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Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Sophie Calle. Overshare (2024)
A good year after the opening of her first major retrospective in the US at Walker Art Center: “Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle’s astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself.”

Thank you for the honourable commission and for the great collaboration @marklifeofthemind @hhuldisch and the entire team at @walkerartcenter

Softcover, 200 pages, 100 color and 100 b&w images
Published by @walkerartcenter
Distributed by @artbook
Fonts: two classics and Addenda by @_christopherwest_ , Pantasia by @w__h____ , Electa by @lcpllgrn
Lithographed by @colourandbooks
Printed by @musumeciatelier

“Reframing Sophie Calle: An Interview with Julia Born” by @benjamin_schwartz_
https://walkerart.org/magazine/reframing-sophie-calle-an-interview-with-julia-born

@nicht_nur_schoen Podcast:
https://www.nichtnurschoen.ch

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.

Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.

#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Fave artist in fave city 💚
CINEMA AUDER
@michelauder at Cinema Ambasciatori, Rome
21 May 2025
Curated by @lucalopintoo
Coordination by @lorena_godel_stamo

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Late Post, Big 🤍
“An Autopsy of Tastes and Values” with the accompanying catalogue of the awarded books 2023
Published in June this year, on the occasion of the 80 years anniversary of The Most Beautiful Swiss Books competition

Conceived, edited and designed in dialogue with Sereina Rothenberger (@hammer__ ) and Tan Wälchli, commissioned and published by @mostbeautifulswissbooks , in collaboration with @keller_samara
Thank you for going 🔭 together

20 years after „Beauty and the Book“ (2004), the anniversary catalogue „An Autopsy of Tastes and Values“ chronicles some of the aesthetic tastes and values that were honored in the course of the decades, and asks what role they might play in the future of the competition. 20 specialists from Switzerland and abroad were invited to engage in five round-table discussions. Each of these was dedicated to a stack of awarded books from eight decades that were selected and grouped so as to present five thematic trajectories.

Photography by @hellomel3000 and @keller_samara
Printing, lithography and binding by @druckerei_odermatt_ag
Available through @hochparterre.ch and @ideabooksnl

General identity and exhibition design for The Most Beautiful Swiss Books @helmhaus_zuerich , with a timeline of all catalogues up to date.

With a little help from the splendid Milan font by @buster0friendly
Autopsy Trailer by @hammer__

Full circle @redoprishtina

@alexis_hominal
@ava.silvery
@bahiashehab
@buster0friendly
@damian_fopp
#elisabethjoris
@emilieferrat
@franziskaburkhardt
@geoffhan
@gilianecachin
@hammer__
@julia_born
@keller_samara
#lukashaller
@maximage_societe_suisse
@norm_zurich
@olivierlebrun
#rietlandenwomensoffice
@sava.sava.sava
@siborg81
#tanwälchli
@werker.collective
@wlan__
@mostbeautifulswissbooks

Photos exhibition by Julien Gremaud/FOC
Photo at Redo by @adelinemollard

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

Just landed: Pauline Julier AND SO ON, A SINGLE UNIVERSE ☄️
Exhibition catalogue for the Swiss artist and filmmaker @julierpauline working at the intersection between documentary and fiction, art and science.
Contributions by Donna Haraway, Nastassja Martin, Chus Martínez

Published by @aargauerkunsthausand @scheidegger_und_spiess
Edited by @celineeidenbenz and @__ssaaarrraaahh__
Project coordinator @anthoniedegroot
Typeface Neureal by @cs__laura
Printed and bound by @dza.druck
🌪️

@donnaharaway1944
@the_chus_martinez

🩷 Do not miss the Graphic Elisava Talks n.3 by Julia Born (@juliaborn)!

On her talk ‘Title of the talk’, Julia Born will explain how her practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

📅 March 13th, at 19:30h. 
📍 Elisava, Sala Aleix Carrió (1st Floor)
Get your free tickets > elisava.net

#GraphicElisava #Elisava #Design #GraphicDesign#Conference #Talks #JuliaBorn

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Lecture 13 March, 7.30pm
@graphic.elisava Barcelona

The design of a book and of an exhibition are two distinct yet interrelated practices. While both are spatial concepts through which narratives are articulated and displayed, they manifest under different physical and disciplinary conditions. Julia Born’s practice encapsulates an inquiry into these formats, challenging them and expanding the notion of design across media and disciplines. Language and its ambiguous qualities are at the center of her project, which she explores through commissioned and independent work—for instance her recent solo show All Capitals at MACRO in Rome, or various collaborations with choreographer Alexandra Bachzetsis.

Link in bio ↩️

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Comprehensive monograph for & with longterm collaborator and friend @alexandra.bachzetsis 💚
SHOW TIME BOOK BOOK TIME SHOW
Edited by @hendrik_folkerts
Coedited and designed by @julia_born
Published by @roma.publications

Amsterdam launch this week @san.serriffe
Friday 8 December 6–8pm, Sint Annenstr. 30
Conversation with Alexandra Bachzetsis, Julia Born, Joke Robaard, Adam Szymczyk and Arnisa Zeqo, moderated by Linda van Deursen

The book brings together over two decades of work and features new texts and contributions by Michel Auder, Julia Born, Hendrik Folkerts, Amelia Jones & Tawny Andersen, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo.

Photography by @blommersschummMelanie Hofmann @dianapfammatter @mathildeagius @gina_folly and many more

Design assistance by @mark___emil
Lithography by max-color, Berlin
Printed and bound by @dza.druck
Fonts @sourcetype (Univers Selectric, Karl Condensed)
Coedited by @kunsthallesanktgallen

@michelauder
@amelia.jones.la1987
@bonaventurendikung
#paulbpreciado
#jokerobaard
#dorotasajewska
@safiyasinclair
#adamszymczyk
@arnisa_zeqo
@jaenfahy
@giuliana_beya

Wilhelm Sasnal. Departed Persons
@vereinbyassociation
Exhibition preview this Friday 6–8pm
Card typeset and printed in lead Egizio by @archiviotipografico 🪧

Wilhelm Sasnal. Departed Persons
@vereinbyassociation
Exhibition preview this Friday 6–8pm
Card typeset and printed in lead Egizio by @archiviotipografico 🪧

Happily accepting the invitation to talk about my work and some obsessions with numbers and letters, in relation to Eugen Gomringer’s oeuvre in the eponymous exhibition @mamco_geneve , curated by @omni.gr

In conversation with Simon Mager this Thursday 31 August at 6pm

[1] 1–10, some years ago [2] AS IF, book with @utaeisenreich , 2021 [3] ‘Einszweidrei’, as part of Title of the Show, GfZK Leipzig, 2009 [4–6] exhibition „Eugen Gomringer”, photo 4+6 by Annik Wetter, 5 by Omnigroup

Supported by @ecal_ch

Happily accepting the invitation to talk about my work and some obsessions with numbers and letters, in relation to Eugen Gomringer’s oeuvre in the eponymous exhibition @mamco_geneve , curated by @omni.gr

In conversation with Simon Mager this Thursday 31 August at 6pm

[1] 1–10, some years ago [2] AS IF, book with @utaeisenreich , 2021 [3] ‘Einszweidrei’, as part of Title of the Show, GfZK Leipzig, 2009 [4–6] exhibition „Eugen Gomringer”, photo 4+6 by Annik Wetter, 5 by Omnigroup

Supported by @ecal_ch

Happily accepting the invitation to talk about my work and some obsessions with numbers and letters, in relation to Eugen Gomringer’s oeuvre in the eponymous exhibition @mamco_geneve , curated by @omni.gr

In conversation with Simon Mager this Thursday 31 August at 6pm

[1] 1–10, some years ago [2] AS IF, book with @utaeisenreich , 2021 [3] ‘Einszweidrei’, as part of Title of the Show, GfZK Leipzig, 2009 [4–6] exhibition „Eugen Gomringer”, photo 4+6 by Annik Wetter, 5 by Omnigroup

Supported by @ecal_ch

Happily accepting the invitation to talk about my work and some obsessions with numbers and letters, in relation to Eugen Gomringer’s oeuvre in the eponymous exhibition @mamco_geneve , curated by @omni.gr

In conversation with Simon Mager this Thursday 31 August at 6pm

[1] 1–10, some years ago [2] AS IF, book with @utaeisenreich , 2021 [3] ‘Einszweidrei’, as part of Title of the Show, GfZK Leipzig, 2009 [4–6] exhibition „Eugen Gomringer”, photo 4+6 by Annik Wetter, 5 by Omnigroup

Supported by @ecal_ch

Happily accepting the invitation to talk about my work and some obsessions with numbers and letters, in relation to Eugen Gomringer’s oeuvre in the eponymous exhibition @mamco_geneve , curated by @omni.gr

In conversation with Simon Mager this Thursday 31 August at 6pm

[1] 1–10, some years ago [2] AS IF, book with @utaeisenreich , 2021 [3] ‘Einszweidrei’, as part of Title of the Show, GfZK Leipzig, 2009 [4–6] exhibition „Eugen Gomringer”, photo 4+6 by Annik Wetter, 5 by Omnigroup

Supported by @ecal_ch

Happily accepting the invitation to talk about my work and some obsessions with numbers and letters, in relation to Eugen Gomringer’s oeuvre in the eponymous exhibition @mamco_geneve , curated by @omni.gr

In conversation with Simon Mager this Thursday 31 August at 6pm

[1] 1–10, some years ago [2] AS IF, book with @utaeisenreich , 2021 [3] ‘Einszweidrei’, as part of Title of the Show, GfZK Leipzig, 2009 [4–6] exhibition „Eugen Gomringer”, photo 4+6 by Annik Wetter, 5 by Omnigroup

Supported by @ecal_ch

David Schutter. Night Work
@vereinbyassociation opening today

Card typeset and printed by @archiviotipografico 🩶

David Schutter. Night Work
@vereinbyassociation opening today

Card typeset and printed by @archiviotipografico 🩶

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
✔️

🌘 It’s Charmion von Wiegand time 🌖

Catalogue and exhibition design for the work of the largely unknown female painter, art critic and journalist (1896–1983), friend of Mondrian in exile (and disencouraged by him to paint herself), practising Buddhist, openminded spirit involved with non-Western cultures

Long and rewarding journey with @majawismer , curator of the exhibition and editor of the book
Exhibition on view until 13 August 2023 @kunstmuseumbasel
*Charmion von Wiegand: Expanding Modernism* published 2021 in German and English @prestelverlag

Text set in LL Catalogue @lineto_com
Charmion’s journalistic voice in LL Electa @lineto_com
Display and timeline in ST Forum @sourcetype
Catalogue assistance by @dddahler
Printed by @eberlkoesel
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