Instagram Story Save

Why are we so obsessed with how actors look? Listen to the full conversation with @tomwaist and @lauragommans on how cinema makes us obsessed and the consequences of being on the other side of the screen. #linkinbio. 🎙️

Bob Cuspe is an old Brazilian punk stranded in a post-apocalyptic desert with nothing to do but spit at his creator — the cartoonist Angeli, who turns up as a stop-motion puppet of himself. Cesar Cabral spent twelve years building Bob Spit: We Do Not Like People (2024) frame by frame, and the result is the most furious satire of Brazilian conservatism animation has produced. With an intro from @kaboomfestival. Tickets: #linkinbio. 🎨

Bob Cuspe is an old Brazilian punk stranded in a post-apocalyptic desert with nothing to do but spit at his creator — the cartoonist Angeli, who turns up as a stop-motion puppet of himself. Cesar Cabral spent twelve years building Bob Spit: We Do Not Like People (2024) frame by frame, and the result is the most furious satire of Brazilian conservatism animation has produced. With an intro from @kaboomfestival. Tickets: #linkinbio. 🎨

Bob Cuspe is an old Brazilian punk stranded in a post-apocalyptic desert with nothing to do but spit at his creator — the cartoonist Angeli, who turns up as a stop-motion puppet of himself. Cesar Cabral spent twelve years building Bob Spit: We Do Not Like People (2024) frame by frame, and the result is the most furious satire of Brazilian conservatism animation has produced. With an intro from @kaboomfestival. Tickets: #linkinbio. 🎨

Bob Cuspe is an old Brazilian punk stranded in a post-apocalyptic desert with nothing to do but spit at his creator — the cartoonist Angeli, who turns up as a stop-motion puppet of himself. Cesar Cabral spent twelve years building Bob Spit: We Do Not Like People (2024) frame by frame, and the result is the most furious satire of Brazilian conservatism animation has produced. With an intro from @kaboomfestival. Tickets: #linkinbio. 🎨

Suzanne Stone (Nicole Kidman) looks straight into the camera, smiles like she already owns the evening news, and quietly turns local ambition into a blood sport. In Gus Van Sant’s razor-sharp To Die For (1995), fame is not a dream but a diagnosis — and Suzanne has found the high-schoolers willing to help her treat it. A killer satire with a perfect smile. Tickets: #linkinbio. 🩷

Suzanne Stone (Nicole Kidman) looks straight into the camera, smiles like she already owns the evening news, and quietly turns local ambition into a blood sport. In Gus Van Sant’s razor-sharp To Die For (1995), fame is not a dream but a diagnosis — and Suzanne has found the high-schoolers willing to help her treat it. A killer satire with a perfect smile. Tickets: #linkinbio. 🩷

Suzanne Stone (Nicole Kidman) looks straight into the camera, smiles like she already owns the evening news, and quietly turns local ambition into a blood sport. In Gus Van Sant’s razor-sharp To Die For (1995), fame is not a dream but a diagnosis — and Suzanne has found the high-schoolers willing to help her treat it. A killer satire with a perfect smile. Tickets: #linkinbio. 🩷

Suzanne Stone (Nicole Kidman) looks straight into the camera, smiles like she already owns the evening news, and quietly turns local ambition into a blood sport. In Gus Van Sant’s razor-sharp To Die For (1995), fame is not a dream but a diagnosis — and Suzanne has found the high-schoolers willing to help her treat it. A killer satire with a perfect smile. Tickets: #linkinbio. 🩷

Suzanne Stone (Nicole Kidman) looks straight into the camera, smiles like she already owns the evening news, and quietly turns local ambition into a blood sport. In Gus Van Sant’s razor-sharp To Die For (1995), fame is not a dream but a diagnosis — and Suzanne has found the high-schoolers willing to help her treat it. A killer satire with a perfect smile. Tickets: #linkinbio. 🩷

Suzanne Stone (Nicole Kidman) looks straight into the camera, smiles like she already owns the evening news, and quietly turns local ambition into a blood sport. In Gus Van Sant’s razor-sharp To Die For (1995), fame is not a dream but a diagnosis — and Suzanne has found the high-schoolers willing to help her treat it. A killer satire with a perfect smile. Tickets: #linkinbio. 🩷

Suzanne Stone (Nicole Kidman) looks straight into the camera, smiles like she already owns the evening news, and quietly turns local ambition into a blood sport. In Gus Van Sant’s razor-sharp To Die For (1995), fame is not a dream but a diagnosis — and Suzanne has found the high-schoolers willing to help her treat it. A killer satire with a perfect smile. Tickets: #linkinbio. 🩷

Power and desire collide in Babygirl, where Halina Reijn explores the shifting dynamics of control in both professional and intimate spaces. Nicole Kidman plays a high-powered executive whose carefully structured life is disrupted by a charged connection with a younger colleague. As boundaries blur, questions of agency, vulnerability, and authority come to the forefront. Sleek and provocative, the film examines obsession as a negotiation of power, intimacy, and self-perception. See it now as part of our Obsession season: #linkinbio. 🥛

Power and desire collide in Babygirl, where Halina Reijn explores the shifting dynamics of control in both professional and intimate spaces. Nicole Kidman plays a high-powered executive whose carefully structured life is disrupted by a charged connection with a younger colleague. As boundaries blur, questions of agency, vulnerability, and authority come to the forefront. Sleek and provocative, the film examines obsession as a negotiation of power, intimacy, and self-perception. See it now as part of our Obsession season: #linkinbio. 🥛

Power and desire collide in Babygirl, where Halina Reijn explores the shifting dynamics of control in both professional and intimate spaces. Nicole Kidman plays a high-powered executive whose carefully structured life is disrupted by a charged connection with a younger colleague. As boundaries blur, questions of agency, vulnerability, and authority come to the forefront. Sleek and provocative, the film examines obsession as a negotiation of power, intimacy, and self-perception. See it now as part of our Obsession season: #linkinbio. 🥛

Power and desire collide in Babygirl, where Halina Reijn explores the shifting dynamics of control in both professional and intimate spaces. Nicole Kidman plays a high-powered executive whose carefully structured life is disrupted by a charged connection with a younger colleague. As boundaries blur, questions of agency, vulnerability, and authority come to the forefront. Sleek and provocative, the film examines obsession as a negotiation of power, intimacy, and self-perception. See it now as part of our Obsession season: #linkinbio. 🥛

Power and desire collide in Babygirl, where Halina Reijn explores the shifting dynamics of control in both professional and intimate spaces. Nicole Kidman plays a high-powered executive whose carefully structured life is disrupted by a charged connection with a younger colleague. As boundaries blur, questions of agency, vulnerability, and authority come to the forefront. Sleek and provocative, the film examines obsession as a negotiation of power, intimacy, and self-perception. See it now as part of our Obsession season: #linkinbio. 🥛

Power and desire collide in Babygirl, where Halina Reijn explores the shifting dynamics of control in both professional and intimate spaces. Nicole Kidman plays a high-powered executive whose carefully structured life is disrupted by a charged connection with a younger colleague. As boundaries blur, questions of agency, vulnerability, and authority come to the forefront. Sleek and provocative, the film examines obsession as a negotiation of power, intimacy, and self-perception. See it now as part of our Obsession season: #linkinbio. 🥛

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

A new exhibition has arrived: Thinking Vulnerability by Miloushka Bokma. The work explores the emotional connections we experience in contact with others and how coming close to someone requires a willingness to understand their world. In collaboration with dancers, emotions and stories are made visible through bodies that come together, intertwine, or pull apart. Vulnerability as both a revelation and a challenge.

On view now in the Expo space downstairs. For more info, check @miloushka_bokma.

Why does cinema make us so obsessed? Podcast host @lauragommans chats to Head Of Cinema @tomwaist on the latest Celebrating Cinema episode about our new program Can't Get You Out Of My Head and how obsession is the dark side to desire. Listen now: #linkinbio. 🎙️

Erika Kohut teaches Schubert at the Vienna Conservatoire and goes home to her mother in the bed she has slept in for forty years. Michael Haneke shoots Isabelle Huppert at the temperature of a clinical observation — and finds, in the bathroom mirror with a razor, the most unsparing performance of her career. La Pianiste (2001) won Cannes Grand Prix and both lead acting prizes that year. Tickets: #linkinbio. 🎹

Erika Kohut teaches Schubert at the Vienna Conservatoire and goes home to her mother in the bed she has slept in for forty years. Michael Haneke shoots Isabelle Huppert at the temperature of a clinical observation — and finds, in the bathroom mirror with a razor, the most unsparing performance of her career. La Pianiste (2001) won Cannes Grand Prix and both lead acting prizes that year. Tickets: #linkinbio. 🎹

Erika Kohut teaches Schubert at the Vienna Conservatoire and goes home to her mother in the bed she has slept in for forty years. Michael Haneke shoots Isabelle Huppert at the temperature of a clinical observation — and finds, in the bathroom mirror with a razor, the most unsparing performance of her career. La Pianiste (2001) won Cannes Grand Prix and both lead acting prizes that year. Tickets: #linkinbio. 🎹

Erika Kohut teaches Schubert at the Vienna Conservatoire and goes home to her mother in the bed she has slept in for forty years. Michael Haneke shoots Isabelle Huppert at the temperature of a clinical observation — and finds, in the bathroom mirror with a razor, the most unsparing performance of her career. La Pianiste (2001) won Cannes Grand Prix and both lead acting prizes that year. Tickets: #linkinbio. 🎹

Erika Kohut teaches Schubert at the Vienna Conservatoire and goes home to her mother in the bed she has slept in for forty years. Michael Haneke shoots Isabelle Huppert at the temperature of a clinical observation — and finds, in the bathroom mirror with a razor, the most unsparing performance of her career. La Pianiste (2001) won Cannes Grand Prix and both lead acting prizes that year. Tickets: #linkinbio. 🎹

Is there really something beautiful in not being great? Listen to the full conversation on the Celebrating Cinema podcast where @lauragommans and @tomwaist chat about Amadeus and if it's really about mediocrity. #linkinbio. 🎙️

⭐️TICKETS FOR AMSFF 2026 ARE LIVE⭐️

This year’s selection is organised into 5 different blocks which will each be screened at a different venue:
📍‘Farewell to The Moving Clocks’ on Friday, May 29th, at 18:30, at @filmtheaterdeuitkijk
📍’Five More Hundred Miles’ on Saturday, May 30th, at 14:00, at @lab_111 *
📍’Four Turns Right, One Turn Left’ on Saturday, May 30th, at 20:00, at @droogamsterdam
📍‘Shedding Soft Teeth’ on Sunday, May 31st, at 13:00, at @hetdocumentairepaviljoen
📍The ’Best Of’ Program on Sunday, May 31st, at 20:00, at @fchyena

🎟️Get your ticket for each block through the website of its respective venue! The links to all websites are in the LINK IN OUR BIO!

🎟️ A ticket is valid for only one block! There is no passe-partout available.

‼️All the information regarding the blocks, their synopses, and the films they contain, as well as the locations and screening times can be found in our previous posts and on the websites of the venues. Check the ‘Program 2026’ page on our website (amsff.nl) for an overview of all the festival events and links to the websites of the venues.

*‼️LAB111 STUDENT TICKETS IMPORTANT INFORMATION:
In order to purchase a student ticket, you must contact (call/email) Lab111 to reserve a student ticket. You can then pay for this ticket on the day of the screening at the register.

🖍️ Illustration by @amelinaballerinaillustration

Thursday June 4, film critic Kevin Toma (@de_volkskrant) presents the film lecture Everything Is Cinema: The Filmic Alchemy of Jean-Luc Godard, a lively journey through the radical, playful, ever-changing world of Jean-Luc Godard. From the jump cuts of À bout de souffle to the traffic chaos of Week-end and the 3D provocations of Adieu au langage, this lecture explores the images that changed cinema forever. Presented alongside the re-release of Une Femme Est Une Femme. Tickets via the link in our bio. 🇫🇷

Thursday June 4, film critic Kevin Toma (@de_volkskrant) presents the film lecture Everything Is Cinema: The Filmic Alchemy of Jean-Luc Godard, a lively journey through the radical, playful, ever-changing world of Jean-Luc Godard. From the jump cuts of À bout de souffle to the traffic chaos of Week-end and the 3D provocations of Adieu au langage, this lecture explores the images that changed cinema forever. Presented alongside the re-release of Une Femme Est Une Femme. Tickets via the link in our bio. 🇫🇷

Thursday June 4, film critic Kevin Toma (@de_volkskrant) presents the film lecture Everything Is Cinema: The Filmic Alchemy of Jean-Luc Godard, a lively journey through the radical, playful, ever-changing world of Jean-Luc Godard. From the jump cuts of À bout de souffle to the traffic chaos of Week-end and the 3D provocations of Adieu au langage, this lecture explores the images that changed cinema forever. Presented alongside the re-release of Une Femme Est Une Femme. Tickets via the link in our bio. 🇫🇷

Thursday June 4, film critic Kevin Toma (@de_volkskrant) presents the film lecture Everything Is Cinema: The Filmic Alchemy of Jean-Luc Godard, a lively journey through the radical, playful, ever-changing world of Jean-Luc Godard. From the jump cuts of À bout de souffle to the traffic chaos of Week-end and the 3D provocations of Adieu au langage, this lecture explores the images that changed cinema forever. Presented alongside the re-release of Une Femme Est Une Femme. Tickets via the link in our bio. 🇫🇷

Thursday June 4, film critic Kevin Toma (@de_volkskrant) presents the film lecture Everything Is Cinema: The Filmic Alchemy of Jean-Luc Godard, a lively journey through the radical, playful, ever-changing world of Jean-Luc Godard. From the jump cuts of À bout de souffle to the traffic chaos of Week-end and the 3D provocations of Adieu au langage, this lecture explores the images that changed cinema forever. Presented alongside the re-release of Une Femme Est Une Femme. Tickets via the link in our bio. 🇫🇷

Thursday June 4, film critic Kevin Toma (@de_volkskrant) presents the film lecture Everything Is Cinema: The Filmic Alchemy of Jean-Luc Godard, a lively journey through the radical, playful, ever-changing world of Jean-Luc Godard. From the jump cuts of À bout de souffle to the traffic chaos of Week-end and the 3D provocations of Adieu au langage, this lecture explores the images that changed cinema forever. Presented alongside the re-release of Une Femme Est Une Femme. Tickets via the link in our bio. 🇫🇷

Thursday June 4, film critic Kevin Toma (@de_volkskrant) presents the film lecture Everything Is Cinema: The Filmic Alchemy of Jean-Luc Godard, a lively journey through the radical, playful, ever-changing world of Jean-Luc Godard. From the jump cuts of À bout de souffle to the traffic chaos of Week-end and the 3D provocations of Adieu au langage, this lecture explores the images that changed cinema forever. Presented alongside the re-release of Une Femme Est Une Femme. Tickets via the link in our bio. 🇫🇷

@chenin.ams and LAB111 present a wining and screening afternoon. Join us on May 30 to taste what you see, including a masterclass by Jordi Esteve on wines from Empordà, and a screening of Clara Isamat's documentary La Contraetiqueta. Tickets: #linkinbio.🍷

Top Gun turns 40. Tony Scott's fever dream of speed, sunlight, and Tom Cruise at full throttle — still intoxicating, still the film that made aerial combat feel like a love scene. Tickets: #linkinbio. ✈️