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A few stills from a lovely little ad I shot this month for @courvoisier x @sianeastmentwilliams

Happy Holidays ya'll💫

A few stills from a lovely little ad I shot this month for @courvoisier x @sianeastmentwilliams

Happy Holidays ya'll💫

A few stills from a lovely little ad I shot this month for @courvoisier x @sianeastmentwilliams

Happy Holidays ya'll💫

A few stills from a lovely little ad I shot this month for @courvoisier x @sianeastmentwilliams

Happy Holidays ya'll💫

A few stills from a lovely little ad I shot this month for @courvoisier x @sianeastmentwilliams

Happy Holidays ya'll💫

A few stills from a lovely little ad I shot this month for @courvoisier x @sianeastmentwilliams

Happy Holidays ya'll💫

A few stills from a lovely little ad I shot this month for @courvoisier x @sianeastmentwilliams

Happy Holidays ya'll💫

A couple of my favourite frames from a short I shot last year - 'Turing'

Voice Over - Sir. Stephen Fry
Writer / Producer - Jeremiah Quinn
Executive Producer - Ginny Allende
Director - Sophie Jayne Doyle
Director of Photography - 💁‍♀️
Costume / Production Designer - Maisie Drewery Harris
Editor / DIT - Stephen Pilling
Colourist - Sam Seddon

Turing - Simon Penicott
Sergeant Baxter - Alex Barker
Desk Sergeant - Jim Turner

Assistant Director - John Paul Quinlan
Camera Assistant - Tibyan Mahawah Sanoh
Gaffer - Shaun Elliott
Lighting Tech (Spark) - James Kirk
Key Grip - Kevin McCaffery
Foley/ Sound Mixer - Lee Armsden
Location Manager - Janette Jones
Post Production Assistant - Alex Jeal

Thanks - Sean Henderson, University of Salford
Special Thanks - Chris Chadwick, Steve Bailey,
Headspace Bolton (supported through the Health Lottery, People's Health Trust, Greater Manchester Combined Authority, Community Fund)

Format - 4k Digital (Red Komodo w/Mavo Cinema Lenses)

A couple of my favourite frames from a short I shot last year - 'Turing'

Voice Over - Sir. Stephen Fry
Writer / Producer - Jeremiah Quinn
Executive Producer - Ginny Allende
Director - Sophie Jayne Doyle
Director of Photography - 💁‍♀️
Costume / Production Designer - Maisie Drewery Harris
Editor / DIT - Stephen Pilling
Colourist - Sam Seddon

Turing - Simon Penicott
Sergeant Baxter - Alex Barker
Desk Sergeant - Jim Turner

Assistant Director - John Paul Quinlan
Camera Assistant - Tibyan Mahawah Sanoh
Gaffer - Shaun Elliott
Lighting Tech (Spark) - James Kirk
Key Grip - Kevin McCaffery
Foley/ Sound Mixer - Lee Armsden
Location Manager - Janette Jones
Post Production Assistant - Alex Jeal

Thanks - Sean Henderson, University of Salford
Special Thanks - Chris Chadwick, Steve Bailey,
Headspace Bolton (supported through the Health Lottery, People's Health Trust, Greater Manchester Combined Authority, Community Fund)

Format - 4k Digital (Red Komodo w/Mavo Cinema Lenses)

A couple of my favourite frames from a short I shot last year - 'Turing'

Voice Over - Sir. Stephen Fry
Writer / Producer - Jeremiah Quinn
Executive Producer - Ginny Allende
Director - Sophie Jayne Doyle
Director of Photography - 💁‍♀️
Costume / Production Designer - Maisie Drewery Harris
Editor / DIT - Stephen Pilling
Colourist - Sam Seddon

Turing - Simon Penicott
Sergeant Baxter - Alex Barker
Desk Sergeant - Jim Turner

Assistant Director - John Paul Quinlan
Camera Assistant - Tibyan Mahawah Sanoh
Gaffer - Shaun Elliott
Lighting Tech (Spark) - James Kirk
Key Grip - Kevin McCaffery
Foley/ Sound Mixer - Lee Armsden
Location Manager - Janette Jones
Post Production Assistant - Alex Jeal

Thanks - Sean Henderson, University of Salford
Special Thanks - Chris Chadwick, Steve Bailey,
Headspace Bolton (supported through the Health Lottery, People's Health Trust, Greater Manchester Combined Authority, Community Fund)

Format - 4k Digital (Red Komodo w/Mavo Cinema Lenses)

A couple of my favourite frames from a short I shot last year - 'Turing'

Voice Over - Sir. Stephen Fry
Writer / Producer - Jeremiah Quinn
Executive Producer - Ginny Allende
Director - Sophie Jayne Doyle
Director of Photography - 💁‍♀️
Costume / Production Designer - Maisie Drewery Harris
Editor / DIT - Stephen Pilling
Colourist - Sam Seddon

Turing - Simon Penicott
Sergeant Baxter - Alex Barker
Desk Sergeant - Jim Turner

Assistant Director - John Paul Quinlan
Camera Assistant - Tibyan Mahawah Sanoh
Gaffer - Shaun Elliott
Lighting Tech (Spark) - James Kirk
Key Grip - Kevin McCaffery
Foley/ Sound Mixer - Lee Armsden
Location Manager - Janette Jones
Post Production Assistant - Alex Jeal

Thanks - Sean Henderson, University of Salford
Special Thanks - Chris Chadwick, Steve Bailey,
Headspace Bolton (supported through the Health Lottery, People's Health Trust, Greater Manchester Combined Authority, Community Fund)

Format - 4k Digital (Red Komodo w/Mavo Cinema Lenses)

A couple of my favourite frames from a short I shot last year - 'Turing'

Voice Over - Sir. Stephen Fry
Writer / Producer - Jeremiah Quinn
Executive Producer - Ginny Allende
Director - Sophie Jayne Doyle
Director of Photography - 💁‍♀️
Costume / Production Designer - Maisie Drewery Harris
Editor / DIT - Stephen Pilling
Colourist - Sam Seddon

Turing - Simon Penicott
Sergeant Baxter - Alex Barker
Desk Sergeant - Jim Turner

Assistant Director - John Paul Quinlan
Camera Assistant - Tibyan Mahawah Sanoh
Gaffer - Shaun Elliott
Lighting Tech (Spark) - James Kirk
Key Grip - Kevin McCaffery
Foley/ Sound Mixer - Lee Armsden
Location Manager - Janette Jones
Post Production Assistant - Alex Jeal

Thanks - Sean Henderson, University of Salford
Special Thanks - Chris Chadwick, Steve Bailey,
Headspace Bolton (supported through the Health Lottery, People's Health Trust, Greater Manchester Combined Authority, Community Fund)

Format - 4k Digital (Red Komodo w/Mavo Cinema Lenses)

IM NOT SURE - LINTD (Directed by Tibyan Mahawah Sanoh)

@sickoflintd
Directed by @tibyansanoh
DOP @hillaurious
Body Percussionist & tap dancer @imanijendai
Production House @54.agency
Cast @imanijendai and Frances.
Additional Music Production @porter_brook__

Supported by Manchester Independents, Head ii and The White Hotel.

Premiered LIVE at The Black Impossible, in Salford.

@head__ii
@m3_7lw

CELLULOID directing 16mm, 2026
@nw_shootfilm @salford_celluloid_centre

@hillaurious
@stevenwyattdop
@ljsprod
@toms_camera_adventures

Incredible team

@scoutstuart @martela_rosataboada @hellotouf @_absrd_
& Nan Moore.

Core cinematography principles using 16mm
Film gauge, lenses, field of view & visual behaviour
Light meter training & lighting for film
Loading, operating & focus pulling on the ARRI SR3
Lab workflow, labels, logs & test-shoot procedures
Designing and executing camera tests

@kodak_shootfilm

The SCCE team takes the @bscine expo.

Thanks so much again @mkv.ar for having us, we had a blast y’all!

Caught up with old friends, made new ones. So many exciting projects in the works we can’t wait to share with everyone, film foreverrrrrr 🎞️🥰

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

Wow ya’ll we had the most incredible time @nwfilmarchive. Thanks to @abbiejbrennan for showing us all about how they preserve and share over 60,000 items of film and video made in / and about the North for public and educational use. The archive is so cool - we fell in love with a prolific amatuer filmmaker who shot 9mm up until the 2000s and old BBC newsreel programmes and square tins. And specifically my NW dops - did you know that you can deposit your neg at the archive to be stored in the most professionally maintained archival cold vaults?? They don’t ask for copyright to be transferred to them and can usually offer a digital copy of your material free of charge. As real film up north blossoms your work can be a part of history.

A lil snippet of the SCCE launch event shot by legends @celiaxbennett and @joshhcamera on the Eclair NPR. Super 8 drop pending 🎞️

Do you want to learn how to shoot 16mm entirely from scratch? Four day 0-100 short course, 23rd-26th of Feb in our Newton studios, now available to book via the pipeline website - link in bio.

Come shoot our next event 😎

A few years ago I became determined to get my hands on a 65mm camera - we had the budget - we wanted to teach highly skilled industry camera teams the format - but Steve and I just couldn’t gain access. In a moment of frustration and utter defeat I photoshopped steve and I with 65mm cameras and made a folder on my desktop labeled 65mm dreams.

Today our article on @britishcinematographer magazine is out talking about our journey with Logmar and publishing our first test rushes with full exposure notes. (Link in bio)

We hope to shoot more - share our findings - and get tons more folks hands on with this camera. So much more coming soon 🩵🎞️ ( and to those camera folks I am 2 years overdue in delivering 65mm training - I will finally deliver this to you! )

This wouldn’t be possible without @kodak_shootfilm @digital_orchard film team @the_filmlab_guy @danredrup @whitepoint_optics @lib.byy_and so many friends and fam who live film and generosity. Thanks for making my dreams come true.

Endless appreciation for my partner in crime at every step of the way @stevenwyattdop

A few years ago I became determined to get my hands on a 65mm camera - we had the budget - we wanted to teach highly skilled industry camera teams the format - but Steve and I just couldn’t gain access. In a moment of frustration and utter defeat I photoshopped steve and I with 65mm cameras and made a folder on my desktop labeled 65mm dreams.

Today our article on @britishcinematographer magazine is out talking about our journey with Logmar and publishing our first test rushes with full exposure notes. (Link in bio)

We hope to shoot more - share our findings - and get tons more folks hands on with this camera. So much more coming soon 🩵🎞️ ( and to those camera folks I am 2 years overdue in delivering 65mm training - I will finally deliver this to you! )

This wouldn’t be possible without @kodak_shootfilm @digital_orchard film team @the_filmlab_guy @danredrup @whitepoint_optics @lib.byy_and so many friends and fam who live film and generosity. Thanks for making my dreams come true.

Endless appreciation for my partner in crime at every step of the way @stevenwyattdop

A few years ago I became determined to get my hands on a 65mm camera - we had the budget - we wanted to teach highly skilled industry camera teams the format - but Steve and I just couldn’t gain access. In a moment of frustration and utter defeat I photoshopped steve and I with 65mm cameras and made a folder on my desktop labeled 65mm dreams.

Today our article on @britishcinematographer magazine is out talking about our journey with Logmar and publishing our first test rushes with full exposure notes. (Link in bio)

We hope to shoot more - share our findings - and get tons more folks hands on with this camera. So much more coming soon 🩵🎞️ ( and to those camera folks I am 2 years overdue in delivering 65mm training - I will finally deliver this to you! )

This wouldn’t be possible without @kodak_shootfilm @digital_orchard film team @the_filmlab_guy @danredrup @whitepoint_optics @lib.byy_and so many friends and fam who live film and generosity. Thanks for making my dreams come true.

Endless appreciation for my partner in crime at every step of the way @stevenwyattdop

A few years ago I became determined to get my hands on a 65mm camera - we had the budget - we wanted to teach highly skilled industry camera teams the format - but Steve and I just couldn’t gain access. In a moment of frustration and utter defeat I photoshopped steve and I with 65mm cameras and made a folder on my desktop labeled 65mm dreams.

Today our article on @britishcinematographer magazine is out talking about our journey with Logmar and publishing our first test rushes with full exposure notes. (Link in bio)

We hope to shoot more - share our findings - and get tons more folks hands on with this camera. So much more coming soon 🩵🎞️ ( and to those camera folks I am 2 years overdue in delivering 65mm training - I will finally deliver this to you! )

This wouldn’t be possible without @kodak_shootfilm @digital_orchard film team @the_filmlab_guy @danredrup @whitepoint_optics @lib.byy_and so many friends and fam who live film and generosity. Thanks for making my dreams come true.

Endless appreciation for my partner in crime at every step of the way @stevenwyattdop

A few years ago I became determined to get my hands on a 65mm camera - we had the budget - we wanted to teach highly skilled industry camera teams the format - but Steve and I just couldn’t gain access. In a moment of frustration and utter defeat I photoshopped steve and I with 65mm cameras and made a folder on my desktop labeled 65mm dreams.

Today our article on @britishcinematographer magazine is out talking about our journey with Logmar and publishing our first test rushes with full exposure notes. (Link in bio)

We hope to shoot more - share our findings - and get tons more folks hands on with this camera. So much more coming soon 🩵🎞️ ( and to those camera folks I am 2 years overdue in delivering 65mm training - I will finally deliver this to you! )

This wouldn’t be possible without @kodak_shootfilm @digital_orchard film team @the_filmlab_guy @danredrup @whitepoint_optics @lib.byy_and so many friends and fam who live film and generosity. Thanks for making my dreams come true.

Endless appreciation for my partner in crime at every step of the way @stevenwyattdop

Lawn mower racing, flight simulation summer

Lawn mower racing, flight simulation summer

Lawn mower racing, flight simulation summer

Lawn mower racing, flight simulation summer

Lawn mower racing, flight simulation summer

Lawn mower racing, flight simulation summer

Lawn mower racing, flight simulation summer

🦌 Nara & Miyajima 🦌

🦌 Nara & Miyajima 🦌

🦌 Nara & Miyajima 🦌

🦌 Nara & Miyajima 🦌

🦌 Nara & Miyajima 🦌

🦌 Nara & Miyajima 🦌

🦌 Nara & Miyajima 🦌

🦌 Nara & Miyajima 🦌

Tokyo 2025 🍣

Tokyo 2025 🍣

Tokyo 2025 🍣

Tokyo 2025 🍣

Tokyo 2025 🍣

Tokyo 2025 🍣

Tokyo 2025 🍣

Tokyo 2025 🍣

Tokyo 2025 🍣