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@KateHudson’s ‘Running Point’ returns for season two today. Our cover star reflects on the cast’s undeniable chemistry and the jam-packed, binge-worthy nature of the Netflix show. Watch the full interview at the link in our bio.⁠

⁠Global Chief Content Officer @giampietrobaudo
Editor-in-Chief of @lofficielusa @caroline_grosso⁠
Styled by @danyulbrown⁠
Writer @eiffeltyler⁠
Casting @laurentabach⁠
Hair @renatocampora⁠
Makeup @dendoll⁠
Manicure @nails_of_la⁠
Set Design @peter_gueracague⁠
Produced by @spindycrawford @sweetbabyjudkins @evasealove@yousra.attia ⁠ @fox.and.leopard ⁠
Production Assistant @arieldaanna⁠
Photo Assistants @alysonaliano @peter_wintersteller⁠
Set Design Assistant @brendan.barlow⁠
Styling Assistant @maddiephillipps @jordyyshaffer @carleysullivan ⁠
⁠
#KateHudson⁠

@KateHudson has taken on a wide range of genres, but she’s still focused on pushing herself even further. When we asked Hudson what she still hopes to achieve in her career, she didn’t point to accolades—just a desire to keep pursuing roles that scare her, the same approach she brings to everything she does. ⁠
⁠
“I enter every experience like it’s new, like I don’t know how it’s going to unfold,” she explains. “I come in doing my part, which is understanding what makes me feel confident in the role and the character, but I do that so that when I’m there, I can be flexible, not rigid.” Read Hudson’s full interview at the link in our bio. ⁠
⁠
Editor-in-Chief of @lofficielusa @caroline_grosso⁠
Photography @chantalaanderson⁠
Styled by @danyulbrown⁠
Writer @eiffeltyler⁠
Casting @laurentabach⁠
Hair @renatocampora⁠
Makeup @dendoll⁠
Manicure @nails_of_la⁠
Set Design @peter_gueracague⁠
Produced by @spindycrawford @sweetbabyjudkins @evasealove@yousra.attia ⁠ @fox.and.leopard ⁠
Production Assistant @arieldaanna⁠
Photo Assistants @alysonaliano @peter_wintersteller⁠
Set Design Assistant @brendan.barlow⁠
Styling Assistant @maddiephillipps @jordyyshaffer @carleysullivan ⁠
⁠
#KateHudson

@KateHudson has taken on a wide range of genres, but she’s still focused on pushing herself even further. When we asked Hudson what she still hopes to achieve in her career, she didn’t point to accolades—just a desire to keep pursuing roles that scare her, the same approach she brings to everything she does. ⁠
⁠
“I enter every experience like it’s new, like I don’t know how it’s going to unfold,” she explains. “I come in doing my part, which is understanding what makes me feel confident in the role and the character, but I do that so that when I’m there, I can be flexible, not rigid.” Read Hudson’s full interview at the link in our bio. ⁠
⁠
Editor-in-Chief of @lofficielusa @caroline_grosso⁠
Photography @chantalaanderson⁠
Styled by @danyulbrown⁠
Writer @eiffeltyler⁠
Casting @laurentabach⁠
Hair @renatocampora⁠
Makeup @dendoll⁠
Manicure @nails_of_la⁠
Set Design @peter_gueracague⁠
Produced by @spindycrawford @sweetbabyjudkins @evasealove@yousra.attia ⁠ @fox.and.leopard ⁠
Production Assistant @arieldaanna⁠
Photo Assistants @alysonaliano @peter_wintersteller⁠
Set Design Assistant @brendan.barlow⁠
Styling Assistant @maddiephillipps @jordyyshaffer @carleysullivan ⁠
⁠
#KateHudson

@KateHudson has taken on a wide range of genres, but she’s still focused on pushing herself even further. When we asked Hudson what she still hopes to achieve in her career, she didn’t point to accolades—just a desire to keep pursuing roles that scare her, the same approach she brings to everything she does. ⁠
⁠
“I enter every experience like it’s new, like I don’t know how it’s going to unfold,” she explains. “I come in doing my part, which is understanding what makes me feel confident in the role and the character, but I do that so that when I’m there, I can be flexible, not rigid.” Read Hudson’s full interview at the link in our bio. ⁠
⁠
Editor-in-Chief of @lofficielusa @caroline_grosso⁠
Photography @chantalaanderson⁠
Styled by @danyulbrown⁠
Writer @eiffeltyler⁠
Casting @laurentabach⁠
Hair @renatocampora⁠
Makeup @dendoll⁠
Manicure @nails_of_la⁠
Set Design @peter_gueracague⁠
Produced by @spindycrawford @sweetbabyjudkins @evasealove@yousra.attia ⁠ @fox.and.leopard ⁠
Production Assistant @arieldaanna⁠
Photo Assistants @alysonaliano @peter_wintersteller⁠
Set Design Assistant @brendan.barlow⁠
Styling Assistant @maddiephillipps @jordyyshaffer @carleysullivan ⁠
⁠
#KateHudson

Introducing our latest cover star, @katehudson!

It’s been over 25 years since Kate Hudson earned her first Oscar nomination for her breakout role as Penny Lane in ‘Almost Famous,’ and she’s been shaping the cultural moment ever since. Despite her success—and her roots in Hollywood royalty—she’s remained remarkably grounded, continuing to speak about the industry with a genuine sense of gratitude. 

“I just really want to make movies that people love,” Hudson tells L’OFFICIEL. “It’s really simple for me. I feel a responsibility as someone that loves this business, and grew up in it, and really wanted to make movies. I hope that I can make movies and shows that people really want to see.”

That, of course, has always been Hudson’s strength. Fresh off another Oscar nomination for her role in ‘Song Sung Blue,’ she’s now turning her attention back to television with Season 2 of ‘Running Point.’ In addition to executive producing the Netflix series, Hudson stars as Isla Gordon, a character loosely inspired by Los Angeles Lakers owner and president Jeanie Buss. While the role has prompted comparisons to Hudson’s own upbringing, she’s quick to dismiss that narrative. “Jeanie has had to maintain the most important team in sports history, and on top of that, the money and the franchise and everything that goes with it,” she says. “For me, we’re just actors. People are either gonna like what we do or they’re not.” 

Read our full interview with Hudson about the collaborative nature of film, her creative process, and growing up in the industry at the link in bio.

Global Chief Content Officer @giampietrobaudo
Editor-in-Chief of @lofficielusa @caroline_grosso
Photography @chantalaanderson
Styled by @danyulbrown in @balenciaga by @pppiccioli and @bvlgari
Writer @eiffeltyler
Casting @laurentabach
Hair @renatocampora
Makeup @dendoll
Manicure @nails_of_la
Set Design @peter_gueracague
Produced by @spindycrawford @sweetbabyjudkins @evasealove @yousra.attia @fox.and.leopard
Production Assistant @arieldaanna
Photo Assistants @alysonaliano @peter_wintersteller
Set Design Assistant @brendan.barlow
Styling Assistant @maddiephillipps @jordyyshaffer @carleysullivan 

#KateHudson

Introducing our latest cover star, @katehudson!

It’s been over 25 years since Kate Hudson earned her first Oscar nomination for her breakout role as Penny Lane in ‘Almost Famous,’ and she’s been shaping the cultural moment ever since. Despite her success—and her roots in Hollywood royalty—she’s remained remarkably grounded, continuing to speak about the industry with a genuine sense of gratitude. 

“I just really want to make movies that people love,” Hudson tells L’OFFICIEL. “It’s really simple for me. I feel a responsibility as someone that loves this business, and grew up in it, and really wanted to make movies. I hope that I can make movies and shows that people really want to see.”

That, of course, has always been Hudson’s strength. Fresh off another Oscar nomination for her role in ‘Song Sung Blue,’ she’s now turning her attention back to television with Season 2 of ‘Running Point.’ In addition to executive producing the Netflix series, Hudson stars as Isla Gordon, a character loosely inspired by Los Angeles Lakers owner and president Jeanie Buss. While the role has prompted comparisons to Hudson’s own upbringing, she’s quick to dismiss that narrative. “Jeanie has had to maintain the most important team in sports history, and on top of that, the money and the franchise and everything that goes with it,” she says. “For me, we’re just actors. People are either gonna like what we do or they’re not.” 

Read our full interview with Hudson about the collaborative nature of film, her creative process, and growing up in the industry at the link in bio.

Global Chief Content Officer @giampietrobaudo
Editor-in-Chief of @lofficielusa @caroline_grosso
Photography @chantalaanderson
Styled by @danyulbrown in @balenciaga by @pppiccioli and @bvlgari
Writer @eiffeltyler
Casting @laurentabach
Hair @renatocampora
Makeup @dendoll
Manicure @nails_of_la
Set Design @peter_gueracague
Produced by @spindycrawford @sweetbabyjudkins @evasealove @yousra.attia @fox.and.leopard
Production Assistant @arieldaanna
Photo Assistants @alysonaliano @peter_wintersteller
Set Design Assistant @brendan.barlow
Styling Assistant @maddiephillipps @jordyyshaffer @carleysullivan 

#KateHudson

Introducing our latest cover star, @katehudson!

It’s been over 25 years since Kate Hudson earned her first Oscar nomination for her breakout role as Penny Lane in ‘Almost Famous,’ and she’s been shaping the cultural moment ever since. Despite her success—and her roots in Hollywood royalty—she’s remained remarkably grounded, continuing to speak about the industry with a genuine sense of gratitude. 

“I just really want to make movies that people love,” Hudson tells L’OFFICIEL. “It’s really simple for me. I feel a responsibility as someone that loves this business, and grew up in it, and really wanted to make movies. I hope that I can make movies and shows that people really want to see.”

That, of course, has always been Hudson’s strength. Fresh off another Oscar nomination for her role in ‘Song Sung Blue,’ she’s now turning her attention back to television with Season 2 of ‘Running Point.’ In addition to executive producing the Netflix series, Hudson stars as Isla Gordon, a character loosely inspired by Los Angeles Lakers owner and president Jeanie Buss. While the role has prompted comparisons to Hudson’s own upbringing, she’s quick to dismiss that narrative. “Jeanie has had to maintain the most important team in sports history, and on top of that, the money and the franchise and everything that goes with it,” she says. “For me, we’re just actors. People are either gonna like what we do or they’re not.” 

Read our full interview with Hudson about the collaborative nature of film, her creative process, and growing up in the industry at the link in bio.

Global Chief Content Officer @giampietrobaudo
Editor-in-Chief of @lofficielusa @caroline_grosso
Photography @chantalaanderson
Styled by @danyulbrown in @balenciaga by @pppiccioli and @bvlgari
Writer @eiffeltyler
Casting @laurentabach
Hair @renatocampora
Makeup @dendoll
Manicure @nails_of_la
Set Design @peter_gueracague
Produced by @spindycrawford @sweetbabyjudkins @evasealove @yousra.attia @fox.and.leopard
Production Assistant @arieldaanna
Photo Assistants @alysonaliano @peter_wintersteller
Set Design Assistant @brendan.barlow
Styling Assistant @maddiephillipps @jordyyshaffer @carleysullivan 

#KateHudson

#IsabellaBlow wasn’t just a fashion editor—she was a visionary talent scout with an instinct for greatness before the world caught on. As mentor, muse, and unwavering champion, she helped launch the careers of @AlexanderMcQueen, @PhilipTreacy, @JeremyScott, Stella Tennant, and Sophie Dahl.⁠
⁠
In the early ’90s, Blow discovered the young Lee McQueen, encouraging him to embrace the more regal “Alexander” and guiding him as both confidante and creative catalyst long before he became the celebrated head designer of @Givenchy. Together, Blow and McQueen became fashion’s inseparable "enfants terribles"—two extraordinary forces who forever changed the industry.⁠
⁠
A film exploring the pair’s extraordinary relationship, 'Wild Bird,' starring Olivia Colman and Russell Tovey, is currently in early development.⁠
⁠
Photos Getty Images⁠
⁠
#AlexanderMcQueen #FashionHistory #McQueen

#IsabellaBlow wasn’t just a fashion editor—she was a visionary talent scout with an instinct for greatness before the world caught on. As mentor, muse, and unwavering champion, she helped launch the careers of @AlexanderMcQueen, @PhilipTreacy, @JeremyScott, Stella Tennant, and Sophie Dahl.⁠
⁠
In the early ’90s, Blow discovered the young Lee McQueen, encouraging him to embrace the more regal “Alexander” and guiding him as both confidante and creative catalyst long before he became the celebrated head designer of @Givenchy. Together, Blow and McQueen became fashion’s inseparable "enfants terribles"—two extraordinary forces who forever changed the industry.⁠
⁠
A film exploring the pair’s extraordinary relationship, 'Wild Bird,' starring Olivia Colman and Russell Tovey, is currently in early development.⁠
⁠
Photos Getty Images⁠
⁠
#AlexanderMcQueen #FashionHistory #McQueen

#IsabellaBlow wasn’t just a fashion editor—she was a visionary talent scout with an instinct for greatness before the world caught on. As mentor, muse, and unwavering champion, she helped launch the careers of @AlexanderMcQueen, @PhilipTreacy, @JeremyScott, Stella Tennant, and Sophie Dahl.⁠
⁠
In the early ’90s, Blow discovered the young Lee McQueen, encouraging him to embrace the more regal “Alexander” and guiding him as both confidante and creative catalyst long before he became the celebrated head designer of @Givenchy. Together, Blow and McQueen became fashion’s inseparable "enfants terribles"—two extraordinary forces who forever changed the industry.⁠
⁠
A film exploring the pair’s extraordinary relationship, 'Wild Bird,' starring Olivia Colman and Russell Tovey, is currently in early development.⁠
⁠
Photos Getty Images⁠
⁠
#AlexanderMcQueen #FashionHistory #McQueen

#IsabellaBlow wasn’t just a fashion editor—she was a visionary talent scout with an instinct for greatness before the world caught on. As mentor, muse, and unwavering champion, she helped launch the careers of @AlexanderMcQueen, @PhilipTreacy, @JeremyScott, Stella Tennant, and Sophie Dahl.⁠
⁠
In the early ’90s, Blow discovered the young Lee McQueen, encouraging him to embrace the more regal “Alexander” and guiding him as both confidante and creative catalyst long before he became the celebrated head designer of @Givenchy. Together, Blow and McQueen became fashion’s inseparable "enfants terribles"—two extraordinary forces who forever changed the industry.⁠
⁠
A film exploring the pair’s extraordinary relationship, 'Wild Bird,' starring Olivia Colman and Russell Tovey, is currently in early development.⁠
⁠
Photos Getty Images⁠
⁠
#AlexanderMcQueen #FashionHistory #McQueen

#IsabellaBlow wasn’t just a fashion editor—she was a visionary talent scout with an instinct for greatness before the world caught on. As mentor, muse, and unwavering champion, she helped launch the careers of @AlexanderMcQueen, @PhilipTreacy, @JeremyScott, Stella Tennant, and Sophie Dahl.⁠
⁠
In the early ’90s, Blow discovered the young Lee McQueen, encouraging him to embrace the more regal “Alexander” and guiding him as both confidante and creative catalyst long before he became the celebrated head designer of @Givenchy. Together, Blow and McQueen became fashion’s inseparable "enfants terribles"—two extraordinary forces who forever changed the industry.⁠
⁠
A film exploring the pair’s extraordinary relationship, 'Wild Bird,' starring Olivia Colman and Russell Tovey, is currently in early development.⁠
⁠
Photos Getty Images⁠
⁠
#AlexanderMcQueen #FashionHistory #McQueen

From camp-coded theatrics to old-school Hollywood polish, @sabrinacarpenter knows how to put on a show—and dress like the main event while doing it. ⁠
⁠
Across rhinestone-laced bodysuits, tongue-in-cheek towel moments, and pop-referential spectacle, her stage wardrobe has become a language of its own: playful, self-aware, and meticulously styled for impact. Even her recent Met appearance extended that same visual vocabulary, balancing glamour with a wink of irony.⁠
⁠
On her birthday, we’re not just celebrating a pop star—we’re looking at a performer whose fashion has become so distinct, fans now arrive at her shows fully “Sabrina-fied,” dressed for the world she’s so deliberately built.

Photos Getty Images

#sabrinacarpenter #sabrinacarpenterstyle #sabrinacarpenterqueen

From camp-coded theatrics to old-school Hollywood polish, @sabrinacarpenter knows how to put on a show—and dress like the main event while doing it. ⁠
⁠
Across rhinestone-laced bodysuits, tongue-in-cheek towel moments, and pop-referential spectacle, her stage wardrobe has become a language of its own: playful, self-aware, and meticulously styled for impact. Even her recent Met appearance extended that same visual vocabulary, balancing glamour with a wink of irony.⁠
⁠
On her birthday, we’re not just celebrating a pop star—we’re looking at a performer whose fashion has become so distinct, fans now arrive at her shows fully “Sabrina-fied,” dressed for the world she’s so deliberately built.

Photos Getty Images

#sabrinacarpenter #sabrinacarpenterstyle #sabrinacarpenterqueen

From camp-coded theatrics to old-school Hollywood polish, @sabrinacarpenter knows how to put on a show—and dress like the main event while doing it. ⁠
⁠
Across rhinestone-laced bodysuits, tongue-in-cheek towel moments, and pop-referential spectacle, her stage wardrobe has become a language of its own: playful, self-aware, and meticulously styled for impact. Even her recent Met appearance extended that same visual vocabulary, balancing glamour with a wink of irony.⁠
⁠
On her birthday, we’re not just celebrating a pop star—we’re looking at a performer whose fashion has become so distinct, fans now arrive at her shows fully “Sabrina-fied,” dressed for the world she’s so deliberately built.

Photos Getty Images

#sabrinacarpenter #sabrinacarpenterstyle #sabrinacarpenterqueen

From camp-coded theatrics to old-school Hollywood polish, @sabrinacarpenter knows how to put on a show—and dress like the main event while doing it. ⁠
⁠
Across rhinestone-laced bodysuits, tongue-in-cheek towel moments, and pop-referential spectacle, her stage wardrobe has become a language of its own: playful, self-aware, and meticulously styled for impact. Even her recent Met appearance extended that same visual vocabulary, balancing glamour with a wink of irony.⁠
⁠
On her birthday, we’re not just celebrating a pop star—we’re looking at a performer whose fashion has become so distinct, fans now arrive at her shows fully “Sabrina-fied,” dressed for the world she’s so deliberately built.

Photos Getty Images

#sabrinacarpenter #sabrinacarpenterstyle #sabrinacarpenterqueen

From camp-coded theatrics to old-school Hollywood polish, @sabrinacarpenter knows how to put on a show—and dress like the main event while doing it. ⁠
⁠
Across rhinestone-laced bodysuits, tongue-in-cheek towel moments, and pop-referential spectacle, her stage wardrobe has become a language of its own: playful, self-aware, and meticulously styled for impact. Even her recent Met appearance extended that same visual vocabulary, balancing glamour with a wink of irony.⁠
⁠
On her birthday, we’re not just celebrating a pop star—we’re looking at a performer whose fashion has become so distinct, fans now arrive at her shows fully “Sabrina-fied,” dressed for the world she’s so deliberately built.

Photos Getty Images

#sabrinacarpenter #sabrinacarpenterstyle #sabrinacarpenterqueen

In Miuccia we trust. Happy birthday to the queen of @prada!

Photos Getty Images

#prada #miucciaprada

In Miuccia we trust. Happy birthday to the queen of @prada!

Photos Getty Images

#prada #miucciaprada

In Miuccia we trust. Happy birthday to the queen of @prada!

Photos Getty Images

#prada #miucciaprada

“I’m not like a regular mom, I’m a cool mom!”⁠
⁠
Happy Mother’s Day to every mother, mother figure, and anyone who’s ever shown up with love. In honor of the day, we’re celebrating some of the most iconic on-screen mother-daughter duos we’ll never stop admiring.

Photos IMDb

#mothersday

“I’m not like a regular mom, I’m a cool mom!”⁠
⁠
Happy Mother’s Day to every mother, mother figure, and anyone who’s ever shown up with love. In honor of the day, we’re celebrating some of the most iconic on-screen mother-daughter duos we’ll never stop admiring.

Photos IMDb

#mothersday

“I’m not like a regular mom, I’m a cool mom!”⁠
⁠
Happy Mother’s Day to every mother, mother figure, and anyone who’s ever shown up with love. In honor of the day, we’re celebrating some of the most iconic on-screen mother-daughter duos we’ll never stop admiring.

Photos IMDb

#mothersday

“I’m not like a regular mom, I’m a cool mom!”⁠
⁠
Happy Mother’s Day to every mother, mother figure, and anyone who’s ever shown up with love. In honor of the day, we’re celebrating some of the most iconic on-screen mother-daughter duos we’ll never stop admiring.

Photos IMDb

#mothersday

“I’m not like a regular mom, I’m a cool mom!”⁠
⁠
Happy Mother’s Day to every mother, mother figure, and anyone who’s ever shown up with love. In honor of the day, we’re celebrating some of the most iconic on-screen mother-daughter duos we’ll never stop admiring.

Photos IMDb

#mothersday

“I’m not like a regular mom, I’m a cool mom!”⁠
⁠
Happy Mother’s Day to every mother, mother figure, and anyone who’s ever shown up with love. In honor of the day, we’re celebrating some of the most iconic on-screen mother-daughter duos we’ll never stop admiring.

Photos IMDb

#mothersday

“I’m not like a regular mom, I’m a cool mom!”⁠
⁠
Happy Mother’s Day to every mother, mother figure, and anyone who’s ever shown up with love. In honor of the day, we’re celebrating some of the most iconic on-screen mother-daughter duos we’ll never stop admiring.

Photos IMDb

#mothersday

It’s been over a decade since @Gucci last staged a Cruise show stateside.⁠
⁠
The last time Alessandro Michele took New York by storm was in 2015, with a show at the Dia Art Foundation that set the tone for a new era of Gucci spectacle. A planned 2021 Cruise presentation in San Francisco never came to life due to the global pandemic, leaving a long pause in the brand’s U.S. runway history.⁠
⁠
Now, more than ten years later, all eyes turn back to New York: in just one week, Demna will unveil his debut 2027 Cruise collection at an undisclosed location in the city. Until then, we’re looking back at the last time Gucci truly owned the Stateside stage.⁠
⁠
Photos Getty Images ⁠
⁠
#Gucci #GucciCruise #Cruise2027

It’s been over a decade since @Gucci last staged a Cruise show stateside.⁠
⁠
The last time Alessandro Michele took New York by storm was in 2015, with a show at the Dia Art Foundation that set the tone for a new era of Gucci spectacle. A planned 2021 Cruise presentation in San Francisco never came to life due to the global pandemic, leaving a long pause in the brand’s U.S. runway history.⁠
⁠
Now, more than ten years later, all eyes turn back to New York: in just one week, Demna will unveil his debut 2027 Cruise collection at an undisclosed location in the city. Until then, we’re looking back at the last time Gucci truly owned the Stateside stage.⁠
⁠
Photos Getty Images ⁠
⁠
#Gucci #GucciCruise #Cruise2027

It’s been over a decade since @Gucci last staged a Cruise show stateside.⁠
⁠
The last time Alessandro Michele took New York by storm was in 2015, with a show at the Dia Art Foundation that set the tone for a new era of Gucci spectacle. A planned 2021 Cruise presentation in San Francisco never came to life due to the global pandemic, leaving a long pause in the brand’s U.S. runway history.⁠
⁠
Now, more than ten years later, all eyes turn back to New York: in just one week, Demna will unveil his debut 2027 Cruise collection at an undisclosed location in the city. Until then, we’re looking back at the last time Gucci truly owned the Stateside stage.⁠
⁠
Photos Getty Images ⁠
⁠
#Gucci #GucciCruise #Cruise2027

It’s been over a decade since @Gucci last staged a Cruise show stateside.⁠
⁠
The last time Alessandro Michele took New York by storm was in 2015, with a show at the Dia Art Foundation that set the tone for a new era of Gucci spectacle. A planned 2021 Cruise presentation in San Francisco never came to life due to the global pandemic, leaving a long pause in the brand’s U.S. runway history.⁠
⁠
Now, more than ten years later, all eyes turn back to New York: in just one week, Demna will unveil his debut 2027 Cruise collection at an undisclosed location in the city. Until then, we’re looking back at the last time Gucci truly owned the Stateside stage.⁠
⁠
Photos Getty Images ⁠
⁠
#Gucci #GucciCruise #Cruise2027

It’s been over a decade since @Gucci last staged a Cruise show stateside.⁠
⁠
The last time Alessandro Michele took New York by storm was in 2015, with a show at the Dia Art Foundation that set the tone for a new era of Gucci spectacle. A planned 2021 Cruise presentation in San Francisco never came to life due to the global pandemic, leaving a long pause in the brand’s U.S. runway history.⁠
⁠
Now, more than ten years later, all eyes turn back to New York: in just one week, Demna will unveil his debut 2027 Cruise collection at an undisclosed location in the city. Until then, we’re looking back at the last time Gucci truly owned the Stateside stage.⁠
⁠
Photos Getty Images ⁠
⁠
#Gucci #GucciCruise #Cruise2027

It’s been over a decade since @Gucci last staged a Cruise show stateside.⁠
⁠
The last time Alessandro Michele took New York by storm was in 2015, with a show at the Dia Art Foundation that set the tone for a new era of Gucci spectacle. A planned 2021 Cruise presentation in San Francisco never came to life due to the global pandemic, leaving a long pause in the brand’s U.S. runway history.⁠
⁠
Now, more than ten years later, all eyes turn back to New York: in just one week, Demna will unveil his debut 2027 Cruise collection at an undisclosed location in the city. Until then, we’re looking back at the last time Gucci truly owned the Stateside stage.⁠
⁠
Photos Getty Images ⁠
⁠
#Gucci #GucciCruise #Cruise2027

⁠ From shaping the sound of the ’90s to redefining immersive art, @Jewel has always been guided by introspection. Growing up in Alaska, the multi-platinum artist was inspired by her six fiercely independent aunts and learned early on that she was “not a fragile thing.” That sense of self-reliance — and an instinct to question the world around her — became the foundation of her breakout 1995 anthem, “Who Will Save Your Soul.” “You can see what I was grappling with,” she tells L’OFFICIEL. “Am I responsible for myself and my happiness? Who will save me if I don’t? What is this culture teaching me?”

Decades later, those same questions continue to shape her creative practice. In her second solo exhibition, Matriclysm: An Archeology of Connections Lost — presented alongside the Venice Biennale — she expands her storytelling beyond music through sculpture, sound, and immersive installation, offering a powerful exploration of womanhood, memory, and human connection.

At the link in bio, Jewel opens up to L’OFFICIEL about accountability, creativity, and the ideas that continue to fuel her creativity.

Writer @rachelsummerssssmall
Photos courtesy of Jewel

#jewel

⁠ From shaping the sound of the ’90s to redefining immersive art, @Jewel has always been guided by introspection. Growing up in Alaska, the multi-platinum artist was inspired by her six fiercely independent aunts and learned early on that she was “not a fragile thing.” That sense of self-reliance — and an instinct to question the world around her — became the foundation of her breakout 1995 anthem, “Who Will Save Your Soul.” “You can see what I was grappling with,” she tells L’OFFICIEL. “Am I responsible for myself and my happiness? Who will save me if I don’t? What is this culture teaching me?”

Decades later, those same questions continue to shape her creative practice. In her second solo exhibition, Matriclysm: An Archeology of Connections Lost — presented alongside the Venice Biennale — she expands her storytelling beyond music through sculpture, sound, and immersive installation, offering a powerful exploration of womanhood, memory, and human connection.

At the link in bio, Jewel opens up to L’OFFICIEL about accountability, creativity, and the ideas that continue to fuel her creativity.

Writer @rachelsummerssssmall
Photos courtesy of Jewel

#jewel

⁠ From shaping the sound of the ’90s to redefining immersive art, @Jewel has always been guided by introspection. Growing up in Alaska, the multi-platinum artist was inspired by her six fiercely independent aunts and learned early on that she was “not a fragile thing.” That sense of self-reliance — and an instinct to question the world around her — became the foundation of her breakout 1995 anthem, “Who Will Save Your Soul.” “You can see what I was grappling with,” she tells L’OFFICIEL. “Am I responsible for myself and my happiness? Who will save me if I don’t? What is this culture teaching me?”

Decades later, those same questions continue to shape her creative practice. In her second solo exhibition, Matriclysm: An Archeology of Connections Lost — presented alongside the Venice Biennale — she expands her storytelling beyond music through sculpture, sound, and immersive installation, offering a powerful exploration of womanhood, memory, and human connection.

At the link in bio, Jewel opens up to L’OFFICIEL about accountability, creativity, and the ideas that continue to fuel her creativity.

Writer @rachelsummerssssmall
Photos courtesy of Jewel

#jewel

⁠ From shaping the sound of the ’90s to redefining immersive art, @Jewel has always been guided by introspection. Growing up in Alaska, the multi-platinum artist was inspired by her six fiercely independent aunts and learned early on that she was “not a fragile thing.” That sense of self-reliance — and an instinct to question the world around her — became the foundation of her breakout 1995 anthem, “Who Will Save Your Soul.” “You can see what I was grappling with,” she tells L’OFFICIEL. “Am I responsible for myself and my happiness? Who will save me if I don’t? What is this culture teaching me?”

Decades later, those same questions continue to shape her creative practice. In her second solo exhibition, Matriclysm: An Archeology of Connections Lost — presented alongside the Venice Biennale — she expands her storytelling beyond music through sculpture, sound, and immersive installation, offering a powerful exploration of womanhood, memory, and human connection.

At the link in bio, Jewel opens up to L’OFFICIEL about accountability, creativity, and the ideas that continue to fuel her creativity.

Writer @rachelsummerssssmall
Photos courtesy of Jewel

#jewel

⁠ From shaping the sound of the ’90s to redefining immersive art, @Jewel has always been guided by introspection. Growing up in Alaska, the multi-platinum artist was inspired by her six fiercely independent aunts and learned early on that she was “not a fragile thing.” That sense of self-reliance — and an instinct to question the world around her — became the foundation of her breakout 1995 anthem, “Who Will Save Your Soul.” “You can see what I was grappling with,” she tells L’OFFICIEL. “Am I responsible for myself and my happiness? Who will save me if I don’t? What is this culture teaching me?”

Decades later, those same questions continue to shape her creative practice. In her second solo exhibition, Matriclysm: An Archeology of Connections Lost — presented alongside the Venice Biennale — she expands her storytelling beyond music through sculpture, sound, and immersive installation, offering a powerful exploration of womanhood, memory, and human connection.

At the link in bio, Jewel opens up to L’OFFICIEL about accountability, creativity, and the ideas that continue to fuel her creativity.

Writer @rachelsummerssssmall
Photos courtesy of Jewel

#jewel

⁠ From shaping the sound of the ’90s to redefining immersive art, @Jewel has always been guided by introspection. Growing up in Alaska, the multi-platinum artist was inspired by her six fiercely independent aunts and learned early on that she was “not a fragile thing.” That sense of self-reliance — and an instinct to question the world around her — became the foundation of her breakout 1995 anthem, “Who Will Save Your Soul.” “You can see what I was grappling with,” she tells L’OFFICIEL. “Am I responsible for myself and my happiness? Who will save me if I don’t? What is this culture teaching me?”

Decades later, those same questions continue to shape her creative practice. In her second solo exhibition, Matriclysm: An Archeology of Connections Lost — presented alongside the Venice Biennale — she expands her storytelling beyond music through sculpture, sound, and immersive installation, offering a powerful exploration of womanhood, memory, and human connection.

At the link in bio, Jewel opens up to L’OFFICIEL about accountability, creativity, and the ideas that continue to fuel her creativity.

Writer @rachelsummerssssmall
Photos courtesy of Jewel

#jewel

⁠ From shaping the sound of the ’90s to redefining immersive art, @Jewel has always been guided by introspection. Growing up in Alaska, the multi-platinum artist was inspired by her six fiercely independent aunts and learned early on that she was “not a fragile thing.” That sense of self-reliance — and an instinct to question the world around her — became the foundation of her breakout 1995 anthem, “Who Will Save Your Soul.” “You can see what I was grappling with,” she tells L’OFFICIEL. “Am I responsible for myself and my happiness? Who will save me if I don’t? What is this culture teaching me?”

Decades later, those same questions continue to shape her creative practice. In her second solo exhibition, Matriclysm: An Archeology of Connections Lost — presented alongside the Venice Biennale — she expands her storytelling beyond music through sculpture, sound, and immersive installation, offering a powerful exploration of womanhood, memory, and human connection.

At the link in bio, Jewel opens up to L’OFFICIEL about accountability, creativity, and the ideas that continue to fuel her creativity.

Writer @rachelsummerssssmall
Photos courtesy of Jewel

#jewel

“It was never about ego or fame,” @judithlight says of pursuing an acting career. “I wanted to be of service and use my abilities to better understand the human condition.” From her critically-acclaimed soap opera breakthrough to sitcom stardom and a celebrated return to theater, Light’s career has been defined by artistic risk, discipline, and reinvention.⁠
⁠
With her latest roles in “The Terror: Devil in Silver” and Marvel’s “The Punisher: One Last Kill,” she continues to gravitate toward challenging work that demands something unfamiliar of her. She traces that drive back to the “very powerful working women” in her family, who have shaped her perspective throughout her life.⁠
⁠
For L’OFFICIEL’s June issue, Light reflects on her lineage as she opens her archive, sharing family heirlooms that have helped define who she is today. “Together these pieces remind me of who I come from,” she says, “and of their resilience, humor, and joy that live on in me.” Read more about the objects Light chose and her prolific career at the link in bio.⁠
⁠
Writer @samanthajsimon⁠
Photography courtesy of Alexandra Arnold and Judith Light ⁠
⁠
#JudithLight⁠

“It was never about ego or fame,” @judithlight says of pursuing an acting career. “I wanted to be of service and use my abilities to better understand the human condition.” From her critically-acclaimed soap opera breakthrough to sitcom stardom and a celebrated return to theater, Light’s career has been defined by artistic risk, discipline, and reinvention.⁠
⁠
With her latest roles in “The Terror: Devil in Silver” and Marvel’s “The Punisher: One Last Kill,” she continues to gravitate toward challenging work that demands something unfamiliar of her. She traces that drive back to the “very powerful working women” in her family, who have shaped her perspective throughout her life.⁠
⁠
For L’OFFICIEL’s June issue, Light reflects on her lineage as she opens her archive, sharing family heirlooms that have helped define who she is today. “Together these pieces remind me of who I come from,” she says, “and of their resilience, humor, and joy that live on in me.” Read more about the objects Light chose and her prolific career at the link in bio.⁠
⁠
Writer @samanthajsimon⁠
Photography courtesy of Alexandra Arnold and Judith Light ⁠
⁠
#JudithLight⁠

“It was never about ego or fame,” @judithlight says of pursuing an acting career. “I wanted to be of service and use my abilities to better understand the human condition.” From her critically-acclaimed soap opera breakthrough to sitcom stardom and a celebrated return to theater, Light’s career has been defined by artistic risk, discipline, and reinvention.⁠
⁠
With her latest roles in “The Terror: Devil in Silver” and Marvel’s “The Punisher: One Last Kill,” she continues to gravitate toward challenging work that demands something unfamiliar of her. She traces that drive back to the “very powerful working women” in her family, who have shaped her perspective throughout her life.⁠
⁠
For L’OFFICIEL’s June issue, Light reflects on her lineage as she opens her archive, sharing family heirlooms that have helped define who she is today. “Together these pieces remind me of who I come from,” she says, “and of their resilience, humor, and joy that live on in me.” Read more about the objects Light chose and her prolific career at the link in bio.⁠
⁠
Writer @samanthajsimon⁠
Photography courtesy of Alexandra Arnold and Judith Light ⁠
⁠
#JudithLight⁠

“It was never about ego or fame,” @judithlight says of pursuing an acting career. “I wanted to be of service and use my abilities to better understand the human condition.” From her critically-acclaimed soap opera breakthrough to sitcom stardom and a celebrated return to theater, Light’s career has been defined by artistic risk, discipline, and reinvention.⁠
⁠
With her latest roles in “The Terror: Devil in Silver” and Marvel’s “The Punisher: One Last Kill,” she continues to gravitate toward challenging work that demands something unfamiliar of her. She traces that drive back to the “very powerful working women” in her family, who have shaped her perspective throughout her life.⁠
⁠
For L’OFFICIEL’s June issue, Light reflects on her lineage as she opens her archive, sharing family heirlooms that have helped define who she is today. “Together these pieces remind me of who I come from,” she says, “and of their resilience, humor, and joy that live on in me.” Read more about the objects Light chose and her prolific career at the link in bio.⁠
⁠
Writer @samanthajsimon⁠
Photography courtesy of Alexandra Arnold and Judith Light ⁠
⁠
#JudithLight⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Nearly a year into his tenure as @Balenciaga’s creative director, Pierpaolo Piccioli finds himself stewarding one of fashion’s most consequential legacies. Founded by Cristóbal Balenciaga in 1917 and long regarded as a defining force within haute couture, the house enters a new era under the Italian designer’s direction—one guided as much by instinct as inheritance.⁠
⁠
After shaping the world of Valentino for more than two decades, @pppiccioli now prepares to write his own chapter within Balenciaga’s history. “I want to follow my instinct, to be able to go in any direction without betraying the past,” he tells L’OFFICIEL. “Balenciaga is creativity, and creativity is the map to follow.”⁠
⁠
For L’OFFICIEL, Piccioli curates a selection of Balenciaga images from the magazine’s archive and reflects on the weight—and freedom—of working within a house so deeply embedded in fashion history. ⁠
⁠
Photos courtesy of the L'OFFICIEL Archive⁠
⁠
#Balenciaga #PierpaoloPiccioli #CristobalBalenciaga #FashionHistory⁠

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory

Life imitates art, and Monday night’s Met Gala made that abundantly clear. With the dress code “Fashion is Art,” attendees pulled from everything spanning antiquity’s most iconic works to more niche, contemporary references. Designers, from @matthieu_blazy and Jonathan Anderson to @pppiccioli, fully embraced the theme through custom looks created for the night’s attendees, weaving in fine art references alongside archival codes from their respective houses, and turning “Fashion is Art” into wearable interpretation.

Here, we look to some of the art references of the night. @kendalljenner fully committed to the theme, channeling the ‘Winged Victory of Samothrace’ (190 BCE) in a sculptural look by @Gap Studio, designed by Zac Posen. @roses_are_rosie turned to the 20th century, drawing from Georges Braque’s ‘The Birds’—a nod to the cubist-turned-expressionist master—through a @YSL gown by @anthonyvaccarello, complete with Braque’s signature bird motif.

@madonna arrived with an entire entourage, reimagining Leonora Carrington’s ‘The Temptation of St. Anthony (Fragment II),’ while Lauren Sánchez wore @Schiaparelli in a look inspired by John Singer Sargent’s ‘Portrait of Madame X.’ With some interpretations more on the nose and others more nuanced, the overarching theme remained clear: fashion as a direct extension of art. For more on the fashion at the Met, visit the link in our bio!

Photos Getty Images

#metgala #metgalaredcarpet #fashionhistory