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jetorrence
Jennifer Torrence
percussionist/performer โ๐Oslo, Norway
Member @pinquinspercussion // Associate Professor of percussion and Post-doc @musikkhogskolen
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Today Iโm so incredibly honored, thankful and thrilled to announce the release of The Positive Reinforcement Campaign on Motvind Records and to present our new band:
Wrong Norma.
On this record, I teamed up with percussion trio Pinquins (Sigrun Rogstad Gomnรฆs, Ane Marthe Sรธrlien Holen, and Jennifer Torrence) and bassist/composer Inga Margrete Aas to create an experimental song cycle of Murder Ballads.
The Positive Reinforcement Campaign weaves together improvised experimental soundscapes, traditional American Sacred Harp hymns, and folk ballads as we sing the tales of precious entities, be they human or environmental, which are subjected to the brutality of contempt, greed, jealousy, violence, and utter disregard.
Through improvisation, experimentation and group singing โThe Positive Reinforcement Campaignโ has banded together to stretch out and fill up the containers of these traditional songs - populating them with their own sonic languages and reflecting on the horrific stories of now. These re-imagined songs ask the five instrumentalists to sing in tightly bound harmonies (a musical and performative display of female solidarity). The Positive Reinforcement Campaign is one part experimental folk, one part Appalachian motet, and one part glitching, noisy, fluttering, drone.ย
It uses the language of folk music traditions to witness and retell our current reality through a feminist lens.
I hope youโll check out this first musical offering and please stay tuned! - You can hear brand new music from our newly named band Wrong Norma in November at the Minu Festival DK -(and yesโฆ it is an Anne Carson reference!)
The Positive Reinforcement Campaign:
Jessie Marino: composition/song arrangement, fiddle, voice, electronics
Inga Margrete Aas: double bass, voice
Pinquins:
Sigrun Rogstad Gomnรฆs: percussion, voice
Ane Marthe Sรธrlien Holen: percussion, synthesizer, voice
Jennifer Torrence: percussion, voice
with:
Emilia Dorr: voice
Weston Olencki: trombone
Wendy Eisenberg: guitar
Recorded by Magnus Skavhaug Nergaard at Flerbruket Studios, Norway.ย
Mixed + Mastered by Weston Olencki
Photos:
Oliver Matlock, Heinz Bunse,
John Andrew Wilhite, Jรธrgen Gomnรฆs
Beautiful week at @vitlyckearts making new work with @jannecamillalyster, @jakoboredsson, Bojana Cvejiฤ. Coming to Dansens Hus, Oslo in November.
๐ซ๐ซ๐ซ
Beautiful week at @vitlyckearts making new work with @jannecamillalyster, @jakoboredsson, Bojana Cvejiฤ. Coming to Dansens Hus, Oslo in November.
๐ซ๐ซ๐ซ
Beautiful week at @vitlyckearts making new work with @jannecamillalyster, @jakoboredsson, Bojana Cvejiฤ. Coming to Dansens Hus, Oslo in November.
๐ซ๐ซ๐ซ
Beautiful week at @vitlyckearts making new work with @jannecamillalyster, @jakoboredsson, Bojana Cvejiฤ. Coming to Dansens Hus, Oslo in November.
๐ซ๐ซ๐ซ
Beautiful week at @vitlyckearts making new work with @jannecamillalyster, @jakoboredsson, Bojana Cvejiฤ. Coming to Dansens Hus, Oslo in November.
๐ซ๐ซ๐ซ
20.03.26
JENNIFER TORRENCE @ EAVESDROPPING FESTIVAL
CAFE OTO
Repertoire included:
Inga Margrete Aas | 3 Staged Studies (2023) for percussionist with overhead projector and foot operated objects
Improvisation (using cymbals with pendulum microphone, radio, bird calls, foot operated melodicas, kick, whirly tubes, slapstick, hand bells, woodblocks, fidget spinner, and ceramic tiles)
Photos by @dimitri_djuric
#jennifertorrence #percussion #newmusic #cafeoto eavesdroppingfestiva
20.03.26
JENNIFER TORRENCE @ EAVESDROPPING FESTIVAL
CAFE OTO
Repertoire included:
Inga Margrete Aas | 3 Staged Studies (2023) for percussionist with overhead projector and foot operated objects
Improvisation (using cymbals with pendulum microphone, radio, bird calls, foot operated melodicas, kick, whirly tubes, slapstick, hand bells, woodblocks, fidget spinner, and ceramic tiles)
Photos by @dimitri_djuric
#jennifertorrence #percussion #newmusic #cafeoto eavesdroppingfestiva
20.03.26
JENNIFER TORRENCE @ EAVESDROPPING FESTIVAL
CAFE OTO
Repertoire included:
Inga Margrete Aas | 3 Staged Studies (2023) for percussionist with overhead projector and foot operated objects
Improvisation (using cymbals with pendulum microphone, radio, bird calls, foot operated melodicas, kick, whirly tubes, slapstick, hand bells, woodblocks, fidget spinner, and ceramic tiles)
Photos by @dimitri_djuric
#jennifertorrence #percussion #newmusic #cafeoto eavesdroppingfestiva
20.03.26
JENNIFER TORRENCE @ EAVESDROPPING FESTIVAL
CAFE OTO
Repertoire included:
Inga Margrete Aas | 3 Staged Studies (2023) for percussionist with overhead projector and foot operated objects
Improvisation (using cymbals with pendulum microphone, radio, bird calls, foot operated melodicas, kick, whirly tubes, slapstick, hand bells, woodblocks, fidget spinner, and ceramic tiles)
Photos by @dimitri_djuric
#jennifertorrence #percussion #newmusic #cafeoto eavesdroppingfestiva
Lucy Humphris (@le_humph) and Jennifer Torrence (@jetorrence ) perform at Cafe OTO on Friday 20th March. The programming within each set is artist-led: repertoire is only announced on the night (though we will definitely hear Lucy perform a new commission by Nneka Cummins (@nnekacummins)!
Link in bio as always ๐
#newmusic #trumpet #percussion #lucyhumphris #jennifertorrence
Photos by Chelsey Browne and Julianne Schultze
Lucy Humphris (@le_humph) and Jennifer Torrence (@jetorrence ) perform at Cafe OTO on Friday 20th March. The programming within each set is artist-led: repertoire is only announced on the night (though we will definitely hear Lucy perform a new commission by Nneka Cummins (@nnekacummins)!
Link in bio as always ๐
#newmusic #trumpet #percussion #lucyhumphris #jennifertorrence
Photos by Chelsey Browne and Julianne Schultze
Lucy Humphris (@le_humph) and Jennifer Torrence (@jetorrence ) perform at Cafe OTO on Friday 20th March. The programming within each set is artist-led: repertoire is only announced on the night (though we will definitely hear Lucy perform a new commission by Nneka Cummins (@nnekacummins)!
Link in bio as always ๐
#newmusic #trumpet #percussion #lucyhumphris #jennifertorrence
Photos by Chelsey Browne and Julianne Schultze
eavesdropping conversation 47: Jennifer Torrence
Host Juliet Fraser talks to Jennifer Torrence about "etc." as a window of possibility, being happy in the creative fog and memories of Enya blasting in the bathroom.
References: Enya, Cats (the musical), Garth Brooks, Madonna, Paula Abdul, Boyz II Men on tape, composer Francois Sarhan (and Juliet mentions composers Kristine Tjรธgersen, Clara Iannotta, Jessie Marino), the Berlin Philharmonic (hearing Daniel Barenboim conducting Beethoven's 7th Symphony and Vasily Petrenko conducting Stravinsky's Petrushka), bell hooks, and Inga Margrete Aas.
Recommended listening: youtu.be/LKQIjP7tzKs
Jen will perform in the eavesdropping festival at Cafe OTO on Friday 20 March 2026: www.eavesdropping.london/activity/2026/
Impressions from ๐๐ผ๐ฟ ๐๐ฒ๐ป ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ by ๐๐๐ซ๐ข ๐๐๐ญ๐ฌ๐จ๐ง.
Photos by @carolinebittencourtfotografi
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | full program at www.minufestival.com
Impressions from ๐๐ผ๐ฟ ๐๐ฒ๐ป ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ by ๐๐๐ซ๐ข ๐๐๐ญ๐ฌ๐จ๐ง.
Photos by @carolinebittencourtfotografi
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | full program at www.minufestival.com
Impressions from ๐๐ผ๐ฟ ๐๐ฒ๐ป ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ by ๐๐๐ซ๐ข ๐๐๐ญ๐ฌ๐จ๐ง.
Photos by @carolinebittencourtfotografi
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | full program at www.minufestival.com
Impressions from ๐๐ผ๐ฟ ๐๐ฒ๐ป ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ by ๐๐๐ซ๐ข ๐๐๐ญ๐ฌ๐จ๐ง.
Photos by @carolinebittencourtfotografi
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | full program at www.minufestival.com
Impressions from ๐๐ผ๐ฟ ๐๐ฒ๐ป ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ by ๐๐๐ซ๐ข ๐๐๐ญ๐ฌ๐จ๐ง.
Photos by @carolinebittencourtfotografi
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | full program at www.minufestival.com
Impressions from ๐๐ผ๐ฟ ๐๐ฒ๐ป ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ by ๐๐๐ซ๐ข ๐๐๐ญ๐ฌ๐จ๐ง.
Photos by @carolinebittencourtfotografi
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | full program at www.minufestival.com
Impressions from ๐๐ผ๐ป๐ฐ๐ฒ๐ฟ๐ป๐ถ๐ป๐ด ๐๐ต๐ฒ ๐ฉ๐ถ๐ฟ๐๐๐ฒ ๐ผ๐ณ ๐๐ต๐ฒ ๐ฆ๐ฒ๐ฐ๐ผ๐ป๐ฑ ๐ ๐ฎ๐๐๐ฒ๐ฟ composed by ๐ฅ๐ผ๐ฏ ๐๐๐ฟ๐ป๐ถ๐ป and performed by ๐๐ฒ๐ป๐ป๐ถ๐ณ๐ฒ๐ฟ ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ for the opening of MINU 2025.
Photos by @carolinebittencourtfotografi
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | full program at www.minufestival.com
Auditions are coming up for percussion studies at the Norwegian Academy of Music. Here are a few of us hoping you or your students will consider applying๐
bachelor, masters, exchange, artist diploma.
Deadline December 15.
@musikkhogskolen
@nmhperc
๐๐ผ๐ฟ ๐๐ฒ๐ป ๐ง๐ผ๐ฟ๐ฟ๐ฒ๐ป๐ฐ๐ฒ
States of overload, fragmentation, and sonic excessโdemonstrating the impossibility of the human body becoming fully mechanized.
Composed by Kari Watson - performed by Jennifer Torrence - as part of ๐๐ป๐ฒ๐๐ถ๐๐ฎ๐ฏ๐น๐ฒ ๐ฅ๐๐ฝ๐๐๐ฟ๐ฒ๐ on the 27/11.
๐๐๐๐_๐ง๐ฆ๐ด๐ต๐ช๐ท๐ข๐ญ_๐ง๐ฐ๐ณ_๐ฆ๐น๐ฑ๐ข๐ฏ๐ฅ๐ฆ๐ฅ_๐ฎ๐ถ๐ด๐ช๐ค | 26-30/11 Copenhagen | www.minufestival.com
Festival riverrun, #9
26 SEPT > 12 OCT ยท #ALBI #TOULOUSE
๐Jennifer Torrence joue Nine Bells de Tom Johnson
๐DIM 12 OCT | 11H30 ยท ALBI / L'Athanor (gratuit)
#installation #percussions #cloches #ninebells #tomjonhson #artsonore #percussionniste
Lโinstallation sonore et visuelle prend vie dans une dรฉambulation composรฉe de motifs gรฉomรฉtriques engageant pleinement le corps de lโartiste, son mouvement faisant teinter ou non les cloches.
@jetorrence : percussions, cloches
๐ฅNine Bells ยฉJennifer Torrence
+ d'infos sur https://www.gmea.net/riverrun9
#festival #experimentalmusic
Sigrun Rogstad Gomnรฆs, Ane Sรธrlien Holen, Jennifer Torrence (aka Pinquins) with Mariam Rezaei at Blow Out.
ยฉDawid Laskowski
ยฉDawid Laskowski
#concertphotography #stagephoto #stagephotographer #concertphotographer #musician #jazzphotographer #musicphotography #livejazz #photography #livemusic
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