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“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

“It’s a practice devoted to crashing cars… hard.”
This is how photographer @maxpigott describes banger racing, an unofficial British heritage sport where people buy cheap old cars, lovingly restore them to working order, then smash them to pieces in a race on a mud track somewhere in the countryside—before repairing them so they can do it all over again.
A predominantly working-class subculture, the tradition is often passed down inter-generationally and drivers start as young as ten. Pigott's latest project No Guts, No Glory captures the quiet moments behind the chaos: the thrill and sense of belonging found in rear-ending someone in a f*cked-up Vauxhall Astra. Read the full story now on VICE.com.

Hey guys, just quickly before we’re plunged into nuclear war and the world ends.My book on the uk banger racing community is now available for purchase!
132 pages. Perfect bound. 30 quid!
Link in bio! x
Hey guys, just quickly before we’re plunged into nuclear war and the world ends.My book on the uk banger racing community is now available for purchase!
132 pages. Perfect bound. 30 quid!
Link in bio! x

Father and Son at Northampton Shaleway.From my project No Guts No Glory.

Father and Son at Northampton Shaleway.From my project No Guts No Glory.

Chloe’s last race as a ’junior banger’ posing with her Nissan Micra, a popular choice for the juniors (starting at 11 years old) who are limited to small engine sizes.Once you turn 16 you enter the unlimited category, where basically anything goes.
This portrait is part of the grad show exhibition at @lcclondon which is on for one more day.
@lcclondonphoto
@lccmapjd

MA grad show at LCC this week. Come hang out! Loads of great work to see! Runs Thursday to Saturday. Drop me a message if you’d like a free ticket :)
@lcclondonphoto
@lccmapjd

I’ve been getting to know the UK banger racing community recently and I’m hooked. This portrait of Bobby is part of the project I’ve been working on for my MA which has been a real privilege and is currently being printed as a book 🙌
(Still waiting to be offered a go if any of my new banger friends are reading…)
I’ve been getting to know the UK banger racing community recently and I’m hooked. This portrait of Bobby is part of the project I’ve been working on for my MA which has been a real privilege and is currently being printed as a book 🙌
(Still waiting to be offered a go if any of my new banger friends are reading…)

Some collages from some recent work for @lccmapjd where we were encouraged to ‘rethink’ our practice under the theme ‘constructed truth’
Using pictures from my family archive I was exploring ideas around authenticity and identity, or specifically the instability of those values in a society that is increasingly mediated by algorithms, and a pressure to perform a sort of digital labour in order to contribute to our reputation and potential economic and social value.Labour that is underpinned by a capitalist framework that subtly (or often blatantly) commands us to always be measuring ourselves and sharing more and more information as a means to take that measure…
And now I’m posting this here to SUBVERT all that okay???
Plz like and share!

Some collages from some recent work for @lccmapjd where we were encouraged to ‘rethink’ our practice under the theme ‘constructed truth’
Using pictures from my family archive I was exploring ideas around authenticity and identity, or specifically the instability of those values in a society that is increasingly mediated by algorithms, and a pressure to perform a sort of digital labour in order to contribute to our reputation and potential economic and social value.Labour that is underpinned by a capitalist framework that subtly (or often blatantly) commands us to always be measuring ourselves and sharing more and more information as a means to take that measure…
And now I’m posting this here to SUBVERT all that okay???
Plz like and share!
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