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Last few days to catch our group show ‘Syntax’ presented by @acme.art and my film at the propeller factory in Deptford 🐎
The show is open Wednesday - Saturday, 12-6pm.
SE8 5JR
🐎🐎🐎🐎🐎
Acme’s 2025 Early Career Awards exhibition Syntax, Acme Propeller Factory, January 2026 ©️ Tom Carter, courtesy of The Acme Archive.
Last couple of days to catch my work in Syntax, a group show including @mati_araoz_ @meejdoug @eilen.itzel.mena and @oto.holgers.ozolins , presented by @acme.art with curatorial support from @autoitalialondon
Also a couple of these prints left - let me know if you’d like to purchase one.
Open today - Saturday (7th)
12-6pm
🐎 Acme Propeller Factory, 165 Childers St, SE8 5JR
Acme’s 2025 Early Career Awards exhibition Syntax, Acme Propeller Factory, January 2026 ©️ Tom Carter, courtesy of The Acme Archive.
🐎 TWO WEEKS UNTIL MY FILM CULPA I (Shall I Therefore Become Increasingly Vile?) PREMIERES 🐎
@acme.art presents Syntax, an exhibition of our 2025 Early Career Programme awardees @mati_araoz_ , @meejdoug , @eilen.itzel.mena and @oto.holgers.ozolins
The exhibition brings together new works developed during the artists’ residency spanning drawing, sculpture, moving image, sound and installation.
Syntax was developed with curatorial support from @autoitalialondon and thanks to generous support from Idlewild Trust Arts.
Private view: 23 January, 6-8pm
24 January – 7 February 2026
Acme Propeller Factory, 165 Childers Street, Deptford SE8 5JR
Thank you to @felix_gum @h.rriet @lucaswidemusic and @i.txk for your amazing work on this film 🫂
I look forward to seeing you there 🐎
🩸BLEEDING TABLE 🩸
HANNAH KATE ABSALOM x FECUND
You are cordially invited to dine at Bleeding Table, a presentation by Hannah Kate Absalom, accompanied by a FECUND curated dinner at South London Louie, South London Gallery on Saturday 27th June.
A post-solstice celebration of self-created myth, dyke-utopias, and the oozing, seeping intersections between queerness, ritual and horror.
Crack your bones, suck clean your fingers and enter the space-time of commensa | commenses.
Tickets are available to purchase via the link in my bio.
🗓 Saturday 27th June, 19:30 - 23:00
📍 @south_london_louie @southlondongallery
In collaboration with @will.martin @meejdoug @holl_palmer
#queerart #queerartist #folkart #ritual #southlondongallery
🩸BLEEDING TABLE 🩸
HANNAH KATE ABSALOM x FECUND
You are cordially invited to dine at Bleeding Table, a presentation by Hannah Kate Absalom, accompanied by a FECUND curated dinner at South London Louie, South London Gallery on Saturday 27th June.
A post-solstice celebration of self-created myth, dyke-utopias, and the oozing, seeping intersections between queerness, ritual and horror.
Crack your bones, suck clean your fingers and enter the space-time of commensa | commenses.
Tickets are available to purchase via the link in my bio.
🗓 Saturday 27th June, 19:30 - 23:00
📍 @south_london_louie @southlondongallery
In collaboration with @will.martin @meejdoug @holl_palmer
#queerart #queerartist #folkart #ritual #southlondongallery
ARTIST HIGHLIGHT - THE GUEST HOUSE
Meej Douglas @meejdoug
Meej Douglas (b. 2000) is an artist, writer, and filmmaker living and working in London.
Douglas reconfigures and regurgitates text to inform their filmmaking practice. Narrative and meaning are created through the non-sense, repetition, and nonlinearity brought about through the processual cutting up of the artist‘s own texts- both academic and poetic, found text, and the films themselves.
Douglas received MA in Fine Art from Central Saint Martins (2024), and a BA (Hons) in Photography from Leeds Arts University (2021). Recent awards include Acme Early Career Award (Helen Scott Lidgett Award) (2025), and The Mona Hatoum Foundation Bursary Award (2023). Selected group exhibitions and performances include Syntax, at Acme Propeller Factory, Curated by Auto Italia (2026), So, So, So: A Poetry Night at Goldsmiths CCA (2025), A Year Spent Grieving at Hypha HQ (2025), But We Could Be Dining Anywhere at Farsight Gallery (2024), Saom at Avalon Cafe (2024), The Phlambards Dine at Riposte at Riposte, Electrowerkz (2024), Shape Shifters at Lethaby Gallery (2024), and I Used to Think… Then I Thought at Open Eye Gallery, Liverpool (2022).
🏷️The guest house (free to all)
📍 hARTslane, 17 Hart’s Ln, London SE14 5UP
🗓️ 26 - 28 May, 2026
🥂 Opening night: 26th 5-8 pm
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
The horse is back 🐎
A little test shoot for a same-but-different character for the next film 🫧
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
It was a great honour to be invited to write a response to ‘Super Trouper’ - an evolving project at @stanleypicker by Nnena Kalu and Rebecca Kressley (curated by @slominski_projects)
The writing forms part of Lisa Slominski’s ‘Constellations’ which do not explain the work, nor do they seek consensus. Informed by a liminal framework, these responses gather an an ensemble rather than a narrative… ‘Constellations’ operate as a non-authoritative archive: a coalition of voices that holds open the sounds, sculptures, and resonances generated by Nnena Kalu and Rebecca Kressley at Stanley Picker Gallery.
Huge thank you to @slominski_projects for inviting me to be a part of this wonderful project 🩵
Syntax is open today 12-6pm at acme propeller factory in Deptford (165 Childers street, SE8 5JR) 🐎
Syntax is open today 12-6pm at acme propeller factory in Deptford (165 Childers street, SE8 5JR) 🐎
One more week to catch my film CULPA I at Acme Propeller Factory in Deptford.
Wednesday - Saturday
12-6pm
Until 7th Feb
165 Childers St
SE8 5JR
MY FILM ‘CULPA I (shall I therefore become increasingly vile?) IS CURRENTLY ON DISPLAY AS PART OF ‘SYNTAX’ PRESENTED BY @acme.art WITH CURATORIAL SUPPORT FROM @autoitalialondon
Syntax runs until 7th February
Wednesday - Saturday
12-6
At…
165 Childers Street
Deptford
SE8 5JR
MY FILM ‘CULPA I (shall I therefore become increasingly vile?) IS CURRENTLY ON DISPLAY AS PART OF ‘SYNTAX’ PRESENTED BY @acme.art WITH CURATORIAL SUPPORT FROM @autoitalialondon
Syntax runs until 7th February
Wednesday - Saturday
12-6
At…
165 Childers Street
Deptford
SE8 5JR
MY FILM ‘CULPA I (shall I therefore become increasingly vile?) IS CURRENTLY ON DISPLAY AS PART OF ‘SYNTAX’ PRESENTED BY @acme.art WITH CURATORIAL SUPPORT FROM @autoitalialondon
Syntax runs until 7th February
Wednesday - Saturday
12-6
At…
165 Childers Street
Deptford
SE8 5JR
MY FILM ‘CULPA I (shall I therefore become increasingly vile?) IS CURRENTLY ON DISPLAY AS PART OF ‘SYNTAX’ PRESENTED BY @acme.art WITH CURATORIAL SUPPORT FROM @autoitalialondon
Syntax runs until 7th February
Wednesday - Saturday
12-6
At…
165 Childers Street
Deptford
SE8 5JR
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