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[De]constructie ([De]construction) (2007) is a large structure made of scaffolding pipes and fabric that evokes the shape of a castle, yet remains unfinished and temporary. The work explores ideas of transformation and imagination: the ordinary meadow becomes a place where something new can emerge, a castle completed only in the mind. In the surrounding area, many castles with formal gardens can be found. Unlike those carefully designed estates, this meadow is turned into a temporary castle garden, a place that wants to be seen and remembered.

The work was part of the exhibition Het weiland dat beroemd wilde worden (The meadow that wanted to become famous (2007), organized by Dertien Hectare, an art foundation from Brabant that presents a biennial exhibition in the countryside of Heeswijk-Dinther. The castle will never be completed, leaving the meadow forever “a meadow that wanted to become famous.” Its unfinished nature invites reflection on ambition, transience, and the ways we shape and imagine our surroundings.

#mazedeboer #installationart #art #artist #castle #meadow #dertienhectare #exhibition #publicart #brabant

[De]constructie ([De]construction) (2007) is a large structure made of scaffolding pipes and fabric that evokes the shape of a castle, yet remains unfinished and temporary. The work explores ideas of transformation and imagination: the ordinary meadow becomes a place where something new can emerge, a castle completed only in the mind. In the surrounding area, many castles with formal gardens can be found. Unlike those carefully designed estates, this meadow is turned into a temporary castle garden, a place that wants to be seen and remembered.

The work was part of the exhibition Het weiland dat beroemd wilde worden (The meadow that wanted to become famous (2007), organized by Dertien Hectare, an art foundation from Brabant that presents a biennial exhibition in the countryside of Heeswijk-Dinther. The castle will never be completed, leaving the meadow forever “a meadow that wanted to become famous.” Its unfinished nature invites reflection on ambition, transience, and the ways we shape and imagine our surroundings.

#mazedeboer #installationart #art #artist #castle #meadow #dertienhectare #exhibition #publicart #brabant

[De]constructie ([De]construction) (2007) is a large structure made of scaffolding pipes and fabric that evokes the shape of a castle, yet remains unfinished and temporary. The work explores ideas of transformation and imagination: the ordinary meadow becomes a place where something new can emerge, a castle completed only in the mind. In the surrounding area, many castles with formal gardens can be found. Unlike those carefully designed estates, this meadow is turned into a temporary castle garden, a place that wants to be seen and remembered.

The work was part of the exhibition Het weiland dat beroemd wilde worden (The meadow that wanted to become famous (2007), organized by Dertien Hectare, an art foundation from Brabant that presents a biennial exhibition in the countryside of Heeswijk-Dinther. The castle will never be completed, leaving the meadow forever “a meadow that wanted to become famous.” Its unfinished nature invites reflection on ambition, transience, and the ways we shape and imagine our surroundings.

#mazedeboer #installationart #art #artist #castle #meadow #dertienhectare #exhibition #publicart #brabant

[De]constructie ([De]construction) (2007) is a large structure made of scaffolding pipes and fabric that evokes the shape of a castle, yet remains unfinished and temporary. The work explores ideas of transformation and imagination: the ordinary meadow becomes a place where something new can emerge, a castle completed only in the mind. In the surrounding area, many castles with formal gardens can be found. Unlike those carefully designed estates, this meadow is turned into a temporary castle garden, a place that wants to be seen and remembered.

The work was part of the exhibition Het weiland dat beroemd wilde worden (The meadow that wanted to become famous (2007), organized by Dertien Hectare, an art foundation from Brabant that presents a biennial exhibition in the countryside of Heeswijk-Dinther. The castle will never be completed, leaving the meadow forever “a meadow that wanted to become famous.” Its unfinished nature invites reflection on ambition, transience, and the ways we shape and imagine our surroundings.

#mazedeboer #installationart #art #artist #castle #meadow #dertienhectare #exhibition #publicart #brabant

𝐌𝐀𝐘 𝟏𝟖 𓇢 𝐭𝐚𝐥𝐤 + 𝐰𝐨𝐫𝐤𝐬𝐡𝐨𝐩: 𝐑𝐮𝐥𝐞𝐬 𝐖𝐞 𝐈𝐧𝐯𝐞𝐧𝐭 𝐰/ 𝐌𝐚𝐳𝐞 𝐝𝐞 𝐁𝐨𝐞𝐫 | 𝐬𝐭𝐮𝐝𝐢𝐮𝐦 𝐫𝐞𝐬𝐨𝐫𝐭
nl - zie comments

𝒑𝒓𝒐𝒈𝒓𝒂𝒎
18:45 doors open
19:00 start
21:00 end

𝒆𝒗𝒆𝒏𝒕
On Monday, May 18, studium resort will be dedicated to the hobby of playing board games. That evening, visual artist and scenographer Maze de Boer will be a guest. During the program 𝘙𝘶𝘭𝘦𝘴 𝘞𝘦 𝘐𝘯𝘷𝘦𝘯𝘵, we explore how play is not only a subject, but also a way of working, thinking, and seeing.

The evening opens with a conversation between host Ellis Kat and De Boer about his practice and about play as a creative driving force. What role do board games play in his way of working? And how does the tension between rules and freedom translate into his artworks?

The second part of the evening consists of a workshop in the form of a collective board game session. Participants are invited to invent, adapt and test rules themselves using different game boards from De Boer’s ‘Play’ series.

𝒊𝒏𝒇𝒐
location: het resort - Nieuwe Sint Jansstraat 35, Groningen
entry: €3,- (free for students)
language: English
accessibility: wheelchair friendly

𝒂𝒃𝒐𝒖𝒕
Maze de Boer is a multidisciplinary artist working with sculpture, installation, painting, film/video, photography and sound. His work results in installations that transform space into a field of meaning, behavior and imagination. In his practice, the viewer is often asked to take an active role.

@mazedeboer @elliskat_

A first look behind the scenes of rehearsals for Operation Hellfire, a political thriller about the International Criminal Court. I created the scenography for this production, directed by Eric de Vroedt. The premiere is next week!

Text: Joeri Heegstra & Max Wind
Director: Eric de Vroedt
Cast: Soumaya Ahouaoui, Gustav Borreman, Tamar van den Dop, Jouman Fattal, Hein van der Heijden, Yamill Jones, Yela de Koning, Rick Paul van Mulligen, Mika Peeters, Emilio Pramatarov
Music: Florentijn Boddendijk & Remco de Jong
Scenography: Maze de Boer
Costume Design: Lotte Goos
Lighting Design: Bernie van Velzen
Hair & Makeup Design: Bärbel Scheid
Dramaturgy: Remco van Rijn & Marit Schimmel (intern)
Assistant Director: Chyramain van Kempen
Co-creator: Anna Wouters

A first look behind the scenes of rehearsals for Operation Hellfire, a political thriller about the International Criminal Court. I created the scenography for this production, directed by Eric de Vroedt. The premiere is next week!

Text: Joeri Heegstra & Max Wind
Director: Eric de Vroedt
Cast: Soumaya Ahouaoui, Gustav Borreman, Tamar van den Dop, Jouman Fattal, Hein van der Heijden, Yamill Jones, Yela de Koning, Rick Paul van Mulligen, Mika Peeters, Emilio Pramatarov
Music: Florentijn Boddendijk & Remco de Jong
Scenography: Maze de Boer
Costume Design: Lotte Goos
Lighting Design: Bernie van Velzen
Hair & Makeup Design: Bärbel Scheid
Dramaturgy: Remco van Rijn & Marit Schimmel (intern)
Assistant Director: Chyramain van Kempen
Co-creator: Anna Wouters

A first look behind the scenes of rehearsals for Operation Hellfire, a political thriller about the International Criminal Court. I created the scenography for this production, directed by Eric de Vroedt. The premiere is next week!

Text: Joeri Heegstra & Max Wind
Director: Eric de Vroedt
Cast: Soumaya Ahouaoui, Gustav Borreman, Tamar van den Dop, Jouman Fattal, Hein van der Heijden, Yamill Jones, Yela de Koning, Rick Paul van Mulligen, Mika Peeters, Emilio Pramatarov
Music: Florentijn Boddendijk & Remco de Jong
Scenography: Maze de Boer
Costume Design: Lotte Goos
Lighting Design: Bernie van Velzen
Hair & Makeup Design: Bärbel Scheid
Dramaturgy: Remco van Rijn & Marit Schimmel (intern)
Assistant Director: Chyramain van Kempen
Co-creator: Anna Wouters

A first look behind the scenes of rehearsals for Operation Hellfire, a political thriller about the International Criminal Court. I created the scenography for this production, directed by Eric de Vroedt. The premiere is next week!

Text: Joeri Heegstra & Max Wind
Director: Eric de Vroedt
Cast: Soumaya Ahouaoui, Gustav Borreman, Tamar van den Dop, Jouman Fattal, Hein van der Heijden, Yamill Jones, Yela de Koning, Rick Paul van Mulligen, Mika Peeters, Emilio Pramatarov
Music: Florentijn Boddendijk & Remco de Jong
Scenography: Maze de Boer
Costume Design: Lotte Goos
Lighting Design: Bernie van Velzen
Hair & Makeup Design: Bärbel Scheid
Dramaturgy: Remco van Rijn & Marit Schimmel (intern)
Assistant Director: Chyramain van Kempen
Co-creator: Anna Wouters

A first look behind the scenes of rehearsals for Operation Hellfire, a political thriller about the International Criminal Court. I created the scenography for this production, directed by Eric de Vroedt. The premiere is next week!

Text: Joeri Heegstra & Max Wind
Director: Eric de Vroedt
Cast: Soumaya Ahouaoui, Gustav Borreman, Tamar van den Dop, Jouman Fattal, Hein van der Heijden, Yamill Jones, Yela de Koning, Rick Paul van Mulligen, Mika Peeters, Emilio Pramatarov
Music: Florentijn Boddendijk & Remco de Jong
Scenography: Maze de Boer
Costume Design: Lotte Goos
Lighting Design: Bernie van Velzen
Hair & Makeup Design: Bärbel Scheid
Dramaturgy: Remco van Rijn & Marit Schimmel (intern)
Assistant Director: Chyramain van Kempen
Co-creator: Anna Wouters

A first look behind the scenes of rehearsals for Operation Hellfire, a political thriller about the International Criminal Court. I created the scenography for this production, directed by Eric de Vroedt. The premiere is next week!

Text: Joeri Heegstra & Max Wind
Director: Eric de Vroedt
Cast: Soumaya Ahouaoui, Gustav Borreman, Tamar van den Dop, Jouman Fattal, Hein van der Heijden, Yamill Jones, Yela de Koning, Rick Paul van Mulligen, Mika Peeters, Emilio Pramatarov
Music: Florentijn Boddendijk & Remco de Jong
Scenography: Maze de Boer
Costume Design: Lotte Goos
Lighting Design: Bernie van Velzen
Hair & Makeup Design: Bärbel Scheid
Dramaturgy: Remco van Rijn & Marit Schimmel (intern)
Assistant Director: Chyramain van Kempen
Co-creator: Anna Wouters

Morgen opent de [s]TATTOO studio weer haar deuren op de Universiteit Leiden. In een setting die doet denken aan een tattooshop of kapperszaak kunnen studenten en medewerkers plaatsnemen voor een gesprek met kunstenaars. Het idee voor de studio ontstond vanuit een simpele vraag: waar voelen mensen zich vrij om zich open te stellen, terwijl iemand letterlijk dichtbij je komt staan?

Kunstenaar en conceptontwikkelaar Maze de Boer: “Toen dacht ik direct aan de kapperszaak of tattooshop. Wie hier plaatsneemt in de stoel, gaat in gesprek met een maker. Die luistert, en stelt open vragen over hoe het hier bij de Universiteit Leiden is..."

Op basis van het gesprek maakt de kunstenaar een klein kunstwerk dat bezoekers kunnen laten graveren op een sticker of voorwerp, zoals een telefoonhoesje, drinkfles of koffiebeker. Op de foto's zie je alvast een paar resultaten van vorige week!

Kom ook: dinsdag 10 maart, locatie Van Steenis, tussen 10.00-16.00 uur.

#stattoo #statoe #leiden #universiteit #socialeveiligheid

Morgen opent de [s]TATTOO studio weer haar deuren op de Universiteit Leiden. In een setting die doet denken aan een tattooshop of kapperszaak kunnen studenten en medewerkers plaatsnemen voor een gesprek met kunstenaars. Het idee voor de studio ontstond vanuit een simpele vraag: waar voelen mensen zich vrij om zich open te stellen, terwijl iemand letterlijk dichtbij je komt staan?

Kunstenaar en conceptontwikkelaar Maze de Boer: “Toen dacht ik direct aan de kapperszaak of tattooshop. Wie hier plaatsneemt in de stoel, gaat in gesprek met een maker. Die luistert, en stelt open vragen over hoe het hier bij de Universiteit Leiden is..."

Op basis van het gesprek maakt de kunstenaar een klein kunstwerk dat bezoekers kunnen laten graveren op een sticker of voorwerp, zoals een telefoonhoesje, drinkfles of koffiebeker. Op de foto's zie je alvast een paar resultaten van vorige week!

Kom ook: dinsdag 10 maart, locatie Van Steenis, tussen 10.00-16.00 uur.

#stattoo #statoe #leiden #universiteit #socialeveiligheid

Morgen opent de [s]TATTOO studio weer haar deuren op de Universiteit Leiden. In een setting die doet denken aan een tattooshop of kapperszaak kunnen studenten en medewerkers plaatsnemen voor een gesprek met kunstenaars. Het idee voor de studio ontstond vanuit een simpele vraag: waar voelen mensen zich vrij om zich open te stellen, terwijl iemand letterlijk dichtbij je komt staan?

Kunstenaar en conceptontwikkelaar Maze de Boer: “Toen dacht ik direct aan de kapperszaak of tattooshop. Wie hier plaatsneemt in de stoel, gaat in gesprek met een maker. Die luistert, en stelt open vragen over hoe het hier bij de Universiteit Leiden is..."

Op basis van het gesprek maakt de kunstenaar een klein kunstwerk dat bezoekers kunnen laten graveren op een sticker of voorwerp, zoals een telefoonhoesje, drinkfles of koffiebeker. Op de foto's zie je alvast een paar resultaten van vorige week!

Kom ook: dinsdag 10 maart, locatie Van Steenis, tussen 10.00-16.00 uur.

#stattoo #statoe #leiden #universiteit #socialeveiligheid

Morgen opent de [s]TATTOO studio weer haar deuren op de Universiteit Leiden. In een setting die doet denken aan een tattooshop of kapperszaak kunnen studenten en medewerkers plaatsnemen voor een gesprek met kunstenaars. Het idee voor de studio ontstond vanuit een simpele vraag: waar voelen mensen zich vrij om zich open te stellen, terwijl iemand letterlijk dichtbij je komt staan?

Kunstenaar en conceptontwikkelaar Maze de Boer: “Toen dacht ik direct aan de kapperszaak of tattooshop. Wie hier plaatsneemt in de stoel, gaat in gesprek met een maker. Die luistert, en stelt open vragen over hoe het hier bij de Universiteit Leiden is..."

Op basis van het gesprek maakt de kunstenaar een klein kunstwerk dat bezoekers kunnen laten graveren op een sticker of voorwerp, zoals een telefoonhoesje, drinkfles of koffiebeker. Op de foto's zie je alvast een paar resultaten van vorige week!

Kom ook: dinsdag 10 maart, locatie Van Steenis, tussen 10.00-16.00 uur.

#stattoo #statoe #leiden #universiteit #socialeveiligheid

Morgen opent de [s]TATTOO studio weer haar deuren op de Universiteit Leiden. In een setting die doet denken aan een tattooshop of kapperszaak kunnen studenten en medewerkers plaatsnemen voor een gesprek met kunstenaars. Het idee voor de studio ontstond vanuit een simpele vraag: waar voelen mensen zich vrij om zich open te stellen, terwijl iemand letterlijk dichtbij je komt staan?

Kunstenaar en conceptontwikkelaar Maze de Boer: “Toen dacht ik direct aan de kapperszaak of tattooshop. Wie hier plaatsneemt in de stoel, gaat in gesprek met een maker. Die luistert, en stelt open vragen over hoe het hier bij de Universiteit Leiden is..."

Op basis van het gesprek maakt de kunstenaar een klein kunstwerk dat bezoekers kunnen laten graveren op een sticker of voorwerp, zoals een telefoonhoesje, drinkfles of koffiebeker. Op de foto's zie je alvast een paar resultaten van vorige week!

Kom ook: dinsdag 10 maart, locatie Van Steenis, tussen 10.00-16.00 uur.

#stattoo #statoe #leiden #universiteit #socialeveiligheid

Morgen opent de [s]TATTOO studio weer haar deuren op de Universiteit Leiden. In een setting die doet denken aan een tattooshop of kapperszaak kunnen studenten en medewerkers plaatsnemen voor een gesprek met kunstenaars. Het idee voor de studio ontstond vanuit een simpele vraag: waar voelen mensen zich vrij om zich open te stellen, terwijl iemand letterlijk dichtbij je komt staan?

Kunstenaar en conceptontwikkelaar Maze de Boer: “Toen dacht ik direct aan de kapperszaak of tattooshop. Wie hier plaatsneemt in de stoel, gaat in gesprek met een maker. Die luistert, en stelt open vragen over hoe het hier bij de Universiteit Leiden is..."

Op basis van het gesprek maakt de kunstenaar een klein kunstwerk dat bezoekers kunnen laten graveren op een sticker of voorwerp, zoals een telefoonhoesje, drinkfles of koffiebeker. Op de foto's zie je alvast een paar resultaten van vorige week!

Kom ook: dinsdag 10 maart, locatie Van Steenis, tussen 10.00-16.00 uur.

#stattoo #statoe #leiden #universiteit #socialeveiligheid

A glimpse behind the scenes: a bronze 3D print of a new sculpture in progress.

#mazedeboer #artist #art #contemporaryart #3D

The work Depth of Field (2012) consists of two layers: a life-sized black-and-white photograph of a (so it seems) 1930s drugstore, and a physical installation of wooden blocks that build the image. From a distance, it appears to be a historical snapshot, but up close, the partially painted blocks reveal their unpainted sides and the construction behind the photo. Your perspective shapes what you see: from the photograph, everything aligns perfectly; from the installation, the illusion collapses. The work explores how meaning and perception depend on where you stand and how you look.

Depth of Field has been shown at Dertien Hectare (NL) and Galerie Stigter Van Doesburg (NL).

The work Depth of Field (2012) consists of two layers: a life-sized black-and-white photograph of a (so it seems) 1930s drugstore, and a physical installation of wooden blocks that build the image. From a distance, it appears to be a historical snapshot, but up close, the partially painted blocks reveal their unpainted sides and the construction behind the photo. Your perspective shapes what you see: from the photograph, everything aligns perfectly; from the installation, the illusion collapses. The work explores how meaning and perception depend on where you stand and how you look.

Depth of Field has been shown at Dertien Hectare (NL) and Galerie Stigter Van Doesburg (NL).

The work Depth of Field (2012) consists of two layers: a life-sized black-and-white photograph of a (so it seems) 1930s drugstore, and a physical installation of wooden blocks that build the image. From a distance, it appears to be a historical snapshot, but up close, the partially painted blocks reveal their unpainted sides and the construction behind the photo. Your perspective shapes what you see: from the photograph, everything aligns perfectly; from the installation, the illusion collapses. The work explores how meaning and perception depend on where you stand and how you look.

Depth of Field has been shown at Dertien Hectare (NL) and Galerie Stigter Van Doesburg (NL).

The work Depth of Field (2012) consists of two layers: a life-sized black-and-white photograph of a (so it seems) 1930s drugstore, and a physical installation of wooden blocks that build the image. From a distance, it appears to be a historical snapshot, but up close, the partially painted blocks reveal their unpainted sides and the construction behind the photo. Your perspective shapes what you see: from the photograph, everything aligns perfectly; from the installation, the illusion collapses. The work explores how meaning and perception depend on where you stand and how you look.

Depth of Field has been shown at Dertien Hectare (NL) and Galerie Stigter Van Doesburg (NL).

The work Depth of Field (2012) consists of two layers: a life-sized black-and-white photograph of a (so it seems) 1930s drugstore, and a physical installation of wooden blocks that build the image. From a distance, it appears to be a historical snapshot, but up close, the partially painted blocks reveal their unpainted sides and the construction behind the photo. Your perspective shapes what you see: from the photograph, everything aligns perfectly; from the installation, the illusion collapses. The work explores how meaning and perception depend on where you stand and how you look.

Depth of Field has been shown at Dertien Hectare (NL) and Galerie Stigter Van Doesburg (NL).

The work Depth of Field (2012) consists of two layers: a life-sized black-and-white photograph of a (so it seems) 1930s drugstore, and a physical installation of wooden blocks that build the image. From a distance, it appears to be a historical snapshot, but up close, the partially painted blocks reveal their unpainted sides and the construction behind the photo. Your perspective shapes what you see: from the photograph, everything aligns perfectly; from the installation, the illusion collapses. The work explores how meaning and perception depend on where you stand and how you look.

Depth of Field has been shown at Dertien Hectare (NL) and Galerie Stigter Van Doesburg (NL).

The work Depth of Field (2012) consists of two layers: a life-sized black-and-white photograph of a (so it seems) 1930s drugstore, and a physical installation of wooden blocks that build the image. From a distance, it appears to be a historical snapshot, but up close, the partially painted blocks reveal their unpainted sides and the construction behind the photo. Your perspective shapes what you see: from the photograph, everything aligns perfectly; from the installation, the illusion collapses. The work explores how meaning and perception depend on where you stand and how you look.

Depth of Field has been shown at Dertien Hectare (NL) and Galerie Stigter Van Doesburg (NL).

Five large, vintage-style microphones stand proudly, tilted toward the sky. Inspired by the iconic Shure 55 — the quintessential microphone of the 1930s — they form a tribute to music history. Their solid shapes evoke not only memories of legendary stages, but also the distinctive car grilles from the same era.

The artwork stands at the heart of Woonpark Mortiere: a neighborhood with classical architecture that clearly refers to the 1930s. The surroundings are lush with greenery, with a park as its beating heart. The street names honor greats from blues and jazz, and their music seems almost to accompany you as you walk past: the trumpet of Louis Armstrong, the piano of Duke Ellington, the guitar of Robert Johnson, the harmonica of Howlin’ Wolf, and the enchanting voice of Muddy Waters.

🎙️ 🎙️🎙️🎙️🎙️

#mazedeboer #quintet #art #contemporaryart #artist

Five large, vintage-style microphones stand proudly, tilted toward the sky. Inspired by the iconic Shure 55 — the quintessential microphone of the 1930s — they form a tribute to music history. Their solid shapes evoke not only memories of legendary stages, but also the distinctive car grilles from the same era.

The artwork stands at the heart of Woonpark Mortiere: a neighborhood with classical architecture that clearly refers to the 1930s. The surroundings are lush with greenery, with a park as its beating heart. The street names honor greats from blues and jazz, and their music seems almost to accompany you as you walk past: the trumpet of Louis Armstrong, the piano of Duke Ellington, the guitar of Robert Johnson, the harmonica of Howlin’ Wolf, and the enchanting voice of Muddy Waters.

🎙️ 🎙️🎙️🎙️🎙️

#mazedeboer #quintet #art #contemporaryart #artist

Five large, vintage-style microphones stand proudly, tilted toward the sky. Inspired by the iconic Shure 55 — the quintessential microphone of the 1930s — they form a tribute to music history. Their solid shapes evoke not only memories of legendary stages, but also the distinctive car grilles from the same era.

The artwork stands at the heart of Woonpark Mortiere: a neighborhood with classical architecture that clearly refers to the 1930s. The surroundings are lush with greenery, with a park as its beating heart. The street names honor greats from blues and jazz, and their music seems almost to accompany you as you walk past: the trumpet of Louis Armstrong, the piano of Duke Ellington, the guitar of Robert Johnson, the harmonica of Howlin’ Wolf, and the enchanting voice of Muddy Waters.

🎙️ 🎙️🎙️🎙️🎙️

#mazedeboer #quintet #art #contemporaryart #artist

Five large, vintage-style microphones stand proudly, tilted toward the sky. Inspired by the iconic Shure 55 — the quintessential microphone of the 1930s — they form a tribute to music history. Their solid shapes evoke not only memories of legendary stages, but also the distinctive car grilles from the same era.

The artwork stands at the heart of Woonpark Mortiere: a neighborhood with classical architecture that clearly refers to the 1930s. The surroundings are lush with greenery, with a park as its beating heart. The street names honor greats from blues and jazz, and their music seems almost to accompany you as you walk past: the trumpet of Louis Armstrong, the piano of Duke Ellington, the guitar of Robert Johnson, the harmonica of Howlin’ Wolf, and the enchanting voice of Muddy Waters.

🎙️ 🎙️🎙️🎙️🎙️

#mazedeboer #quintet #art #contemporaryart #artist

Five large, vintage-style microphones stand proudly, tilted toward the sky. Inspired by the iconic Shure 55 — the quintessential microphone of the 1930s — they form a tribute to music history. Their solid shapes evoke not only memories of legendary stages, but also the distinctive car grilles from the same era.

The artwork stands at the heart of Woonpark Mortiere: a neighborhood with classical architecture that clearly refers to the 1930s. The surroundings are lush with greenery, with a park as its beating heart. The street names honor greats from blues and jazz, and their music seems almost to accompany you as you walk past: the trumpet of Louis Armstrong, the piano of Duke Ellington, the guitar of Robert Johnson, the harmonica of Howlin’ Wolf, and the enchanting voice of Muddy Waters.

🎙️ 🎙️🎙️🎙️🎙️

#mazedeboer #quintet #art #contemporaryart #artist

Five large, vintage-style microphones stand proudly, tilted toward the sky. Inspired by the iconic Shure 55 — the quintessential microphone of the 1930s — they form a tribute to music history. Their solid shapes evoke not only memories of legendary stages, but also the distinctive car grilles from the same era.

The artwork stands at the heart of Woonpark Mortiere: a neighborhood with classical architecture that clearly refers to the 1930s. The surroundings are lush with greenery, with a park as its beating heart. The street names honor greats from blues and jazz, and their music seems almost to accompany you as you walk past: the trumpet of Louis Armstrong, the piano of Duke Ellington, the guitar of Robert Johnson, the harmonica of Howlin’ Wolf, and the enchanting voice of Muddy Waters.

🎙️ 🎙️🎙️🎙️🎙️

#mazedeboer #quintet #art #contemporaryart #artist

Five large, vintage-style microphones stand proudly, tilted toward the sky. Inspired by the iconic Shure 55 — the quintessential microphone of the 1930s — they form a tribute to music history. Their solid shapes evoke not only memories of legendary stages, but also the distinctive car grilles from the same era.

The artwork stands at the heart of Woonpark Mortiere: a neighborhood with classical architecture that clearly refers to the 1930s. The surroundings are lush with greenery, with a park as its beating heart. The street names honor greats from blues and jazz, and their music seems almost to accompany you as you walk past: the trumpet of Louis Armstrong, the piano of Duke Ellington, the guitar of Robert Johnson, the harmonica of Howlin’ Wolf, and the enchanting voice of Muddy Waters.

🎙️ 🎙️🎙️🎙️🎙️

#mazedeboer #quintet #art #contemporaryart #artist

Thrilled and honoured to share that my practice will be supported by the Mondrian Fund for the next four years!

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Bangkok, Thailand.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Bangkok we met with the founder and co-founder of Bangkok CityCity Gallery, visited various locations of Ghost 2568: Wish We Were Here, curator and artists at Storage, director of BACC (Bangkok Art and Culture Centre), director of The Jim Thompson Art Center, director of S.A.C. Subhashok The Arts Centre, director of Bangkok Kunsthalle.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Kolkata, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.

In Kolkata we met with the director of Tri Art & Culture, representative of Faculty of Visual Arts at Rabindra Bharati University, director of Kolkata Center of Creativity (KCC), curator of the Indian Museum, representative of Birla Academy of Art & Culture, and we visited some iconic locations like the Red Fort, the famous flower market, and a guided tour through the studio area where the Idols are made.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to New Delhi, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In New Delhi we met with the director of Khoj, director of Foundation for Indian Contemporary Art (FICA), director and curator of Kiran Nadar Museum of Art (KNMA), representative of National Gallery of Modern Art, director of National Crafts Museum & Hastkala Academy, representative of Akar Prakar, representative of Vadehra Art, representative of Shrine empire gallery, representative of Galerie Mirchandani + Steinruecke, representative of Method contemporary art space, representative of Shared Ecologies Program | Shyama Foundation, the ambassador of NL in her residence together with local art professionals.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.

Opening doors with Mondriaan Fund Orientation Trip to Mumbai, India.

From 28 October until 8 November I was invited to travel to India and Thailand together with a small group of artist, museum directors and curators from The Netherlands, Denmark, Norway and Switzerland.
In Mumbai we met with the Consul General of NL, The director and curator of TARQ, director of The Jehangir Nicholson Art Foundation, representative of Experimenter, director and curator of Art and Charlie, and we had a guided heritage walk through Mumbai.

More info online via the Orientation Trip Blog:
https://www.orientationtrips.net/en/2025

Many thanks to the @mondriaanfonds for this great opportunity.