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It’s a long weekend !!!

The gallery is open today and tomorrow 11-5 thanks to @allnewmedium 🙏And . . . we are going camping!  

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Image :

Kate Salke
Sleeping Bag constellation, 2024
Oil on canvas
5 x 7 inches, 12.7 x 17.75 cm

@kate_salke#katesalke

Open today - Saturday from 11-5!

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Domestic (3): Lunch Paintings Peter Gallo, Tenki Hiramatsu, Ryan McLaughlin, Zora Moniz,Bethann Parker, Kate Salke, Owen Westberg through June 12, 2026

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Slide 2:
Owen Westberg
hat weather, 2026
oil on birch panel
12 x 10 inches, 25.4 x 30.5 cm

Slide 3:
Owen Westberg
Marble, 2025
oil on birch panel
12 x 10 inches, 25.4 x 30.5 cm

@owenwestberg
📷@ccbbentonand @matthew.c.watson

Open today - Saturday from 11-5!

—-
Domestic (3): Lunch Paintings Peter Gallo, Tenki Hiramatsu, Ryan McLaughlin, Zora Moniz,Bethann Parker, Kate Salke, Owen Westberg through June 12, 2026

—-
Slide 2:
Owen Westberg
hat weather, 2026
oil on birch panel
12 x 10 inches, 25.4 x 30.5 cm

Slide 3:
Owen Westberg
Marble, 2025
oil on birch panel
12 x 10 inches, 25.4 x 30.5 cm

@owenwestberg
📷@ccbbentonand @matthew.c.watson

Open today - Saturday from 11-5!

—-
Domestic (3): Lunch Paintings Peter Gallo, Tenki Hiramatsu, Ryan McLaughlin, Zora Moniz,Bethann Parker, Kate Salke, Owen Westberg through June 12, 2026

—-
Slide 2:
Owen Westberg
hat weather, 2026
oil on birch panel
12 x 10 inches, 25.4 x 30.5 cm

Slide 3:
Owen Westberg
Marble, 2025
oil on birch panel
12 x 10 inches, 25.4 x 30.5 cm

@owenwestberg
📷@ccbbentonand @matthew.c.watson

Triangolo hosting Laurel Gitlen:
Este Lewis. Time to plant hearts.

Opening reception: Saturday 06.06.2026 I 6-9 pm
Via Stella 14, 26100, Cremona

@laurelgitlen
@glorious_estephonic

Triangolo hosting Laurel Gitlen:
Sam Linguist. WRR.

Opening reception: Saturday 06.06.2026 I 6-9 pm
Via Stella 14, 26100, Cremona

@laurelgitlen

Open by appointment on this gorgeous Sunday!

✨✨

Domestic (3): Lunch Paintings Peter Gallo, Tenki Hiramatsu, Ryan McLaughlin, Zora Moniz,Bethann Parker, Kate Salke, Owen Westberg through June 12, 2026

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Image: Tenki Hiramatsu
Two Persons, 2025
Oil, acrylic and wax on wooden panel
12 x 26 inches, 29.5 x 66.5 cm

@tenkihiramatsu
📷 @matthew.c.watson

The gallery is open by appointment only this week while we are at the Esther Fair.

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DM or call to book please! 503.490.7255

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Image:
Peter Gallo
Violets, Violets, Violets, 2026
oil and shellac on panels
19.5 x 19 inches, 49.5 x 48.3 cm

@p_e_t_e_r_g_a_l_l_o
@adamsandollman

Jill Goldstein at Esther III
Estonian House
243 East 34th Street
New York, NY
May 12-16, 2026

Public Hours:
May 15: 11am-6pm
May 16, 11am-5pm
***

Jill Goldstein
Empire of Pain, 2024
cotton and silk thread and antoque wire lace on linen
15 x 20 inches, 19 x 22.75 inches framed

@streamandstitch @esther.newyork

Jill Goldstein at Esther III
Estonian House
243 East 34th Street
New York, NY
May 12-16, 2026

Public Hours:
May 15: 11am-6pm
May 16, 11am-5pm
***

Jill Goldstein
Empire of Pain, 2024
cotton and silk thread and antoque wire lace on linen
15 x 20 inches, 19 x 22.75 inches framed

@streamandstitch @esther.newyork

Jill Goldstein at Esther III
Estonian House
243 East 34th Street
New York, NY
May 12-16, 2026

Public Hours:
May 15: 11am-6pm
May 16, 11am-5pm
***

Jill Goldstein
Empire of Pain, 2024
cotton and silk thread and antoque wire lace on linen
15 x 20 inches, 19 x 22.75 inches framed

@streamandstitch @esther.newyork

Installation images now online for Lunch Paintings.  

Link in Bio.  

Stellar photography by Matthew Watson, @matthew.c.watson

***
Image:  Zora Moniz
Detachable paper doll, 2026
oil on canvas
50 x 40 inches, 127 x 101.6 cm

@oilsalad @lostquarry

Domestic (3):  Lunch Paintings @laurelgitlen | May 9 - June 12, 2026

Peter Gallo, Tenki Hiramatsu, Ryan McLaughlin, Zora Moniz, Bethann Parker, Kate Salke, and Owen Westberg

The bunny, rapidly aging, has been relegated to the kitchen. The kids trampled some hostas just beginning to come up through the mulch, and I’m watching our light-starved Magnolia inch toward full, waxy blooms. It’s always a good month after the other trees in the neighborhood; our own delayed secret Spring.

The third group show in the house, Domestic(3): Lunch Paintings includes works by seven painters where tacit knowledge is dormant, budding, and forming.These are paintings made in barns, hotel rooms, kitchens, living rooms and studios, by artists dealing with living and dying, eating and sleeping, words, music, paint and feeling.

Gallery hours are Thursday - Saturday, 11-5, and other times by appointment.Previews are available on request.

Domestic (3):  Lunch Paintings @laurelgitlen | May 9 - June 12, 2026

Peter Gallo, Tenki Hiramatsu, Ryan McLaughlin, Zora Moniz, Bethann Parker, Kate Salke, and Owen Westberg

The bunny, rapidly aging, has been relegated to the kitchen. The kids trampled some hostas just beginning to come up through the mulch, and I’m watching our light-starved Magnolia inch toward full, waxy blooms. It’s always a good month after the other trees in the neighborhood; our own delayed secret Spring.

The third group show in the house, Domestic(3): Lunch Paintings includes works by seven painters where tacit knowledge is dormant, budding, and forming.These are paintings made in barns, hotel rooms, kitchens, living rooms and studios, by artists dealing with living and dying, eating and sleeping, words, music, paint and feeling.

Gallery hours are Thursday - Saturday, 11-5, and other times by appointment.Previews are available on request.

Max Guy
Thorn, 2026
Ferric acetate on cedar, shellac, cardboard, gum arabic
6.5 x 10 x 5 inches, 16.5 x 25.4 x 12.7 cm

***

Currently on view at ESTHER III, the Estonian House through Saturday May 16

***

The masks I’m carving now are Pulcinella masks. Pulcinella is a character archetype from commedia dell’arte, which is a professional improvisational theater form that emerged from the Italian High Renaissance. Pulcinella is a clown character and probably the best recognized character from this theater form. He has an exaggerated nose, and often a dramatic brow and rounded cheeks. Pulcinella is best characterized by his cunning and opportunism, which will be seen as virtuous or unbecoming depending on the scenario. He’s a wise and anarchic character
with a disdain of authority.

I’ve been spending a lot of time with Giovanni Domenica Tiepolo’s not quite allegorical drawings of Pulcinelli, dropped into a variety of scenarios as a plebeian. I think about these as more people just going on about their lives, but there’s an uncanny and nightmarish quality to Tiepolo’s drawings that are hard to pinpoint other than by asking why are clowns doing all of these jobs?

-Max Guy, 2026

@leaf_bootleg @esther.newyork #maxguy

Jill Goldstein
Thrones, 2025
cotton and silk thread on linen
13 x 18 inches , 16.25 x 21.5 inches framed

Jill Goldstein at Esther III
Estonian House
243 E 34th St
New York, NY

May 12-16, 2026

Since 2020, Jill Goldstein has been making complex and commanding embroidered works on linen.  Her abstract compositions often start with a near-symmetry that is disrupted by required repairs and undulating shifts in rhythm, placing patterns against patterns and using sewn line as if drawing. The work reflects the unpredictability of life, and her grids, geometries, patterns, lace and line are dictated by the fragility of the threadbare textiles as well as intuition, spontaneity and interruption. 

In one work, a lumpy seam on a bed sheet is resolved with three small stitched orange rectangles, and in other works, the irregular curve of a torn edge is juxtaposed with hard geometric triangles, like zig zag teeth. Goldstein reduces six-strand embroidery floss to single and double strands, creating variable size and density. Using brightly colored and metallic thread, she stitches over and over on the same spot, creating formal, sculptural weight, and these solid labored areas contrast with the delicacy of single strand stitches and open lacework. Sewing is an act of moving, joining and uniting things.

Cosmic circles, polka dots, stars, grids, and radiating lines align Goldstein’s work with the meditative and universal qualities of tantric drawings or the rhythmic movements in Louse Bourgeois’ works on paper and textiles, who described the immediacy of drawing as “thought feathers.”  And yet, unlike the quick and gestural mark-making of drawing, embroidery is rooted in a physical, sculptural, material meditation.  Things can be done and then quickly torn out – the process is marked by starts and stops – and this condition dictates the layering of patterns, border-making, and other strategies of containment and expansion.  Each mark is small, staccato and pensive. ​​

@streamandstitch

Domestic (3): Lunch Paintings
May 9 - June 12, 2026
Opening 3-6 pm, May 9

36 New York Ave Brooklyn
 
Peter Gallo, Tenki Hiramatsu, Ryan McLaughlin, Zora Moniz, Bethann Parker, Kate Salke, and Owen Westberg
 
The bunny, rapidly aging, has been relegated to the kitchen. The kids trampled some hostas just beginning to come up through the mulch, and I’m watching our light-starved Magnolia inch toward full, waxy blooms. It’s always a good month after the other trees in the neighborhood; our own delayed secret Spring.
 
The third group show in the house, Domestic(3): Lunch Paintings includes works by seven painters where tacit information is dormant, budding, and forming.  These are paintings made in barns, hotel rooms, kitchens, living rooms and studios, by artists dealing with living and dying, eating and sleeping, words, music, paint and feeling.  
 
Gallery hours are Thursday - Saturday, 11-5, and other times by appointment.   Previews are available on request.
 
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image:
Kate Salke
Off season, 2026
Oil on canvas
30 x 24 inches, 76 x 61 cm
 
UPCOMING:
 
 
Esther III
Estonian House, New York
May 11 – 15, 2026
 
Este Lewis and Sam Linguist, hosted by Triangolo Cremona, Italy
June 6 - August 1, 2026
 
Peggy Chiang
September 2026
 
Kate Salke
November 2026

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@kate_salke @oilsalad @tenkihiramatsu @skyexec @owenwestberg @bethann_parker @galeriesardine @romance.gal@adamsandollman
📷 @ccbbenton