Instagram Story Save

I samarbeid med Kunsthall 3,14 viser Universitetsmuseet filmer fra Arktis med innledning ved Siri Veland.

Søndag 10. mai
Kl: 13:00
Sted: Universitetsmuseet, Naturhistorie, Muséplassen 3. Forhandlingsrommet.

Pris: Arrangementet er gratis.

Innledning ved Siri Veland, forsker NORCE:

Siri Veland er humangeograf og forsker på samspillet mellom mennesker og miljø, med særlig søkelys på klimaendringer i Arktis. Hennes arbeid gir et viktig bakteppe for å forstå de raske endringene som preger Grønland i dag.

Filmvisning:
«The Green Land» (2021, Grønland) av Inuk Silis-Høegh. Varighet 34’

«A Century After Nanook» (2025, Canada) av Kirk French. Varighet 89’

Link i Bio

OPEN CALL – Dansekunstner

@kunsthall314 søker en dansekunstner som vil gå i dialog med en aktuell utstilling gjennom en 10 min performance i forbindelse med et 314 LIVE-arrangement.

Du går inn i et rom som allerede er fylt.
Veggene dekker deg. Bildene presser seg tett på.
Hva gjør kroppen her?

Vi inviterer til å utvikle en stedsspesifikk respons til en utstilling som beveger seg mellom vold, makt og motstand.

• Besøk utstillingen som åpner 4. juni
• Performance: 16. juni
• Honorar: 4000 kr
• Søknadsfrist: 20. mai kl. 10.00
• Kontakt: Gitte.satre@Kunsthall314.art

Bildet er et utsnitt fra et av akvarellene til Shwan Dler Qaradaki.

#dansibergen #kunsthall #dansekunstner #kunsthall314 #opencall

OPEN CALL – Dansekunstner

@kunsthall314 søker en dansekunstner som vil gå i dialog med en aktuell utstilling gjennom en 10 min performance i forbindelse med et 314 LIVE-arrangement.

Du går inn i et rom som allerede er fylt.
Veggene dekker deg. Bildene presser seg tett på.
Hva gjør kroppen her?

Vi inviterer til å utvikle en stedsspesifikk respons til en utstilling som beveger seg mellom vold, makt og motstand.

• Besøk utstillingen som åpner 4. juni
• Performance: 16. juni
• Honorar: 4000 kr
• Søknadsfrist: 20. mai kl. 10.00
• Kontakt: Gitte.satre@Kunsthall314.art

Bildet er et utsnitt fra et av akvarellene til Shwan Dler Qaradaki.

#dansibergen #kunsthall #dansekunstner #kunsthall314 #opencall

Den aktuelle utstillingen på Kunsthall 3,14 stiller spørsmål rundt suverenitet, territorium og maktforhold. I vårt formidlingstilbud inviterer vi skoleklasser til omvisning med tilhørende workshop som skal skape nysgjerrighet og begeistring for samtidskunst. På gårsdagens workshop med VG-1 fra Tertnes utforsket elevene kunsten gjennom samtale og kunstneriske oppgaver.

Spørsmål rundt vårt formidlingstilbudog påmelding: malin.barth@kunsthall314.art

Den aktuelle utstillingen på Kunsthall 3,14 stiller spørsmål rundt suverenitet, territorium og maktforhold. I vårt formidlingstilbud inviterer vi skoleklasser til omvisning med tilhørende workshop som skal skape nysgjerrighet og begeistring for samtidskunst. På gårsdagens workshop med VG-1 fra Tertnes utforsket elevene kunsten gjennom samtale og kunstneriske oppgaver.

Spørsmål rundt vårt formidlingstilbudog påmelding: malin.barth@kunsthall314.art

Den aktuelle utstillingen på Kunsthall 3,14 stiller spørsmål rundt suverenitet, territorium og maktforhold. I vårt formidlingstilbud inviterer vi skoleklasser til omvisning med tilhørende workshop som skal skape nysgjerrighet og begeistring for samtidskunst. På gårsdagens workshop med VG-1 fra Tertnes utforsket elevene kunsten gjennom samtale og kunstneriske oppgaver.

Spørsmål rundt vårt formidlingstilbudog påmelding: malin.barth@kunsthall314.art

Den aktuelle utstillingen på Kunsthall 3,14 stiller spørsmål rundt suverenitet, territorium og maktforhold. I vårt formidlingstilbud inviterer vi skoleklasser til omvisning med tilhørende workshop som skal skape nysgjerrighet og begeistring for samtidskunst. På gårsdagens workshop med VG-1 fra Tertnes utforsket elevene kunsten gjennom samtale og kunstneriske oppgaver.

Spørsmål rundt vårt formidlingstilbudog påmelding: malin.barth@kunsthall314.art

Den aktuelle utstillingen på Kunsthall 3,14 stiller spørsmål rundt suverenitet, territorium og maktforhold. I vårt formidlingstilbud inviterer vi skoleklasser til omvisning med tilhørende workshop som skal skape nysgjerrighet og begeistring for samtidskunst. På gårsdagens workshop med VG-1 fra Tertnes utforsket elevene kunsten gjennom samtale og kunstneriske oppgaver.

Spørsmål rundt vårt formidlingstilbudog påmelding: malin.barth@kunsthall314.art

Den aktuelle utstillingen på Kunsthall 3,14 stiller spørsmål rundt suverenitet, territorium og maktforhold. I vårt formidlingstilbud inviterer vi skoleklasser til omvisning med tilhørende workshop som skal skape nysgjerrighet og begeistring for samtidskunst. På gårsdagens workshop med VG-1 fra Tertnes utforsket elevene kunsten gjennom samtale og kunstneriske oppgaver.

Spørsmål rundt vårt formidlingstilbudog påmelding: malin.barth@kunsthall314.art

Den aktuelle utstillingen på Kunsthall 3,14 stiller spørsmål rundt suverenitet, territorium og maktforhold. I vårt formidlingstilbud inviterer vi skoleklasser til omvisning med tilhørende workshop som skal skape nysgjerrighet og begeistring for samtidskunst. På gårsdagens workshop med VG-1 fra Tertnes utforsket elevene kunsten gjennom samtale og kunstneriske oppgaver.

Spørsmål rundt vårt formidlingstilbudog påmelding: malin.barth@kunsthall314.art

Ivínguak Stork Høegh (b. 1982, Aasiaat) works from a practice rooted in contemporary realities in Kalaallit Nunaat, while simultaneously addressing external perceptions of Inuit culture and society. Through digital photo collages, she confronts colonial representations of Kalaallit Nunaat and investigates what it means to be Kalaallit today. Combining archival photographs, her own images and other graphic elements, Stork Høegh creates visual montages that are at once visually striking and critically confrontational. For centuries, Europeans have produced exotifying images that frame Arctic peoples as other, and in series such as Arctic Exotic, she juxtaposes Kalaallit motifs with tropical animals or places Kalaallit figures in displaced and unexpected contexts. Nature and environment are ever-present in her imagery, revealing how tradition, climate change and globalization are closely intertwined, while humor and absurdity—such as a dogsled pulled by zebras—both disarm and sharpen the viewer’s attention.

You can see the works in the exhibition Memory in Motion 20.2.–31.05.2026

Photo: @guttorm_foto

Ivínguak Stork Høegh (b. 1982, Aasiaat) works from a practice rooted in contemporary realities in Kalaallit Nunaat, while simultaneously addressing external perceptions of Inuit culture and society. Through digital photo collages, she confronts colonial representations of Kalaallit Nunaat and investigates what it means to be Kalaallit today. Combining archival photographs, her own images and other graphic elements, Stork Høegh creates visual montages that are at once visually striking and critically confrontational. For centuries, Europeans have produced exotifying images that frame Arctic peoples as other, and in series such as Arctic Exotic, she juxtaposes Kalaallit motifs with tropical animals or places Kalaallit figures in displaced and unexpected contexts. Nature and environment are ever-present in her imagery, revealing how tradition, climate change and globalization are closely intertwined, while humor and absurdity—such as a dogsled pulled by zebras—both disarm and sharpen the viewer’s attention.

You can see the works in the exhibition Memory in Motion 20.2.–31.05.2026

Photo: @guttorm_foto

In My Siblings and I by Julie Edel Hardenberg (b. 1971, Nuuk), a reflective series of self- and sibling portraits, Hardenberg works in close collaboration with her Inuit Kalaallit and Danish relatives. The project approaches identity as relational—shaped through familial ties, difference and proximity—while foregrounding the uneven yet interconnected experiences produced by the Danish colonization of Kalaallit Nunaat. By positioning the family as a metaphor for the nation, the work probes the tension between inclusion and estrangement, asking what it means to belong while never fully aligning.

You can see the work in the exhibition Memory in Motion 20.2.–31.05.2026

Photo: @guttorm_foto

In My Siblings and I by Julie Edel Hardenberg (b. 1971, Nuuk), a reflective series of self- and sibling portraits, Hardenberg works in close collaboration with her Inuit Kalaallit and Danish relatives. The project approaches identity as relational—shaped through familial ties, difference and proximity—while foregrounding the uneven yet interconnected experiences produced by the Danish colonization of Kalaallit Nunaat. By positioning the family as a metaphor for the nation, the work probes the tension between inclusion and estrangement, asking what it means to belong while never fully aligning.

You can see the work in the exhibition Memory in Motion 20.2.–31.05.2026

Photo: @guttorm_foto

We are open on the Palm Sunday weekend!

The artist duo Inuk Silis Høegh (b. 1972, Qaqortoq) and Asmund Havsteen-Mikkelsen (b. 1977, Ærø) initiated the long-term project Melting Barricades in 2004. Originally developed in connection with the 25th anniversary of Inuit Kalaallit Home Rule, the installation presents a fictive Inuit Kalaallit army, complete with propaganda material, drafting ceremonies and a military headquarters. In an alternative historical timeline, Kalaallit Nunaat is attributed military ambitions toward Denmark, and further toward the United States. The project emerged from contemporary debates on Inuit Kalaallit independence and posed fundamental questions about which values a fully sovereign Kalaallit Nunaat might seek to protect—and which it might contribute to a globalized world.

The artwork Melting Bericade is on loan from Nuuk Art Museum

Photo: @guttorm_foto

We are open on the Palm Sunday weekend!

The artist duo Inuk Silis Høegh (b. 1972, Qaqortoq) and Asmund Havsteen-Mikkelsen (b. 1977, Ærø) initiated the long-term project Melting Barricades in 2004. Originally developed in connection with the 25th anniversary of Inuit Kalaallit Home Rule, the installation presents a fictive Inuit Kalaallit army, complete with propaganda material, drafting ceremonies and a military headquarters. In an alternative historical timeline, Kalaallit Nunaat is attributed military ambitions toward Denmark, and further toward the United States. The project emerged from contemporary debates on Inuit Kalaallit independence and posed fundamental questions about which values a fully sovereign Kalaallit Nunaat might seek to protect—and which it might contribute to a globalized world.

The artwork Melting Bericade is on loan from Nuuk Art Museum

Photo: @guttorm_foto

Ivínguak Stork Høegh (b. 1982, Aasiaat) works from a practice rooted in contemporary realities in Kalaallit Nunaat, while simultaneously addressing external perceptions of Inuit culture and society. Through digital photo collages, she confronts colonial representations of Kalaallit Nunaat and investigates what it means to be Kalaallit today. Combining archival photographs, her own images and other graphic elements, Stork Høegh creates visual montages that are at once visually striking and critically confrontational. For centuries, Europeans have produced exotifying images that frame Arctic peoples as other, and in series such as Arctic Exotic, she juxtaposes Kalaallit motifs with tropical animals or places Kalaallit figures in displaced and unexpected contexts.

Photo: @guttorm_foto

Ivínguak Stork Høegh (b. 1982, Aasiaat) works from a practice rooted in contemporary realities in Kalaallit Nunaat, while simultaneously addressing external perceptions of Inuit culture and society. Through digital photo collages, she confronts colonial representations of Kalaallit Nunaat and investigates what it means to be Kalaallit today. Combining archival photographs, her own images and other graphic elements, Stork Høegh creates visual montages that are at once visually striking and critically confrontational. For centuries, Europeans have produced exotifying images that frame Arctic peoples as other, and in series such as Arctic Exotic, she juxtaposes Kalaallit motifs with tropical animals or places Kalaallit figures in displaced and unexpected contexts.

Photo: @guttorm_foto

New Independence, by Asmund Havsteen-Mikkelsen &Inuk Silis Høegh, is a new work produced specifically for the exhibition at Kunsthall 3,14. It visualizes the area in East Greenland occupied by Norway in 1931, then known as Eirik Raudes Land. Grønlandssaken, which concluded in 1933 when the Permanent Court of International Justice in The Hague ruled in Denmark’s favor, underscores Kalaallit Nunaat’s long-standing strategic and geopolitical significance to multiple nations. In a Norwegian context, the work serves as a reminder of Norway’s own colonial legacy; much like recent American claims to the territory, Norway has not only challenged Denmark’s sovereignty, but also systematically ignored the political agency and right to self-determination of the Kalaallit.

Photo: @guttorm_foto

New Independence, by Asmund Havsteen-Mikkelsen &Inuk Silis Høegh, is a new work produced specifically for the exhibition at Kunsthall 3,14. It visualizes the area in East Greenland occupied by Norway in 1931, then known as Eirik Raudes Land. Grønlandssaken, which concluded in 1933 when the Permanent Court of International Justice in The Hague ruled in Denmark’s favor, underscores Kalaallit Nunaat’s long-standing strategic and geopolitical significance to multiple nations. In a Norwegian context, the work serves as a reminder of Norway’s own colonial legacy; much like recent American claims to the territory, Norway has not only challenged Denmark’s sovereignty, but also systematically ignored the political agency and right to self-determination of the Kalaallit.

Photo: @guttorm_foto

Julie Edel Hardenberg (b. 1971, Nuuk), White Cross (1721–) is a powerful reminder of how the effects of the Danish-Norwegian colonial project continue to shape Inuit Kalaallit society today. Inscribed with “1721 –” and no end date, the work refers to the arrival of the Norwegian missionary Hans Egede in Kalaallit Nunaat. Egede’s arrival marked a societal rupture, initiating colonial and religious systems that reorganized social, cultural and economic life according to European norms and Christian values. While the history of Kalaallit Nunaat long predates colonization, this moment represents a profound break with lasting consequences for identity, culture and social organization. At the same time, the work suggests that this shared history cannot be denied, but must be examined in order to understand how it continues to shape the present.

You can see the workthe exhibition Memory in Motion 20.2–31.5.2026.

Photo: @guttorm_foto

Julie Edel Hardenberg (b. 1971, Nuuk), White Cross (1721–) is a powerful reminder of how the effects of the Danish-Norwegian colonial project continue to shape Inuit Kalaallit society today. Inscribed with “1721 –” and no end date, the work refers to the arrival of the Norwegian missionary Hans Egede in Kalaallit Nunaat. Egede’s arrival marked a societal rupture, initiating colonial and religious systems that reorganized social, cultural and economic life according to European norms and Christian values. While the history of Kalaallit Nunaat long predates colonization, this moment represents a profound break with lasting consequences for identity, culture and social organization. At the same time, the work suggests that this shared history cannot be denied, but must be examined in order to understand how it continues to shape the present.

You can see the workthe exhibition Memory in Motion 20.2–31.5.2026.

Photo: @guttorm_foto

Julie Edel Hardenberg (b. 1971, Nuuk), White Cross (1721–) is a powerful reminder of how the effects of the Danish-Norwegian colonial project continue to shape Inuit Kalaallit society today. Inscribed with “1721 –” and no end date, the work refers to the arrival of the Norwegian missionary Hans Egede in Kalaallit Nunaat. Egede’s arrival marked a societal rupture, initiating colonial and religious systems that reorganized social, cultural and economic life according to European norms and Christian values. While the history of Kalaallit Nunaat long predates colonization, this moment represents a profound break with lasting consequences for identity, culture and social organization. At the same time, the work suggests that this shared history cannot be denied, but must be examined in order to understand how it continues to shape the present.

You can see the workthe exhibition Memory in Motion 20.2–31.5.2026.

Photo: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

A huge (and belated) thank you to everyone who came to @kunsthall314 for the opening of Memory in Motion and seminar on 20.02 ♥️🇬🇱♥️

A special thank you to the participating artists — Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen — for the powerful work you are doing, and for sharing it with a Bergen audience in what are deeply troubling times for Greenland.

The incredible turnout truly warmed my heart. It means much to see how many people in Bergen care, show up, and engage.

Photos: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Thanks to everyone who joined us for the opening of Memory in Motion and the seminar Grønland — Hva nå? A special thank-you to all the artists and speakers, to Nuuk Art Museum for the loan of artworks, and to the University of Bergen (UiB) for the collaboration.

Photo: @guttorm_foto

Join us on 20 February at 18.30 for the opening of the group exhibition Memory in Motion, presenting works by Greenlandic artists Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen.

The exhibition is curated by Malin Barth and @tuvamossin in dialogue with the ongoing exhibition Bergen–Greenland: Forgotten Connections at @universitetsmuseet_i_bergen .

Opening speech by Kjetil Smørås, Danish Consul in Bergen and owner of De Bergenske.

Photos: Melting Barricades by @asmundhavsteen and Inuk Silis Høegh

Link in bio

@asmundhavsteen @julieedelhardenberg @i.v.nguak @art_graphic_artist

Join us on 20 February at 18.30 for the opening of the group exhibition Memory in Motion, presenting works by Greenlandic artists Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen.

The exhibition is curated by Malin Barth and @tuvamossin in dialogue with the ongoing exhibition Bergen–Greenland: Forgotten Connections at @universitetsmuseet_i_bergen .

Opening speech by Kjetil Smørås, Danish Consul in Bergen and owner of De Bergenske.

Photos: Melting Barricades by @asmundhavsteen and Inuk Silis Høegh

Link in bio

@asmundhavsteen @julieedelhardenberg @i.v.nguak @art_graphic_artist

Join us on 20 February at 18.30 for the opening of the group exhibition Memory in Motion, presenting works by Greenlandic artists Julie Edel Hardenberg, Ivínguak Stork Høegh, Inuk Silis Høegh and Asmund Havsteen-Mikkelsen.

The exhibition is curated by Malin Barth and @tuvamossin in dialogue with the ongoing exhibition Bergen–Greenland: Forgotten Connections at @universitetsmuseet_i_bergen .

Opening speech by Kjetil Smørås, Danish Consul in Bergen and owner of De Bergenske.

Photos: Melting Barricades by @asmundhavsteen and Inuk Silis Høegh

Link in bio

@asmundhavsteen @julieedelhardenberg @i.v.nguak @art_graphic_artist