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jphuffiv
jp
FOH Audio, Post Production Mixer🎚 615 || MUFC
“We were 50 feet in FRONT of the PA…
We’re putting the drums in front of a trillion PA speakers.” 🤯
👉 Watch the full video — link in bio
We noticed a nice RND rig out with @piercetheveil and reached out for more info…
JP Huff / @jphuffiv (FOH):
“My rig consists of the MBC converting analog to AES on the band master bus. I hardly tickle the limiter most days, maybe 1-2dB max, and Red Silk is fantastic over the band bus. The conversion back to digital also sounds incredible. In the instrument world, a pair of 542’s to soften up the guitars and added some Blue Silk to give them some range and harmonics in the bottom end. The saturation blend gives a lot of depth to my guitar bus.”
“We swapped vocals over to the Shelford Channels last year, and now it’s the first thing the guys ask about in the beginning of the tour. They’re always “we’re still using the Shelfords right?”
“At FOH I’m using it to sculpt a V7 on both singers. Both with Red Silk blended, the compressors sound so smooth when they go from screams to singing.”
“We also have 5045’s which I feel have become an industry standard with vocals. Everyone is using some sort of PSE and I feel the 5045 works best in most situations I find myself in.”
Allan Bates / @batesaudio (MON):
“The 5045 and Shelford Channels are an essential part of my vocal chains. Nothing keeps the nonsense out of the mic like a 5045. The Shelford Channels are my favorite tool for adding heft and control to vocals. The EQs are musical. I love the vocals just tapping gain reduction on singing and hitting hard for screams, and Red Silk all day long for some added flavor without getting bitey. They just make vocals feel done.”
Jaime / @ptvjaime (Bass):
“You guys make some really cool sh*t.”
🔗 link in bio > LIVE SOUND
We noticed a nice RND rig out with @piercetheveil and reached out for more info…
JP Huff / @jphuffiv (FOH):
“My rig consists of the MBC converting analog to AES on the band master bus. I hardly tickle the limiter most days, maybe 1-2dB max, and Red Silk is fantastic over the band bus. The conversion back to digital also sounds incredible. In the instrument world, a pair of 542’s to soften up the guitars and added some Blue Silk to give them some range and harmonics in the bottom end. The saturation blend gives a lot of depth to my guitar bus.”
“We swapped vocals over to the Shelford Channels last year, and now it’s the first thing the guys ask about in the beginning of the tour. They’re always “we’re still using the Shelfords right?”
“At FOH I’m using it to sculpt a V7 on both singers. Both with Red Silk blended, the compressors sound so smooth when they go from screams to singing.”
“We also have 5045’s which I feel have become an industry standard with vocals. Everyone is using some sort of PSE and I feel the 5045 works best in most situations I find myself in.”
Allan Bates / @batesaudio (MON):
“The 5045 and Shelford Channels are an essential part of my vocal chains. Nothing keeps the nonsense out of the mic like a 5045. The Shelford Channels are my favorite tool for adding heft and control to vocals. The EQs are musical. I love the vocals just tapping gain reduction on singing and hitting hard for screams, and Red Silk all day long for some added flavor without getting bitey. They just make vocals feel done.”
Jaime / @ptvjaime (Bass):
“You guys make some really cool sh*t.”
🔗 link in bio > LIVE SOUND
We noticed a nice RND rig out with @piercetheveil and reached out for more info…
JP Huff / @jphuffiv (FOH):
“My rig consists of the MBC converting analog to AES on the band master bus. I hardly tickle the limiter most days, maybe 1-2dB max, and Red Silk is fantastic over the band bus. The conversion back to digital also sounds incredible. In the instrument world, a pair of 542’s to soften up the guitars and added some Blue Silk to give them some range and harmonics in the bottom end. The saturation blend gives a lot of depth to my guitar bus.”
“We swapped vocals over to the Shelford Channels last year, and now it’s the first thing the guys ask about in the beginning of the tour. They’re always “we’re still using the Shelfords right?”
“At FOH I’m using it to sculpt a V7 on both singers. Both with Red Silk blended, the compressors sound so smooth when they go from screams to singing.”
“We also have 5045’s which I feel have become an industry standard with vocals. Everyone is using some sort of PSE and I feel the 5045 works best in most situations I find myself in.”
Allan Bates / @batesaudio (MON):
“The 5045 and Shelford Channels are an essential part of my vocal chains. Nothing keeps the nonsense out of the mic like a 5045. The Shelford Channels are my favorite tool for adding heft and control to vocals. The EQs are musical. I love the vocals just tapping gain reduction on singing and hitting hard for screams, and Red Silk all day long for some added flavor without getting bitey. They just make vocals feel done.”
Jaime / @ptvjaime (Bass):
“You guys make some really cool sh*t.”
🔗 link in bio > LIVE SOUND
We noticed a nice RND rig out with @piercetheveil and reached out for more info…
JP Huff / @jphuffiv (FOH):
“My rig consists of the MBC converting analog to AES on the band master bus. I hardly tickle the limiter most days, maybe 1-2dB max, and Red Silk is fantastic over the band bus. The conversion back to digital also sounds incredible. In the instrument world, a pair of 542’s to soften up the guitars and added some Blue Silk to give them some range and harmonics in the bottom end. The saturation blend gives a lot of depth to my guitar bus.”
“We swapped vocals over to the Shelford Channels last year, and now it’s the first thing the guys ask about in the beginning of the tour. They’re always “we’re still using the Shelfords right?”
“At FOH I’m using it to sculpt a V7 on both singers. Both with Red Silk blended, the compressors sound so smooth when they go from screams to singing.”
“We also have 5045’s which I feel have become an industry standard with vocals. Everyone is using some sort of PSE and I feel the 5045 works best in most situations I find myself in.”
Allan Bates / @batesaudio (MON):
“The 5045 and Shelford Channels are an essential part of my vocal chains. Nothing keeps the nonsense out of the mic like a 5045. The Shelford Channels are my favorite tool for adding heft and control to vocals. The EQs are musical. I love the vocals just tapping gain reduction on singing and hitting hard for screams, and Red Silk all day long for some added flavor without getting bitey. They just make vocals feel done.”
Jaime / @ptvjaime (Bass):
“You guys make some really cool sh*t.”
🔗 link in bio > LIVE SOUND
We noticed a nice RND rig out with @piercetheveil and reached out for more info…
JP Huff / @jphuffiv (FOH):
“My rig consists of the MBC converting analog to AES on the band master bus. I hardly tickle the limiter most days, maybe 1-2dB max, and Red Silk is fantastic over the band bus. The conversion back to digital also sounds incredible. In the instrument world, a pair of 542’s to soften up the guitars and added some Blue Silk to give them some range and harmonics in the bottom end. The saturation blend gives a lot of depth to my guitar bus.”
“We swapped vocals over to the Shelford Channels last year, and now it’s the first thing the guys ask about in the beginning of the tour. They’re always “we’re still using the Shelfords right?”
“At FOH I’m using it to sculpt a V7 on both singers. Both with Red Silk blended, the compressors sound so smooth when they go from screams to singing.”
“We also have 5045’s which I feel have become an industry standard with vocals. Everyone is using some sort of PSE and I feel the 5045 works best in most situations I find myself in.”
Allan Bates / @batesaudio (MON):
“The 5045 and Shelford Channels are an essential part of my vocal chains. Nothing keeps the nonsense out of the mic like a 5045. The Shelford Channels are my favorite tool for adding heft and control to vocals. The EQs are musical. I love the vocals just tapping gain reduction on singing and hitting hard for screams, and Red Silk all day long for some added flavor without getting bitey. They just make vocals feel done.”
Jaime / @ptvjaime (Bass):
“You guys make some really cool sh*t.”
🔗 link in bio > LIVE SOUND
We noticed a nice RND rig out with @piercetheveil and reached out for more info…
JP Huff / @jphuffiv (FOH):
“My rig consists of the MBC converting analog to AES on the band master bus. I hardly tickle the limiter most days, maybe 1-2dB max, and Red Silk is fantastic over the band bus. The conversion back to digital also sounds incredible. In the instrument world, a pair of 542’s to soften up the guitars and added some Blue Silk to give them some range and harmonics in the bottom end. The saturation blend gives a lot of depth to my guitar bus.”
“We swapped vocals over to the Shelford Channels last year, and now it’s the first thing the guys ask about in the beginning of the tour. They’re always “we’re still using the Shelfords right?”
“At FOH I’m using it to sculpt a V7 on both singers. Both with Red Silk blended, the compressors sound so smooth when they go from screams to singing.”
“We also have 5045’s which I feel have become an industry standard with vocals. Everyone is using some sort of PSE and I feel the 5045 works best in most situations I find myself in.”
Allan Bates / @batesaudio (MON):
“The 5045 and Shelford Channels are an essential part of my vocal chains. Nothing keeps the nonsense out of the mic like a 5045. The Shelford Channels are my favorite tool for adding heft and control to vocals. The EQs are musical. I love the vocals just tapping gain reduction on singing and hitting hard for screams, and Red Silk all day long for some added flavor without getting bitey. They just make vocals feel done.”
Jaime / @ptvjaime (Bass):
“You guys make some really cool sh*t.”
🔗 link in bio > LIVE SOUND
We noticed a nice RND rig out with @piercetheveil and reached out for more info…
JP Huff / @jphuffiv (FOH):
“My rig consists of the MBC converting analog to AES on the band master bus. I hardly tickle the limiter most days, maybe 1-2dB max, and Red Silk is fantastic over the band bus. The conversion back to digital also sounds incredible. In the instrument world, a pair of 542’s to soften up the guitars and added some Blue Silk to give them some range and harmonics in the bottom end. The saturation blend gives a lot of depth to my guitar bus.”
“We swapped vocals over to the Shelford Channels last year, and now it’s the first thing the guys ask about in the beginning of the tour. They’re always “we’re still using the Shelfords right?”
“At FOH I’m using it to sculpt a V7 on both singers. Both with Red Silk blended, the compressors sound so smooth when they go from screams to singing.”
“We also have 5045’s which I feel have become an industry standard with vocals. Everyone is using some sort of PSE and I feel the 5045 works best in most situations I find myself in.”
Allan Bates / @batesaudio (MON):
“The 5045 and Shelford Channels are an essential part of my vocal chains. Nothing keeps the nonsense out of the mic like a 5045. The Shelford Channels are my favorite tool for adding heft and control to vocals. The EQs are musical. I love the vocals just tapping gain reduction on singing and hitting hard for screams, and Red Silk all day long for some added flavor without getting bitey. They just make vocals feel done.”
Jaime / @ptvjaime (Bass):
“You guys make some really cool sh*t.”
🔗 link in bio > LIVE SOUND
🎧 On the Road with JP Huff, FOH for Pierce The Veil, is live on YouTube.
Before the lights dim and the screams of fans exceed a mind-numbing 114dB, JP gives us an all-access pass to the setup and inner workings of the production team for Pierce The Veil’s sold-out “I Can’t Hear You” tour.
👉 Link in bio.
SYDNEY YOU’RE UP NEXT
Going behind the scenes of stadium tours 🎚️🔥
Join FOH Engineer JP Huff (Pierce The Veil) for an SSL Live educational workshop hosted by Factory Sound.
JP will share real-world workflows and tour-proven techniques used on major festivals and large-scale productions.
Topics include:
• SSL Live console fundamentals & core workflows
• Console navigation
• I/O setup & patching configurations
• Routing & processing capabilities
• Integration of external processing (Live Professor & outboard)
• Virtual soundcheck methods
• External control & system integration
• Mixing tips for large-scale productions
• Working in high-pressure / mission-critical environments
Practical SSL Live knowledge you can apply straight to your own productions.
🔗:https://www.eventbrite.com.au/e/ssl-live-presents-large-scale-production-techniques-with-jp-huff-sydney-tickets-1982483338031?aff=ebdsoporgprofile
#factorysound #SSL #sydney #education #event
MELBOURNE HERE WE COME
Going behind the scenes of stadium tours 🎚️🔥
Join FOH Engineer JP Huff (Pierce The Veil) for an SSL Live educational workshop hosted by Factory Sound.
JP will share real-world workflows and tour-proven techniques used on major festivals and large-scale productions.
Topics include:
• SSL Live console fundamentals & core workflows
• Console navigation
• I/O setup & patching configurations
• Routing & processing capabilities
• Integration of external processing (Live Professor & outboard)
• Virtual soundcheck methods
• External control & system integration
• Mixing tips for large-scale productions
• Working in high-pressure / mission-critical environments
Practical SSL Live knowledge you can apply straight to your own productions.
🔗:https://www.eventbrite.com.au/e/ssl-live-presents-large-scale-production-techniques-with-jp-huff-melb-tickets-1982483103329?aff=ebdsoporgprofile
#factorysound #education #ssl #melbourne #proaudio
Not only is JP Huff IV @jphuffiv giving an audio presentation at @thenammshow in Anaheim, CA this week, he’s also my first Q & A guest of the year!
AND
This is the first installment of my IOWA NICE Q & A series, focusing on Iowans who have made their career touring in the live production industry.
.
.
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#theefficienthustle #liveproduction #liveaudio #frontofhouseaudio #iowanice
Mastering the Art of Saying No and Avoiding Burnout. @jphuffiv FOH for @piercetheveil
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