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hexpartner
𝕳𝖊𝖝𝖕𝖆𝖗𝖙𝖓𝖊𝖗
Synthesist, strings, & sometimes VJ
in Austin, TX
A quick April snapshot 📸📸
What a month. Three incredible events, an army of talented humans, and so much music made right here in #Austin. Swipe to relive some of our April events 👈⬅️
🔊 Quad Quad — Four composers, two pedal steel guitars, one quadraphonic sound world, premiering at @fuseboxlive festival at dadaLab. HUGE THANK YOU to @kyleellisevans and @dadalab.io, @hexpartner, @aida.shirazi.composer, @grahamreynoldsmusic, Ricky Davis + @bobhoffnar, Ron Berry, and the entire Fusebox team. What a world premiere 🎉
🌳 Music for Trees — @Jzcello + @grahamreynoldsmusic at @contemporaryatx—Laguna Gloria, an intimate, immersive performance in the sculpture garden as part of Fusebox Festival. Thank you to The Contemporary, @parkerstevesounds/@collidearts, @acapareda, Emmy, all the supporters for this project— especially Harvey and Kathleen Guion for making this one possible.
🌟 YCC Concert No. 11 — 20 world premieres, composed, produced, and performed entirely by our students at @KMFAclassical. We are so proud of every single one of them. Thank you to KMFA, @felipeperezsantiago, our incredible mentors and players, and everyone who showed up to support these young composers.
STAY IN TOUCH! 💛 Link in bio to learn more about us and what’s coming up ⬆️
#goldenhornet
A quick April snapshot 📸📸
What a month. Three incredible events, an army of talented humans, and so much music made right here in #Austin. Swipe to relive some of our April events 👈⬅️
🔊 Quad Quad — Four composers, two pedal steel guitars, one quadraphonic sound world, premiering at @fuseboxlive festival at dadaLab. HUGE THANK YOU to @kyleellisevans and @dadalab.io, @hexpartner, @aida.shirazi.composer, @grahamreynoldsmusic, Ricky Davis + @bobhoffnar, Ron Berry, and the entire Fusebox team. What a world premiere 🎉
🌳 Music for Trees — @Jzcello + @grahamreynoldsmusic at @contemporaryatx—Laguna Gloria, an intimate, immersive performance in the sculpture garden as part of Fusebox Festival. Thank you to The Contemporary, @parkerstevesounds/@collidearts, @acapareda, Emmy, all the supporters for this project— especially Harvey and Kathleen Guion for making this one possible.
🌟 YCC Concert No. 11 — 20 world premieres, composed, produced, and performed entirely by our students at @KMFAclassical. We are so proud of every single one of them. Thank you to KMFA, @felipeperezsantiago, our incredible mentors and players, and everyone who showed up to support these young composers.
STAY IN TOUCH! 💛 Link in bio to learn more about us and what’s coming up ⬆️
#goldenhornet
A quick April snapshot 📸📸
What a month. Three incredible events, an army of talented humans, and so much music made right here in #Austin. Swipe to relive some of our April events 👈⬅️
🔊 Quad Quad — Four composers, two pedal steel guitars, one quadraphonic sound world, premiering at @fuseboxlive festival at dadaLab. HUGE THANK YOU to @kyleellisevans and @dadalab.io, @hexpartner, @aida.shirazi.composer, @grahamreynoldsmusic, Ricky Davis + @bobhoffnar, Ron Berry, and the entire Fusebox team. What a world premiere 🎉
🌳 Music for Trees — @Jzcello + @grahamreynoldsmusic at @contemporaryatx—Laguna Gloria, an intimate, immersive performance in the sculpture garden as part of Fusebox Festival. Thank you to The Contemporary, @parkerstevesounds/@collidearts, @acapareda, Emmy, all the supporters for this project— especially Harvey and Kathleen Guion for making this one possible.
🌟 YCC Concert No. 11 — 20 world premieres, composed, produced, and performed entirely by our students at @KMFAclassical. We are so proud of every single one of them. Thank you to KMFA, @felipeperezsantiago, our incredible mentors and players, and everyone who showed up to support these young composers.
STAY IN TOUCH! 💛 Link in bio to learn more about us and what’s coming up ⬆️
#goldenhornet
A quick April snapshot 📸📸
What a month. Three incredible events, an army of talented humans, and so much music made right here in #Austin. Swipe to relive some of our April events 👈⬅️
🔊 Quad Quad — Four composers, two pedal steel guitars, one quadraphonic sound world, premiering at @fuseboxlive festival at dadaLab. HUGE THANK YOU to @kyleellisevans and @dadalab.io, @hexpartner, @aida.shirazi.composer, @grahamreynoldsmusic, Ricky Davis + @bobhoffnar, Ron Berry, and the entire Fusebox team. What a world premiere 🎉
🌳 Music for Trees — @Jzcello + @grahamreynoldsmusic at @contemporaryatx—Laguna Gloria, an intimate, immersive performance in the sculpture garden as part of Fusebox Festival. Thank you to The Contemporary, @parkerstevesounds/@collidearts, @acapareda, Emmy, all the supporters for this project— especially Harvey and Kathleen Guion for making this one possible.
🌟 YCC Concert No. 11 — 20 world premieres, composed, produced, and performed entirely by our students at @KMFAclassical. We are so proud of every single one of them. Thank you to KMFA, @felipeperezsantiago, our incredible mentors and players, and everyone who showed up to support these young composers.
STAY IN TOUCH! 💛 Link in bio to learn more about us and what’s coming up ⬆️
#goldenhornet
A quick April snapshot 📸📸
What a month. Three incredible events, an army of talented humans, and so much music made right here in #Austin. Swipe to relive some of our April events 👈⬅️
🔊 Quad Quad — Four composers, two pedal steel guitars, one quadraphonic sound world, premiering at @fuseboxlive festival at dadaLab. HUGE THANK YOU to @kyleellisevans and @dadalab.io, @hexpartner, @aida.shirazi.composer, @grahamreynoldsmusic, Ricky Davis + @bobhoffnar, Ron Berry, and the entire Fusebox team. What a world premiere 🎉
🌳 Music for Trees — @Jzcello + @grahamreynoldsmusic at @contemporaryatx—Laguna Gloria, an intimate, immersive performance in the sculpture garden as part of Fusebox Festival. Thank you to The Contemporary, @parkerstevesounds/@collidearts, @acapareda, Emmy, all the supporters for this project— especially Harvey and Kathleen Guion for making this one possible.
🌟 YCC Concert No. 11 — 20 world premieres, composed, produced, and performed entirely by our students at @KMFAclassical. We are so proud of every single one of them. Thank you to KMFA, @felipeperezsantiago, our incredible mentors and players, and everyone who showed up to support these young composers.
STAY IN TOUCH! 💛 Link in bio to learn more about us and what’s coming up ⬆️
#goldenhornet
A quick April snapshot 📸📸
What a month. Three incredible events, an army of talented humans, and so much music made right here in #Austin. Swipe to relive some of our April events 👈⬅️
🔊 Quad Quad — Four composers, two pedal steel guitars, one quadraphonic sound world, premiering at @fuseboxlive festival at dadaLab. HUGE THANK YOU to @kyleellisevans and @dadalab.io, @hexpartner, @aida.shirazi.composer, @grahamreynoldsmusic, Ricky Davis + @bobhoffnar, Ron Berry, and the entire Fusebox team. What a world premiere 🎉
🌳 Music for Trees — @Jzcello + @grahamreynoldsmusic at @contemporaryatx—Laguna Gloria, an intimate, immersive performance in the sculpture garden as part of Fusebox Festival. Thank you to The Contemporary, @parkerstevesounds/@collidearts, @acapareda, Emmy, all the supporters for this project— especially Harvey and Kathleen Guion for making this one possible.
🌟 YCC Concert No. 11 — 20 world premieres, composed, produced, and performed entirely by our students at @KMFAclassical. We are so proud of every single one of them. Thank you to KMFA, @felipeperezsantiago, our incredible mentors and players, and everyone who showed up to support these young composers.
STAY IN TOUCH! 💛 Link in bio to learn more about us and what’s coming up ⬆️
#goldenhornet
Doing more synth stuff lately, I will force myself to like it as much as playing instruments 😤
Doing more synth stuff lately, I will force myself to like it as much as playing instruments 😤
Doing more synth stuff lately, I will force myself to like it as much as playing instruments 😤
Doing more synth stuff lately, I will force myself to like it as much as playing instruments 😤
Yesterday I finally got an A/V set working up to my standards at the @dadageek Winter 2026 Student Exhibition! Thank you @devrasplexi @kyleellisevans @brandon_stargrave for teaching and helping me achieve this over the past year and a half. Live A/V became my monomania after going to a previous student exhibition in July 2024 🥹🎵✨🎶🥳
Yesterday I finally got an A/V set working up to my standards at the @dadageek Winter 2026 Student Exhibition! Thank you @devrasplexi @kyleellisevans @brandon_stargrave for teaching and helping me achieve this over the past year and a half. Live A/V became my monomania after going to a previous student exhibition in July 2024 🥹🎵✨🎶🥳
“Under Your Spell” by Desire cover at home, then live at @the13thflooraustin for @miles_high_death_club’s birthday show this past Saturday! I’ve always thought covering songs would help me get better at writing my own, maybe that’s just the delulu talking?
“Under Your Spell” by Desire cover at home, then live at @the13thflooraustin for @miles_high_death_club’s birthday show this past Saturday! I’ve always thought covering songs would help me get better at writing my own, maybe that’s just the delulu talking?
“Under Your Spell” by Desire cover at home, then live at @the13thflooraustin for @miles_high_death_club’s birthday show this past Saturday! I’ve always thought covering songs would help me get better at writing my own, maybe that’s just the delulu talking?
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
It has been a really excellent past couple of days for music (and see-saws) 🎵🥺🖤 I got to open for @memorialsmusic last night at @the13thflooraustin, has been so long since I’ve been this musically inspired! Also got to hear what my octophonic “Trap Cats” piece sounds like IRL (cat purrs are between 40-200 Hz)… I absolutely lost it hearing the 808s at the end! All of this is exactly what I wanted when I moved to Austin to make and play music; it should be fun and inspiring, always!
I’m in my simp pop era 😘🖤 Thank you @memermomonday for being there and having me and @el_dripcuts for the insane vizzies, always!
Playing @memermomonday with @hojascirculares and @william.adam.jones_music & viz by @el_dripcuts at @dadalab.io tonight! It’s gonna be a good one I can feel it 🔮🌟
📷: @lookslikesergio
💒: @aarondegruyter
Playing @memermomonday with @hojascirculares and @william.adam.jones_music & viz by @el_dripcuts at @dadalab.io tonight! It’s gonna be a good one I can feel it 🔮🌟
📷: @lookslikesergio
💒: @aarondegruyter
Playing @memermomonday with @hojascirculares and @william.adam.jones_music & viz by @el_dripcuts at @dadalab.io tonight! It’s gonna be a good one I can feel it 🔮🌟
📷: @lookslikesergio
💒: @aarondegruyter
Playing @memermomonday with @hojascirculares and @william.adam.jones_music & viz by @el_dripcuts at @dadalab.io tonight! It’s gonna be a good one I can feel it 🔮🌟
📷: @lookslikesergio
💒: @aarondegruyter
Killer show alert !🚨 MEMORIALS w/ HEX PARTNER this TUESDAY, MAY 19!🔥
Link in bio to attend🎟️
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MEMORIALS, the duo consisting of Verity Susman and Matthew Simms (previously of Electrelane and Wire), create panoramic pop that draws on both the familiar and the strange, while also treading new ground. With their playful and experimental style, combined with a love of good tunes, they sit comfortably alongside Broadcast, Portishead, Arthur Russell, The Velvet Underground, Yo La Tengo and Tortoise.
‘Memorial Waterslides’ is the debut album from MEMORIALS. This is an otherworldly, surrealist pop record that is both timeless and timely, displaying a rare mix of classic songwriting and avant-garde attitudes.
The album is awash with imagery evoking a lost future, a veiled present and a daydreamed past, each song playing a role in creating a swirling, widescreen atmosphere, the listener taken along for the ride. Produced entirely by the two of them, the sound of the record was inspired by the reel-to-reel tape experiments they first played around with onstage as they began to develop their multi-layered recordings for live performances as a duo.
Following their acclaimed 2023 soundtracks ‘Women Against The Bomb’ and ‘Tramps!’, a European tour with Stereolab (they’ve been called “Stereolab’s evil twin”) and a new music commission from the Centre Pompidou in Paris, Verity and Matthew arrived at MEMORIALS in reverse, escaping their soundtracking day jobs to create cosmic journeys through the garden shed into psychedelic rock, far-out folk and wild analogue electronics.
“Everything you’d expect from a duo adept in the strange and esoteric, while also in thrall to pop music’s melodic bent.”
- The Quietus
Killer show alert !🚨 MEMORIALS w/ HEX PARTNER this TUESDAY, MAY 19!🔥
Link in bio to attend🎟️
.
.
.
.
.
.
MEMORIALS, the duo consisting of Verity Susman and Matthew Simms (previously of Electrelane and Wire), create panoramic pop that draws on both the familiar and the strange, while also treading new ground. With their playful and experimental style, combined with a love of good tunes, they sit comfortably alongside Broadcast, Portishead, Arthur Russell, The Velvet Underground, Yo La Tengo and Tortoise.
‘Memorial Waterslides’ is the debut album from MEMORIALS. This is an otherworldly, surrealist pop record that is both timeless and timely, displaying a rare mix of classic songwriting and avant-garde attitudes.
The album is awash with imagery evoking a lost future, a veiled present and a daydreamed past, each song playing a role in creating a swirling, widescreen atmosphere, the listener taken along for the ride. Produced entirely by the two of them, the sound of the record was inspired by the reel-to-reel tape experiments they first played around with onstage as they began to develop their multi-layered recordings for live performances as a duo.
Following their acclaimed 2023 soundtracks ‘Women Against The Bomb’ and ‘Tramps!’, a European tour with Stereolab (they’ve been called “Stereolab’s evil twin”) and a new music commission from the Centre Pompidou in Paris, Verity and Matthew arrived at MEMORIALS in reverse, escaping their soundtracking day jobs to create cosmic journeys through the garden shed into psychedelic rock, far-out folk and wild analogue electronics.
“Everything you’d expect from a duo adept in the strange and esoteric, while also in thrall to pop music’s melodic bent.”
- The Quietus
Come celebrate the birth of our very own @miles_high_death_club on May 23rd @the13thflooraustin with us and some of our favorite bands in town!
Featuring:
@hexpartner
@thehistorydepartmentband
@notflags
@meanjoleneband
This one is gonna be a banger, y’all!
Poster: @phlegm_fatale
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