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▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ OSPAAAL Antiimperialist Posters:
1. Venezuela, 1969
2. Puerto Rico, 1970
3. USA, 1967
4. Korea, 1969
5. US Green Beret Soldier as practice target, 1971
6. Cuba, 1980
7. Palestine, 1968
8. Congo, 1963

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

▉ Posters for a free Palestine Vol. 2 (PLEASE READ!!)
● We (@jonathan_sirit and @industriasmda ) are opening a preorder campaign for a screen printed poster of the first design in this post. 100% of the benefit will go to the Palestinian cause (still to define to which organizations).

✺ The preorder will be open until May the 3rd (Friday) and shippings will start on the 15th. It will be printed by @lapeopleserigrafia in two inks on Hahnemühle Harmony 300gr paper. After the preorder is closed and we make numbers we will publish the costs, the benefit made and receipts of the donations via stories.

⦿⦿ You can preorder it following the link in bio!!

~ There is also a link to Google Drive where you can download the digital files for you to post your own on social media and also printing files if you wanna make copies for demos or to sell yourself for the benefit of the cause. Theres an extra poster on the Drive too 👀

●●● Help us spreading it by sharing far and wide! The more people see this post the more chance of selling copies and making the fundraising bigger

Thank you and Free Palestine 🇵🇸

▉ Posters for a free Palestine Vol. 2 (PLEASE READ!!)
● We (@jonathan_sirit and @industriasmda ) are opening a preorder campaign for a screen printed poster of the first design in this post. 100% of the benefit will go to the Palestinian cause (still to define to which organizations).

✺ The preorder will be open until May the 3rd (Friday) and shippings will start on the 15th. It will be printed by @lapeopleserigrafia in two inks on Hahnemühle Harmony 300gr paper. After the preorder is closed and we make numbers we will publish the costs, the benefit made and receipts of the donations via stories.

⦿⦿ You can preorder it following the link in bio!!

~ There is also a link to Google Drive where you can download the digital files for you to post your own on social media and also printing files if you wanna make copies for demos or to sell yourself for the benefit of the cause. Theres an extra poster on the Drive too 👀

●●● Help us spreading it by sharing far and wide! The more people see this post the more chance of selling copies and making the fundraising bigger

Thank you and Free Palestine 🇵🇸

▉ Posters for a free Palestine Vol. 2 (PLEASE READ!!)
● We (@jonathan_sirit and @industriasmda ) are opening a preorder campaign for a screen printed poster of the first design in this post. 100% of the benefit will go to the Palestinian cause (still to define to which organizations).

✺ The preorder will be open until May the 3rd (Friday) and shippings will start on the 15th. It will be printed by @lapeopleserigrafia in two inks on Hahnemühle Harmony 300gr paper. After the preorder is closed and we make numbers we will publish the costs, the benefit made and receipts of the donations via stories.

⦿⦿ You can preorder it following the link in bio!!

~ There is also a link to Google Drive where you can download the digital files for you to post your own on social media and also printing files if you wanna make copies for demos or to sell yourself for the benefit of the cause. Theres an extra poster on the Drive too 👀

●●● Help us spreading it by sharing far and wide! The more people see this post the more chance of selling copies and making the fundraising bigger

Thank you and Free Palestine 🇵🇸

▉ Posters for a free Palestine Vol. 2 (PLEASE READ!!)
● We (@jonathan_sirit and @industriasmda ) are opening a preorder campaign for a screen printed poster of the first design in this post. 100% of the benefit will go to the Palestinian cause (still to define to which organizations).

✺ The preorder will be open until May the 3rd (Friday) and shippings will start on the 15th. It will be printed by @lapeopleserigrafia in two inks on Hahnemühle Harmony 300gr paper. After the preorder is closed and we make numbers we will publish the costs, the benefit made and receipts of the donations via stories.

⦿⦿ You can preorder it following the link in bio!!

~ There is also a link to Google Drive where you can download the digital files for you to post your own on social media and also printing files if you wanna make copies for demos or to sell yourself for the benefit of the cause. Theres an extra poster on the Drive too 👀

●●● Help us spreading it by sharing far and wide! The more people see this post the more chance of selling copies and making the fundraising bigger

Thank you and Free Palestine 🇵🇸

▉ Posters for a free Palestine Vol. 2 (PLEASE READ!!)
● We (@jonathan_sirit and @industriasmda ) are opening a preorder campaign for a screen printed poster of the first design in this post. 100% of the benefit will go to the Palestinian cause (still to define to which organizations).

✺ The preorder will be open until May the 3rd (Friday) and shippings will start on the 15th. It will be printed by @lapeopleserigrafia in two inks on Hahnemühle Harmony 300gr paper. After the preorder is closed and we make numbers we will publish the costs, the benefit made and receipts of the donations via stories.

⦿⦿ You can preorder it following the link in bio!!

~ There is also a link to Google Drive where you can download the digital files for you to post your own on social media and also printing files if you wanna make copies for demos or to sell yourself for the benefit of the cause. Theres an extra poster on the Drive too 👀

●●● Help us spreading it by sharing far and wide! The more people see this post the more chance of selling copies and making the fundraising bigger

Thank you and Free Palestine 🇵🇸

▉ Posters for a free Palestine Vol. 2 (PLEASE READ!!)
● We (@jonathan_sirit and @industriasmda ) are opening a preorder campaign for a screen printed poster of the first design in this post. 100% of the benefit will go to the Palestinian cause (still to define to which organizations).

✺ The preorder will be open until May the 3rd (Friday) and shippings will start on the 15th. It will be printed by @lapeopleserigrafia in two inks on Hahnemühle Harmony 300gr paper. After the preorder is closed and we make numbers we will publish the costs, the benefit made and receipts of the donations via stories.

⦿⦿ You can preorder it following the link in bio!!

~ There is also a link to Google Drive where you can download the digital files for you to post your own on social media and also printing files if you wanna make copies for demos or to sell yourself for the benefit of the cause. Theres an extra poster on the Drive too 👀

●●● Help us spreading it by sharing far and wide! The more people see this post the more chance of selling copies and making the fundraising bigger

Thank you and Free Palestine 🇵🇸

Thank you @jonathan_sirit for the powerful poster ❤️🖤🤍💚

DOWNLOAD ALL OF OUR POSTERS FOR FREE THROUGH THE LINK IN BIO

▉ Styling a French Vintage 1950s Deadstock Shadow Plaid Flannel shirt!

● Follow this page for outfits, vintage clothing (personal collection and items for sale), history and more!

#40s #50s #vintageclothing #frenchworkwear #type2jacket

EUROPEAN TOUR MAY 2026

We are returning to the continent that has embraced us from day one and we cannot wait to see you again. We are excited to also be joining our friends @russiancircles and @pelicansong for select dates. This tour will take us back to many of our favorite places and some we will be playing for the first time.

Tickets on sale now at the link in our bio and at fotocrime.com.

Thanks to @jonathan_sirit for the excellent tour poster design.

FOTOCRIME Security Tour
Europe May 2026

May 8 | Vienna AT | Cafe Carina
May 9 | Poznan PL | Pod Minoga
May 10 | Berlin DE | Urban Spree
May 11 | Hamburg DE | Gruenspan +=
May 12 | Cologne DE | Kantine +=
May 13 | Karlsruhe DE | P8 +=
May 14 | Bonn DE | Namenlos
May 15 | Paris FR | Le Chinois
May 16 | Montreux CH | Chateau Chillon §
May 17 | Lucerne CH | Sedel
May 19 | Budapest HU | Durer Kert =
May 20 | Prague CZ | Meet Factory +=
May 21 | Brno CZ | Kabinet
May 22 | Wiesbaden DE | Kreative Fabrik
May 23 | Siegen DE | Vortex Surfer

+ w Russian Circles
= w Pelican
§ w Night In Athens

Live photo by Howie Burdick

EUROPEAN TOUR MAY 2026

We are returning to the continent that has embraced us from day one and we cannot wait to see you again. We are excited to also be joining our friends @russiancircles and @pelicansong for select dates. This tour will take us back to many of our favorite places and some we will be playing for the first time.

Tickets on sale now at the link in our bio and at fotocrime.com.

Thanks to @jonathan_sirit for the excellent tour poster design.

FOTOCRIME Security Tour
Europe May 2026

May 8 | Vienna AT | Cafe Carina
May 9 | Poznan PL | Pod Minoga
May 10 | Berlin DE | Urban Spree
May 11 | Hamburg DE | Gruenspan +=
May 12 | Cologne DE | Kantine +=
May 13 | Karlsruhe DE | P8 +=
May 14 | Bonn DE | Namenlos
May 15 | Paris FR | Le Chinois
May 16 | Montreux CH | Chateau Chillon §
May 17 | Lucerne CH | Sedel
May 19 | Budapest HU | Durer Kert =
May 20 | Prague CZ | Meet Factory +=
May 21 | Brno CZ | Kabinet
May 22 | Wiesbaden DE | Kreative Fabrik
May 23 | Siegen DE | Vortex Surfer

+ w Russian Circles
= w Pelican
§ w Night In Athens

Live photo by Howie Burdick

EUROPEAN TOUR MAY 2026

We are returning to the continent that has embraced us from day one and we cannot wait to see you again. We are excited to also be joining our friends @russiancircles and @pelicansong for select dates. This tour will take us back to many of our favorite places and some we will be playing for the first time.

Tickets on sale now at the link in our bio and at fotocrime.com.

Thanks to @jonathan_sirit for the excellent tour poster design.

FOTOCRIME Security Tour
Europe May 2026

May 8 | Vienna AT | Cafe Carina
May 9 | Poznan PL | Pod Minoga
May 10 | Berlin DE | Urban Spree
May 11 | Hamburg DE | Gruenspan +=
May 12 | Cologne DE | Kantine +=
May 13 | Karlsruhe DE | P8 +=
May 14 | Bonn DE | Namenlos
May 15 | Paris FR | Le Chinois
May 16 | Montreux CH | Chateau Chillon §
May 17 | Lucerne CH | Sedel
May 19 | Budapest HU | Durer Kert =
May 20 | Prague CZ | Meet Factory +=
May 21 | Brno CZ | Kabinet
May 22 | Wiesbaden DE | Kreative Fabrik
May 23 | Siegen DE | Vortex Surfer

+ w Russian Circles
= w Pelican
§ w Night In Athens

Live photo by Howie Burdick

▉ Tomorrow! Demá! Mañana! 🇵🇸🇵🇸
● Estaremos tocando dos conciertos mañana Sábado 11 de Abril en Barcelona, el primero en el evento de lanzamiento de la @globalsumudflotilla que partirá el Domingo desde el puerto de Barcelona. Tocaremos temprano a las 4pm en el Moll de la Fusta en un dia cargado de actividades, para luego desplazarnos a Can Batllo @ecmcanbatllo , un espacio de resistencia comunitario y autogestionado en el barrio de la Bordeta, junto a bandas maravillosas! Nos vemos allí 🔥🔥

Viva Palestina libre y abajo el orden colonial imperialista!!

● We will be playing two shows tomorrow April 11th in Barcelona, the first one at the launch of the @globalsumudflotilla which will take place at Moll de la Fusta. We will play at 4pm in a day full of activities in the Port of Barcelona to then head to Can Batllo, a self managed community space in the Bordeta neighborhood. See you there! 🔥🔥

Free Palestine and down with the imperialist colonial order!

▉ Tomorrow! Demá! Mañana! 🇵🇸🇵🇸
● Estaremos tocando dos conciertos mañana Sábado 11 de Abril en Barcelona, el primero en el evento de lanzamiento de la @globalsumudflotilla que partirá el Domingo desde el puerto de Barcelona. Tocaremos temprano a las 4pm en el Moll de la Fusta en un dia cargado de actividades, para luego desplazarnos a Can Batllo @ecmcanbatllo , un espacio de resistencia comunitario y autogestionado en el barrio de la Bordeta, junto a bandas maravillosas! Nos vemos allí 🔥🔥

Viva Palestina libre y abajo el orden colonial imperialista!!

● We will be playing two shows tomorrow April 11th in Barcelona, the first one at the launch of the @globalsumudflotilla which will take place at Moll de la Fusta. We will play at 4pm in a day full of activities in the Port of Barcelona to then head to Can Batllo, a self managed community space in the Bordeta neighborhood. See you there! 🔥🔥

Free Palestine and down with the imperialist colonial order!

▉ Tomorrow! Demá! Mañana! 🇵🇸🇵🇸
● Estaremos tocando dos conciertos mañana Sábado 11 de Abril en Barcelona, el primero en el evento de lanzamiento de la @globalsumudflotilla que partirá el Domingo desde el puerto de Barcelona. Tocaremos temprano a las 4pm en el Moll de la Fusta en un dia cargado de actividades, para luego desplazarnos a Can Batllo @ecmcanbatllo , un espacio de resistencia comunitario y autogestionado en el barrio de la Bordeta, junto a bandas maravillosas! Nos vemos allí 🔥🔥

Viva Palestina libre y abajo el orden colonial imperialista!!

● We will be playing two shows tomorrow April 11th in Barcelona, the first one at the launch of the @globalsumudflotilla which will take place at Moll de la Fusta. We will play at 4pm in a day full of activities in the Port of Barcelona to then head to Can Batllo, a self managed community space in the Bordeta neighborhood. See you there! 🔥🔥

Free Palestine and down with the imperialist colonial order!

▉ Tomorrow! Demá! Mañana! 🇵🇸🇵🇸
● Estaremos tocando dos conciertos mañana Sábado 11 de Abril en Barcelona, el primero en el evento de lanzamiento de la @globalsumudflotilla que partirá el Domingo desde el puerto de Barcelona. Tocaremos temprano a las 4pm en el Moll de la Fusta en un dia cargado de actividades, para luego desplazarnos a Can Batllo @ecmcanbatllo , un espacio de resistencia comunitario y autogestionado en el barrio de la Bordeta, junto a bandas maravillosas! Nos vemos allí 🔥🔥

Viva Palestina libre y abajo el orden colonial imperialista!!

● We will be playing two shows tomorrow April 11th in Barcelona, the first one at the launch of the @globalsumudflotilla which will take place at Moll de la Fusta. We will play at 4pm in a day full of activities in the Port of Barcelona to then head to Can Batllo, a self managed community space in the Bordeta neighborhood. See you there! 🔥🔥

Free Palestine and down with the imperialist colonial order!

▉ Tomorrow! Demá! Mañana! 🇵🇸🇵🇸
● Estaremos tocando dos conciertos mañana Sábado 11 de Abril en Barcelona, el primero en el evento de lanzamiento de la @globalsumudflotilla que partirá el Domingo desde el puerto de Barcelona. Tocaremos temprano a las 4pm en el Moll de la Fusta en un dia cargado de actividades, para luego desplazarnos a Can Batllo @ecmcanbatllo , un espacio de resistencia comunitario y autogestionado en el barrio de la Bordeta, junto a bandas maravillosas! Nos vemos allí 🔥🔥

Viva Palestina libre y abajo el orden colonial imperialista!!

● We will be playing two shows tomorrow April 11th in Barcelona, the first one at the launch of the @globalsumudflotilla which will take place at Moll de la Fusta. We will play at 4pm in a day full of activities in the Port of Barcelona to then head to Can Batllo, a self managed community space in the Bordeta neighborhood. See you there! 🔥🔥

Free Palestine and down with the imperialist colonial order!

▉ Tomorrow! Demá! Mañana! 🇵🇸🇵🇸
● Estaremos tocando dos conciertos mañana Sábado 11 de Abril en Barcelona, el primero en el evento de lanzamiento de la @globalsumudflotilla que partirá el Domingo desde el puerto de Barcelona. Tocaremos temprano a las 4pm en el Moll de la Fusta en un dia cargado de actividades, para luego desplazarnos a Can Batllo @ecmcanbatllo , un espacio de resistencia comunitario y autogestionado en el barrio de la Bordeta, junto a bandas maravillosas! Nos vemos allí 🔥🔥

Viva Palestina libre y abajo el orden colonial imperialista!!

● We will be playing two shows tomorrow April 11th in Barcelona, the first one at the launch of the @globalsumudflotilla which will take place at Moll de la Fusta. We will play at 4pm in a day full of activities in the Port of Barcelona to then head to Can Batllo, a self managed community space in the Bordeta neighborhood. See you there! 🔥🔥

Free Palestine and down with the imperialist colonial order!

▉ Tomorrow! Demá! Mañana! 🇵🇸🇵🇸
● Estaremos tocando dos conciertos mañana Sábado 11 de Abril en Barcelona, el primero en el evento de lanzamiento de la @globalsumudflotilla que partirá el Domingo desde el puerto de Barcelona. Tocaremos temprano a las 4pm en el Moll de la Fusta en un dia cargado de actividades, para luego desplazarnos a Can Batllo @ecmcanbatllo , un espacio de resistencia comunitario y autogestionado en el barrio de la Bordeta, junto a bandas maravillosas! Nos vemos allí 🔥🔥

Viva Palestina libre y abajo el orden colonial imperialista!!

● We will be playing two shows tomorrow April 11th in Barcelona, the first one at the launch of the @globalsumudflotilla which will take place at Moll de la Fusta. We will play at 4pm in a day full of activities in the Port of Barcelona to then head to Can Batllo, a self managed community space in the Bordeta neighborhood. See you there! 🔥🔥

Free Palestine and down with the imperialist colonial order!

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@bienbien.xyz ✨

@kodakprofessional
@kodak

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@bienbien.xyz ✨

@kodakprofessional
@kodak

🎞️
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@bienbien.xyz ✨

@kodakprofessional
@kodak

▉ OSPAAAL - Cuban Solidarity Posters
1. No to the Economic Blockade against Cuba!, 1991
2. World Solidarity with Cuba, 1980
3. No to the Guantanamo Naval Base!, 1991
4. World Solidarity with the Cuban Revolution, 1980

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

DOWN WITH WESTERN IMPERIALISM! LONG LIVE THE REVOLUTION! ✊

▉ OSPAAAL - Cuban Solidarity Posters
1. No to the Economic Blockade against Cuba!, 1991
2. World Solidarity with Cuba, 1980
3. No to the Guantanamo Naval Base!, 1991
4. World Solidarity with the Cuban Revolution, 1980

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

DOWN WITH WESTERN IMPERIALISM! LONG LIVE THE REVOLUTION! ✊

▉ OSPAAAL - Cuban Solidarity Posters
1. No to the Economic Blockade against Cuba!, 1991
2. World Solidarity with Cuba, 1980
3. No to the Guantanamo Naval Base!, 1991
4. World Solidarity with the Cuban Revolution, 1980

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

DOWN WITH WESTERN IMPERIALISM! LONG LIVE THE REVOLUTION! ✊

▉ OSPAAAL - Cuban Solidarity Posters
1. No to the Economic Blockade against Cuba!, 1991
2. World Solidarity with Cuba, 1980
3. No to the Guantanamo Naval Base!, 1991
4. World Solidarity with the Cuban Revolution, 1980

● The Organization of Solidarity of the Peoples of Africa, Asia and Latin America (OSPAAAL) was founded in Havana during the 1966 Tricontinental Conference with the purpose of supporting and coordinating revolutionary struggles at a global scale.

The Tricontinental Conference brought together representatives of 82 Latin American, African, and Asian countries, comprising mainly leaders of political organisations and revolutionary movements, but also some heads of state, to discuss a collective political platform.

The production of cultural materials was particularly intense between the late 1960s and early 1970s, which is the period when national liberation movements reached their peak. During those years, the Information and Propaganda Department of OSPAAAL was led by Alfredo Rostgaard, who embraced an avant-garde aesthetic and developed innovative composition techniques.

The OSPAAAL materials centred on providing support for revolutionary, anti-imperialist and anti–colonial struggles that were being conducted in the Global South. To sustain the perspective of inevitable victory against a common enemy, the artists resorted to various strategies such as portraying leaders of different political movements similarly and using the same symbols of oppression and resistance to represent diverse struggles. Among these symbols, weapons were particularly important, as they made it possible to establish links between past and present struggles, and to distinguish between legitimate and illegitimate forms of violence, depending on whether they were used by revolutionary struggles on the one hand, or by imperialist or colonial powers on the other.

DOWN WITH WESTERN IMPERIALISM! LONG LIVE THE REVOLUTION! ✊

▉ “El Encuentro” 12”EP is officially out now!
● You can listen to it in our Bandcamp and all your favorite music platforms (except Spotify) from now on!

▶︎▶︎ You can also get now our new T-Shirts and Tote bags designed by @jonathan_sirit that will be printed in Barcelona by @artesoscuras.bcn

✚ Link in bio to listen and order!

~~ All orders will be shipped within two weeks from the moment of ordering as we still gotta print the shirts and totes, thanks for the patience and support! 🙏🖤

⦿⦿⦿ Thank you everyone for the great reception of the first single so far and special thanks to @lavidaesunmus for always partnering with us for releases and @swampbooking for helping us play our music around!

▉ Instruments and vocals recorded at home. Bass recorded by Christian Songstore at Analog Drive-In Studio @analogdrivein
Mixed and Mastered by Jonah Falco @jonahjonahfalco at Fuzzbrain Studios and On The Inland Waterways, London, UK.
Pictures by @notnirzar and @joako.orona

Released by La Vida Es Un Mus.

⠟
Barcelona, 2026
┉┉┉┉┉┉┉┉┉┉
▹ ⦾ ⌇⦁ ❒

▉ “El Encuentro” 12”EP is officially out now!
● You can listen to it in our Bandcamp and all your favorite music platforms (except Spotify) from now on!

▶︎▶︎ You can also get now our new T-Shirts and Tote bags designed by @jonathan_sirit that will be printed in Barcelona by @artesoscuras.bcn

✚ Link in bio to listen and order!

~~ All orders will be shipped within two weeks from the moment of ordering as we still gotta print the shirts and totes, thanks for the patience and support! 🙏🖤

⦿⦿⦿ Thank you everyone for the great reception of the first single so far and special thanks to @lavidaesunmus for always partnering with us for releases and @swampbooking for helping us play our music around!

▉ Instruments and vocals recorded at home. Bass recorded by Christian Songstore at Analog Drive-In Studio @analogdrivein
Mixed and Mastered by Jonah Falco @jonahjonahfalco at Fuzzbrain Studios and On The Inland Waterways, London, UK.
Pictures by @notnirzar and @joako.orona

Released by La Vida Es Un Mus.

⠟
Barcelona, 2026
┉┉┉┉┉┉┉┉┉┉
▹ ⦾ ⌇⦁ ❒

▉ “El Encuentro” 12”EP is officially out now!
● You can listen to it in our Bandcamp and all your favorite music platforms (except Spotify) from now on!

▶︎▶︎ You can also get now our new T-Shirts and Tote bags designed by @jonathan_sirit that will be printed in Barcelona by @artesoscuras.bcn

✚ Link in bio to listen and order!

~~ All orders will be shipped within two weeks from the moment of ordering as we still gotta print the shirts and totes, thanks for the patience and support! 🙏🖤

⦿⦿⦿ Thank you everyone for the great reception of the first single so far and special thanks to @lavidaesunmus for always partnering with us for releases and @swampbooking for helping us play our music around!

▉ Instruments and vocals recorded at home. Bass recorded by Christian Songstore at Analog Drive-In Studio @analogdrivein
Mixed and Mastered by Jonah Falco @jonahjonahfalco at Fuzzbrain Studios and On The Inland Waterways, London, UK.
Pictures by @notnirzar and @joako.orona

Released by La Vida Es Un Mus.

⠟
Barcelona, 2026
┉┉┉┉┉┉┉┉┉┉
▹ ⦾ ⌇⦁ ❒

▉ “El Encuentro” 12”EP is officially out now!
● You can listen to it in our Bandcamp and all your favorite music platforms (except Spotify) from now on!

▶︎▶︎ You can also get now our new T-Shirts and Tote bags designed by @jonathan_sirit that will be printed in Barcelona by @artesoscuras.bcn

✚ Link in bio to listen and order!

~~ All orders will be shipped within two weeks from the moment of ordering as we still gotta print the shirts and totes, thanks for the patience and support! 🙏🖤

⦿⦿⦿ Thank you everyone for the great reception of the first single so far and special thanks to @lavidaesunmus for always partnering with us for releases and @swampbooking for helping us play our music around!

▉ Instruments and vocals recorded at home. Bass recorded by Christian Songstore at Analog Drive-In Studio @analogdrivein
Mixed and Mastered by Jonah Falco @jonahjonahfalco at Fuzzbrain Studios and On The Inland Waterways, London, UK.
Pictures by @notnirzar and @joako.orona

Released by La Vida Es Un Mus.

⠟
Barcelona, 2026
┉┉┉┉┉┉┉┉┉┉
▹ ⦾ ⌇⦁ ❒

▉ “El Encuentro” 12”EP is officially out now!
● You can listen to it in our Bandcamp and all your favorite music platforms (except Spotify) from now on!

▶︎▶︎ You can also get now our new T-Shirts and Tote bags designed by @jonathan_sirit that will be printed in Barcelona by @artesoscuras.bcn

✚ Link in bio to listen and order!

~~ All orders will be shipped within two weeks from the moment of ordering as we still gotta print the shirts and totes, thanks for the patience and support! 🙏🖤

⦿⦿⦿ Thank you everyone for the great reception of the first single so far and special thanks to @lavidaesunmus for always partnering with us for releases and @swampbooking for helping us play our music around!

▉ Instruments and vocals recorded at home. Bass recorded by Christian Songstore at Analog Drive-In Studio @analogdrivein
Mixed and Mastered by Jonah Falco @jonahjonahfalco at Fuzzbrain Studios and On The Inland Waterways, London, UK.
Pictures by @notnirzar and @joako.orona

Released by La Vida Es Un Mus.

⠟
Barcelona, 2026
┉┉┉┉┉┉┉┉┉┉
▹ ⦾ ⌇⦁ ❒

▉ “El Encuentro” 12”EP is officially out now!
● You can listen to it in our Bandcamp and all your favorite music platforms (except Spotify) from now on!

▶︎▶︎ You can also get now our new T-Shirts and Tote bags designed by @jonathan_sirit that will be printed in Barcelona by @artesoscuras.bcn

✚ Link in bio to listen and order!

~~ All orders will be shipped within two weeks from the moment of ordering as we still gotta print the shirts and totes, thanks for the patience and support! 🙏🖤

⦿⦿⦿ Thank you everyone for the great reception of the first single so far and special thanks to @lavidaesunmus for always partnering with us for releases and @swampbooking for helping us play our music around!

▉ Instruments and vocals recorded at home. Bass recorded by Christian Songstore at Analog Drive-In Studio @analogdrivein
Mixed and Mastered by Jonah Falco @jonahjonahfalco at Fuzzbrain Studios and On The Inland Waterways, London, UK.
Pictures by @notnirzar and @joako.orona

Released by La Vida Es Un Mus.

⠟
Barcelona, 2026
┉┉┉┉┉┉┉┉┉┉
▹ ⦾ ⌇⦁ ❒

▉ En dos semanas Belgrado estará presentando en vivo su nuevo 12”EP “El Encuentro” (@lavidaesunmus ) dentro del festival Lovers from Barcelona organizado por @greetingsfrombcn_ junto a bandas maravillosas de varias partes del mundo! Ven a disfrutar de dos dias de baile el 13 y 14 de Febrero. Link para comprar entradas en la Bio! 🔥

● In two weeks Belgrado will be presenting live their new 12”EP “El Encuentro” (@lavidaesunmus ) within the festival Lovers from Barcelona organized by @greetingsfrombcn_ together with great bands from different parts of the world! Come enjoy two days of dancing on Feb. 13th and 14th. Link to buy tickets in bio! 🔥

▶︎ Flyer 1 by @jonathan_sirit
▶︎ Flyer 2 by @notnirzar

▉ En dos semanas Belgrado estará presentando en vivo su nuevo 12”EP “El Encuentro” (@lavidaesunmus ) dentro del festival Lovers from Barcelona organizado por @greetingsfrombcn_ junto a bandas maravillosas de varias partes del mundo! Ven a disfrutar de dos dias de baile el 13 y 14 de Febrero. Link para comprar entradas en la Bio! 🔥

● In two weeks Belgrado will be presenting live their new 12”EP “El Encuentro” (@lavidaesunmus ) within the festival Lovers from Barcelona organized by @greetingsfrombcn_ together with great bands from different parts of the world! Come enjoy two days of dancing on Feb. 13th and 14th. Link to buy tickets in bio! 🔥

▶︎ Flyer 1 by @jonathan_sirit
▶︎ Flyer 2 by @notnirzar

▉ We’re very happy to announce the release of Belgrado’s first video single for their new 12” EP “El Encuentro”. Available to listen to and preorder now in its entirety - link in Bio!

⬤ Bezsenność (“Insomnia”) leads the listener into an oneiric, slightly surreal world suspended between dream and wakefulness — a fragile moment when the mind refuses to switch off, and thoughts and memories drift freely, like fragments of a dream. It’s a journey through a liminal space, a state of oscillation where time becomes fluid and the boundaries between the real and the imagined begin to blur.
◌ ᷉⠔
◠
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Director - Renzo André @renzoandre__
Assistant Director - Nina Moreno @ninaspinatotal
DOP - Renzo André
Art Direction - Belgrado / Renzo André
MUA - Allison Caranton @allison.caranton
Costumes - Belgrado & Allison Caranton / Ginpak Studio @ginpak.studio
Editing -Renzo André
Color Grading - Renzo André
Graphic Design - Jonathan Sirit
Mariachis: Mariachi Águila Real en Barcelona
Produced by Belgrado

▉ Instruments and vocals recorded at home. Bass recorded by Christian Songstore at Analog Drive-In Studio @analogdrivein
Mixed and Mastered by Jonah Falco @jonahjonahfalco at Fuzzbrain Studios and On The Inland Waterways, London, UK.

Released by La Vida Es Un Mus.

⠟
Barcelona, 2026
┉┉┉┉┉┉┉┉┉┉
▹ ⦾ ⌇⦁ ❒

▉ We are happy to announce we will share our new 12-inch EP „El Encuentro” via LVEUM very soon. FIRST video single and record pre-order next Friday 🔥

● You will be able to hear it on all music platforms except for Spotify, and we will be pulling out our whole catalogue from there very soon. More info about it later!

📸 by @notnirzar

▉ We are happy to announce we will share our new 12-inch EP „El Encuentro” via LVEUM very soon. FIRST video single and record pre-order next Friday 🔥

● You will be able to hear it on all music platforms except for Spotify, and we will be pulling out our whole catalogue from there very soon. More info about it later!

📸 by @notnirzar

▉ We are happy to announce we will share our new 12-inch EP „El Encuentro” via LVEUM very soon. FIRST video single and record pre-order next Friday 🔥

● You will be able to hear it on all music platforms except for Spotify, and we will be pulling out our whole catalogue from there very soon. More info about it later!

📸 by @notnirzar