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m_hblake
Milo Blake
Director
LDN/LISBON
@spindlefilms 🇬🇧, @hiersoir.tv 🇫🇷, @lebergfilm 🇩🇪🇨🇭 @grayskulltv 🇪🇸🇲🇽
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Music Video Feature: Oscar Jerome - “The Fork”
“Because of the very human sensitivities of the story, film was the only option for the format of shooting. The landscapes are kind of a secondary character within the film, they are all representative of different stages of Oscar’s introspection.” - Milo Blake, director
Director:@m_hblake
DP:@nikitapopkov
Editor:@dusten_zimmerman
Colorist:Simon Bourne
Artist:@oscjerome
Wardrobe Stylist:@malcolmyaeng
Steadicam Operator:@steadikriss
Bolex Operator:@dree85
Gaffer:@zhan_zharoff
1st AC: Maris Grabovskis
2nd AC:@mr.applebox
VFX Artists:@prasi.vld & @kostokn
BTS Photographer:@iamsashakomarova
Producer:@m.nadalyak
Executive Producer:@maylingjinna
Production Company:@spindlefilms
Post Houses:@madnomad.collective & @cabinedit
Camera:ARRI SR3 HS
Lens:Canon 11-165mm
Format: 16mm
Our house is not a home DC for @sheltercharity - A piece which highlights the grim realities of families living in temporary accommodation. We reimagined @madnessband iconic track, Our House, flipping its original tonality on its head to act as a narration to convey the human cost of the UK housing crisis. A special process making this with support from so many talented collaborators. Biggest of thanks you’s to @dude_ldn @spindlefilms @company_3 @cabinedit @wakethetownmusic @wavestudios_
Client: @sheltercharity
Agency: @dude_ldn
CEO: @happyfranceshina
Client Director: @mishday89
CCO: @currofxf
Executive Creative Director: @jesus_karate
Head of Production: @granata.francesca
Creative: vickyleed
Creative: @martamorientes
Production: @spindlefilms
Director: @m_hblake
EP: @maylingjinna
Producer: @ayo_alli_
Production Manager: mollyharrisprod
Production Coordinator: @johnny_woodman_
On-Set Production Assistant: @katehoodd
Casting Director: @ginnykerrcasting
Director’s Rep: @emjjw
1st AD: Dom Asbridge
DOP: @fordesman
1st AC: @pjheron
Production Designer: @violette.filmdesign
Sound Recordist: @mcnultysound
Costume Designer: @juicylames
HMU Artist: @ayopoabiri
Edit: @emmaohsnap @cabinedit
Edit Producers: Demi Roach Lewin, @cayleebanz
Colourist:Simon Bourne @company_3
Colour Producer: @chrisanthonyproducer
VFX: @b.art.vfx
VFX Producer: Natali Borte
Sound Design: @parvthind, @georgen___ @wavestudios_
Audio Producer: Phoebe Baltazar @phoebaltz
Music: @madnessband
Music Supervisor: Harley Beckmann-Hawksley @wakethetownmusic
Composer: Simon Gwilliam
Performer: Billy Williams
Milo Blake directs ‘The Empty Seat’ for Paralympic Team Belgium.
Created ahead of the Paris 2024 Paralympic Games.
on #DirectorsLibrary ↗
Filmed in Antwerp, Belgium.
@m_hblake
Milo Blake directs ‘The Empty Seat’ for Paralympic Team Belgium.
Created ahead of the Paris 2024 Paralympic Games.
on #DirectorsLibrary ↗
Filmed in Antwerp, Belgium.
@m_hblake
Milo Blake directs ‘The Empty Seat’ for Paralympic Team Belgium.
Created ahead of the Paris 2024 Paralympic Games.
on #DirectorsLibrary ↗
Filmed in Antwerp, Belgium.
@m_hblake
Milo Blake directs ‘The Empty Seat’ for Paralympic Team Belgium.
Created ahead of the Paris 2024 Paralympic Games.
on #DirectorsLibrary ↗
Filmed in Antwerp, Belgium.
@m_hblake
Milo Blake directs ‘The Empty Seat’ for Paralympic Team Belgium.
Created ahead of the Paris 2024 Paralympic Games.
on #DirectorsLibrary ↗
Filmed in Antwerp, Belgium.
@m_hblake
Milo Blake’s film for Shelter picks up Silver at British Arrows.
@m_hblake’s ‘Our House Is Not A Home’ made with @dude_ldn has been awarded Silver for ‘Creative Use Of Music’ at @britisharrows.
Working with @wakethetownmusic, the campaign reimagines Madness’ classic track ‘Our House’ to highlight the grim realities of temporary accommodation and the human cost of the UK’s housing emergency.
Huge thank you to everyone involved ❤️
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
2025 - You were truly the year of the good time. Thank you to all who brought the JOY! 🕺❤️
1. Me in my element at Londons best Halloween party with the 🐐 @willhanson14
2. Me and Arch at Glastooo
3. Tommy in the dance for Lebanese techno in Paris
4. Birthday drinks with my close ones
5. Overpriced cocktails with the gang
6. Eye mask crew in Georgia
7. The lovely team at @industria.official
8. 6AM third night of glasto type beat
9. YDA Gold in Cannes
10. Stone Circle with everyone
12. Haz approaching the beach in Portugal
13. Post Summer party, Felstead family recovery
14. Burning Angel on first night on Worthy Farm
15. Summer Party Evening at Felstead
16. Cletus and Brandine
17. @clovertom master of illusions
18. Me and Bet
19. Simpsons Halloween
20. @lebergfilm Grand Prix celebrations
21. Giles playing Sly at Weouthere in the bowl
Drinks Sellers at Medellin Football Match overlooking the mountains/Couples Dancing at Salon Malaga 💃
Drinks Sellers at Medellin Football Match overlooking the mountains/Couples Dancing at Salon Malaga 💃
Welcome to LE BERG @m_hblake
Milo is part of a new wave of talent coming out of London — a director whose work moves fast, hits deep, and leaves a mark. Emerging from the city’s music and subculture scenes, Milo’s films are grounded in real emotion but aren’t afraid to bend reality. His style balances grit with poetry, and a rhythm that keeps you leaning in.
Earlier this year, he took home a Gold YDA for his film with the Paralympic Team Belgium, which also sparked our first project together: a powerful new spot for Ottobock. We’re proud to represent Milo in Germany and Switzerland, and couldn’t be more excited for what’s next!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
@m_hblake is a trailblazing UK director known for his technical expertise and fearless creativity. He had recently won the Gold Commercial Award at YDA for his powerful film “The Empty Seat”. His fresh, innovative voice has also earned him recognition from prestigious organizations such as UKMVAs, Young Arrows, Kinsale Sharks, Ciclope or Vimeo Staff Picks, establishing him as one of the industry's most exciting and promising talents.
We're thrilled to have him on board!
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
SWIPE SLOW - Response to the film has been amazing, thank you to all who have given it their time ❤️
124,410 families in England are on the brink of homelessness and the UK continues to top the charts for those in temporary accommodation within Europe. Please continue to repost and more importantly DONATE at the link in my bio.
Wanted to share some refs and inspo’s behind how we choose to visualise the film. Charles Burnett Killing of Sheep and Hirokazu Koreeda’s Shoplifters really shaped the style of frames I wanted to capture and the intention to highlight the tension of their circumstances but also the humanity in the characters ❤️
There’s a travel class no one books, but millions are booked into. #TheInvisibleClass
Happy to share our new film for @ottobock in collaboration with @presence.gmbh directed by @m_hblake A piece of true teamwork with an amazing crew and brilliant talents.
A @lebergfilm production
Director @m_hblake
DoP @mikaaltskan
Photographer @lauraschaefffer
Client: @ottobock Hannah Grempe Jan Wahl Sobhi Soboh
Agency: @presence.gmbh
Managing Director: @dedicdina @besken @studio__talks
Agency Producer: @mari_yogaonda
Creative Director: @_lr069 @manfrederliasknorr
Account Manager: @ninaiv
Managing Director/Executive Producer: Yannick Fauth
Executive Producer: @juliane_geusendam
Producer: @joetimbs
Production Coordinator: @jananeumann___
Production Assistant: @vermarledeit
Service Production / Crew: @4lmntz
Executive Producer Rosen Savkov
Producer: Lyubo Yonchev
Production Manager: Samuil Djoganov
Accountant: Valentina Oblakova
1st AD: Simeon Tsonchev – Sindbad
2nd AD: Elena Mateva
3rd AD: Georgi Georgiev
Camera Operator 2nd Unit: Rosen Savkov
1AC 2nd Unit: Kaloyan Nedelchev
2AC 2nd Unit: Tony Stoev
1AC: Vanya Ivanova
2AC: Bobi Belberov
Video Assist: Simeon Kirov
DIT: Alexandra Nenkova
Digitech Operator: Kiril Kovachev
Stills Assistant: Michael Stefanov
Set Manager: Boyan Stamatov
Set PAs: Atanas Nikolov Peltek Ivanovich
Gaffer: Alexander Mihaylov
Spark 1 / Key Grip: Tsvetan Trifonov
Spark 2: Dimitar Nazarov
Spark 3: Strahil Bulyanski
Grip 1: Mihail Gocev
Grip 2: Yulian Gochev
Grip 3: Kiril Dimitrov
Production Designer: Eva Vento
Set Dressing: Rosen Donchev Anatoli Zhechev Ivaylo Rusinov
Props Master: Alexandra Atanasova
Set Decorator: Alexandra Ventova
Styling
Stylist: Jina Sheovska
Assistant: Elena Kostadinova
Make-Up Artists: Gergana Ivanova Silvia Borisova
Hairstylists Paraskev Todorov – Finchi Veselka Tsekina
Post Production
Post Producer: @timogrossmann
Editor: @dieserschneider
Co-Editor DC: @tim_swaby
Editor Assistant: @paul_kl__
Edit Producer: @juliawittler
Editing Studio: @makemamiproud
Colorist: @didrikbrathen
Color Producer: @mimisand
Color Studio: @tmls.tv
Online: @sora.yeji
VFX & Retouch: priyeshpv2020
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