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@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
@kodak_shootfilm 250D + Cooke S4s.
Beautiful way to tell a story (coming soon)!
DP: @kylekrupinski
Cam/lenses: @lensworksrentals
Color: @mesgen.gebremeskel
prod: @townsendhurst
Quality universal child care lifts every Californian. Thatβs the takeaway of this spot for Early Edge California β a leading advocate for universal B-3 β which we were honored to develop and produce. Thanks to all who went the extra mile bringing this to life. β€οΈ
@earlyedgeca βMr. Turtleβ
Executive Director: Patricia Lozano
Director Communications: Joanna Cole
COO: Stephanie Wayland
Agency: @upbrandcreates
GCD: @inscogram
CD/Art Director: @kdub_content
CD/Copywriter: @pinkieup
Production: @townsendhurst
Writer/Director: @nateltownsend
EP: @michaeljhurst
LP: @thatsdirectedbyjake
DP: @kylekrupinski
1st AC: Rudy Salas
Steadicam Operator: @hailey.enge
Camera PA: @simonmooredp
Gaffer: @etgomez88
BBE: Lincoln Webb
Key Grip: Sean Hunt, @drummerfilmguy
Dolly Grip/Best Boy: @eddiecros
Sound Operator: James Devore, Matt Taylor
HMU: @melina.farhadi
Wardrobe: @kingtroi
Art Department: @alana_townsend, Hannah Leskosky
Key PA: @lizabeth_pedraza
PAs: Drew Insco,Β Quinn Monagan,Β Issac Kliska
Casting: @orangestreetcasting @beckivelli
Mom: @brittonimacoroni
Child: Journee Briant
Caregiver: @mariamontenegro2525
BG:Β Issac Kliska,Β Quinn Monagan,Β Trish Morrison,Β @adambussell,Β Ina Loaiza,Β Aries Sierra, Nile
Camera/Lenses: @lensworksrentals
Post-Production: Townsend Hurst
Editor: Nate Townsend
Color House: @point.360
Colorist: @mesgen.gebremeskel
Sound Design: @coltonjackson_12
Original Score: @roberto_murguia_barrios
VFX/Title Design: @febusedgar
Special thanks: @randiatkins @matthewboydwilliams
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
Four days in Seattle, building a cinematic library of imagery for PACCAR β the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work β and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.
πΌCongratulations to @nateltownsend for the @clioawards 2025 Direction nod β and to the @pianos4people team for another honor.
@pianos4people βThe Gift of Musicβ is nominated for two @theaicp awards ππ.
Narration/Spoken Word (written by @nateltownsend, spoken by @gretasesheta)
Original Music (composed by @iampetermartin @openstudiojazz, w/ sound design and additional music by @brentj21 @coolfirestudios)
@pianos4people βThe Gift of Musicβ is nominated for two @theaicp awards ππ.
Narration/Spoken Word (written by @nateltownsend, spoken by @gretasesheta)
Original Music (composed by @iampetermartin @openstudiojazz, w/ sound design and additional music by @brentj21 @coolfirestudios)
Had a blast bringing @purinaβs sustainability initiatives to life for our friends at CKMK. Love working with this team, and stoked for the next one ππ«‘.
Shot on-location in Seattle, WA, with our longtime bros @offbeatseattle π€.
Client: Purina
Senior Marketing Director: Nida Bockert
Sr. Marketing Manager: Tiffany Gildehaus
Agency: CKMK
Account Director: Paul St. Cin
Group Creative Director: @mike.dillon.568
Lead Creative Producer: @katiebeau00
Senior Copywriter: @ayyymeyer
Senior Art Director: @dani_ellekeegan
Talent: @kawikahuston
Production: @townsendhurst
Director: @nateltownsend
EP/LP: @michaeljhurst
Production Services: @offbeatseattle
Prod. Manager: @tackely
DP: @dannychastain.dp
Stills Photographer: @bretcurry
AD: @becerra_ad
Prod. Coordinator: @thatcameraguy_
Key Grip: Scott Calvert
Grip: Matthew Joseph
Wardrobe Stylist: @gretchenbellstyle
HMU: Lindsey Watkins
DIT: James Blyseth
1st AC: Adam LaPine
2nd AC: Ilanna Rahaman
Production Designer: Jess Clement
Assistant Art Director: Luis Perez
Gaffer: Logan Reynolds
BBE: Warren Yeck
Locations: Dave Drummond
Cat Wranglers: Stephanie Domini, Chris Kreutz, Emilia Fita
Crafty: Jacob Block
Set Medic: Mikey King
PA: @austinlmcd, Dusty Meehan, Mar Pereda, Tatum Brooks
Post-Production: @bssoutpost
Producer: Sunshine Clay
Editor: Andy DeVries
Color: @clarkgriffiths
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
THβs founding partner and EP @michaeljhurst on the traditional approaches that maintain his cutting-edge. βYouβve got to go after it.β
βοΈ: @lbbonline
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
Last one of the year. Love working with this crew. The good folks that keep the machine well-oiled. Thanks for a great year, friends, and Happy Holidays! π«‘π
π·: @peckafilm
βThe Gift of Musicβ featured today on The Work by @shots_creative. Read the full article in stories and π in bio.
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