Marla Colour Grading
We are a Colour Grading Studio. 📍BCN 🇪🇸

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Asociación Mexicana de Diabetes en la Ciudad de México A.C. | Agency: D14S 🇲🇽 | Production Co.: Oriental Films México | Director: Santiago Ampudia y Saulo Corona | DOP: Guille Vázquez | VFX: Jesus Clark | Editor: Marco Picazo, AMEE | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: Victoria | Agency: Ogilvy MX | Production Co.: Oriental Films | Director: Alaska | DOP: Agustin Claramunt | VFX: Nash | Editor: Marcelo Vogelaar | Assist: Rodrigo Farias | Colour Grading: Marla Colour Grading with Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: O2 | Agency: Serviceplan Bubble | Production Co.: Rekorder 🇩🇪 | Director: Rodrigo Saavedra | DOP: Benjamin Todd | VFX: Sehsucht | Editor: Marcelo Vogelaar | Marla’s Producer: Leandro Basso | Assist: Natália Teraoka | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Nu México | Agency: Wieden+Kennedy 🇲🇽 | Production Co.: Iconoclast MX | Director: Paladino (Gabriel Avelar & Beto Galloni) | DOP: Josep Pardo | VFX: Nash | Editor: Juan Fontana de Rosas & Cito Garcia | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Sony Pictures MX 🇲🇽 | Agency: Archer Troy | Production Co.: Oriental Films | Director: Santa | DOP: Diego Pavese | Editor: Santa | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Liniker - Pote de Ouro | Director: Sillas Henrique e Liniker | DOP: Caio Humb | VFX: Diego Lomac | Editor: Diego Lomac | Marla’s Producer: Leandro Basso | Colour Grading: Isabella Giampaoli

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: KFC | Production Co.: Saga Films | Director: Reynald Gresset | DOP: Matias Penachio | Editor: Marc Soria de Torre | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Fideuram Bank | Production Co.: Movie Magic Int | Director: Reynald Gresset | DOP: Ottar Gudnason | Editor: Lorenzo Colugnati | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

ALLÁ EN EL CIELO (NOBODY KNOWS THE WORLD), a short film directed by @roddy_dextre, has been officially selected for @berlinale_generation 2026
Allá en el Cielo (Nobody Knows the World) | Peru / Colombia / Spain / Mexico | 18’ | 2026
On the outskirts of Lima, 11-year-old Chito cares for messenger pigeons used in his brother’s drug trade. When violence shatters his childhood, grief — and a fragile gesture of humanity — open the possibility of another destiny.
Produced by Los Chixs Altos Producciones (Peru), @nativostudiopost (Peru), @themaestroscine (Mexico), @rebecaproducciones (Peru), Blond Indian Films (Colombia), and @marlacolourgrading (Spain).

ALLÁ EN EL CIELO (NOBODY KNOWS THE WORLD), a short film directed by @roddy_dextre, has been officially selected for @berlinale_generation 2026
Allá en el Cielo (Nobody Knows the World) | Peru / Colombia / Spain / Mexico | 18’ | 2026
On the outskirts of Lima, 11-year-old Chito cares for messenger pigeons used in his brother’s drug trade. When violence shatters his childhood, grief — and a fragile gesture of humanity — open the possibility of another destiny.
Produced by Los Chixs Altos Producciones (Peru), @nativostudiopost (Peru), @themaestroscine (Mexico), @rebecaproducciones (Peru), Blond Indian Films (Colombia), and @marlacolourgrading (Spain).

ALLÁ EN EL CIELO (NOBODY KNOWS THE WORLD), a short film directed by @roddy_dextre, has been officially selected for @berlinale_generation 2026
Allá en el Cielo (Nobody Knows the World) | Peru / Colombia / Spain / Mexico | 18’ | 2026
On the outskirts of Lima, 11-year-old Chito cares for messenger pigeons used in his brother’s drug trade. When violence shatters his childhood, grief — and a fragile gesture of humanity — open the possibility of another destiny.
Produced by Los Chixs Altos Producciones (Peru), @nativostudiopost (Peru), @themaestroscine (Mexico), @rebecaproducciones (Peru), Blond Indian Films (Colombia), and @marlacolourgrading (Spain).

ALLÁ EN EL CIELO (NOBODY KNOWS THE WORLD), a short film directed by @roddy_dextre, has been officially selected for @berlinale_generation 2026
Allá en el Cielo (Nobody Knows the World) | Peru / Colombia / Spain / Mexico | 18’ | 2026
On the outskirts of Lima, 11-year-old Chito cares for messenger pigeons used in his brother’s drug trade. When violence shatters his childhood, grief — and a fragile gesture of humanity — open the possibility of another destiny.
Produced by Los Chixs Altos Producciones (Peru), @nativostudiopost (Peru), @themaestroscine (Mexico), @rebecaproducciones (Peru), Blond Indian Films (Colombia), and @marlacolourgrading (Spain).

ALLÁ EN EL CIELO (NOBODY KNOWS THE WORLD), a short film directed by @roddy_dextre, has been officially selected for @berlinale_generation 2026
Allá en el Cielo (Nobody Knows the World) | Peru / Colombia / Spain / Mexico | 18’ | 2026
On the outskirts of Lima, 11-year-old Chito cares for messenger pigeons used in his brother’s drug trade. When violence shatters his childhood, grief — and a fragile gesture of humanity — open the possibility of another destiny.
Produced by Los Chixs Altos Producciones (Peru), @nativostudiopost (Peru), @themaestroscine (Mexico), @rebecaproducciones (Peru), Blond Indian Films (Colombia), and @marlacolourgrading (Spain).

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.
Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.
Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.
Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.
Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.
Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.
Client: Pepsi Black | Agency: BBDO México 🇲🇽 | Production Co.: Iconoclast MX | Director: Youth | DOP: Agustín Claramunt SCU | VFX: Mathematic | Editor: Maria Machado | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Ford | Agency: Wieden+Kennedy SP | Production Co.: Immigrant | Director: Rodrigo Saavedra | DOP: Miguel Busnter | VFX: Mosh Post | Editor: Roberta Bonoldi | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.

Client: Iberdrola 🇵🇹 | Agency: Fuel | Production Co.: Krypton Films | Director: Pedro Pinto | DOP: André Szankowski | VFX: Musgo | Editor: Marcos Castiel | Marla’s Producer: Leandro Basso | Assist: Isabella Giampaoli | Colour Grading: Fernando Lui.
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