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More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

More install shots from Shining Land.

Please DM me or @the_fayre for a catalogue of still available works from the show.

Images featured here:
1 Hattie Landells, Double Take, oil on panel, 2025
3 Orlando Seale, Misty Harpy, Acrylic, watercolour, pastel and pencil on card, 2025;
Soul Baraitser, Knees up!, Pastel on Himalayan Paper, 2025;
Freya Croissant, Cut from the same tree, Watercolour, pigment & oil paint on calico, 2025-6;
Alix Philippe, Strong Premonition, Pigments and acrylic on linen, 2026
4 Hattie Landells, Our Lady of The Stones, oil on linen, 2026
5 Freya Croissant, Cut from the same tree
7 Hattie Landells, Mizmaze at Sunrise, oil and marble dust on panel, 2025
8 Raha farazmand, Feedback Loops 2, Oil pastel on etched paper, 2025;
Rose Shuckburgh, Moonlight, Fired ceramic (crank clay, earth sediment slip, glaze), 2024
10 Alix Philippe, Lost in the Drift, Pigments and acrylic on linen, 2026 (L)
11 Luc Pommet, Sign IV, Acrylic, oil and casein on canvas, 2023
12 Rose Shuckburgh, Glimpse, Monoprint on paper, 2025
14 Alix Philippe, Dream, Pigments and acrylic on linen, 2022
15 Luc Pommet, Stele, Oil, gouache, plants, varnish and paper on canvas, 2023
16 Soul Baraitser, Child and Heron, monoprint, 2025
17 Cecil Collins, Dawn, graphite on paper, 1976
19
(Photos 4, 18, 20 by @nickpumphreyphoto)

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

Thank you to everyone who took the time to visit our exhibition ‘Shining Land’ at @thefayre, a group show in west Cornwall with a wonderful group of artists I felt very humbled to be working with and showing alongside.

Such gratitude to @rahazmand @roseshuckburgh @lucpommet @soulbaraitser @alixphilippe @freyacroissant and @orlandoseale for letting me bring your magical works to the end of the land.

My deepest thanks to @thefayre especially @pollybathsheba and @harrietbayliss and everyone else involved for having me and for this experience which I have learnt so much from.

@emma.arrindell thank you for your curatorial expertise and bringing your killer eye and huge heart to help me. @zsubidu for the life changing food and immensely peaceful energy 🙏

Finally back in the studio soon… in the meantime reflecting on my time in West Penwith, catching up on teaching and planning to paint a large shell to crawl into for a while to sleep. 🐚

This year’s open house art show in The White Room, Shining Land, is curated by artist Hattie Landells. 

The show’s title comes from the ancient Greek name for the region, Belerion, ‘the shining land’.

‘I like the idea that this landscape is so storied, so myth-laden and carries so much history, that it has started to emit light. Light that rebounds in the watery surrounds of the peninsula, dazzling and disorienting. 
The works coming to the show depict figures, forms and landscapes emerging as if from the haze of a vision, or a mirage, or someone else’s memory. Many feature celestial or elemental bodies, and I feel, carry something shared and recurring or timeless. 
The earth is thinking and the stone, water and oil of paint and pencil is too.

I feel so grateful to be entrusted with bringing drawings and paintings to Faraway House by this immensely talented group of artists.’

The show will be open Friday and Saturday 10am - 4pm. With the opening evening on Thursday 30th April , 5pm - 7pm

Work in poster is Strong Premonition by @alixphilippeartist

Praying to Saint Echo

Praying to Saint Echo

Praying to Saint Echo

Praying to Saint Echo

Praying to Saint Echo

Otoliths - images 1-3
30x30cm, oil on panel, 2025

Images of some works shown recently in ‘the fruiting body’, a group show at @hugowinderlind ‘s studio last month. It was a wonderful experience to show so many small pieces together. Planning to upload some install images soon.

Otoliths are important and fascinating to me. These are from studies of fish otoliths, small stones resting in an aqueous cavity in the ear. We have them too and when we move they allow us to perceive where we are in space. I like to think about how they help us generate a kind of psychic or virtual shell around us (shells are made of the same material, calcium carbonate, so it kind of fits) which extends beyond the body whilst being the body in some other form… maybe we should think about the mind in terms or orientation or disorientation in the world … maybe we already always do

Alongside some reflections and symmetrical landscapes

Otoliths - images 1-3
30x30cm, oil on panel, 2025

Images of some works shown recently in ‘the fruiting body’, a group show at @hugowinderlind ‘s studio last month. It was a wonderful experience to show so many small pieces together. Planning to upload some install images soon.

Otoliths are important and fascinating to me. These are from studies of fish otoliths, small stones resting in an aqueous cavity in the ear. We have them too and when we move they allow us to perceive where we are in space. I like to think about how they help us generate a kind of psychic or virtual shell around us (shells are made of the same material, calcium carbonate, so it kind of fits) which extends beyond the body whilst being the body in some other form… maybe we should think about the mind in terms or orientation or disorientation in the world … maybe we already always do

Alongside some reflections and symmetrical landscapes

Otoliths - images 1-3
30x30cm, oil on panel, 2025

Images of some works shown recently in ‘the fruiting body’, a group show at @hugowinderlind ‘s studio last month. It was a wonderful experience to show so many small pieces together. Planning to upload some install images soon.

Otoliths are important and fascinating to me. These are from studies of fish otoliths, small stones resting in an aqueous cavity in the ear. We have them too and when we move they allow us to perceive where we are in space. I like to think about how they help us generate a kind of psychic or virtual shell around us (shells are made of the same material, calcium carbonate, so it kind of fits) which extends beyond the body whilst being the body in some other form… maybe we should think about the mind in terms or orientation or disorientation in the world … maybe we already always do

Alongside some reflections and symmetrical landscapes

Otoliths - images 1-3
30x30cm, oil on panel, 2025

Images of some works shown recently in ‘the fruiting body’, a group show at @hugowinderlind ‘s studio last month. It was a wonderful experience to show so many small pieces together. Planning to upload some install images soon.

Otoliths are important and fascinating to me. These are from studies of fish otoliths, small stones resting in an aqueous cavity in the ear. We have them too and when we move they allow us to perceive where we are in space. I like to think about how they help us generate a kind of psychic or virtual shell around us (shells are made of the same material, calcium carbonate, so it kind of fits) which extends beyond the body whilst being the body in some other form… maybe we should think about the mind in terms or orientation or disorientation in the world … maybe we already always do

Alongside some reflections and symmetrical landscapes

Otoliths - images 1-3
30x30cm, oil on panel, 2025

Images of some works shown recently in ‘the fruiting body’, a group show at @hugowinderlind ‘s studio last month. It was a wonderful experience to show so many small pieces together. Planning to upload some install images soon.

Otoliths are important and fascinating to me. These are from studies of fish otoliths, small stones resting in an aqueous cavity in the ear. We have them too and when we move they allow us to perceive where we are in space. I like to think about how they help us generate a kind of psychic or virtual shell around us (shells are made of the same material, calcium carbonate, so it kind of fits) which extends beyond the body whilst being the body in some other form… maybe we should think about the mind in terms or orientation or disorientation in the world … maybe we already always do

Alongside some reflections and symmetrical landscapes

Otoliths - images 1-3
30x30cm, oil on panel, 2025

Images of some works shown recently in ‘the fruiting body’, a group show at @hugowinderlind ‘s studio last month. It was a wonderful experience to show so many small pieces together. Planning to upload some install images soon.

Otoliths are important and fascinating to me. These are from studies of fish otoliths, small stones resting in an aqueous cavity in the ear. We have them too and when we move they allow us to perceive where we are in space. I like to think about how they help us generate a kind of psychic or virtual shell around us (shells are made of the same material, calcium carbonate, so it kind of fits) which extends beyond the body whilst being the body in some other form… maybe we should think about the mind in terms or orientation or disorientation in the world … maybe we already always do

Alongside some reflections and symmetrical landscapes

Mother tree
At the still point of the turning world stand a circle of trees all part of one tree, the oldest olive tree in the world.
Looking back at winter solstice to warmer lighter days, where the memory of colours has made them flicker more intensely. I always find working from memory and experience colours take on a greater intensity.
Recently looking back on Derek jarman’s strange chapter in chroma, Shadow is the Queen of Colour, and thinking about brightness and colour in shadowy days, images of hope.

“I am in search of Miracoli and Memorabilia, like old Pliny in his Natural History. The further colour recedes in time and space the stronger it glows. Golden memories. Not the gold of wedding rings in the High Street Ratners, but a philosophic gold which glows in the mind like the precious stones in Revelation. Emerald, Ruby, Jacinth, Chalcedony, Jasper. Colour, like these jewels, is precious. Even more precious, as unlike the sparklers, it cannot be possessed. Colour slips through the fingers and escapes. You can’t lock it in a jewel box as it vanishes in the dark”

The tree in this picture is one or an amalgamation of several which stand in a circle on the island of Naxos in Greece which I visited at the end of summer. Google maps told us this circle of trees were together the oldest olive tree in the world.

Olive trees seem to turn to ashy purple green grey in the harsh sun, the edges blurred into irridescence at the edge of full light or edge of full darkness. At either extreme colours disappear completely. It was hard to paint or even draw in such intense light but the memory of the trees collectively has stuck with me.

You can’t lock it in a jewel box as it vanishes in the dark…

Looking back to the sun on this dark short night.
& A wish for more peace in the world as the earth turns back towards the sun into the new year…

**

Images 2&4 are instal shots from recent group exhibition The Fruiting Body.

Mother tree
At the still point of the turning world stand a circle of trees all part of one tree, the oldest olive tree in the world.
Looking back at winter solstice to warmer lighter days, where the memory of colours has made them flicker more intensely. I always find working from memory and experience colours take on a greater intensity.
Recently looking back on Derek jarman’s strange chapter in chroma, Shadow is the Queen of Colour, and thinking about brightness and colour in shadowy days, images of hope.

“I am in search of Miracoli and Memorabilia, like old Pliny in his Natural History. The further colour recedes in time and space the stronger it glows. Golden memories. Not the gold of wedding rings in the High Street Ratners, but a philosophic gold which glows in the mind like the precious stones in Revelation. Emerald, Ruby, Jacinth, Chalcedony, Jasper. Colour, like these jewels, is precious. Even more precious, as unlike the sparklers, it cannot be possessed. Colour slips through the fingers and escapes. You can’t lock it in a jewel box as it vanishes in the dark”

The tree in this picture is one or an amalgamation of several which stand in a circle on the island of Naxos in Greece which I visited at the end of summer. Google maps told us this circle of trees were together the oldest olive tree in the world.

Olive trees seem to turn to ashy purple green grey in the harsh sun, the edges blurred into irridescence at the edge of full light or edge of full darkness. At either extreme colours disappear completely. It was hard to paint or even draw in such intense light but the memory of the trees collectively has stuck with me.

You can’t lock it in a jewel box as it vanishes in the dark…

Looking back to the sun on this dark short night.
& A wish for more peace in the world as the earth turns back towards the sun into the new year…

**

Images 2&4 are instal shots from recent group exhibition The Fruiting Body.

Mother tree
At the still point of the turning world stand a circle of trees all part of one tree, the oldest olive tree in the world.
Looking back at winter solstice to warmer lighter days, where the memory of colours has made them flicker more intensely. I always find working from memory and experience colours take on a greater intensity.
Recently looking back on Derek jarman’s strange chapter in chroma, Shadow is the Queen of Colour, and thinking about brightness and colour in shadowy days, images of hope.

“I am in search of Miracoli and Memorabilia, like old Pliny in his Natural History. The further colour recedes in time and space the stronger it glows. Golden memories. Not the gold of wedding rings in the High Street Ratners, but a philosophic gold which glows in the mind like the precious stones in Revelation. Emerald, Ruby, Jacinth, Chalcedony, Jasper. Colour, like these jewels, is precious. Even more precious, as unlike the sparklers, it cannot be possessed. Colour slips through the fingers and escapes. You can’t lock it in a jewel box as it vanishes in the dark”

The tree in this picture is one or an amalgamation of several which stand in a circle on the island of Naxos in Greece which I visited at the end of summer. Google maps told us this circle of trees were together the oldest olive tree in the world.

Olive trees seem to turn to ashy purple green grey in the harsh sun, the edges blurred into irridescence at the edge of full light or edge of full darkness. At either extreme colours disappear completely. It was hard to paint or even draw in such intense light but the memory of the trees collectively has stuck with me.

You can’t lock it in a jewel box as it vanishes in the dark…

Looking back to the sun on this dark short night.
& A wish for more peace in the world as the earth turns back towards the sun into the new year…

**

Images 2&4 are instal shots from recent group exhibition The Fruiting Body.

Mother tree
At the still point of the turning world stand a circle of trees all part of one tree, the oldest olive tree in the world.
Looking back at winter solstice to warmer lighter days, where the memory of colours has made them flicker more intensely. I always find working from memory and experience colours take on a greater intensity.
Recently looking back on Derek jarman’s strange chapter in chroma, Shadow is the Queen of Colour, and thinking about brightness and colour in shadowy days, images of hope.

“I am in search of Miracoli and Memorabilia, like old Pliny in his Natural History. The further colour recedes in time and space the stronger it glows. Golden memories. Not the gold of wedding rings in the High Street Ratners, but a philosophic gold which glows in the mind like the precious stones in Revelation. Emerald, Ruby, Jacinth, Chalcedony, Jasper. Colour, like these jewels, is precious. Even more precious, as unlike the sparklers, it cannot be possessed. Colour slips through the fingers and escapes. You can’t lock it in a jewel box as it vanishes in the dark”

The tree in this picture is one or an amalgamation of several which stand in a circle on the island of Naxos in Greece which I visited at the end of summer. Google maps told us this circle of trees were together the oldest olive tree in the world.

Olive trees seem to turn to ashy purple green grey in the harsh sun, the edges blurred into irridescence at the edge of full light or edge of full darkness. At either extreme colours disappear completely. It was hard to paint or even draw in such intense light but the memory of the trees collectively has stuck with me.

You can’t lock it in a jewel box as it vanishes in the dark…

Looking back to the sun on this dark short night.
& A wish for more peace in the world as the earth turns back towards the sun into the new year…

**

Images 2&4 are instal shots from recent group exhibition The Fruiting Body.

Mother tree
At the still point of the turning world stand a circle of trees all part of one tree, the oldest olive tree in the world.
Looking back at winter solstice to warmer lighter days, where the memory of colours has made them flicker more intensely. I always find working from memory and experience colours take on a greater intensity.
Recently looking back on Derek jarman’s strange chapter in chroma, Shadow is the Queen of Colour, and thinking about brightness and colour in shadowy days, images of hope.

“I am in search of Miracoli and Memorabilia, like old Pliny in his Natural History. The further colour recedes in time and space the stronger it glows. Golden memories. Not the gold of wedding rings in the High Street Ratners, but a philosophic gold which glows in the mind like the precious stones in Revelation. Emerald, Ruby, Jacinth, Chalcedony, Jasper. Colour, like these jewels, is precious. Even more precious, as unlike the sparklers, it cannot be possessed. Colour slips through the fingers and escapes. You can’t lock it in a jewel box as it vanishes in the dark”

The tree in this picture is one or an amalgamation of several which stand in a circle on the island of Naxos in Greece which I visited at the end of summer. Google maps told us this circle of trees were together the oldest olive tree in the world.

Olive trees seem to turn to ashy purple green grey in the harsh sun, the edges blurred into irridescence at the edge of full light or edge of full darkness. At either extreme colours disappear completely. It was hard to paint or even draw in such intense light but the memory of the trees collectively has stuck with me.

You can’t lock it in a jewel box as it vanishes in the dark…

Looking back to the sun on this dark short night.
& A wish for more peace in the world as the earth turns back towards the sun into the new year…

**

Images 2&4 are instal shots from recent group exhibition The Fruiting Body.

Mother tree
At the still point of the turning world stand a circle of trees all part of one tree, the oldest olive tree in the world.
Looking back at winter solstice to warmer lighter days, where the memory of colours has made them flicker more intensely. I always find working from memory and experience colours take on a greater intensity.
Recently looking back on Derek jarman’s strange chapter in chroma, Shadow is the Queen of Colour, and thinking about brightness and colour in shadowy days, images of hope.

“I am in search of Miracoli and Memorabilia, like old Pliny in his Natural History. The further colour recedes in time and space the stronger it glows. Golden memories. Not the gold of wedding rings in the High Street Ratners, but a philosophic gold which glows in the mind like the precious stones in Revelation. Emerald, Ruby, Jacinth, Chalcedony, Jasper. Colour, like these jewels, is precious. Even more precious, as unlike the sparklers, it cannot be possessed. Colour slips through the fingers and escapes. You can’t lock it in a jewel box as it vanishes in the dark”

The tree in this picture is one or an amalgamation of several which stand in a circle on the island of Naxos in Greece which I visited at the end of summer. Google maps told us this circle of trees were together the oldest olive tree in the world.

Olive trees seem to turn to ashy purple green grey in the harsh sun, the edges blurred into irridescence at the edge of full light or edge of full darkness. At either extreme colours disappear completely. It was hard to paint or even draw in such intense light but the memory of the trees collectively has stuck with me.

You can’t lock it in a jewel box as it vanishes in the dark…

Looking back to the sun on this dark short night.
& A wish for more peace in the world as the earth turns back towards the sun into the new year…

**

Images 2&4 are instal shots from recent group exhibition The Fruiting Body.

To bury a cloud

To bury a cloud

To bury a cloud

The way I see it

Prayer trees
Growing towards the sun

green finger
Act of God

events beyond human control

The way I see it

Prayer trees
Growing towards the sun

green finger
Act of God

events beyond human control

The way I see it

Prayer trees
Growing towards the sun

green finger
Act of God

events beyond human control

The way I see it

Prayer trees
Growing towards the sun

green finger
Act of God

events beyond human control

The way I see it

Prayer trees
Growing towards the sun

green finger
Act of God

events beyond human control

SOLD - Swan Sleeping @hattievision is now available through @halfofvenus gallery. Check the link in bio or send a DM for inquiries. Hattie Landells (b. 1990, Hampshire) is a painter and writer living and working in London, UK. Her work embraces magical thinking, exploring and constructing a visual language of echoes and equivalents. A familiarity with rural England from childhood continually draws Hattie back to an exploration of the interface between the human and more-than-human world - animal, vegetable and mineral. Beginning with a found object or form in the landscape, or a dovetail or double meaning revealed by language, she expands on this through an intuitive process in charcoal, chalk pastel, or using thin oil paint, whose highly liquid texture allows for quick stream-of-consciousness decision making. Most fundamentally, Hattie is interested in how our understanding of the divine or the sacred continue to intersect with contemporary image making. Her training in anthropology informs a writing and research process surrounding the production of the works, which she describes as emblems or portals exploring disorienting (or reorienting) instances where categories and forms lie on the edge of merging. She studied on the Turps Studio Programme 2020/1 and 2023/4 and has participated in groups shows in London and internationally, as well as her first two-person show in London, this year (April 2025), at General Assembly.)
Swan Sleeping
Oil on wooden panel
10 x 15 cm
Artist: Henrietta Landells (UK)
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#painters #paint #art #arts #paintings #contemporaryart
#contemporarypainting #painting #artwork #peinturecontemporaine
#artgallery #contemporarypainting #contemporaryarts #artistfeature #callforartist #featuredartist #pastels #artforsale #figurativepainter #illustrator #figurativeart #figurativepainter #figurativepainting #figurativeartist #bird #birdpainting #swan #swanpainting #countrysidepainting #londonartist #londonpainter

SOLD - Swan Sleeping @hattievision is now available through @halfofvenus gallery. Check the link in bio or send a DM for inquiries. Hattie Landells (b. 1990, Hampshire) is a painter and writer living and working in London, UK. Her work embraces magical thinking, exploring and constructing a visual language of echoes and equivalents. A familiarity with rural England from childhood continually draws Hattie back to an exploration of the interface between the human and more-than-human world - animal, vegetable and mineral. Beginning with a found object or form in the landscape, or a dovetail or double meaning revealed by language, she expands on this through an intuitive process in charcoal, chalk pastel, or using thin oil paint, whose highly liquid texture allows for quick stream-of-consciousness decision making. Most fundamentally, Hattie is interested in how our understanding of the divine or the sacred continue to intersect with contemporary image making. Her training in anthropology informs a writing and research process surrounding the production of the works, which she describes as emblems or portals exploring disorienting (or reorienting) instances where categories and forms lie on the edge of merging. She studied on the Turps Studio Programme 2020/1 and 2023/4 and has participated in groups shows in London and internationally, as well as her first two-person show in London, this year (April 2025), at General Assembly.)
Swan Sleeping
Oil on wooden panel
10 x 15 cm
Artist: Henrietta Landells (UK)
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.
.
.
.
.
.
.
.
.
.
#painters #paint #art #arts #paintings #contemporaryart
#contemporarypainting #painting #artwork #peinturecontemporaine
#artgallery #contemporarypainting #contemporaryarts #artistfeature #callforartist #featuredartist #pastels #artforsale #figurativepainter #illustrator #figurativeart #figurativepainter #figurativepainting #figurativeartist #bird #birdpainting #swan #swanpainting #countrysidepainting #londonartist #londonpainter

📸 by studio neighbour @jonny_bosworth 🩵

Lovely to see these up on the mustard walls of @andobjects this last month in a group exhibition organised by @partnershipeditions adjacent to such beautiful paintings by @gracecrabtree.art. The show came down on the weekend, thank you to all those whovisited.

Lovely to see these up on the mustard walls of @andobjects this last month in a group exhibition organised by @partnershipeditions adjacent to such beautiful paintings by @gracecrabtree.art. The show came down on the weekend, thank you to all those whovisited.

Lovely to see these up on the mustard walls of @andobjects this last month in a group exhibition organised by @partnershipeditions adjacent to such beautiful paintings by @gracecrabtree.art. The show came down on the weekend, thank you to all those whovisited.