Instagram Story Save

INT a développé une borne interactive multijoueur quiinvite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt.

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication.

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

INT a développé une borne interactive multijoueur qui invite les visiteurs du @musee_romain_nyon à explorer en 3D des objets archéologiques, à en découvrir les détails et les histoires cachées grâce à deux joysticks. L’expérience repose sur notre solution Span Library développée en collaboration avec Concilio.

Dans le cadre du mandat, trois objets de la collection, destinés à être prêtés, ont été numérisés en 3D en haute définition : ces doubles numériques apparaissent dans l’interface interactive et les mêmes fichiers ont été utilisés pour l’impression 3D de répliques de taille réduite, destinées aux activités de médiation avec le public.

L’interface, divisée en deux, permet à deux joueurs de vivre l’expérience simultanément à l’aide de joysticks pour zoomer, faire pivoter les objets à 360° et explorer leurs points d’intérêt. 

De manière ludique, l’interface pose des questions aux visiteurs et les invite à rechercher des détails spécifiques sur les objets ; lorsqu’un point d’intérêt est activé, une partie de l’objet est mise en évidence et accompagnée d’une explication. 

#archeologie #digital #design #scenography #spanlibrary

Last spring INT studio created a generative video for the introduction of the exhibition “4°C entre toi et moi” (4°C Between You and Me), curated by Philippe Rahm and Sana Frini, as part of the Biennale d’Architecture et du Paysage d’Île-de-France at ENSA Versailles.

This video — programmed using web technologies — offers a dynamic visualization of global thermal data, highlighting the climate shift caused by a 4°C rise in temperature, specifically the transformation of Europe’s temperate climate into a subtropical one.

The video is based on real data from two distinct sources. In the first part, it visually illustrates the northward displacement of climate zones on a world map. Then, it zooms in to show this climate migration in more detail, comparing two cities. For example, the current climate of Monte Lupone, in southern Italy, could be found in Paris by the year 2100.

#programming #video #web #communication #climate #architecture #design

Last spring INT studio created a generative video for the introduction of the exhibition “4°C entre toi et moi” (4°C Between You and Me), curated by Philippe Rahm and Sana Frini, as part of the Biennale d’Architecture et du Paysage d’Île-de-France at ENSA Versailles.

This video — programmed using web technologies — offers a dynamic visualization of global thermal data, highlighting the climate shift caused by a 4°C rise in temperature, specifically the transformation of Europe’s temperate climate into a subtropical one.

The video is based on real data from two distinct sources. In the first part, it visually illustrates the northward displacement of climate zones on a world map. Then, it zooms in to show this climate migration in more detail, comparing two cities. For example, the current climate of Monte Lupone, in southern Italy, could be found in Paris by the year 2100.

#programming #video #web #communication #climate #architecture #design

Last spring INT studio created a generative video for the introduction of the exhibition “4°C entre toi et moi” (4°C Between You and Me), curated by Philippe Rahm and Sana Frini, as part of the Biennale d’Architecture et du Paysage d’Île-de-France at ENSA Versailles.

This video — programmed using web technologies — offers a dynamic visualization of global thermal data, highlighting the climate shift caused by a 4°C rise in temperature, specifically the transformation of Europe’s temperate climate into a subtropical one.

The video is based on real data from two distinct sources. In the first part, it visually illustrates the northward displacement of climate zones on a world map. Then, it zooms in to show this climate migration in more detail, comparing two cities. For example, the current climate of Monte Lupone, in southern Italy, could be found in Paris by the year 2100.

#programming #video #web #communication #climate #architecture #design

Last spring INT studio created a generative video for the introduction of the exhibition “4°C entre toi et moi” (4°C Between You and Me), curated by Philippe Rahm and Sana Frini, as part of the Biennale d’Architecture et du Paysage d’Île-de-France at ENSA Versailles.

This video — programmed using web technologies — offers a dynamic visualization of global thermal data, highlighting the climate shift caused by a 4°C rise in temperature, specifically the transformation of Europe’s temperate climate into a subtropical one.

The video is based on real data from two distinct sources. In the first part, it visually illustrates the northward displacement of climate zones on a world map. Then, it zooms in to show this climate migration in more detail, comparing two cities. For example, the current climate of Monte Lupone, in southern Italy, could be found in Paris by the year 2100.

#programming #video #web #communication #climate #architecture #design

Last spring INT studio created a generative video for the introduction of the exhibition “4°C entre toi et moi” (4°C Between You and Me), curated by Philippe Rahm and Sana Frini, as part of the Biennale d’Architecture et du Paysage d’Île-de-France at ENSA Versailles.

This video — programmed using web technologies — offers a dynamic visualization of global thermal data, highlighting the climate shift caused by a 4°C rise in temperature, specifically the transformation of Europe’s temperate climate into a subtropical one.

The video is based on real data from two distinct sources. In the first part, it visually illustrates the northward displacement of climate zones on a world map. Then, it zooms in to show this climate migration in more detail, comparing two cities. For example, the current climate of Monte Lupone, in southern Italy, could be found in Paris by the year 2100.

#programming #video #web #communication #climate #architecture #design

Last spring INT studio created a generative video for the introduction of the exhibition “4°C entre toi et moi” (4°C Between You and Me), curated by Philippe Rahm and Sana Frini, as part of the Biennale d’Architecture et du Paysage d’Île-de-France at ENSA Versailles.

This video — programmed using web technologies — offers a dynamic visualization of global thermal data, highlighting the climate shift caused by a 4°C rise in temperature, specifically the transformation of Europe’s temperate climate into a subtropical one.

The video is based on real data from two distinct sources. In the first part, it visually illustrates the northward displacement of climate zones on a world map. Then, it zooms in to show this climate migration in more detail, comparing two cities. For example, the current climate of Monte Lupone, in southern Italy, could be found in Paris by the year 2100.

#programming #video #web #communication #climate #architecture #design

Last spring INT studio created a generative video for the introduction of the exhibition “4°C entre toi et moi” (4°C Between You and Me), curated by Philippe Rahm and Sana Frini, as part of the Biennale d’Architecture et du Paysage d’Île-de-France at ENSA Versailles.

This video — programmed using web technologies — offers a dynamic visualization of global thermal data, highlighting the climate shift caused by a 4°C rise in temperature, specifically the transformation of Europe’s temperate climate into a subtropical one.

The video is based on real data from two distinct sources. In the first part, it visually illustrates the northward displacement of climate zones on a world map. Then, it zooms in to show this climate migration in more detail, comparing two cities. For example, the current climate of Monte Lupone, in southern Italy, could be found in Paris by the year 2100.

Full details and credit on our website: www.int.studio

#programming #video #web #communication #climate #architecture #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @gabrielachicherio for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Guler

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

Discover “Reactive Lines” an activation by commissioned by Polestar for its showroom during Zurich Design Week. 

Created through creative programming, the project builds on the brand’s “Motion Blur” campaign, transforming it into a dynamic, interactive experience. Stretched, blurred lines of color evoke motion, speed, and perception, forming a clean, kinetic language that engages both the eye and the body.
Using code, Motion Blur campaign images were imported into custom scripts, their color analysed, and transformed into new animated artistic compositions. These were then exported for video, print, and interactive formats, ensuring a cohesive aesthetic across the entire space.

Thank you to the Polestar Zurich team for their warm welcome, and a special thanks to @Gabriella for connecting us.

Photo by INT studio and @wildlicht
Video by INT studio and Jon Gule

#art #activation #brand #installation #zurich #zurichdesignweek #interaction #design

#Recap The installation Reactive Lines by our official partner @polestarcars together with @int_____studio made the movement of guests visible. Thank you for supporting and being a part of #zdw25!

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive

Discover ➔ reperages-revue.cinematheque.ch

Repérages is an online journal for the Cinémathèque suisse @cinemathequesuisse exploring the history of Swiss cinema through thematic analyses and archives, aimed at researchers as well as the general public. The platform has been designed to offer a pleasant read of dense, in-depth articles, punctuated by highlighted resources.

Developed by INT, in collaboration with graphic designer Alice Vodoz @alicevodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen). 

The sleek, elegant interface is based on a dotted grid that recalls both the magazine’s grid and the perforations in the film, offering a flexible structure in which the elements hang together without ever becoming fixed.

The layout plays on rhythm to highlight the text of the articles and their associated content: images and documents appear either in reduced format in the left margin to accompany the text, or in larger format between paragraphs to enliven the reading experience. They can be accessed in full screen mode thanks to an integrated viewer. An instant preview of footnotes is available on hovering over the page, while maintaining classic consultation at the end of the article.

The Archive Notes section highlights the various activities of the Cinémathèque suisse. A page dedicated to authors offers an alternative gateway to the magazine’s articles, with a biography of each contributor and direct access to their publications.
Multilingual management is sophisticated: the interface is available in three languages, but each article remains in its original language, with simplified filtering.
Designed as a flexible tool, the interface developed for the Cinémathèque suisse facilitates content integration. Authors directly import their text styles, which are automatically recreated in the CMS. Images, documents and videos are easily inserted.

Its name, Repérages, evokes the film by Michel Soutter (1977).

#cinema #journal #review #research #analysis #articles #website #webdesign #programming #ui #ux #digital #cinematheque #cinemathequesuisse #history #recherche #archive