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Alas ‘Into The Blue Again’ is over.. thank you everyone who came, these are the only pics I have from the opening I was too busy yapping to take any myself! Much love 🩵⛸️🐈‍⬛🍳🩰🍐🌻🐦‍⬛🍌💊

Alas ‘Into The Blue Again’ is over.. thank you everyone who came, these are the only pics I have from the opening I was too busy yapping to take any myself! Much love 🩵⛸️🐈‍⬛🍳🩰🍐🌻🐦‍⬛🍌💊

Alas ‘Into The Blue Again’ is over.. thank you everyone who came, these are the only pics I have from the opening I was too busy yapping to take any myself! Much love 🩵⛸️🐈‍⬛🍳🩰🍐🌻🐦‍⬛🍌💊

Alas ‘Into The Blue Again’ is over.. thank you everyone who came, these are the only pics I have from the opening I was too busy yapping to take any myself! Much love 🩵⛸️🐈‍⬛🍳🩰🍐🌻🐦‍⬛🍌💊

Alas ‘Into The Blue Again’ is over.. thank you everyone who came, these are the only pics I have from the opening I was too busy yapping to take any myself! Much love 🩵⛸️🐈‍⬛🍳🩰🍐🌻🐦‍⬛🍌💊

Today is the last day to see my show ‘Into The Blue Again’ Thank you to everyone who has come already love you all!! ⛸️
Pictured: ‘Inside Edge’ oil on panel 2026

Today is the last day to see my show ‘Into The Blue Again’ Thank you to everyone who has come already love you all!! ⛸️
Pictured: ‘Inside Edge’ oil on panel 2026

Today is the last day to see my show ‘Into The Blue Again’ Thank you to everyone who has come already love you all!! ⛸️
Pictured: ‘Inside Edge’ oil on panel 2026

Today is the last day to see my show ‘Into The Blue Again’ Thank you to everyone who has come already love you all!! ⛸️
Pictured: ‘Inside Edge’ oil on panel 2026

CLOSING THIS WEEK | Into the Blue Again
Don’t miss the final week to see my solo exhibition ‘Into the Blue Again,’ at @yossimilo on view through this Saturday, April 25 📞
Pictured: Voicemail Blues, 2024, Oil on Linen, 54” x 46” (137 x 117 cm)

CLOSING THIS WEEK | Into the Blue Again
Don’t miss the final week to see my solo exhibition ‘Into the Blue Again,’ at @yossimilo on view through this Saturday, April 25 📞
Pictured: Voicemail Blues, 2024, Oil on Linen, 54” x 46” (137 x 117 cm)

‘Cavity Sam’ 2025
Linus Borgo’s solo exhibition, ‘Into the Blue Again’, is on view through Saturday, April 25.
‘Into the Blue Again’ examines the many ways embodiment and memory are entwined, and touches on the moments of the everyday where they crystallize. Borgo accumulates these physical recollections in ‘Cavity Sam’ (2025), a surreal, larger-than-life self-portrait in which he takes metaphorical stock of his own being.
The work takes its name from the board game “Operation,” and Borgo’s frank, and sometimes medical, autobiography is related through familiar aphorisms. Sensation is located as objects within the artist’s anatomy: a funny bone, a wisdom tooth, a phantom limb. Clad in cherry-print boxers, Borgo points out where in his body feelings are stored, and how the emotional and physical realms are enmeshed.
Pictured: Cavity Sam, 2025, Oil on Linen, 96” x 64” (244 x 162.5 cm)

‘Cavity Sam’ 2025
Linus Borgo’s solo exhibition, ‘Into the Blue Again’, is on view through Saturday, April 25.
‘Into the Blue Again’ examines the many ways embodiment and memory are entwined, and touches on the moments of the everyday where they crystallize. Borgo accumulates these physical recollections in ‘Cavity Sam’ (2025), a surreal, larger-than-life self-portrait in which he takes metaphorical stock of his own being.
The work takes its name from the board game “Operation,” and Borgo’s frank, and sometimes medical, autobiography is related through familiar aphorisms. Sensation is located as objects within the artist’s anatomy: a funny bone, a wisdom tooth, a phantom limb. Clad in cherry-print boxers, Borgo points out where in his body feelings are stored, and how the emotional and physical realms are enmeshed.
Pictured: Cavity Sam, 2025, Oil on Linen, 96” x 64” (244 x 162.5 cm)

‘Cavity Sam’ 2025
Linus Borgo’s solo exhibition, ‘Into the Blue Again’, is on view through Saturday, April 25.
‘Into the Blue Again’ examines the many ways embodiment and memory are entwined, and touches on the moments of the everyday where they crystallize. Borgo accumulates these physical recollections in ‘Cavity Sam’ (2025), a surreal, larger-than-life self-portrait in which he takes metaphorical stock of his own being.
The work takes its name from the board game “Operation,” and Borgo’s frank, and sometimes medical, autobiography is related through familiar aphorisms. Sensation is located as objects within the artist’s anatomy: a funny bone, a wisdom tooth, a phantom limb. Clad in cherry-print boxers, Borgo points out where in his body feelings are stored, and how the emotional and physical realms are enmeshed.
Pictured: Cavity Sam, 2025, Oil on Linen, 96” x 64” (244 x 162.5 cm)

‘Cavity Sam’ 2025
Linus Borgo’s solo exhibition, ‘Into the Blue Again’, is on view through Saturday, April 25.
‘Into the Blue Again’ examines the many ways embodiment and memory are entwined, and touches on the moments of the everyday where they crystallize. Borgo accumulates these physical recollections in ‘Cavity Sam’ (2025), a surreal, larger-than-life self-portrait in which he takes metaphorical stock of his own being.
The work takes its name from the board game “Operation,” and Borgo’s frank, and sometimes medical, autobiography is related through familiar aphorisms. Sensation is located as objects within the artist’s anatomy: a funny bone, a wisdom tooth, a phantom limb. Clad in cherry-print boxers, Borgo points out where in his body feelings are stored, and how the emotional and physical realms are enmeshed.
Pictured: Cavity Sam, 2025, Oil on Linen, 96” x 64” (244 x 162.5 cm)

‘Cavity Sam’ 2025
Linus Borgo’s solo exhibition, ‘Into the Blue Again’, is on view through Saturday, April 25.
‘Into the Blue Again’ examines the many ways embodiment and memory are entwined, and touches on the moments of the everyday where they crystallize. Borgo accumulates these physical recollections in ‘Cavity Sam’ (2025), a surreal, larger-than-life self-portrait in which he takes metaphorical stock of his own being.
The work takes its name from the board game “Operation,” and Borgo’s frank, and sometimes medical, autobiography is related through familiar aphorisms. Sensation is located as objects within the artist’s anatomy: a funny bone, a wisdom tooth, a phantom limb. Clad in cherry-print boxers, Borgo points out where in his body feelings are stored, and how the emotional and physical realms are enmeshed.
Pictured: Cavity Sam, 2025, Oil on Linen, 96” x 64” (244 x 162.5 cm)

‘Cavity Sam’ 2025
Linus Borgo’s solo exhibition, ‘Into the Blue Again’, is on view through Saturday, April 25.
‘Into the Blue Again’ examines the many ways embodiment and memory are entwined, and touches on the moments of the everyday where they crystallize. Borgo accumulates these physical recollections in ‘Cavity Sam’ (2025), a surreal, larger-than-life self-portrait in which he takes metaphorical stock of his own being.
The work takes its name from the board game “Operation,” and Borgo’s frank, and sometimes medical, autobiography is related through familiar aphorisms. Sensation is located as objects within the artist’s anatomy: a funny bone, a wisdom tooth, a phantom limb. Clad in cherry-print boxers, Borgo points out where in his body feelings are stored, and how the emotional and physical realms are enmeshed.
Pictured: Cavity Sam, 2025, Oil on Linen, 96” x 64” (244 x 162.5 cm)

‘Cavity Sam’ 2025
Linus Borgo’s solo exhibition, ‘Into the Blue Again’, is on view through Saturday, April 25.
‘Into the Blue Again’ examines the many ways embodiment and memory are entwined, and touches on the moments of the everyday where they crystallize. Borgo accumulates these physical recollections in ‘Cavity Sam’ (2025), a surreal, larger-than-life self-portrait in which he takes metaphorical stock of his own being.
The work takes its name from the board game “Operation,” and Borgo’s frank, and sometimes medical, autobiography is related through familiar aphorisms. Sensation is located as objects within the artist’s anatomy: a funny bone, a wisdom tooth, a phantom limb. Clad in cherry-print boxers, Borgo points out where in his body feelings are stored, and how the emotional and physical realms are enmeshed.
Pictured: Cavity Sam, 2025, Oil on Linen, 96” x 64” (244 x 162.5 cm)

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

‘Backslide’ on view now in ‘Into The Blue’ at Yossi Milo 🐦

I’m excited to share that I’m included in “5 Artists on Our Radar in April 2026” by Maxwell Rabb (@pleaseemailmax) for @Artsy.
@yossimilo :
Rabb discusses the experiences that inspire Borgo’s work: “Linus Borgo’s paintings are informed by a near-death experience. At 18, Borgo suffered a devastating electrical shock from a generator that discharged 11,000 volts. Though he survived the incident, it necessitated the amputation of his left hand. This event, coupled with his lived experience as a transgender man, fundamentally informs a practice that deals with the pleasures and discomforts of embodied experience. Some of these works are on view in his solo show at New York’s Yossi Milo Gallery, ‘Into the Blue Again,’ through April 25th.” @yossimilo
Head to the link in our bio for the full article,and to view more works on view in ‘Into the Blue Again’.

I’m excited to share that I’m included in “5 Artists on Our Radar in April 2026” by Maxwell Rabb (@pleaseemailmax) for @Artsy.
@yossimilo :
Rabb discusses the experiences that inspire Borgo’s work: “Linus Borgo’s paintings are informed by a near-death experience. At 18, Borgo suffered a devastating electrical shock from a generator that discharged 11,000 volts. Though he survived the incident, it necessitated the amputation of his left hand. This event, coupled with his lived experience as a transgender man, fundamentally informs a practice that deals with the pleasures and discomforts of embodied experience. Some of these works are on view in his solo show at New York’s Yossi Milo Gallery, ‘Into the Blue Again,’ through April 25th.” @yossimilo
Head to the link in our bio for the full article,and to view more works on view in ‘Into the Blue Again’.

I’m excited to share that I’m included in “5 Artists on Our Radar in April 2026” by Maxwell Rabb (@pleaseemailmax) for @Artsy.
@yossimilo :
Rabb discusses the experiences that inspire Borgo’s work: “Linus Borgo’s paintings are informed by a near-death experience. At 18, Borgo suffered a devastating electrical shock from a generator that discharged 11,000 volts. Though he survived the incident, it necessitated the amputation of his left hand. This event, coupled with his lived experience as a transgender man, fundamentally informs a practice that deals with the pleasures and discomforts of embodied experience. Some of these works are on view in his solo show at New York’s Yossi Milo Gallery, ‘Into the Blue Again,’ through April 25th.” @yossimilo
Head to the link in our bio for the full article,and to view more works on view in ‘Into the Blue Again’.

ON VIEW | Linus Borgo: Into the Blue Again
‘Into the Blue Again,’ @linusborgo’s second solo exhibition with the gallery, is now on view through Saturday, April 25.
This week, Borgo’s editioned print “Sunny Side Up” is featured in this week’s Artsy Edit, curated by @caseyless. The edition is also currently in included @Artsy ‘s ‘Curators’ Picks’. Head to the link in our bio for more!

ON VIEW | Linus Borgo: Into the Blue Again
‘Into the Blue Again,’ @linusborgo’s second solo exhibition with the gallery, is now on view through Saturday, April 25.
This week, Borgo’s editioned print “Sunny Side Up” is featured in this week’s Artsy Edit, curated by @caseyless. The edition is also currently in included @Artsy ‘s ‘Curators’ Picks’. Head to the link in our bio for more!

ON VIEW | Linus Borgo: Into the Blue Again
‘Into the Blue Again,’ @linusborgo’s second solo exhibition with the gallery, is now on view through Saturday, April 25.
This week, Borgo’s editioned print “Sunny Side Up” is featured in this week’s Artsy Edit, curated by @caseyless. The edition is also currently in included @Artsy ‘s ‘Curators’ Picks’. Head to the link in our bio for more!

New Editions from Linus Borgo
@yossimiloYossi Milo is pleased to announce new limited-edition prints of two recent paintings by Linus Borgo. Each is an archival pigment print, hand-signed and numbered by the artist in an edition of fifteen.
“The Impossibility of Unlearning” is based on Borgo’s painting created for the tenth-anniversary collector’s edition of author Hanya Yanagihara’s best-selling 2015 novel, A Little Life.
“Sunny Side Up” is a highlight from Borgo’s second solo exhibition with the gallery, ‘Into the Blue Again,’ on view through April 25, 2026. The work is a still life and portrait at once, with atmospheric tones that cast a Post-Impressionist haze not unlike paintings by Pierre Bonnard, Paul Cézanne, or the later Giorgio Morandi.
Head to our website for more on both works and to see all the paintings on view in ‘Into the Blue Again’.

New Editions from Linus Borgo
@yossimiloYossi Milo is pleased to announce new limited-edition prints of two recent paintings by Linus Borgo. Each is an archival pigment print, hand-signed and numbered by the artist in an edition of fifteen.
“The Impossibility of Unlearning” is based on Borgo’s painting created for the tenth-anniversary collector’s edition of author Hanya Yanagihara’s best-selling 2015 novel, A Little Life.
“Sunny Side Up” is a highlight from Borgo’s second solo exhibition with the gallery, ‘Into the Blue Again,’ on view through April 25, 2026. The work is a still life and portrait at once, with atmospheric tones that cast a Post-Impressionist haze not unlike paintings by Pierre Bonnard, Paul Cézanne, or the later Giorgio Morandi.
Head to our website for more on both works and to see all the paintings on view in ‘Into the Blue Again’.

New Editions from Linus Borgo
@yossimiloYossi Milo is pleased to announce new limited-edition prints of two recent paintings by Linus Borgo. Each is an archival pigment print, hand-signed and numbered by the artist in an edition of fifteen.
“The Impossibility of Unlearning” is based on Borgo’s painting created for the tenth-anniversary collector’s edition of author Hanya Yanagihara’s best-selling 2015 novel, A Little Life.
“Sunny Side Up” is a highlight from Borgo’s second solo exhibition with the gallery, ‘Into the Blue Again,’ on view through April 25, 2026. The work is a still life and portrait at once, with atmospheric tones that cast a Post-Impressionist haze not unlike paintings by Pierre Bonnard, Paul Cézanne, or the later Giorgio Morandi.
Head to our website for more on both works and to see all the paintings on view in ‘Into the Blue Again’.

New Editions from Linus Borgo
@yossimiloYossi Milo is pleased to announce new limited-edition prints of two recent paintings by Linus Borgo. Each is an archival pigment print, hand-signed and numbered by the artist in an edition of fifteen.
“The Impossibility of Unlearning” is based on Borgo’s painting created for the tenth-anniversary collector’s edition of author Hanya Yanagihara’s best-selling 2015 novel, A Little Life.
“Sunny Side Up” is a highlight from Borgo’s second solo exhibition with the gallery, ‘Into the Blue Again,’ on view through April 25, 2026. The work is a still life and portrait at once, with atmospheric tones that cast a Post-Impressionist haze not unlike paintings by Pierre Bonnard, Paul Cézanne, or the later Giorgio Morandi.
Head to our website for more on both works and to see all the paintings on view in ‘Into the Blue Again’.

New Editions from Linus Borgo
@yossimiloYossi Milo is pleased to announce new limited-edition prints of two recent paintings by Linus Borgo. Each is an archival pigment print, hand-signed and numbered by the artist in an edition of fifteen.
“The Impossibility of Unlearning” is based on Borgo’s painting created for the tenth-anniversary collector’s edition of author Hanya Yanagihara’s best-selling 2015 novel, A Little Life.
“Sunny Side Up” is a highlight from Borgo’s second solo exhibition with the gallery, ‘Into the Blue Again,’ on view through April 25, 2026. The work is a still life and portrait at once, with atmospheric tones that cast a Post-Impressionist haze not unlike paintings by Pierre Bonnard, Paul Cézanne, or the later Giorgio Morandi.
Head to our website for more on both works and to see all the paintings on view in ‘Into the Blue Again’.

New Editions from Linus Borgo
@yossimiloYossi Milo is pleased to announce new limited-edition prints of two recent paintings by Linus Borgo. Each is an archival pigment print, hand-signed and numbered by the artist in an edition of fifteen.
“The Impossibility of Unlearning” is based on Borgo’s painting created for the tenth-anniversary collector’s edition of author Hanya Yanagihara’s best-selling 2015 novel, A Little Life.
“Sunny Side Up” is a highlight from Borgo’s second solo exhibition with the gallery, ‘Into the Blue Again,’ on view through April 25, 2026. The work is a still life and portrait at once, with atmospheric tones that cast a Post-Impressionist haze not unlike paintings by Pierre Bonnard, Paul Cézanne, or the later Giorgio Morandi.
Head to our website for more on both works and to see all the paintings on view in ‘Into the Blue Again’.

OPENING TOMORROW | Linus Borgo: Into the Blue Again
‘Into the Blue Again,’ @linusborgo ‘s second solo exhibition with Yossi Milo @yossimilo , opens tomorrow, Thursday, March 26, with an artist’s reception from 6-8 PM.
The exhibition includes “Andrea in Blue,” which depicts a dancer tying her pointe shoe while sitting on a set of industrial stairs, capturing the quiet preparatory ritual before rehearsal. The act of tying the shoe can be a marker of time. It is a repeated gesture that precedes movement, evoking the repetitive nature of the ballet class itself, where steps are memorized and repeated over and over again.
‘Into the Blue Again’ meditates on cyclical themes of embodiment, preparation, and aftermath. The exhibition’s title is borrowed from a lyric in the Talking Heads’ 1981 hit song “Once in a Lifetime,” where singer David Byrne grapples with a sudden disbelief at the facts of his life. The song is structured around a looping, regular groove that pushes on to infinity: “Letting the days go by / Water flowing underground / Into the blue again.” This is Borgo’s blue: a life both momentary and ad infinitum.
We’ll see you tomorrow night!
Pictured: Linus Borgo, Andrea in Blue, 2026, Oil on canvas, 40” x 30” (101.6 x 76 cm)
And thank you to my lovely model @andreastepney

OPENING TOMORROW | Linus Borgo: Into the Blue Again
‘Into the Blue Again,’ @linusborgo ‘s second solo exhibition with Yossi Milo @yossimilo , opens tomorrow, Thursday, March 26, with an artist’s reception from 6-8 PM.
The exhibition includes “Andrea in Blue,” which depicts a dancer tying her pointe shoe while sitting on a set of industrial stairs, capturing the quiet preparatory ritual before rehearsal. The act of tying the shoe can be a marker of time. It is a repeated gesture that precedes movement, evoking the repetitive nature of the ballet class itself, where steps are memorized and repeated over and over again.
‘Into the Blue Again’ meditates on cyclical themes of embodiment, preparation, and aftermath. The exhibition’s title is borrowed from a lyric in the Talking Heads’ 1981 hit song “Once in a Lifetime,” where singer David Byrne grapples with a sudden disbelief at the facts of his life. The song is structured around a looping, regular groove that pushes on to infinity: “Letting the days go by / Water flowing underground / Into the blue again.” This is Borgo’s blue: a life both momentary and ad infinitum.
We’ll see you tomorrow night!
Pictured: Linus Borgo, Andrea in Blue, 2026, Oil on canvas, 40” x 30” (101.6 x 76 cm)
And thank you to my lovely model @andreastepney

OPENING TOMORROW | Linus Borgo: Into the Blue Again
‘Into the Blue Again,’ @linusborgo ‘s second solo exhibition with Yossi Milo @yossimilo , opens tomorrow, Thursday, March 26, with an artist’s reception from 6-8 PM.
The exhibition includes “Andrea in Blue,” which depicts a dancer tying her pointe shoe while sitting on a set of industrial stairs, capturing the quiet preparatory ritual before rehearsal. The act of tying the shoe can be a marker of time. It is a repeated gesture that precedes movement, evoking the repetitive nature of the ballet class itself, where steps are memorized and repeated over and over again.
‘Into the Blue Again’ meditates on cyclical themes of embodiment, preparation, and aftermath. The exhibition’s title is borrowed from a lyric in the Talking Heads’ 1981 hit song “Once in a Lifetime,” where singer David Byrne grapples with a sudden disbelief at the facts of his life. The song is structured around a looping, regular groove that pushes on to infinity: “Letting the days go by / Water flowing underground / Into the blue again.” This is Borgo’s blue: a life both momentary and ad infinitum.
We’ll see you tomorrow night!
Pictured: Linus Borgo, Andrea in Blue, 2026, Oil on canvas, 40” x 30” (101.6 x 76 cm)
And thank you to my lovely model @andreastepney

OPENING TOMORROW | Linus Borgo: Into the Blue Again
‘Into the Blue Again,’ @linusborgo ‘s second solo exhibition with Yossi Milo @yossimilo , opens tomorrow, Thursday, March 26, with an artist’s reception from 6-8 PM.
The exhibition includes “Andrea in Blue,” which depicts a dancer tying her pointe shoe while sitting on a set of industrial stairs, capturing the quiet preparatory ritual before rehearsal. The act of tying the shoe can be a marker of time. It is a repeated gesture that precedes movement, evoking the repetitive nature of the ballet class itself, where steps are memorized and repeated over and over again.
‘Into the Blue Again’ meditates on cyclical themes of embodiment, preparation, and aftermath. The exhibition’s title is borrowed from a lyric in the Talking Heads’ 1981 hit song “Once in a Lifetime,” where singer David Byrne grapples with a sudden disbelief at the facts of his life. The song is structured around a looping, regular groove that pushes on to infinity: “Letting the days go by / Water flowing underground / Into the blue again.” This is Borgo’s blue: a life both momentary and ad infinitum.
We’ll see you tomorrow night!
Pictured: Linus Borgo, Andrea in Blue, 2026, Oil on canvas, 40” x 30” (101.6 x 76 cm)
And thank you to my lovely model @andreastepney

SHOW OPENING MARCH 26 6-8pm ❣️🍊🍌🍳
UPCOMING EXHIBITION | Linus Borgo: Into the Blue Again @yossimilo

We’re pleased to announce ‘Into the Blue Again,’ @linusborgo ‘s second solo exhibition with the gallery. The show will be celebrated with an artist’s reception from 6-8 PM on Thursday, March 26, 2026.

Borgo’s paintings reckon with lived time, using lavish rendering to convey experiences of embodiment through stillness and change. ‘Into the Blue Again’ finds the artist drawing his audience close, asking them to share in emotional sensation as he navigates blurred narrative boundaries between home, hospital, and studio. Borgo elides action in favor of its aftermath, living in the wake of urgency as calm sets in. Across the works on view, he performs a transformation: the quotidian becomes phenomenological in scenes of quiet companionship and fraught recovery.

Head to the link in our bio for more information and to see more works by the artist!

Pictured: Sunny Side Up, 2026, Oil on Linen, 38” x 38” (96.5 x 96.5 cm)

SHOW OPENING MARCH 26 6-8pm ❣️🍊🍌🍳
UPCOMING EXHIBITION | Linus Borgo: Into the Blue Again @yossimilo

We’re pleased to announce ‘Into the Blue Again,’ @linusborgo ‘s second solo exhibition with the gallery. The show will be celebrated with an artist’s reception from 6-8 PM on Thursday, March 26, 2026.

Borgo’s paintings reckon with lived time, using lavish rendering to convey experiences of embodiment through stillness and change. ‘Into the Blue Again’ finds the artist drawing his audience close, asking them to share in emotional sensation as he navigates blurred narrative boundaries between home, hospital, and studio. Borgo elides action in favor of its aftermath, living in the wake of urgency as calm sets in. Across the works on view, he performs a transformation: the quotidian becomes phenomenological in scenes of quiet companionship and fraught recovery.

Head to the link in our bio for more information and to see more works by the artist!

Pictured: Sunny Side Up, 2026, Oil on Linen, 38” x 38” (96.5 x 96.5 cm)

🌟SOLO SHOW OPENING MARCH 26 6-8pm at @yossimilo ~
Linus Borgo’s (@linusborgo) second exhibition with the gallery, ‘Into the Blue Again’, is coming soon. The show will be celebrated with an artist’s reception on Thursday, March 26, from 6-8 PM 🐈‍⬛🌻🌧️
More works by Borgo, and more information on the show, can be found on our website at the link in our bio.
Pictured: Elsina After Rain, 2026, Oil on Canvas, 40” x 30” (101.5 x 76 cm)

🌟SOLO SHOW OPENING MARCH 26 6-8pm at @yossimilo ~
Linus Borgo’s (@linusborgo) second exhibition with the gallery, ‘Into the Blue Again’, is coming soon. The show will be celebrated with an artist’s reception on Thursday, March 26, from 6-8 PM 🐈‍⬛🌻🌧️
More works by Borgo, and more information on the show, can be found on our website at the link in our bio.
Pictured: Elsina After Rain, 2026, Oil on Canvas, 40” x 30” (101.5 x 76 cm)

🌟SOLO SHOW OPENING MARCH 26 6-8pm at @yossimilo ~
Linus Borgo’s (@linusborgo) second exhibition with the gallery, ‘Into the Blue Again’, is coming soon. The show will be celebrated with an artist’s reception on Thursday, March 26, from 6-8 PM 🐈‍⬛🌻🌧️
More works by Borgo, and more information on the show, can be found on our website at the link in our bio.
Pictured: Elsina After Rain, 2026, Oil on Canvas, 40” x 30” (101.5 x 76 cm)

Got my copy!! 💛❤️‍🔥💖 thank you so much @hanyayanagihara @alittlelifebook and @yossimilo for making it happen and last but not least my model @hotarchitect posing as Jude. 🩷❤️🧡💛💚🩵💙💜 so happy it all came together is was such an honor to work on!!!

Got my copy!! 💛❤️‍🔥💖 thank you so much @hanyayanagihara @alittlelifebook and @yossimilo for making it happen and last but not least my model @hotarchitect posing as Jude. 🩷❤️🧡💛💚🩵💙💜 so happy it all came together is was such an honor to work on!!!

Got my copy!! 💛❤️‍🔥💖 thank you so much @hanyayanagihara @alittlelifebook and @yossimilo for making it happen and last but not least my model @hotarchitect posing as Jude. 🩷❤️🧡💛💚🩵💙💜 so happy it all came together is was such an honor to work on!!!