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herecomesthepotato
Ankita Das
She who prefers PDF over PDA
🏠🕵🏽♀️ @collectif.kimera @espace.dukat
📑 @near_photo member
Very excited to have designed the poster of @collectif.kimera new exhibition titled 𝘣𝘢𝘴-𝘤ô𝘵é, at @espace.dukat.
The collective exhibition 𝘣𝘢𝘴-𝘤ô𝘵é offers a distinctive reading of the notion of 𝘬𝘪𝘯𝘴𝘩𝘪𝘱 developed by Donna Haraway. Here, 𝘬𝘪𝘯𝘴𝘩𝘪𝘱 is understood as a practice that makes it possible to create human—and even more-than-human—connections, reshaping the ways we coexist within and with the world. Through installations, performances and workshops, the exhibition opens up alternatives to traditional genealogical models.
#printempscarougeois #swissposters
Very excited to have designed the poster of @collectif.kimera new exhibition titled 𝘣𝘢𝘴-𝘤ô𝘵é, at @espace.dukat.
The collective exhibition 𝘣𝘢𝘴-𝘤ô𝘵é offers a distinctive reading of the notion of 𝘬𝘪𝘯𝘴𝘩𝘪𝘱 developed by Donna Haraway. Here, 𝘬𝘪𝘯𝘴𝘩𝘪𝘱 is understood as a practice that makes it possible to create human—and even more-than-human—connections, reshaping the ways we coexist within and with the world. Through installations, performances and workshops, the exhibition opens up alternatives to traditional genealogical models.
#printempscarougeois #swissposters
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Authorised Personnel Only, Interactive installation, 2025, @espace.dukat
The colour white is free; the “other” colour, yellow, not so much.
Authorised Personnel Only uses the visual language and protocols of road signage to question how spaces are structured and controlled for humans based on race, nationality, and immigration status. It invites reflection on the subtle and overt ways movement and access are regulated; on whether one is an expatriate (“expat”) or an immigrant. Set in Geneva, where the convention on the unification of road signals was first signed in 1931, and where both immigrants and expats form a significant part of the population, the work asks: what does it even mean to be one or the other, when the intentions of both are often the same? What does it mean to inhabit a system in which every route is pre-mapped, every path designed to either facilitate or obstruct your journey, depending on your skin colour, your language, and your official designation?
This project is in collaboration with psychotherapist and social worker @jay__brad
Done with the help of @mauderenevier and @collectif.kimera
Photos 6,9 : @berthoudvictor
Website design and animations for @souplex.atelier, a Geneva-based scenography and art direction studio, run by @grgvico and @tanguytbt.
Designed on @cargoworld
Type: Titles by @tanguytbt and Diatype by @abcdinamo
Website design and animations for @souplex.atelier, a Geneva-based scenography and art direction studio, run by @grgvico and @tanguytbt.
Designed on @cargoworld
Type: Titles by @tanguytbt and Diatype by @abcdinamo
Website design and animations for @souplex.atelier, a Geneva-based scenography and art direction studio, run by @grgvico and @tanguytbt.
Designed on @cargoworld
Type: Titles by @tanguytbt and Diatype by @abcdinamo
Website design and animations for @souplex.atelier, a Geneva-based scenography and art direction studio, run by @grgvico and @tanguytbt.
Designed on @cargoworld
Type: Titles by @tanguytbt and Diatype by @abcdinamo
Website design and animations for @souplex.atelier, a Geneva-based scenography and art direction studio, run by @grgvico and @tanguytbt.
Designed on @cargoworld
Type: Titles by @tanguytbt and Diatype by @abcdinamo
Website design and animations for @souplex.atelier, a Geneva-based scenography and art direction studio, run by @grgvico and @tanguytbt.
Designed on @cargoworld
Type: Titles by @tanguytbt and Diatype by @abcdinamo
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Solo exhibition, There’s An Elephant in the Room, Cabane B, May 2025
The work explores the intersection & tension between the identity of the oppressed & the oppressor, focusing on the enduring impact of a language the narrator does not fully consider her own. Through four fictional characters, she explores different aspects of her identity.
Words, in collaboration with @nandinidt
A big thanks to @aarabi.k @samiragollin @souplex.atelier @mauderenevier
Photos: @itsgiahanle @souplex.atelier
Creative direction and design of the website for @espace.dukat, 2025
The design direction draws upon the visual identity established by @collectif.kimera members @mauderenevier and @tristan.bartolini. The site is structured into four core sections: Events, Agenda, Artists, and Publications.
Each event page is visually informed by the distinct identity created for the respective event, while adhering to a cohesive design system that ensures consistency across the site.
Thank you @collectif.kimera for the trust and love.
Designed on @cargoworld
Typeface: Gravity, Diatype, @abcdinamo
Creative direction and design of the website for @espace.dukat, 2025
The design direction draws upon the visual identity established by @collectif.kimera members @mauderenevier and @tristan.bartolini. The site is structured into four core sections: Events, Agenda, Artists, and Publications.
Each event page is visually informed by the distinct identity created for the respective event, while adhering to a cohesive design system that ensures consistency across the site.
Thank you @collectif.kimera for the trust and love.
Designed on @cargoworld
Typeface: Gravity, Diatype, @abcdinamo
Creative direction and design of the website for @espace.dukat, 2025
The design direction draws upon the visual identity established by @collectif.kimera members @mauderenevier and @tristan.bartolini. The site is structured into four core sections: Events, Agenda, Artists, and Publications.
Each event page is visually informed by the distinct identity created for the respective event, while adhering to a cohesive design system that ensures consistency across the site.
Thank you @collectif.kimera for the trust and love.
Designed on @cargoworld
Typeface: Gravity, Diatype, @abcdinamo
Creative direction and design of the website for @espace.dukat, 2025
The design direction draws upon the visual identity established by @collectif.kimera members @mauderenevier and @tristan.bartolini. The site is structured into four core sections: Events, Agenda, Artists, and Publications.
Each event page is visually informed by the distinct identity created for the respective event, while adhering to a cohesive design system that ensures consistency across the site.
Thank you @collectif.kimera for the trust and love.
Designed on @cargoworld
Typeface: Gravity, Diatype, @abcdinamo
Creative direction and design of the website for @espace.dukat, 2025
The design direction draws upon the visual identity established by @collectif.kimera members @mauderenevier and @tristan.bartolini. The site is structured into four core sections: Events, Agenda, Artists, and Publications.
Each event page is visually informed by the distinct identity created for the respective event, while adhering to a cohesive design system that ensures consistency across the site.
Thank you @collectif.kimera for the trust and love.
Designed on @cargoworld
Typeface: Gravity, Diatype, @abcdinamo
Creative direction and design of the website for @espace.dukat, 2025
The design direction draws upon the visual identity established by @collectif.kimera members @mauderenevier and @tristan.bartolini. The site is structured into four core sections: Events, Agenda, Artists, and Publications.
Each event page is visually informed by the distinct identity created for the respective event, while adhering to a cohesive design system that ensures consistency across the site.
Thank you @collectif.kimera for the trust and love.
Designed on @cargoworld
Typeface: Gravity, Diatype, @abcdinamo
📣Please join us for the next exhibition "There's an Elephant in the Room" by Ankita Das @herecomesthepotato 📣
Vernissage 18:00 with performance at 19.30 ⭐️
be there! <3
📣Please join us for the next exhibition "There's an Elephant in the Room" by Ankita Das @herecomesthepotato 📣
Vernissage 18:00 with performance at 19.30 ⭐️
be there! <3
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
2024 : The year that was of working with super cool people
1. February and October : Built and performed ‘Careful It’s Hot’, a performative installation on propaganda, with the help of Elisa (@posterdestrucs) and Collectif Kimera - at Dukat (February) and Jungkunst (October). Special thanks to Jungkunst curators and team!
2. February : Designed ‘Popote: A collective recipe book’ with Tanguy (@tanguytbt) and rest of Collectif Kimera.
3. December : Worked for and did a performative lecture with Cyan (@cyan.blackwd) using the words of Nandini @nandinidt at Carte Blanche of Collectif Kimera and Espace Dukat at FMAC.
4. June : Editorial design for the ‘Guide d’utilisation’ of ‘Le Tarot des Chimères’ with and for Tristan (@tristan.bartolini).
5. November : Photographed Tristan (@tristan.bartolini) for his project ‘Tristan and the Rose : Automatic Writing Journal’
Picture credits :
1: @jonnylabusch
2,8: @capturedvisiblespectrum
Was an honour to photograph @particleclara for @wired’s Women In Science series, Dec 2023
Assisted by the wonderful @posterdestrucs
A big thanks to @annagoldwater
Was an honour to photograph @particleclara for @wired’s Women In Science series, Dec 2023
Assisted by the wonderful @posterdestrucs
A big thanks to @annagoldwater
Was an honour to photograph @particleclara for @wired’s Women In Science series, Dec 2023
Assisted by the wonderful @posterdestrucs
A big thanks to @annagoldwater
Two weeks late but I'm so very grateful to have exhibited my work in London at the @peckham24photo
So very thankful to the Peckham 24 team including @iofergusson @maiaconran, my dearest @emma_bowkett and @naoiseokeeffe , my project team @photobomb__16 @tristan.otf, Ashwin, @ankitajhajharia and everyone who came to support and say hello.
The response to the work was phenomenal and better than what I'd imagined and everything just felt like a fever dream.
All my love and deepest gratitude
Two weeks late but I'm so very grateful to have exhibited my work in London at the @peckham24photo
So very thankful to the Peckham 24 team including @iofergusson @maiaconran, my dearest @emma_bowkett and @naoiseokeeffe , my project team @photobomb__16 @tristan.otf, Ashwin, @ankitajhajharia and everyone who came to support and say hello.
The response to the work was phenomenal and better than what I'd imagined and everything just felt like a fever dream.
All my love and deepest gratitude
Two weeks late but I'm so very grateful to have exhibited my work in London at the @peckham24photo
So very thankful to the Peckham 24 team including @iofergusson @maiaconran, my dearest @emma_bowkett and @naoiseokeeffe , my project team @photobomb__16 @tristan.otf, Ashwin, @ankitajhajharia and everyone who came to support and say hello.
The response to the work was phenomenal and better than what I'd imagined and everything just felt like a fever dream.
All my love and deepest gratitude
Two weeks late but I'm so very grateful to have exhibited my work in London at the @peckham24photo
So very thankful to the Peckham 24 team including @iofergusson @maiaconran, my dearest @emma_bowkett and @naoiseokeeffe , my project team @photobomb__16 @tristan.otf, Ashwin, @ankitajhajharia and everyone who came to support and say hello.
The response to the work was phenomenal and better than what I'd imagined and everything just felt like a fever dream.
All my love and deepest gratitude
Two weeks late but I'm so very grateful to have exhibited my work in London at the @peckham24photo
So very thankful to the Peckham 24 team including @iofergusson @maiaconran, my dearest @emma_bowkett and @naoiseokeeffe , my project team @photobomb__16 @tristan.otf, Ashwin, @ankitajhajharia and everyone who came to support and say hello.
The response to the work was phenomenal and better than what I'd imagined and everything just felt like a fever dream.
All my love and deepest gratitude
Two weeks late but I'm so very grateful to have exhibited my work in London at the @peckham24photo
So very thankful to the Peckham 24 team including @iofergusson @maiaconran, my dearest @emma_bowkett and @naoiseokeeffe , my project team @photobomb__16 @tristan.otf, Ashwin, @ankitajhajharia and everyone who came to support and say hello.
The response to the work was phenomenal and better than what I'd imagined and everything just felt like a fever dream.
All my love and deepest gratitude
Two weeks late but I'm so very grateful to have exhibited my work in London at the @peckham24photo
So very thankful to the Peckham 24 team including @iofergusson @maiaconran, my dearest @emma_bowkett and @naoiseokeeffe , my project team @photobomb__16 @tristan.otf, Ashwin, @ankitajhajharia and everyone who came to support and say hello.
The response to the work was phenomenal and better than what I'd imagined and everything just felt like a fever dream.
All my love and deepest gratitude
Commissioned photographs for @ftglobetrotter's story 'Green party: a guide to Zürich’s flourishing plant-based dining scene'. ❤️
Thank you @brenchleyhannah @naoiseokeeffe
Commissioned photographs for @ftglobetrotter's story 'Green party: a guide to Zürich’s flourishing plant-based dining scene'. ❤️
Thank you @brenchleyhannah @naoiseokeeffe
Commissioned photographs for @ftglobetrotter's story 'Green party: a guide to Zürich’s flourishing plant-based dining scene'. ❤️
Thank you @brenchleyhannah @naoiseokeeffe
Commissioned photographs for @ftglobetrotter's story 'Green party: a guide to Zürich’s flourishing plant-based dining scene'. ❤️
Thank you @brenchleyhannah @naoiseokeeffe
Commissioned photographs for @ftglobetrotter's story 'Green party: a guide to Zürich’s flourishing plant-based dining scene'. ❤️
Thank you @brenchleyhannah @naoiseokeeffe
Commissioned photographs for @ftglobetrotter's story 'Green party: a guide to Zürich’s flourishing plant-based dining scene'. ❤️
Thank you @brenchleyhannah @naoiseokeeffe
Commissioned photographs for @ftglobetrotter's story 'Green party: a guide to Zürich’s flourishing plant-based dining scene'. ❤️
Thank you @brenchleyhannah @naoiseokeeffe
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