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jhenwick
Jess Henwick
Hiker trash. Made a thing on a phone you can watch ⬇️
Spent this morning trying to figure out whether there are any other shorts called ‘Bus Girl’ because BABY WE GOT A @BAFTA NOM!
I brought a ticket to the Children’s Bafta Ceremony when I was 17 because I was curious what it was like (?!), essentially paying to be a seat filler. I’ve had my ticket pinned to my bedroom wall ever since. Can’t believe I get to go back this year as a director with our little @thephonetrilogy 🥲🙏
Live on the @bafta YouTube now! Link in bio ❤️
Spent this morning trying to figure out whether there are any other shorts called ‘Bus Girl’ because BABY WE GOT A @BAFTA NOM!
I brought a ticket to the Children’s Bafta Ceremony when I was 17 because I was curious what it was like (?!), essentially paying to be a seat filler. I’ve had my ticket pinned to my bedroom wall ever since. Can’t believe I get to go back this year as a director with our little @thephonetrilogy 🥲🙏
Live on the @bafta YouTube now! Link in bio ❤️
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Introducing our Reality vs. Fantasy cover star, Jessica Henwick (@jhenwick) 🖤
Jessica Henwick grew up lost in fantasy realms and sci-fi galaxies, worlds that now form the backdrop of the Game of Thrones star’s career. As she steps into the quieter, more human role of Ruth in A24’s How to Make a Killing, Henwick instead draws on burnout, a fake fringe and the radical act of dreaming smaller. “Success to me is: am I happy? Am I healthy?” the actor says. “I don’t want to lose myself so completely that six months go by and I realise I haven’t done anything for myself.”
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Shouldn't we chase what we want? Jessica Henwick joins Glen Powell in HOW TO MAKE A KILLING - in UK cinemas March 11 and now playing in US theaters.
Shouldn't we chase what we want? Jessica Henwick joins Glen Powell in HOW TO MAKE A KILLING - in UK cinemas March 11 and now playing in US theaters.
Shouldn't we chase what we want? Jessica Henwick joins Glen Powell in HOW TO MAKE A KILLING - in UK cinemas March 11 and now playing in US theaters.
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