Laura OsCam
🇨🇴 in NYC
MA candidate @nyucostumestudies
Teaching Artist @madmuseum
ARTWorks Coach @jamaicaartscenter
🪡 @oscamstudio
📸 @prosefiction

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏

Entering the summer happily planing a wedding and patiently waiting for a biopsy… life is all about balance and everything in between ! 🫠☯️🙏
I had an amazing night past Saturday with @surfacescape ✨💕 Thank you to their wonderful team for putting this show so beautifully together. And even bigger thanks to @flrsng and @lilyxiee for allowing me the opportunity to be part of it 🙏🔥

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

From Bogotá, 1810 to Milan, 1970. What does it mean to dress on the edge of a revolution? Right now I’m sitting with two research projects that feel impossibly far apart and completely inseparable since both are due in tomorrow! The dress of the Viceroyalty of New Granada - the garments of 1810, the ruana, the manta, the vestido criollo - and a pre-disco Fiorucci dress that turned up with a label I can’t quite date.
One is about the clothes people wore when they decided to become a nation. The other is about a label that records a brand before it became what everyone remembers.
Two centuries apart. Two continents. Both asking the same question clothes always ask: whose body, whose power, whose story?
Sources:
Fiorucci.com
Biblioteca del Banco de la Republica
Library of Congress

Please join us this Saturday!!!!✨🫶
We invite you to The Wedding.
Every ticket includes
- 1 complimentary drink
- free snacks sponsored by @_ding_go
- access to all installations and performances
Get your tickets now for a night of interactive theater, art, and music in collaboration with 15+ contemporary artists.
📍The Williamsburgh Savings Bank Building
175 Broadway, Brooklyn, NY 11211, United States
DJs:
@elladotnet
@connorwr0ng
@ex.wiish
Host:
@isaiahcrawfordd
Bride:
@avaszy
Groom:
@thedaywasgloves
Stylist:
@st3phies

Please join us this Saturday!!!!✨🫶
We invite you to The Wedding.
Every ticket includes
- 1 complimentary drink
- free snacks sponsored by @_ding_go
- access to all installations and performances
Get your tickets now for a night of interactive theater, art, and music in collaboration with 15+ contemporary artists.
📍The Williamsburgh Savings Bank Building
175 Broadway, Brooklyn, NY 11211, United States
DJs:
@elladotnet
@connorwr0ng
@ex.wiish
Host:
@isaiahcrawfordd
Bride:
@avaszy
Groom:
@thedaywasgloves
Stylist:
@st3phies

Please join us this Saturday!!!!✨🫶
We invite you to The Wedding.
Every ticket includes
- 1 complimentary drink
- free snacks sponsored by @_ding_go
- access to all installations and performances
Get your tickets now for a night of interactive theater, art, and music in collaboration with 15+ contemporary artists.
📍The Williamsburgh Savings Bank Building
175 Broadway, Brooklyn, NY 11211, United States
DJs:
@elladotnet
@connorwr0ng
@ex.wiish
Host:
@isaiahcrawfordd
Bride:
@avaszy
Groom:
@thedaywasgloves
Stylist:
@st3phies

Please join us this Saturday!!!!✨🫶
We invite you to The Wedding.
Every ticket includes
- 1 complimentary drink
- free snacks sponsored by @_ding_go
- access to all installations and performances
Get your tickets now for a night of interactive theater, art, and music in collaboration with 15+ contemporary artists.
📍The Williamsburgh Savings Bank Building
175 Broadway, Brooklyn, NY 11211, United States
DJs:
@elladotnet
@connorwr0ng
@ex.wiish
Host:
@isaiahcrawfordd
Bride:
@avaszy
Groom:
@thedaywasgloves
Stylist:
@st3phies

Please join us this Saturday!!!!✨🫶
We invite you to The Wedding.
Every ticket includes
- 1 complimentary drink
- free snacks sponsored by @_ding_go
- access to all installations and performances
Get your tickets now for a night of interactive theater, art, and music in collaboration with 15+ contemporary artists.
📍The Williamsburgh Savings Bank Building
175 Broadway, Brooklyn, NY 11211, United States
DJs:
@elladotnet
@connorwr0ng
@ex.wiish
Host:
@isaiahcrawfordd
Bride:
@avaszy
Groom:
@thedaywasgloves
Stylist:
@st3phies

Please join us this Saturday!!!!✨🫶
We invite you to The Wedding.
Every ticket includes
- 1 complimentary drink
- free snacks sponsored by @_ding_go
- access to all installations and performances
Get your tickets now for a night of interactive theater, art, and music in collaboration with 15+ contemporary artists.
📍The Williamsburgh Savings Bank Building
175 Broadway, Brooklyn, NY 11211, United States
DJs:
@elladotnet
@connorwr0ng
@ex.wiish
Host:
@isaiahcrawfordd
Bride:
@avaszy
Groom:
@thedaywasgloves
Stylist:
@st3phies

Please join us this Saturday!!!!✨🫶
We invite you to The Wedding.
Every ticket includes
- 1 complimentary drink
- free snacks sponsored by @_ding_go
- access to all installations and performances
Get your tickets now for a night of interactive theater, art, and music in collaboration with 15+ contemporary artists.
📍The Williamsburgh Savings Bank Building
175 Broadway, Brooklyn, NY 11211, United States
DJs:
@elladotnet
@connorwr0ng
@ex.wiish
Host:
@isaiahcrawfordd
Bride:
@avaszy
Groom:
@thedaywasgloves
Stylist:
@st3phies

Research took me home!!! ✨
While digging into the @librarycongress archives for my Nineteenth Century Fashion class paper, I stumbled upon the watercolors of Manuel María Paz (1820–1902) and there, among his illustrations, were two beautiful pieces: scenes from Cartago and a Poncho Weaver in Cali, both from the Valle del Cauca Department. 🇨🇴🏠
Swipe for facts about Paz, a closer look at these gorgeous pieces, and a few books worth adding to your list. 📚

Research took me home!!! ✨
While digging into the @librarycongress archives for my Nineteenth Century Fashion class paper, I stumbled upon the watercolors of Manuel María Paz (1820–1902) and there, among his illustrations, were two beautiful pieces: scenes from Cartago and a Poncho Weaver in Cali, both from the Valle del Cauca Department. 🇨🇴🏠
Swipe for facts about Paz, a closer look at these gorgeous pieces, and a few books worth adding to your list. 📚

Research took me home!!! ✨
While digging into the @librarycongress archives for my Nineteenth Century Fashion class paper, I stumbled upon the watercolors of Manuel María Paz (1820–1902) and there, among his illustrations, were two beautiful pieces: scenes from Cartago and a Poncho Weaver in Cali, both from the Valle del Cauca Department. 🇨🇴🏠
Swipe for facts about Paz, a closer look at these gorgeous pieces, and a few books worth adding to your list. 📚

Research took me home!!! ✨
While digging into the @librarycongress archives for my Nineteenth Century Fashion class paper, I stumbled upon the watercolors of Manuel María Paz (1820–1902) and there, among his illustrations, were two beautiful pieces: scenes from Cartago and a Poncho Weaver in Cali, both from the Valle del Cauca Department. 🇨🇴🏠
Swipe for facts about Paz, a closer look at these gorgeous pieces, and a few books worth adding to your list. 📚

Research took me home!!! ✨
While digging into the @librarycongress archives for my Nineteenth Century Fashion class paper, I stumbled upon the watercolors of Manuel María Paz (1820–1902) and there, among his illustrations, were two beautiful pieces: scenes from Cartago and a Poncho Weaver in Cali, both from the Valle del Cauca Department. 🇨🇴🏠
Swipe for facts about Paz, a closer look at these gorgeous pieces, and a few books worth adding to your list. 📚

Research took me home!!! ✨
While digging into the @librarycongress archives for my Nineteenth Century Fashion class paper, I stumbled upon the watercolors of Manuel María Paz (1820–1902) and there, among his illustrations, were two beautiful pieces: scenes from Cartago and a Poncho Weaver in Cali, both from the Valle del Cauca Department. 🇨🇴🏠
Swipe for facts about Paz, a closer look at these gorgeous pieces, and a few books worth adding to your list. 📚

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Our @nyucostumestudies class visited the @merchantshouse past Saturday and had an amazing tour filled with details about this 19th century New York City’s landmark! Please consider to sign the petition to keep this treasure safe ✨🫶
“In December, the owner of the lot next door at 27 East 4th Street submitted an application to the Landmarks Preservation Commission for a NEW commercial building. It is their third redesign and poses an even greater threat to this historic treasure.
The proposed new building is both taller and more massive. Irreparable damage is guaranteed. The fragile 1832 Merchant’s House could collapse, destroying one of New York City’s first landmarks, the only 19th century family home that has remained intact, inside and out.
Moreover, research has revealed that the 1832 landmark house contains a hidden passageway as part of the early Underground Railroad, a discovery of immeasurable significance.
It is critical that the Mamdani Administration @nycmayor step in to protect this vital and irreplaceable part of New York’s history — before it is gone forever!”
https://actionnetwork.org/letters/save-the-merchants-house-museum-2?source=merchants-house-website

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

Observing as a sport 👁️✨
*Thank you to @lalearcreative for this candid from the opening of “Memory Vault” at @jamaicaartscenter
*Candids of my love ones from our recent visits to the @themorganlibrary @museocolonial @metmuseum
*Bonus: Agatha Crispi looking healthy 😽

ARTWorks’ Memory Vault exhibit opens in 2 days! Today, we’re taking a look back at last year’s ARTWorks exhibit, Wherever I Lay My Head, which was curated by @i_abiskaroon
We’re grateful for everyone who has participated in our ARTWorks Fellowship! Join us for opening reception of Memory Vault on March 13, 6pm at the Jamaica Center for Arts and Learning.
Program Managaer: @sherwintheartist
Photos taken by @artphotofilms

ARTWorks’ Memory Vault exhibit opens in 2 days! Today, we’re taking a look back at last year’s ARTWorks exhibit, Wherever I Lay My Head, which was curated by @i_abiskaroon
We’re grateful for everyone who has participated in our ARTWorks Fellowship! Join us for opening reception of Memory Vault on March 13, 6pm at the Jamaica Center for Arts and Learning.
Program Managaer: @sherwintheartist
Photos taken by @artphotofilms

ARTWorks’ Memory Vault exhibit opens in 2 days! Today, we’re taking a look back at last year’s ARTWorks exhibit, Wherever I Lay My Head, which was curated by @i_abiskaroon
We’re grateful for everyone who has participated in our ARTWorks Fellowship! Join us for opening reception of Memory Vault on March 13, 6pm at the Jamaica Center for Arts and Learning.
Program Managaer: @sherwintheartist
Photos taken by @artphotofilms

ARTWorks’ Memory Vault exhibit opens in 2 days! Today, we’re taking a look back at last year’s ARTWorks exhibit, Wherever I Lay My Head, which was curated by @i_abiskaroon
We’re grateful for everyone who has participated in our ARTWorks Fellowship! Join us for opening reception of Memory Vault on March 13, 6pm at the Jamaica Center for Arts and Learning.
Program Managaer: @sherwintheartist
Photos taken by @artphotofilms

ARTWorks’ Memory Vault exhibit opens in 2 days! Today, we’re taking a look back at last year’s ARTWorks exhibit, Wherever I Lay My Head, which was curated by @i_abiskaroon
We’re grateful for everyone who has participated in our ARTWorks Fellowship! Join us for opening reception of Memory Vault on March 13, 6pm at the Jamaica Center for Arts and Learning.
Program Managaer: @sherwintheartist
Photos taken by @artphotofilms

ARTWorks’ Memory Vault exhibit opens in 2 days! Today, we’re taking a look back at last year’s ARTWorks exhibit, Wherever I Lay My Head, which was curated by @i_abiskaroon
We’re grateful for everyone who has participated in our ARTWorks Fellowship! Join us for opening reception of Memory Vault on March 13, 6pm at the Jamaica Center for Arts and Learning.
Program Managaer: @sherwintheartist
Photos taken by @artphotofilms

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Amazed at being able to stand so close tothis carpet of 42ft made by nuns in Bogota in 1804 (y con mi mami)✨💕

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches

Art life after right wrist surgery update ✨
Venturing through my days between my left and right hand, not an easy task, for sure. But restraint can be a powerful artistic prompt, and it has forced me to look back while moving forward. In the meantime, I’ve been sketching new ideas, reconnecting with old drawing as I explore the possibilities of both hands. And somewhere along the way, threads and stitches might find their way into my drawings too…Prints might be available in the future. 🖤
#ambidextrous #bodyagency #caleidoscorpo #sketches
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