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The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red

Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn

“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.

At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.

These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo

Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_

Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott

1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund

Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco

The One in Red Trailer

Music done by my great friend @alvise.carraro.wav

Out of every project I've done so far in or outside of Ringling, this was by far the most personal and well-realized project I have done. The countless hours I spent on or thinking up the script, shots, aesthetic, dialogue, characters, and the story, while ensuring it was of high quality and meaningful to me, were definitely the most I've ever invested in anything. Never have I been more proud of something I have done, and I'm eager for the world to see it.

Thank you to everyone who contributed to this project, which was not only a big part of my life but a representation of myself. It means the world to me.

Now to the future stories I plan to tell.

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

Thanks for watching!

Illustration by @seoeunyu.art

The One in Red OST is out now 🎬🎶🎻

Being part of this project and contributing to the film’s musical identity has meant more to me than I can put into words.

I’m incredibly honored to have received an award for Best Original Score at the Los Angeles Short Film Festival.

This recognition is not mine alone—I truly owe it to the people whose support, trust, and talent made it possible.

I share this award with:

@nickmuzzillo – Film Director 📽️

@dddofficial__ – Cello 🎻

@ciabotrecordings – Mastering Engineer 🎛️

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

2025 (The One In red) @nickmuzzillo
Virtual production background

I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!

Thanks for the opportunity final product was unreal
#3D #virtual #film

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

New Year, New Robot Photography

Mason Aaselund

Mason Aaselund

Mason Aaselund

Mason Aaselund

Mason Aaselund

Mason Aaselund

Mason Aaselund

Mason Aaselund

Mason Aaselund

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

Sold Out 🎥

🤜YOU GOT THIS🤛
Nuke class project for Adidas ad

Model: @nickmuzzillo
Professor: @renderiffic
Music: Robin Thicke - Blurred Lines

Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura

Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura

Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura

Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura

Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura

Drop Dead Gorgeous

This Día de los Muertos, we take a stroll back in time, when lashes were sewn, smoked, and soot-covered in the name of allure. Then, with a flash of color, we’re transported to a reality where artistry and vision prosper.

With a sugar skull twist, Eye Candy Lashes proves that beauty this bold can make you drop dead gorgeous.

Because at The Extra One, we go the extra mile to give businesses a voice that doesn’t shout “corporate.” Instead, it seduces. It surprises. It stays with you.

Directed by: @everyones_juan_and_only
Director of Photography: @nickmuzzillo
“Black & White” Shot By: Juan Alvarez-Fernandez
“In Color” Shot By: Nicholas Muzzillo
Still Photographer: Nicholas Muzzillo
Editor & Colorist: Juan Alvarez-Fernandez
Starring: Liceth Fernandez
Brand Work For: @eye_candy_lash_srq