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The Third Show, April 10

Siebzehntausend, Jülicher Straße 3, 13357 Berlin

The Third Show, April 10

Siebzehntausend, Jülicher Straße 3, 13357 Berlin

The Third Show, April 10

Siebzehntausend, Jülicher Straße 3, 13357 Berlin

The Third Show, April 10

Siebzehntausend, Jülicher Straße 3, 13357 Berlin

The Third Show, April 10

Siebzehntausend, Jülicher Straße 3, 13357 Berlin

The Third Show, April 10

Siebzehntausend, Jülicher Straße 3, 13357 Berlin

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…).

Excerpts from Oram Littoris Ultima Lego from Ilinca Fechete and Paula Eberle.

The book was presented during the graduation show at the academy of fine arts Munich, in room A.02_51 as part of the work.

@i_________________a @paulajjeberle

with contributions by: Ilinca Fechete, Paula Eberle, Robert Johnson, Valentina Triet, Ludwig Neumayr, Martin Huber, Shusaku Arakawa and Madeline Gins, Harun Farocki and Melike Kara.

Edited by: Ilinca Fechete and Paula Eberle. 
Graphic Design: Paula Eberle. 
Printed at the academy of fine arts, Munich and craft printing GmbH, Munich;
Published by Tausend Editionen.
First edition of four copies.

290 x 355 mm

70.5 Spreads
141 Pages
Igepa Magno gloss 90g
Römerturm Funktional gletscher matt 80g
Römerturm Funktional hoch weiss 80g
Salzer 70g
Inshu Kozu white 56g
Natural Calcium Carbonite silk tissue 21g
Unnamed drafting paper 40g
AMI Stonepaper 192g

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

My Culture

Rubaiyat, upholster, gelatin silver, Giclée print on silicone between acrylic and aluminium, pressured steel, formed stainless steel, stainless steel cutting dies, 17th century birchwood, soap, thesis, bees, 141 UV and Inkjet printed pages printed in brown and black on paper stock, and natural Calcium Carbonite silk tissue.

Opening Thursday, 05.02. 19:00 – 22:00
Closing Tuesday, 10.02. 14:00 – 20:00
Friday, Monday, Tuesday, 14:00 – 20:00
Saturday and Sunday, 12:00 – 20:00
+ by appointment

A.02_51
Altbau, 02. Etage
Akademiestraße 2 — 4, 80799, Munich

I will present a thesis and (the first) book directed/edited by @pollyinthehouse and I (perpendicular to the diploma magnus ultima opus).

1. The installation is executed as follows: I stage the cultural-historical genesis of the replacement of external observation by self-observation by presentation, as the gradual totalisation of the interior. The interior becomes a world within the world. 2. I respond with three presented axioms as positions with space and history.

The work looks like this:

12 pages, 6 spreads
141 pages, 70.5 spreads
A. Oram Littoris Ultima Lego
B. My Culture, positive conditioning
D. The Announciation to Anne
E. My Culture, negative conditioning
F. My shirt 1991
G. Bees, Foxes
axioms
/ˈaksiəm/

f = 50, representation
f = 100, presentation
f = 150

For Hammons

For Hammons

For Hammons

For Hammons

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

My Culture
Precursor @vaads.freeuni

Rubáiyát, graphite, laser print on Mondo Decal, aluminium foil, water on floor

Dimensions invariable
1/1

: In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.

GE, 2025

Leftfield Economy

2025
Gelatin silver, Giclée print on silicone between acrylic and aluminium

27 x 40,5 x 3,5 cm
1/1

From Ordo rerum
Image @michaelmoennich

Leftfield Economy

2025
Gelatin silver, Giclée print on silicone between acrylic and aluminium

27 x 40,5 x 3,5 cm
1/1

From Ordo rerum
Image @michaelmoennich

Ordo rerum — on view from 16.07. until 18.07.2025 at EAREAR | Sternstraße 20, 80538 München Lehel.

Opening: Wednesday 16.07.2025, 17:00 — 20:00
Closing: Friday 18.07.2025, 17:00 — 20:00

Open at all times.

Ordo rerum — on view from 16.07. until 18.07.2025 at EAREAR | Sternstraße 20, 80538 München Lehel.

Opening: Wednesday 16.07.2025, 17:00 — 20:00
Closing: Friday 18.07.2025, 17:00 — 20:00

Open at all times.