Instagram Story Save
Free Save Instagram Story, Reels, Photo, Video, Highlights, IGTV online
joyuzu
Joy Chan
Malaysian video artist based in Beijing
What we seek, we shall find.
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
The Outfall: A wasteland of Mud, 2022, audiovisual installation.
Shout out to @zontiga who generously supported the entire work and also friends and family who made this piece come true. I truly appreciate all the feedbacks and thoughts I received along the way, they shaped the work. 💛
“What does decaying smell like?
Kuala Lumpur, was nothing but a “muddy confluence” at the very first place, until mining industry turned it into a prospering capital city. For years, water disruption has been a crucial crisis to the residents. As we’ve been gazing at the tip of skyscrapers, we disregard how the city was built, and on what it was built. The city is sinking, and now is when we see the corpses of inequality, neglected collective rights and climate injustice begin to surface.
By projecting a loop on wall, every channels are a sequence behind, rearranging the direction of process. I wonder, are we moving forward or backwards? Time flows in river, offering a way to think about resources, infrastructure, social process, as well as the failing system.”
The show is ending this weekend, don’t forget to check it out!#artinstallation #videoinstallation #filmphotography
@cendanamalaysia
She Lives on the Moon, 2022, audiovisual installation.
“Why is my head so full of things to say, but before they reach my mouth I forgot what they are.”
This a story about my grandma and her old friend Alzheimer, about the remembering and forgetting of memory.
Thank you everyone so much for the support!
Moon design by @w.eihuang
She Lives on the Moon, 2022, audiovisual installation.
“Why is my head so full of things to say, but before they reach my mouth I forgot what they are.”
This a story about my grandma and her old friend Alzheimer, about the remembering and forgetting of memory.
Thank you everyone so much for the support!
Moon design by @w.eihuang
She Lives on the Moon, 2022, audiovisual installation.
“Why is my head so full of things to say, but before they reach my mouth I forgot what they are.”
This a story about my grandma and her old friend Alzheimer, about the remembering and forgetting of memory.
Thank you everyone so much for the support!
Moon design by @w.eihuang
She Lives on the Moon, 2022, audiovisual installation.
“Why is my head so full of things to say, but before they reach my mouth I forgot what they are.”
This a story about my grandma and her old friend Alzheimer, about the remembering and forgetting of memory.
Thank you everyone so much for the support!
Moon design by @w.eihuang
She Lives on the Moon, 2022, audiovisual installation.
“Why is my head so full of things to say, but before they reach my mouth I forgot what they are.”
This a story about my grandma and her old friend Alzheimer, about the remembering and forgetting of memory.
Thank you everyone so much for the support!
Moon design by @w.eihuang
She Lives on the Moon, 2022, audiovisual installation.
“Why is my head so full of things to say, but before they reach my mouth I forgot what they are.”
This a story about my grandma and her old friend Alzheimer, about the remembering and forgetting of memory.
Thank you everyone so much for the support!
Moon design by @w.eihuang
Feeding Anxiety, interactive video installation, 2020. A collaborative work with the artist @shengss5161, was shown in the CalArts gallery.
Feeding Anxiety
We live within medium,
and waiting to be fed by anxiety.
Depressed and inspired by this pandemic, we found anxiety spreads faster than infection. In the flux of information, the world is connected, positively and negatively.
A pile of wires forms a stretching network that connects the audience and the performer while separating the two into different spaces. Using the interactive devices, the audience triggers and awakens the performer, indirectly participates in the performance, visualizing the experience of weaving between the trouble and cure in this era.
*Haven’t really been showcasing my video work on this profile although I work with moving image for most of the time. Guess now is the time 🙌🏻
Photo credit to @batknight51
#videoart #contemporaryart #videoinstallation #anxiety #anxietyattack #pandemicdepression #installation #artinstallation #phasemag #collageart #collageartwork #experimentalphotography #experimentalfilmphotography #experimentalart #experimentalvideo #landscapephotography #landscape
Feeding Anxiety, interactive video installation, 2020. A collaborative work with the artist @shengss5161, was shown in the CalArts gallery.
Feeding Anxiety
We live within medium,
and waiting to be fed by anxiety.
Depressed and inspired by this pandemic, we found anxiety spreads faster than infection. In the flux of information, the world is connected, positively and negatively.
A pile of wires forms a stretching network that connects the audience and the performer while separating the two into different spaces. Using the interactive devices, the audience triggers and awakens the performer, indirectly participates in the performance, visualizing the experience of weaving between the trouble and cure in this era.
*Haven’t really been showcasing my video work on this profile although I work with moving image for most of the time. Guess now is the time 🙌🏻
Photo credit to @batknight51
#videoart #contemporaryart #videoinstallation #anxiety #anxietyattack #pandemicdepression #installation #artinstallation #phasemag #collageart #collageartwork #experimentalphotography #experimentalfilmphotography #experimentalart #experimentalvideo #landscapephotography #landscape
Feeding Anxiety, interactive video installation, 2020. A collaborative work with the artist @shengss5161, was shown in the CalArts gallery.
Feeding Anxiety
We live within medium,
and waiting to be fed by anxiety.
Depressed and inspired by this pandemic, we found anxiety spreads faster than infection. In the flux of information, the world is connected, positively and negatively.
A pile of wires forms a stretching network that connects the audience and the performer while separating the two into different spaces. Using the interactive devices, the audience triggers and awakens the performer, indirectly participates in the performance, visualizing the experience of weaving between the trouble and cure in this era.
*Haven’t really been showcasing my video work on this profile although I work with moving image for most of the time. Guess now is the time 🙌🏻
Photo credit to @batknight51
#videoart #contemporaryart #videoinstallation #anxiety #anxietyattack #pandemicdepression #installation #artinstallation #phasemag #collageart #collageartwork #experimentalphotography #experimentalfilmphotography #experimentalart #experimentalvideo #landscapephotography #landscape
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
28 has been the wildest year I could have ever imagined. I’m proud of every step I took in faith, following my heart and His guidance.
Stepping into 29, I deeply appreciate the woman I’ve become, and excited for the woman I’m still becoming.🩵✝️💙
External Organ (experimental short, 2025)
Just realized I forgot to share one of my fav work this year where I participated in writing, editing, sound design and AI image generating. Fun experiment with the combination of live action storytelling and AIGC.
External Organ (experimental short, 2025)
Just realized I forgot to share one of my fav work this year where I participated in writing, editing, sound design and AI image generating. Fun experiment with the combination of live action storytelling and AIGC.
External Organ (experimental short, 2025)
Just realized I forgot to share one of my fav work this year where I participated in writing, editing, sound design and AI image generating. Fun experiment with the combination of live action storytelling and AIGC.
External Organ (experimental short, 2025)
Just realized I forgot to share one of my fav work this year where I participated in writing, editing, sound design and AI image generating. Fun experiment with the combination of live action storytelling and AIGC.
External Organ (experimental short, 2025)
Just realized I forgot to share one of my fav work this year where I participated in writing, editing, sound design and AI image generating. Fun experiment with the combination of live action storytelling and AIGC.
External Organ (experimental short, 2025)
Just realized I forgot to share one of my fav work this year where I participated in writing, editing, sound design and AI image generating. Fun experiment with the combination of live action storytelling and AIGC.
External Organ (experimental short, 2025)
Just realized I forgot to share one of my fav work this year where I participated in writing, editing, sound design and AI image generating. Fun experiment with the combination of live action storytelling and AIGC.
You know you’ll always find a way—
biggest lesson learned ever since I got into rock climbing. 🧗🏻♀️🌄🧡
You know you’ll always find a way—
biggest lesson learned ever since I got into rock climbing. 🧗🏻♀️🌄🧡
You know you’ll always find a way—
biggest lesson learned ever since I got into rock climbing. 🧗🏻♀️🌄🧡
You know you’ll always find a way—
biggest lesson learned ever since I got into rock climbing. 🧗🏻♀️🌄🧡
You know you’ll always find a way—
biggest lesson learned ever since I got into rock climbing. 🧗🏻♀️🌄🧡
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
2024 had been a blessing year 🎆
with love, strength, faith and peace in every corner of my life.
A Fieldwork of Getting Lost (2024) is a hybrid documentary looking into a suspicious rumor between youths about fleeing from Malaysia through the Pan Boneo Highway, Sarawak.
Selected by Seashorts 2024, the film is showing on Oct 25th and 26th. It’s a story about hating the place you love, leaving the place you call home.
Thank you so much for all the support and trust!
Director: Joy Chan
Producer: Christopher Ling Jing @chrislingjingg
DoP/Colorist: Melvin Liew Hong Bin @hongbin______
Cast:
Belle Chia Sze Chean @bellexsc22
Christopher Ling Jing
Melvin Liew Hong Bin
Joy Chan
Editor/Sound Designer: Joy Chan
Mixer: Alejandra Molina Rios @alejandra____molina
Music credit to Jay Wang @heyisjayy
Presenting the official list of Malaysian films in competition for SeaShorts Film Festival 2024!
1. Horologist | DIR Jared Lee Wei Sheong | 6 Minutes @jaredle3
2. CHINA BEAST (中國神獸) | DIR Kuok Hong YOENG & Christopher Ling Jing | 26 Minutes @yoeng_kh @chrislingjingg
3. A Fieldwork of Getting Lost (失路野记) | DIR Joy Chan | 37 Minutes @joyuzu
Catch all competing films and more on Oct 24-27!
Festival pass is now available for purchase through this link (https://www.cloudjoi.com/shows/2432-seashorts-film-festival-2024-in-absentia), also available in our bio.
Don’t miss out on the excitement!
With gracious support from:
ArtsFAS @yayasan_hasanah
Japan Foundation Kuala Lumpur @jf_kualalumpur
The Campus Ampang Mall @thecampusampang
Warong Old China @warongoldchina
NorthBorneo TV@northborneotv
Iman Research @@imanresearch
Wu Ben @wubenfilmmagazine
APPARAT @apparat_my
Faculty of Cinematic Arts, MMU @fcammu_
CloudJOI @cloudjoi_
Presenting the official list of Malaysian films in competition for SeaShorts Film Festival 2024!
1. Horologist | DIR Jared Lee Wei Sheong | 6 Minutes @jaredle3
2. CHINA BEAST (中國神獸) | DIR Kuok Hong YOENG & Christopher Ling Jing | 26 Minutes @yoeng_kh @chrislingjingg
3. A Fieldwork of Getting Lost (失路野记) | DIR Joy Chan | 37 Minutes @joyuzu
Catch all competing films and more on Oct 24-27!
Festival pass is now available for purchase through this link (https://www.cloudjoi.com/shows/2432-seashorts-film-festival-2024-in-absentia), also available in our bio.
Don’t miss out on the excitement!
With gracious support from:
ArtsFAS @yayasan_hasanah
Japan Foundation Kuala Lumpur @jf_kualalumpur
The Campus Ampang Mall @thecampusampang
Warong Old China @warongoldchina
NorthBorneo TV@northborneotv
Iman Research @@imanresearch
Wu Ben @wubenfilmmagazine
APPARAT @apparat_my
Faculty of Cinematic Arts, MMU @fcammu_
CloudJOI @cloudjoi_
Presenting the official list of Malaysian films in competition for SeaShorts Film Festival 2024!
1. Horologist | DIR Jared Lee Wei Sheong | 6 Minutes @jaredle3
2. CHINA BEAST (中國神獸) | DIR Kuok Hong YOENG & Christopher Ling Jing | 26 Minutes @yoeng_kh @chrislingjingg
3. A Fieldwork of Getting Lost (失路野记) | DIR Joy Chan | 37 Minutes @joyuzu
Catch all competing films and more on Oct 24-27!
Festival pass is now available for purchase through this link (https://www.cloudjoi.com/shows/2432-seashorts-film-festival-2024-in-absentia), also available in our bio.
Don’t miss out on the excitement!
With gracious support from:
ArtsFAS @yayasan_hasanah
Japan Foundation Kuala Lumpur @jf_kualalumpur
The Campus Ampang Mall @thecampusampang
Warong Old China @warongoldchina
NorthBorneo TV@northborneotv
Iman Research @@imanresearch
Wu Ben @wubenfilmmagazine
APPARAT @apparat_my
Faculty of Cinematic Arts, MMU @fcammu_
CloudJOI @cloudjoi_
Presenting the official list of Malaysian films in competition for SeaShorts Film Festival 2024!
1. Horologist | DIR Jared Lee Wei Sheong | 6 Minutes @jaredle3
2. CHINA BEAST (中國神獸) | DIR Kuok Hong YOENG & Christopher Ling Jing | 26 Minutes @yoeng_kh @chrislingjingg
3. A Fieldwork of Getting Lost (失路野记) | DIR Joy Chan | 37 Minutes @joyuzu
Catch all competing films and more on Oct 24-27!
Festival pass is now available for purchase through this link (https://www.cloudjoi.com/shows/2432-seashorts-film-festival-2024-in-absentia), also available in our bio.
Don’t miss out on the excitement!
With gracious support from:
ArtsFAS @yayasan_hasanah
Japan Foundation Kuala Lumpur @jf_kualalumpur
The Campus Ampang Mall @thecampusampang
Warong Old China @warongoldchina
NorthBorneo TV@northborneotv
Iman Research @@imanresearch
Wu Ben @wubenfilmmagazine
APPARAT @apparat_my
Faculty of Cinematic Arts, MMU @fcammu_
CloudJOI @cloudjoi_
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
This summer has been all about appreciating what my body can do instead of how it looks ☀️
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Our advantages:
No Need to Register
Avoid app downloads and sign-ups, store stories on the web.
Exclusive High-Quality
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Accessible on All
Devices Download Instagram Stories using any browser, iPhone, Android.
Completely Free to Use
Absolutely no fees. Download any Story at no cost.
Frequently Asked Questions
- 1. Go to the Instagram Story Downloader tool.
- 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
- 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.