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keyframedscience

Brittany Beheshti

VFX, Stop Motion Compositor, Artist

27
posts
289
followers
349
following

Showing off my process for VFX & compositing the brand new TREE DRAGON animated logo! Will probably drop a separate breakdown with just the fire elements because the fact that it’s done by hand and not with CGI is insane. Ben, Kirsten, and Akash are 🔥😌🦎

Production Credits:
Puppet Design @benfishy99
Set Fabrication @kmbrass
Character Animation @animationbyakash
Effects Animation @animationbyakash @benfishy99 @kmbrass
Cinematography @benfishy99
Visual Effects @bwithbable

Produced by @treedragonfilms
Shot at @tais_animation
Lighting and grip production equipment provided by @wfw_intl

#practicaleffects #stopmotion #stopmotionanimation #puppet #puppetmaking #specialeffects #stopmotionpuppet #stopmo #stopmotionvideo #puppetbuilding #puppetry #vfx #stopmotionstudio


3
4
2 years ago


George Harrison's Give Me Love Music Video won a WEBBY & Best Animation at the Hollywood Music Video Awards. 🏆📽️

Follow along as I take you behind the scenes on the compositing process. Here are just some examples of raw footage vs what you saw on screen.

@tyedownpictures
@animationbyakash
@treedragonfilms


166
8
3 weeks ago

Currently in progress compositing on Syrenka!

Misogyny. Magic. Mermaids. And feminine rage. Need I say more ??

This team is incredible and if you like women led projects follow along here: @syrenkafilm. Kickstarter to get the film over the finish line is live now.

Animation: @tinanawrockiart
Colour / Lighting: @kamikadze_art
Comp: Me !!


3
4
4 weeks ago

Loving the juxtaposition of a film on AI using stop motion animation… the most human intensive form of animating.

Checkout this short breakdown of how we made this shot and others like it.

Animation by Kyla Atlas @seeyouonthemoon
Directed by @charlietyrell
Animation director @stopmotiondept

📽️ @theaidocfilm

The AI Doc: Or How I Became an Apocaloptimist in theatres today!!

#theaidoc #stopmotion #stopmotionanimation #compositor


3
7
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago


A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

A big portion of my year last year was working on AI doc. I love being at @stopmotiondept and working with the amazing people you can find there.

The process was uniquely creative for compositing. As the documentary edit would change, so did the animation. Some of my favourite comp to do on this film was working under Phil & Charlie's direction to repurpose / retime / cut and mash together animation to create something new.

So fond of the entire team. Some memories that stick out: Empanada adventure with @kjelltastic. Terry trapping Sarah in a logic loop and her running out of the building. @pickled_veg for being my bestest lego buddy. @ahmhig Phil and I dying of laughter over the world exploding shot that will never see the light of day. And shout out to @akash.tyej for one of the most incredible days last year: the great slime mystery. 🫆🔎

The AI Doc: Or How I Became an Apocaloptimist in theaters today!!

@theaidocfilm @stopmotiondept


3
11
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago


2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago


2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.06.21
Bumpadoooooooo 💛🍋

Last year I worked with a huge team of Toronto stop motion animators on this cute show for TVO kids.

The studio was so busy and bright and I've never seen so much yellow clay (still an accepted form of payment in some circles).


3
3
1 months ago

2025.08.27
Some more rig removal work I did in August of last year with @akash.tyej and @tyedownpictures.

Quick rig removal for the heros 🐶🐾

#stopmotion #rigremoval #compositing


3
1 months ago

2025.08.27
In August of last year I worked with @akash.tyej and @tyedownpictures on their Paw Patrol advent calendar commercial.

Quick rig removal for the mischievous pups 🐶🐾

#stopmotion #animation #rigremoval #compositing


74
3
2 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

presenting our @canadiantire christmas mice ornament advertisement we shot last summer!
hoping you had a wonderful christmas and great rest of your holiday season!!! <3
with love,

akash, the mice ornaments and i

animation direction: akash jones ( @animationbyakash )
art direction/set dec: me ( @brontebraziermua )
rig removal: brittany beheshti ( @keyframedscience )

#stopmotion #christmasstopmotion #canadiantire


3
15
4 months ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

Here’s another fun creature we built for @science.and.creativity’s art installation, “The Encyclopedia of Pseudobiology.”

For this bioluminescent crustacean, we explored a wide range of design possibilities. Once a design was approved, the build came together quite quickly, allowing us to focus on the daylight and blacklight paint jobs.

The movement of this crustacean was achieved through a mix of buoyant plastics, silicone appendages, water current and a small motor to push the creature through the sand.

Scroll right to see the design and build process for this underwater creature!


42
1
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

This week at @tmuimagearts I installed my gallery for the first time.

This exhibit aims to remove the “absolute truth” involved in scientific practice by presenting fictional creatures that were created with evolutionary concepts in mind. It aims to redirect attention back to what science truly is: curiosity.

Thank you to all the artists that worked with me on this project:
Ben @benfishy99
Lexie @lex_ve
Hayley @rhayley_art
Daniel @shpuntsz
Vivian @vivianvitae
and Zoe

We’d also like to acknowledge and appreciate the support given by the Canada Council for the Arts. @canada.council

The goal of this week was simply to practice install, deinstall and documentation. For those of you wanting to see it in person we will be installing in galleries in the future that are more suitable for public visits. I’d like to also thank Dave Kemp, Meazy and Joon at TMU for helping organize this space.


3
10
1 years ago

Collection of posters I made for Frequencies. Some weeks we hire out to other artists but the months we don't, I get to Touchdesigner and After Effects.

@frequencies_ #touchdesigner #aftereffects


12
1
2 years ago

Collection of posters I made for Frequencies. Some weeks we hire out to other artists but the months we don't, I get to Touchdesigner and After Effects.

@frequencies_ #touchdesigner #aftereffects


12
1
2 years ago

Collection of posters I made for Frequencies. Some weeks we hire out to other artists but the months we don't, I get to Touchdesigner and After Effects.

@frequencies_ #touchdesigner #aftereffects


12
1
2 years ago

Collection of posters I made for Frequencies. Some weeks we hire out to other artists but the months we don't, I get to Touchdesigner and After Effects.

@frequencies_ #touchdesigner #aftereffects


12
1
2 years ago


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