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Цьогорічну ілюстрацію для ICKPA створив @grabkoivan . Візуальний образ зображує звук як первісний імпульс - енергію, що розриває статичний порядок, аби надати матерії нових форм.

This year’s ICKPA illustration is created by Ivan Grabko. The visual depicts sound as a primal impulse, an energy that ruptures static order to grant new forms to matter.

video:
@aaangelov @ouimaari

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

Moving into sculpture is a move from experience toward articulation.
Sculpture does not represent the body, it holds a process.

Photography (by @oleg_batrakov ) that documents this process as part of the sculpture—
it comes out of a dialogues about how a state can become understandable,
about understanding as something that follows experience, rather than replacing it.

Dialogue is impossible without the other

Thanks to @oleg_batrakov , whose participation became part of this dialogue and this process.

Kyiv 2026

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

“Open End” is a solo exhibition of a single work that took place at @thenakedroomkyiv . It ran for three days, from April 9 to 11. The exhibition featured the work “Place.”

A wax sculpture made from beeswax and microcrystalline wax, accompanied by hand-printed photographs of the process.

I’m grateful to @thenakedroomkyiv , @marielanko , @tretiakov_antiq , @ankovych for the opportunity to present the work

to @oleg_batrakov who took part in the conversations that preceded its making, as well as in documenting the process at different stages.

Thank you to everyone who took the time to engage with it.
Kyiv, Ukraine 2026.

«Open End» Івана Грабка @grabkoivan — 9–11 квітня в The Naked Room на Золотоворітській, 2а.

Виставка однієї роботи продовжує і розвиває ідеї попереднього проєкту «Wonderwall», що відбувався в покинутій будівлі на Великій Житомирській у листопаді минулого року.

«У проміжку між епохою руйнування і нашим часом, який поки неможливо означити, мислення відривається від об’єкта й рухається до суб’єкта — як тимчасової скульптури. Час втрачає риси руйнування й набуває рис збирання», — коментує художник.

9–11.04.2026
Відкриття: 9 квітня, 19:00.

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

Studies for frescoes, drawings preceding the photographic series “To Francesca” 2023, 2025

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“A crown in bloom and the spear through the white wing”

The first painting in a series of three works,
Using lived experience as its material - a study of a blooming cherry tree painted during my first year in Kyiv (spring 2014) - brought into dialogue with the present: a chalk drawing on a blackboard, a wing pierced by a spear, Kyiv 2026.

“Yellow work” Kyiv 25

“Yellow work” Kyiv 25

“Yellow work” Kyiv 25

1. From series of photographs “To Francesca”
2. “Pink dress”
3. Kyiv, studio 2026

1. From series of photographs “To Francesca”
2. “Pink dress”
3. Kyiv, studio 2026

1. From series of photographs “To Francesca”
2. “Pink dress”
3. Kyiv, studio 2026

Kyiv .26

Window in the field 2025
oil on canvas

photo: @u_f_d_a@enikiforov

Window in the field 2025
oil on canvas

photo: @u_f_d_a@enikiforov

In the grass
261 x 191
Kyiv
2025

photo @oleg_batrakov

In the grass
261 x 191
Kyiv
2025

photo @oleg_batrakov

In the grass
261 x 191
Kyiv
2025

photo @oleg_batrakov

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment

Ділюся досвідом роботи з UFDA @u_f_d_a - архівом оцифрованного українського мистецтва,
благодійним проектомщо спрямований на збереження культурної спадщини.

Дякую команді UFDA, за увагу приділену простору проекту «wonderaall» у будинку на вулиці Великій Житомирській 24, Київ @zhytomyrska1899

буду радий продовжитиспівпрацю

Фото - UFDA @u_f_d_a @enikiforov
1 - натяк
2 - кімната 9, жовта робота, у траві
3 - спальня
4 - кімната 6, гаки
5 - гак
6 - рожева сукня
7- кімната 2
8 - кімната 4
9 - сходи, вкладення
10 - вкладення
——————————

Sharing my experience of working with UFDA @u_f_d_a — an archive of digitized Ukrainian art,
a charitable project aimed at preserving cultural heritage.

I would like to thank the team UFDAfor the attention given to the space of the “wonderwall ” project which took a place in @zhytomyrska1899 , Kyiv

I would welcome the opportunity to continue our collaboration

Photo - UFDA @u_f_d_a @enikiforov
1 - a wink
2 - room 9, yellow work, in the grass
3 - bedroom
4 - room 6, hooks
5 - hook
6 - pink dress
7 - room 2
8 - room 4
9 - stairs, attachment
10 - attachment