Instagram Story Save

Printing Black America: Du Bois’s Data Portraits in the 21st Century. The complete collection is made up of 6 portfolios each made at a different print studio across the U.S.

This is Portfolio Two: Populations by @powerhouse_arts in Brooklyn, NY. It includes a title page with the PHA colophon. Followed by 5 prints on Black life in the 21st Century. “City, Suburban, Rural Population”, “Amalgamation of the Black Race with Other Races”, “Distribution of Black Americans in the United States”, “Black Elected Officials Representing Brooklyn” and ”Visualizando La Afrodignidad: Skin Color & Race in Puerto Rico”

All 30 prints are on view at @bklynlibrary Central Library now until May 31. Complete collections and individual portfolios are available this weekend at Brooklyn Fine Arts Print Fair @powerhouse_arts Printshop and @mullowneyprinting or IFPDA Fair @highpointeditions @graphicstudiousf @paulsonfontainepress

The project is also available @islandpress

Happy Friday from the IFPDA Print Fair!

Stop by and see us at Booth C33
Friday 11-7pm
Saturday 11-7pm
Sunday 11-6pm

Happy Friday from the IFPDA Print Fair!

Stop by and see us at Booth C33
Friday 11-7pm
Saturday 11-7pm
Sunday 11-6pm

Happy Friday from the IFPDA Print Fair!

Stop by and see us at Booth C33
Friday 11-7pm
Saturday 11-7pm
Sunday 11-6pm

Printing Black America: Du Bois’s Data Portraits in the 21st Century is on view @bklynlibrary Central Library now until May 31. The complete collection is made up of 6 portfolios each made at a different print studio.

Video Features:
The complete collection starts with Portfolio One: “First Impressions”published by @graphicstudiousf

It includes a table of contents with the 6 print studio colophon, Forward by @nellpainter Acknowledgements and the poem “Madam and the Census Man” by Langston Hughes.

Followed by 5 prints on Black life in the 21st Century. “Black Migration 1/2”, Black Migration 2/2”, “Increase of the Black Population in the United States”, “Black Homeowners in the States and Territories of the U.S.”, and “Employment by Race, Industry, Highlighting Innovative Industries”

The project is available this weekend at Brooklyn Fine Arts Print Fair @powerhouse_arts Printshop and @mullowneyprinting or IFPDA Fair @highpointeditions

Our other partners:
@graphicstudiousf @paulsonfontainepress @islandpress

We're returning to the Park Avenue Armory next week for the IFPDA Print Fair! Join us from April 9-12 to see new publications from Adebunmi Gbadebo, Nicola López, Andrea Carlson, and William Villalongo & Shraddha Ramani. Link in our bio to get tickets and see our Booth Preview.

New Release: Periwinkle by Adebunmi Gbadebo

The making of the print mirrored the depth of its meaning. Pushing materiality further than ever before was not just a challenge but a necessity, and one of the many reasons Highpoint was drawn to working with Gbadebo. To screenprint with soil, Highpoint sourced an industrial spice grinder to mill the red clay finely enough to pass through the mesh of a screen, only to discover a second, unexpected hurdle. Left untreated, the soil began to grow organic material. Baking it became essential, a lesson learned through experimentation rather than instruction. That trial and error process, full of surprises, setbacks, and discoveries, became part of the work’s DNA. The result is a print that feels as intentional as it is elemental, carrying the physical, historical, and emotional weight of the site it comes from. Periwinkle exemplifies a work where land, memory, and material speak together.

Learn more about the print at the link in our bio!

New Release: Periwinkle by Adebunmi Gbadebo

The making of the print mirrored the depth of its meaning. Pushing materiality further than ever before was not just a challenge but a necessity, and one of the many reasons Highpoint was drawn to working with Gbadebo. To screenprint with soil, Highpoint sourced an industrial spice grinder to mill the red clay finely enough to pass through the mesh of a screen, only to discover a second, unexpected hurdle. Left untreated, the soil began to grow organic material. Baking it became essential, a lesson learned through experimentation rather than instruction. That trial and error process, full of surprises, setbacks, and discoveries, became part of the work’s DNA. The result is a print that feels as intentional as it is elemental, carrying the physical, historical, and emotional weight of the site it comes from. Periwinkle exemplifies a work where land, memory, and material speak together.

Learn more about the print at the link in our bio!

New Release: Periwinkle by Adebunmi Gbadebo

The making of the print mirrored the depth of its meaning. Pushing materiality further than ever before was not just a challenge but a necessity, and one of the many reasons Highpoint was drawn to working with Gbadebo. To screenprint with soil, Highpoint sourced an industrial spice grinder to mill the red clay finely enough to pass through the mesh of a screen, only to discover a second, unexpected hurdle. Left untreated, the soil began to grow organic material. Baking it became essential, a lesson learned through experimentation rather than instruction. That trial and error process, full of surprises, setbacks, and discoveries, became part of the work’s DNA. The result is a print that feels as intentional as it is elemental, carrying the physical, historical, and emotional weight of the site it comes from. Periwinkle exemplifies a work where land, memory, and material speak together.

Learn more about the print at the link in our bio!

New Release: Periwinkle by Adebunmi Gbadebo

The making of the print mirrored the depth of its meaning. Pushing materiality further than ever before was not just a challenge but a necessity, and one of the many reasons Highpoint was drawn to working with Gbadebo. To screenprint with soil, Highpoint sourced an industrial spice grinder to mill the red clay finely enough to pass through the mesh of a screen, only to discover a second, unexpected hurdle. Left untreated, the soil began to grow organic material. Baking it became essential, a lesson learned through experimentation rather than instruction. That trial and error process, full of surprises, setbacks, and discoveries, became part of the work’s DNA. The result is a print that feels as intentional as it is elemental, carrying the physical, historical, and emotional weight of the site it comes from. Periwinkle exemplifies a work where land, memory, and material speak together.

Learn more about the print at the link in our bio!

Highpoint Editions is honored to release Periwinkle, a new print by artist Adebunmi Gbadebo. This new print combining cyanotype, screenprint, and lithograph pushes the materiality of contemporary print by incorporating hand gathered soil and raw indigo to create an image where land, memory, and material speak together.

Click the link in our bio to learn more about the process and inquire for availability.

Adebunmi Gbadebo
Periwinkle, 2026
Cyanotype, screenprint with handmade inks, lithograph, and collage
Edition of 20
29.5 x 44.5 inches unframed
$4,200

This print will be on display at the IFPDA Print Fair in New York from April 9-12!

Price subject to change as impressions sell

Releasing today! Adebunmi Gbadebo's new print with Highpoint Editions pushes the materiality of contemporary print by incorporating hand gathered soil and raw indigo to create an image where land, memory, and material speak together. 

Stay tuned here for more info!

Help us celebrate and welcome Niall Bingham, Highpoint Editions’ new Lead Printer! Join us for an informal talk, where Niall will share about his artistic background and walk us through examples of prints he’s created throughout his career. Come get to know the artist and printer behind the press!

When: Tuesday, March 24 | 6–7 pm at Highpoint
Free event | RSVP at the link in our bio

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

Highpoint Editions, along with five print publishers across the country, artist William Villalongo, and urbanist Shraddha Ramani, announced today the release of Printing Black America: Du Bois’s Data Portraits in the 21st Century. Villalongo and Ramani collaborated with these six publishers to reinterpret the historic data portraits created by W. E. B. Du Bois, using both national and locally-sourced contemporary data.

Printing Black America is structured as six themed portfolios, each containing five prints produced in editions of 20. Together, the full project includes all six portfolios, totaling 30 prints. Portfolio Four: Ownership, published by Highpoint Editions, updates and reimagines 5 original Du Bois data portraits and focuses on aspects of Black proprietorship offering insights into the wealth gap between Black Americans and others as well as concerns of ownership local to the Twin Cities.

Alongside Highpoint Editions’ Ownership portfolio, additional printmaking partners and themes include: USF Graphicstudio in Tampa, Florida (Portfolio One: First Impressions); Powerhouse Arts in Brooklyn, New York (Portfolio Two: Populations); Island Press in St. Louis, Missouri (Portfolio Three: Employment); Mullowney Printing Company in Portland, Oregon (Portfolio Five: Education); and Paulson Fontaine Press in Berkeley, California (Portfolio Six: Communities).

Scroll through and click the link in our bio to see all 5 of our prints from Printing Black America!

It's officially here! Printing Black America: Du Bois's Data Portraits in the 21st Century is now available.

Inspired by the groundbreaking data visualizations of W.E.B. Du Bois from the 1900 Paris Exposition world's fair, this project reimagines his revolutionary work through contemporary printmaking and current data.

This release represents a historic collaboration between artist William Villalongo, urbanist Shraddha Ramani, and 6 print publishers across the US including USF Graphicstudio, Powerhouse Arts, Island Press, Highpoint Editions, Mullowney Printing Company, and Paulson Fontaine Press.

Printing Black America is now available as six thematic portfolios published in editions of 20. Each portfolio holds 5 prints. Topics covered are First Impressions, Populations, Employment, Ownership, Education, and Communities. The complete project collection includes all 6 thematic portfolios for a total of 30 prints. Inquire on each shop's individual portfolios or the full set at the link in our bio!

We're gearing up for a big release! Keep your eye on our page this Saturday, March 7th for the release of Printing Black America: Du Bois's Data Portraits in the 21st Century. This monumental collaboration brought together artist William Villalongo, urbanist Shraddha Ramani, and 6 print publishers from across the country to visualize current local and national data on Black life in the 21st Century inspired by Du Bois's work from the 1900 Paris Exposition world's fair. More info soon!

@wvillalongo @susaninglettgallery @graphicstudiofl @powerhouse_arts @islandpress @mullowneyprinting @paulsonfontainepress

We're gearing up for a big release! Keep your eye on our page this Saturday, March 7th for the release of Printing Black America: Du Bois's Data Portraits in the 21st Century. This monumental collaboration brought together artist William Villalongo, urbanist Shraddha Ramani, and 6 print publishers from across the country to visualize current local and national data on Black life in the 21st Century inspired by Du Bois's work from the 1900 Paris Exposition world's fair. More info soon!

@wvillalongo @susaninglettgallery @graphicstudiofl @powerhouse_arts @islandpress @mullowneyprinting @paulsonfontainepress

We're gearing up for a big release! Keep your eye on our page this Saturday, March 7th for the release of Printing Black America: Du Bois's Data Portraits in the 21st Century. This monumental collaboration brought together artist William Villalongo, urbanist Shraddha Ramani, and 6 print publishers from across the country to visualize current local and national data on Black life in the 21st Century inspired by Du Bois's work from the 1900 Paris Exposition world's fair. More info soon!

@wvillalongo @susaninglettgallery @graphicstudiofl @powerhouse_arts @islandpress @mullowneyprinting @paulsonfontainepress

We're gearing up for a big release! Keep your eye on our page this Saturday, March 7th for the release of Printing Black America: Du Bois's Data Portraits in the 21st Century. This monumental collaboration brought together artist William Villalongo, urbanist Shraddha Ramani, and 6 print publishers from across the country to visualize current local and national data on Black life in the 21st Century inspired by Du Bois's work from the 1900 Paris Exposition world's fair. More info soon!

@wvillalongo @susaninglettgallery @graphicstudiofl @powerhouse_arts @islandpress @mullowneyprinting @paulsonfontainepress

We’re thrilled to welcome Niall Bingham as Lead Printer of Highpoint Editions!

Joining us from Zaragoza, Spain, Niall brings more than 20 years of experience across lithography, intaglio, relief, and screenprinting. He has worked in leading workshops around the world — including David Krut Projects in South Africa and Atelier le Grand Village in France — collaborating on editions with artists such as William Kentridge, Diane Victor, and Dalila Dalléas, among many others.

Niall’s arrival marks an exciting evolution as we move into a co-leadership model for our publishing studio alongside Lead Printer Zac Adams-Bliss and Lead Printer-in-Residence Judith Baumann.

Join us for a meet and greet on March 24, from 6-7 pm at Highpoint to connect and learn more about Niall. We’re excited for you help welcome him to Highpoint!

Learn more and RSVP at our link in bio.