúc Xắc @camm.ng

It’s a racing game of who’s gonna fall in love first but isn’t sure if one wants to win. From a game for four, we redesigned it just for two ‘lovebirds’, situated in a room of movable panels for lights and depths. And so, a flamboyant world of cardboard animals, paint strokes and colored oil-stained wood was in the making.

Half a month of shifting between hands-on computer mouse to hands-on paint brushes, the process sparks a lot of joy. And when the camera’s on, we are proud that every single stroke of paint made it on-screen.

Túc Tắc Xúc Xắc @camm.ng

It’s a racing game of who’s gonna fall in love first but isn’t sure if one wants to win. From a game for four, we redesigned it just for two ‘lovebirds’, situated in a room of movable panels for lights and depths. And so, a flamboyant world of cardboard animals, paint strokes and colored oil-stained wood was in the making.

Half a month of shifting between hands-on computer mouse to hands-on paint brushes, the process sparks a lot of joy. And when the camera’s on, we are proud that every single stroke of paint made it on-screen.

Túc Tắc Xúc Xắc @camm.ng

It’s a racing game of who’s gonna fall in love first but isn’t sure if one wants to win. From a game for four, we redesigned it just for two ‘lovebirds’, situated in a room of movable panels for lights and depths. And so, a flamboyant world of cardboard animals, paint strokes and colored oil-stained wood was in the making.

Half a month of shifting between hands-on computer mouse to hands-on paint brushes, the process sparks a lot of joy. And when the camera’s on, we are proud that every single stroke of paint made it on-screen.

Túc Tắc Xúc Xắc @camm.ng

It’s a racing game of who’s gonna fall in love first but isn’t sure if one wants to win. From a game for four, we redesigned it just for two ‘lovebirds’, situated in a room of movable panels for lights and depths. And so, a flamboyant world of cardboard animals, paint strokes and colored oil-stained wood was in the making.

Half a month of shifting between hands-on computer mouse to hands-on paint brushes, the process sparks a lot of joy. And when the camera’s on, we are proud that every single stroke of paint made it on-screen.

Túc Tắc Xúc Xắc @camm.ng

It’s a racing game of who’s gonna fall in love first but isn’t sure if one wants to win. From a game for four, we redesigned it just for two ‘lovebirds’, situated in a room of movable panels for lights and depths. And so, a flamboyant world of cardboard animals, paint strokes and colored oil-stained wood was in the making.

Half a month of shifting between hands-on computer mouse to hands-on paint brushes, the process sparks a lot of joy. And when the camera’s on, we are proud that every single stroke of paint made it on-screen.

Túc Tắc Xúc Xắc @camm.ng

It’s a racing game of who’s gonna fall in love first but isn’t sure if one wants to win. From a game for four, we redesigned it just for two ‘lovebirds’, situated in a room of movable panels for lights and depths. And so, a flamboyant world of cardboard animals, paint strokes and colored oil-stained wood was in the making.

Half a month of shifting between hands-on computer mouse to hands-on paint brushes, the process sparks a lot of joy. And when the camera’s on, we are proud that every single stroke of paint made it on-screen.

Túc Tắc Xúc Xắc @camm.ng

It’s a racing game of who’s gonna fall in love first but isn’t sure if one wants to win. From a game for four, we redesigned it just for two ‘lovebirds’, situated in a room of movable panels for lights and depths. And so, a flamboyant world of cardboard animals, paint strokes and colored oil-stained wood was in the making.

Half a month of shifting between hands-on computer mouse to hands-on paint brushes, the process sparks a lot of joy. And when the camera’s on, we are proud that every single stroke of paint made it on-screen.