Instagram Story Save

Saturday, April 4 — DISAPPEAR HERE

Closing of Richard Vergez’s ‘Fragments of Disappearance’ and of our Little River space.

Join us from 5–9pm to raise a glass and say goodbye with sounds by Martin Zero.

|Last chance to visit us in this space|

“There’s a bit of magic in everything….. and then some loss to even things out.” — Lou Reed

Souvenir 1–5, 2026

Richard Vergez’s collage practice condensed into a series of intimate works, where fragments are assembled and sealed in wax. The surface becomes both archive and barrier, as the wax holds the image in place, while also softening and distorting it, creating a tension between preservation and disappearance.

Fragments of Disappearance, a solo exhibition by Richard Vergez, is on view through April 4.

We’ll be hosting a final gathering at our space in Little River this Saturday April 4th from 5-9PM with SOUNDS BY MARTIN ZERO.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Souvenir 1–5, 2026

Richard Vergez’s collage practice condensed into a series of intimate works, where fragments are assembled and sealed in wax. The surface becomes both archive and barrier, as the wax holds the image in place, while also softening and distorting it, creating a tension between preservation and disappearance.

Fragments of Disappearance, a solo exhibition by Richard Vergez, is on view through April 4.

We’ll be hosting a final gathering at our space in Little River this Saturday April 4th from 5-9PM with SOUNDS BY MARTIN ZERO.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Souvenir 1–5, 2026

Richard Vergez’s collage practice condensed into a series of intimate works, where fragments are assembled and sealed in wax. The surface becomes both archive and barrier, as the wax holds the image in place, while also softening and distorting it, creating a tension between preservation and disappearance.

Fragments of Disappearance, a solo exhibition by Richard Vergez, is on view through April 4.

We’ll be hosting a final gathering at our space in Little River this Saturday April 4th from 5-9PM with SOUNDS BY MARTIN ZERO.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Souvenir 1–5, 2026

Richard Vergez’s collage practice condensed into a series of intimate works, where fragments are assembled and sealed in wax. The surface becomes both archive and barrier, as the wax holds the image in place, while also softening and distorting it, creating a tension between preservation and disappearance.

Fragments of Disappearance, a solo exhibition by Richard Vergez, is on view through April 4.

We’ll be hosting a final gathering at our space in Little River this Saturday April 4th from 5-9PM with SOUNDS BY MARTIN ZERO.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Saturday, April 4th- DISAPPEAR HERE- Closing of exhibition and our Little River space. 


Hi,

As we enter the final days ofRichard Vergez’s ‘Fragments of Disappearance,’ we want to share an important transition.

This exhibition will be the last presented in our current space in Little River.

Over the past years, the gallery has held a series of exhibitions, performances, and conversations that have shaped what homework is today. They were not only meaningful to us, but to the multitude of artists we worked with, and to the local and global community that formed around the gallery.

The space functioned as a site of experimentation and collaboration….. yet it was something we’ve always understood as fluid rather than fixed.

As the conditions around us continue to shift, we see this moment as a natural closing of a chapter…. one that allows the program to move forward with intention.

You can’t control outcomes, you can only control inputs…. so, looking ahead, we aim to deepen our commitment to other experimental avenues that extend beyond a fixed spatial model… for the time being.

‘Fragments of Disappearance’ feels, in many ways, aligned with this transition. The exhibition considers impermanence, memory, and the unstable lives of objects over time……questions that now extend beyond the works themselves and into the life of the space.

We’ll be hosting a final gathering this Saturday April 4th from 5-9PM with SOUNDS BY MARTIN ZERO.

We hope you’ll spend time with us in the coming days as this chapter comes to a close.

Thanks to all who have supported us throughout our time in Little River.

More soon on what comes next.

love,

homework

“There’s a bit of magic in everything….. and then some loss to even things out.” — Lou Reed

Fragment 2 & Fragment 3, 2026

These works fold back into Richard Vergez’s practice, where nothing is truly left behind. Composed from discarded images once set aside in earlier collages, they carry a curatorial logic of return, fragments given a second life, not as remnants but as anchors. The compositions feel deliberate yet provisional, as if still shifting beneath the surface.

The structures themselves hold their own past. The wood, repurposed from a previous exhibition’s diorama, becomes both support and subject. Encased in resin, each element is fixed in place, suspended, preserved, sealed in time.

What emerges is a quiet convergence of cycles. Image, material, and memory move through phases of use, discard, and recovery. Here, they settle into a new form that holds all of those moments at once.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Fragment 2 & Fragment 3, 2026

These works fold back into Richard Vergez’s practice, where nothing is truly left behind. Composed from discarded images once set aside in earlier collages, they carry a curatorial logic of return, fragments given a second life, not as remnants but as anchors. The compositions feel deliberate yet provisional, as if still shifting beneath the surface.

The structures themselves hold their own past. The wood, repurposed from a previous exhibition’s diorama, becomes both support and subject. Encased in resin, each element is fixed in place, suspended, preserved, sealed in time.

What emerges is a quiet convergence of cycles. Image, material, and memory move through phases of use, discard, and recovery. Here, they settle into a new form that holds all of those moments at once.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Fragment 2 & Fragment 3, 2026

These works fold back into Richard Vergez’s practice, where nothing is truly left behind. Composed from discarded images once set aside in earlier collages, they carry a curatorial logic of return, fragments given a second life, not as remnants but as anchors. The compositions feel deliberate yet provisional, as if still shifting beneath the surface.

The structures themselves hold their own past. The wood, repurposed from a previous exhibition’s diorama, becomes both support and subject. Encased in resin, each element is fixed in place, suspended, preserved, sealed in time.

What emerges is a quiet convergence of cycles. Image, material, and memory move through phases of use, discard, and recovery. Here, they settle into a new form that holds all of those moments at once.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Fragment 2 & Fragment 3, 2026

These works fold back into Richard Vergez’s practice, where nothing is truly left behind. Composed from discarded images once set aside in earlier collages, they carry a curatorial logic of return, fragments given a second life, not as remnants but as anchors. The compositions feel deliberate yet provisional, as if still shifting beneath the surface.

The structures themselves hold their own past. The wood, repurposed from a previous exhibition’s diorama, becomes both support and subject. Encased in resin, each element is fixed in place, suspended, preserved, sealed in time.

What emerges is a quiet convergence of cycles. Image, material, and memory move through phases of use, discard, and recovery. Here, they settle into a new form that holds all of those moments at once.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Fragment 2 & Fragment 3, 2026

These works fold back into Richard Vergez’s practice, where nothing is truly left behind. Composed from discarded images once set aside in earlier collages, they carry a curatorial logic of return, fragments given a second life, not as remnants but as anchors. The compositions feel deliberate yet provisional, as if still shifting beneath the surface.

The structures themselves hold their own past. The wood, repurposed from a previous exhibition’s diorama, becomes both support and subject. Encased in resin, each element is fixed in place, suspended, preserved, sealed in time.

What emerges is a quiet convergence of cycles. Image, material, and memory move through phases of use, discard, and recovery. Here, they settle into a new form that holds all of those moments at once.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Ropa Vieja Night Market
Saturday, March 28 · 6–9pm

An evening activation at homework bringing together artists, vendors, and our extended community. A casual convergence of objects, gestures, and encounters that unfold in and around the space.

Featuring:
@noir_age @m.lo.2 @oly.irl @mysidia.vintage @new_sheriff and more….

Come thru..

A look back at ‘Parallels’

Parallels: A wired, intermedia event for three performers, projection, and prepared instruments. Watch what happens when a collage comes to life.

Performed by Richard Vergez with Marcela Loayza and Ana Mendez, alongside Richard’s ‘Fragments of Disappearance’ exhibition at homework.

Part of UNTITLED ART fair VIP Weekend in Miami.

Photos: Pati Laylle-Amsterdam

Disappear Here, 2026

A portal to a temporary universe of restful meditation and solitary sanctuary. Once inside, you are encouraged to have a seat and observe yourself in the mirror to a backdrop of special music and dim lighting. The sound you hear is a distorted interpretation of the gallery toilet flushing. Disappear Here.

Be sure to experience Richard Vergez’s solo exhibition Fragments of Disappearance, on view through April 4.

hours:
sunday-monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 AM–5 PM

install 📸 Brooke D’Avanzo

Disappear Here, 2026

A portal to a temporary universe of restful meditation and solitary sanctuary. Once inside, you are encouraged to have a seat and observe yourself in the mirror to a backdrop of special music and dim lighting. The sound you hear is a distorted interpretation of the gallery toilet flushing. Disappear Here.

Be sure to experience Richard Vergez’s solo exhibition Fragments of Disappearance, on view through April 4.

hours:
sunday-monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 AM–5 PM

install 📸 Brooke D’Avanzo

Disappear Here, 2026

A portal to a temporary universe of restful meditation and solitary sanctuary. Once inside, you are encouraged to have a seat and observe yourself in the mirror to a backdrop of special music and dim lighting. The sound you hear is a distorted interpretation of the gallery toilet flushing. Disappear Here.

Be sure to experience Richard Vergez’s solo exhibition Fragments of Disappearance, on view through April 4.

hours:
sunday-monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 AM–5 PM

install 📸 Brooke D’Avanzo

Playback, 2026

Playback is a self-referential, sculptural piece for obsolete machines. A reel-to-reel tape machine plays a recording of its own operation on a continuous tape loop suspended from the ceiling, using the attached radio as an amplifier. The sound documents the device’s mechanical labor, while the machine performs that same labor in real time rendering time as a physical loop and an object both archival and performative. The tape machine plays itself. Ingrained in the objects is the animism of their past owners.

Don’t miss Richard Vergez’s solo exhibition ‘Fragments of Disappearance,’ on view through April 4th.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Playback, 2026

Playback is a self-referential, sculptural piece for obsolete machines. A reel-to-reel tape machine plays a recording of its own operation on a continuous tape loop suspended from the ceiling, using the attached radio as an amplifier. The sound documents the device’s mechanical labor, while the machine performs that same labor in real time rendering time as a physical loop and an object both archival and performative. The tape machine plays itself. Ingrained in the objects is the animism of their past owners.

Don’t miss Richard Vergez’s solo exhibition ‘Fragments of Disappearance,’ on view through April 4th.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Playback, 2026

Playback is a self-referential, sculptural piece for obsolete machines. A reel-to-reel tape machine plays a recording of its own operation on a continuous tape loop suspended from the ceiling, using the attached radio as an amplifier. The sound documents the device’s mechanical labor, while the machine performs that same labor in real time rendering time as a physical loop and an object both archival and performative. The tape machine plays itself. Ingrained in the objects is the animism of their past owners.

Don’t miss Richard Vergez’s solo exhibition ‘Fragments of Disappearance,’ on view through April 4th.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Playback, 2026

Playback is a self-referential, sculptural piece for obsolete machines. A reel-to-reel tape machine plays a recording of its own operation on a continuous tape loop suspended from the ceiling, using the attached radio as an amplifier. The sound documents the device’s mechanical labor, while the machine performs that same labor in real time rendering time as a physical loop and an object both archival and performative. The tape machine plays itself. Ingrained in the objects is the animism of their past owners.

Don’t miss Richard Vergez’s solo exhibition ‘Fragments of Disappearance,’ on view through April 4th.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Playback, 2026

Playback is a self-referential, sculptural piece for obsolete machines. A reel-to-reel tape machine plays a recording of its own operation on a continuous tape loop suspended from the ceiling, using the attached radio as an amplifier. The sound documents the device’s mechanical labor, while the machine performs that same labor in real time rendering time as a physical loop and an object both archival and performative. The tape machine plays itself. Ingrained in the objects is the animism of their past owners.

Don’t miss Richard Vergez’s solo exhibition ‘Fragments of Disappearance,’ on view through April 4th.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Join us today, Sunday, March 15th, for Progressive Art Brunch 🥐

For this special edition, the Progressive Art Brunch community is pleased to partner with the Untitled Art fair during its VIP weekend. A chance to connect Miami galleries with a highly selective contemporary art fair.

From 11 AM – 4 PM, galleries across Miami open their doors for a relaxed Sunday of contemporary art, exhibitions, and community. Start anywhere and spend the afternoon exploring what’s on view across the city.

Come check out ‘Fragments of Disappearance’ Richard Vergez’s solo exhibition now on view at homework.

See you soon ☕️

Join us today, Sunday, March 15th, for Progressive Art Brunch 🥐

For this special edition, the Progressive Art Brunch community is pleased to partner with the Untitled Art fair during its VIP weekend. A chance to connect Miami galleries with a highly selective contemporary art fair.

From 11 AM – 4 PM, galleries across Miami open their doors for a relaxed Sunday of contemporary art, exhibitions, and community. Start anywhere and spend the afternoon exploring what’s on view across the city.

Come check out ‘Fragments of Disappearance’ Richard Vergez’s solo exhibition now on view at homework.

See you soon ☕️

Join us today, Sunday, March 15th, for Progressive Art Brunch 🥐

For this special edition, the Progressive Art Brunch community is pleased to partner with the Untitled Art fair during its VIP weekend. A chance to connect Miami galleries with a highly selective contemporary art fair.

From 11 AM – 4 PM, galleries across Miami open their doors for a relaxed Sunday of contemporary art, exhibitions, and community. Start anywhere and spend the afternoon exploring what’s on view across the city.

Come check out ‘Fragments of Disappearance’ Richard Vergez’s solo exhibition now on view at homework.

See you soon ☕️

Join us today, Sunday, March 15th, for Progressive Art Brunch 🥐

For this special edition, the Progressive Art Brunch community is pleased to partner with the Untitled Art fair during its VIP weekend. A chance to connect Miami galleries with a highly selective contemporary art fair.

From 11 AM – 4 PM, galleries across Miami open their doors for a relaxed Sunday of contemporary art, exhibitions, and community. Start anywhere and spend the afternoon exploring what’s on view across the city.

Come check out ‘Fragments of Disappearance’ Richard Vergez’s solo exhibition now on view at homework.

See you soon ☕️

Join us today, Sunday, March 15th, for Progressive Art Brunch 🥐

For this special edition, the Progressive Art Brunch community is pleased to partner with the Untitled Art fair during its VIP weekend. A chance to connect Miami galleries with a highly selective contemporary art fair.

From 11 AM – 4 PM, galleries across Miami open their doors for a relaxed Sunday of contemporary art, exhibitions, and community. Start anywhere and spend the afternoon exploring what’s on view across the city.

Come check out ‘Fragments of Disappearance’ Richard Vergez’s solo exhibition now on view at homework.

See you soon ☕️

Join us today, Sunday, March 15th, for Progressive Art Brunch 🥐

For this special edition, the Progressive Art Brunch community is pleased to partner with the Untitled Art fair during its VIP weekend. A chance to connect Miami galleries with a highly selective contemporary art fair.

From 11 AM – 4 PM, galleries across Miami open their doors for a relaxed Sunday of contemporary art, exhibitions, and community. Start anywhere and spend the afternoon exploring what’s on view across the city.

Come check out ‘Fragments of Disappearance’ Richard Vergez’s solo exhibition now on view at homework.

See you soon ☕️

Acquisition Alert 🚨

We’re thrilled to share that the NSU Art Museum Fort Lauderdale (@nsuartmuseum) has acquired ‘The Redeemer’ by Roscoè B. Thické III.

The work was first presented at homework’s booth during UNTITLED ART fair this past Miami Art Week, and seeing it find a permanent home in the NSU Art Museum collection makes the moment even more special.

Thank you to everyone who helped bring this moment together.

Acquisition Alert 🚨

We’re thrilled to share that the NSU Art Museum Fort Lauderdale (@nsuartmuseum) has acquired ‘The Redeemer’ by Roscoè B. Thické III.

The work was first presented at homework’s booth during UNTITLED ART fair this past Miami Art Week, and seeing it find a permanent home in the NSU Art Museum collection makes the moment even more special.

Thank you to everyone who helped bring this moment together.

Acquisition Alert 🚨

We’re thrilled to share that the NSU Art Museum Fort Lauderdale (@nsuartmuseum) has acquired ‘The Redeemer’ by Roscoè B. Thické III.

The work was first presented at homework’s booth during UNTITLED ART fair this past Miami Art Week, and seeing it find a permanent home in the NSU Art Museum collection makes the moment even more special.

Thank you to everyone who helped bring this moment together.

Acquisition Alert 🚨

We’re thrilled to share that the NSU Art Museum Fort Lauderdale (@nsuartmuseum) has acquired ‘The Redeemer’ by Roscoè B. Thické III.

The work was first presented at homework’s booth during UNTITLED ART fair this past Miami Art Week, and seeing it find a permanent home in the NSU Art Museum collection makes the moment even more special.

Thank you to everyone who helped bring this moment together.

Acquisition Alert 🚨

We’re thrilled to share that the NSU Art Museum Fort Lauderdale (@nsuartmuseum) has acquired ‘The Redeemer’ by Roscoè B. Thické III.

The work was first presented at homework’s booth during UNTITLED ART fair this past Miami Art Week, and seeing it find a permanent home in the NSU Art Museum collection makes the moment even more special.

Thank you to everyone who helped bring this moment together.

Acquisition Alert 🚨

We’re thrilled to share that the NSU Art Museum Fort Lauderdale (@nsuartmuseum) has acquired ‘The Redeemer’ by Roscoè B. Thické III.

The work was first presented at homework’s booth during UNTITLED ART fair this past Miami Art Week, and seeing it find a permanent home in the NSU Art Museum collection makes the moment even more special.

Thank you to everyone who helped bring this moment together.

Join us this Saturday for Parallels; A wired, intermedia event for three performers, projection, and prepared instruments @homework.gallery with @m.lo.2 and Ana Mendez. Doors at 7pm, performance begins at sundown 🔮 🌙

Join us this Saturday for Parallels; A wired, intermedia event for three performers, projection, and prepared instruments @homework.gallery with @m.lo.2 and Ana Mendez. Doors at 7pm, performance begins at sundown 🔮 🌙

Join us this Saturday for Parallels; A wired, intermedia event for three performers, projection, and prepared instruments @homework.gallery with @m.lo.2 and Ana Mendez. Doors at 7pm, performance begins at sundown 🔮 🌙

Collage Wall, 2026

This wall presents a selection from Richard Vergez’s ongoing collage practice, a daily discipline he often describes as “painting with images.” Working with archival source material, Vergez assembles fragments of human figures, technological elements, and graphic forms into compositions that balance density with restraint. His distinct visual language makes clever use of negative space, allowing each collage to breathe while guiding the viewer through layered narratives about memory, media, and modern identity.

Installed together, the works form a shifting visual field. Each collage is individually available for purchase and replaced as it is acquired, allowing the wall to function as a living, evolving installation that gradually changes over the course of the exhibition.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Collage Wall, 2026

This wall presents a selection from Richard Vergez’s ongoing collage practice, a daily discipline he often describes as “painting with images.” Working with archival source material, Vergez assembles fragments of human figures, technological elements, and graphic forms into compositions that balance density with restraint. His distinct visual language makes clever use of negative space, allowing each collage to breathe while guiding the viewer through layered narratives about memory, media, and modern identity.

Installed together, the works form a shifting visual field. Each collage is individually available for purchase and replaced as it is acquired, allowing the wall to function as a living, evolving installation that gradually changes over the course of the exhibition.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo

Collage Wall, 2026

This wall presents a selection from Richard Vergez’s ongoing collage practice, a daily discipline he often describes as “painting with images.” Working with archival source material, Vergez assembles fragments of human figures, technological elements, and graphic forms into compositions that balance density with restraint. His distinct visual language makes clever use of negative space, allowing each collage to breathe while guiding the viewer through layered narratives about memory, media, and modern identity.

Installed together, the works form a shifting visual field. Each collage is individually available for purchase and replaced as it is acquired, allowing the wall to function as a living, evolving installation that gradually changes over the course of the exhibition.

Richard Vergez’s solo exhibition Fragments of Disappearance is on view through April 4.

hours:
sunday–monday: by appointment
tuesday: 11 AM–6 PM
wednesday: 11 AM–6 PM
thursday: 11 AM–6 PM
friday: 11 AM–6 PM
saturday: 12 PM–5 PM

install 📸 Brooke D’Avanzo