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Massive thanks to all the artists who exhibited this month

@c_selfies
@thenoisethatstaticmakes
@harrath_james

Here's a video of Harry's epic installation in a different light.

We're back on Thursday June 11th with our Dark Mofo Contribution :)

Two more days- Today (12-4pm) and Sunday (12-4pm) to view this months shows.

@harrath_james
@thenoisethatstaticmakes

Including @c_selfies incredibly intricate drawings in the Garden Wall Gallery

Caitlin's statement

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

photos @rosiehastie 💯

Two more days- Today (12-4pm) and Sunday (12-4pm) to view this months shows.

@harrath_james
@thenoisethatstaticmakes

Including @c_selfies incredibly intricate drawings in the Garden Wall Gallery

Caitlin's statement

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

photos @rosiehastie 💯

Two more days- Today (12-4pm) and Sunday (12-4pm) to view this months shows.

@harrath_james
@thenoisethatstaticmakes

Including @c_selfies incredibly intricate drawings in the Garden Wall Gallery

Caitlin's statement

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

photos @rosiehastie 💯

Two more days- Today (12-4pm) and Sunday (12-4pm) to view this months shows.

@harrath_james
@thenoisethatstaticmakes

Including @c_selfies incredibly intricate drawings in the Garden Wall Gallery

Caitlin's statement

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

photos @rosiehastie 💯

Two more days- Today (12-4pm) and Sunday (12-4pm) to view this months shows.

@harrath_james
@thenoisethatstaticmakes

Including @c_selfies incredibly intricate drawings in the Garden Wall Gallery

Caitlin's statement

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

photos @rosiehastie 💯

Two more days- Today (12-4pm) and Sunday (12-4pm) to view this months shows.

@harrath_james
@thenoisethatstaticmakes

Including @c_selfies incredibly intricate drawings in the Garden Wall Gallery

Caitlin's statement

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

photos @rosiehastie 💯

Last week to catch this months shows.

We're open on WEDNESDAY this week (instead of our normal Thursday opening hours)

@harrath_james
@c_selfies
@thenoisethatstaticmakes

Including:

(S)kin

Duncan Robinson
@thenoisethatstaticmakes

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.

Bio:

Duncan Robinson is a Palawa artist and lecturer with bloodlines to the women from the Furneaux Islands. He majored in Photography, and completed a Masters in Video (UTAS, 2002). His Masters work looked at the analogue space of the video player, exploring the idea of static and its integral part of the television experience since the inception of the medium. His work after graduating explored the in-between moments of identity and what it is to be Aboriginal in contemporary society, and was invited to participate in Aboriginal curated exhibitions at Linden Gallery in Melbourne.

Duncan’s interest in identity and Aboriginality continues in his PhD research (UTAS, 2024) into how Aboriginal undergraduate students at UTAS navigate a complex web of demands and pressures within their university classrooms, balancing on a tipping point between observing their learning environments or ‘outing’ themselves as Aboriginal and speaking out to set the record straight.

Photos @rosiehastie 🔥

Last week to catch this months shows.

We're open on WEDNESDAY this week (instead of our normal Thursday opening hours)

@harrath_james
@c_selfies
@thenoisethatstaticmakes

Including:

(S)kin

Duncan Robinson
@thenoisethatstaticmakes

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.

Bio:

Duncan Robinson is a Palawa artist and lecturer with bloodlines to the women from the Furneaux Islands. He majored in Photography, and completed a Masters in Video (UTAS, 2002). His Masters work looked at the analogue space of the video player, exploring the idea of static and its integral part of the television experience since the inception of the medium. His work after graduating explored the in-between moments of identity and what it is to be Aboriginal in contemporary society, and was invited to participate in Aboriginal curated exhibitions at Linden Gallery in Melbourne.

Duncan’s interest in identity and Aboriginality continues in his PhD research (UTAS, 2024) into how Aboriginal undergraduate students at UTAS navigate a complex web of demands and pressures within their university classrooms, balancing on a tipping point between observing their learning environments or ‘outing’ themselves as Aboriginal and speaking out to set the record straight.

Photos @rosiehastie 🔥

Last week to catch this months shows.

We're open on WEDNESDAY this week (instead of our normal Thursday opening hours)

@harrath_james
@c_selfies
@thenoisethatstaticmakes

Including:

(S)kin

Duncan Robinson
@thenoisethatstaticmakes

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.

Bio:

Duncan Robinson is a Palawa artist and lecturer with bloodlines to the women from the Furneaux Islands. He majored in Photography, and completed a Masters in Video (UTAS, 2002). His Masters work looked at the analogue space of the video player, exploring the idea of static and its integral part of the television experience since the inception of the medium. His work after graduating explored the in-between moments of identity and what it is to be Aboriginal in contemporary society, and was invited to participate in Aboriginal curated exhibitions at Linden Gallery in Melbourne.

Duncan’s interest in identity and Aboriginality continues in his PhD research (UTAS, 2024) into how Aboriginal undergraduate students at UTAS navigate a complex web of demands and pressures within their university classrooms, balancing on a tipping point between observing their learning environments or ‘outing’ themselves as Aboriginal and speaking out to set the record straight.

Photos @rosiehastie 🔥

Last week to catch this months shows.

We're open on WEDNESDAY this week (instead of our normal Thursday opening hours)

@harrath_james
@c_selfies
@thenoisethatstaticmakes

Including:

(S)kin

Duncan Robinson
@thenoisethatstaticmakes

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.

Bio:

Duncan Robinson is a Palawa artist and lecturer with bloodlines to the women from the Furneaux Islands. He majored in Photography, and completed a Masters in Video (UTAS, 2002). His Masters work looked at the analogue space of the video player, exploring the idea of static and its integral part of the television experience since the inception of the medium. His work after graduating explored the in-between moments of identity and what it is to be Aboriginal in contemporary society, and was invited to participate in Aboriginal curated exhibitions at Linden Gallery in Melbourne.

Duncan’s interest in identity and Aboriginality continues in his PhD research (UTAS, 2024) into how Aboriginal undergraduate students at UTAS navigate a complex web of demands and pressures within their university classrooms, balancing on a tipping point between observing their learning environments or ‘outing’ themselves as Aboriginal and speaking out to set the record straight.

Photos @rosiehastie 🔥

Last week to catch this months shows.

We're open on WEDNESDAY this week (instead of our normal Thursday opening hours)

@harrath_james
@c_selfies
@thenoisethatstaticmakes

Including:

(S)kin

Duncan Robinson
@thenoisethatstaticmakes

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.

Bio:

Duncan Robinson is a Palawa artist and lecturer with bloodlines to the women from the Furneaux Islands. He majored in Photography, and completed a Masters in Video (UTAS, 2002). His Masters work looked at the analogue space of the video player, exploring the idea of static and its integral part of the television experience since the inception of the medium. His work after graduating explored the in-between moments of identity and what it is to be Aboriginal in contemporary society, and was invited to participate in Aboriginal curated exhibitions at Linden Gallery in Melbourne.

Duncan’s interest in identity and Aboriginality continues in his PhD research (UTAS, 2024) into how Aboriginal undergraduate students at UTAS navigate a complex web of demands and pressures within their university classrooms, balancing on a tipping point between observing their learning environments or ‘outing’ themselves as Aboriginal and speaking out to set the record straight.

Photos @rosiehastie 🔥

Last week to catch this months shows.

We're open on WEDNESDAY this week (instead of our normal Thursday opening hours)

@harrath_james
@c_selfies
@thenoisethatstaticmakes

Including:

(S)kin

Duncan Robinson
@thenoisethatstaticmakes

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.

Bio:

Duncan Robinson is a Palawa artist and lecturer with bloodlines to the women from the Furneaux Islands. He majored in Photography, and completed a Masters in Video (UTAS, 2002). His Masters work looked at the analogue space of the video player, exploring the idea of static and its integral part of the television experience since the inception of the medium. His work after graduating explored the in-between moments of identity and what it is to be Aboriginal in contemporary society, and was invited to participate in Aboriginal curated exhibitions at Linden Gallery in Melbourne.

Duncan’s interest in identity and Aboriginality continues in his PhD research (UTAS, 2024) into how Aboriginal undergraduate students at UTAS navigate a complex web of demands and pressures within their university classrooms, balancing on a tipping point between observing their learning environments or ‘outing’ themselves as Aboriginal and speaking out to set the record straight.

Photos @rosiehastie 🔥

Last week to catch this months shows.

We're open on WEDNESDAY this week (instead of our normal Thursday opening hours)

@harrath_james
@c_selfies
@thenoisethatstaticmakes

Including:

(S)kin

Duncan Robinson
@thenoisethatstaticmakes

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.

Bio:

Duncan Robinson is a Palawa artist and lecturer with bloodlines to the women from the Furneaux Islands. He majored in Photography, and completed a Masters in Video (UTAS, 2002). His Masters work looked at the analogue space of the video player, exploring the idea of static and its integral part of the television experience since the inception of the medium. His work after graduating explored the in-between moments of identity and what it is to be Aboriginal in contemporary society, and was invited to participate in Aboriginal curated exhibitions at Linden Gallery in Melbourne.

Duncan’s interest in identity and Aboriginality continues in his PhD research (UTAS, 2024) into how Aboriginal undergraduate students at UTAS navigate a complex web of demands and pressures within their university classrooms, balancing on a tipping point between observing their learning environments or ‘outing’ themselves as Aboriginal and speaking out to set the record straight.

Photos @rosiehastie 🔥

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

WE ARE OPEN TODAY 12-4pm (as well as next Wednesday- Instead of our usual Thursday opening times). And of course our normal Sunday times

Only two weeks to check out this Incredible work from @harrath_james

Make some time for this......

PACIFY

A technologically mediated meditation on a non-ordinary state of consciousness. Disconnection
required.

Created by Harry Holcombe-James
Mechanical Design and Fabrication by Tom Hann
Vocals by Grace Tucker

WARNINGS

Strobe Lighting. Dark Space. Loud Sound. Kinetic objects moving at head-height, take care when entering and exiting. This work is experimental and caution is advised when viewing the work. Children must be accompanied by adults at all times.

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence, constructing a perceptual field the viewer inhabits rather than observes.

His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.

This month’s shows open this Friday May 1th at 5:30pm.

FRONT GALLERY

(S)kin
Duncan Robinson

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.


BACK GALLERY & VIDEO SPACE

Pacify
@harrath_james

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence,
constructing a perceptual field the viewer inhabits rather than observes.
His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.


GARDEN WALL GALLERY

New works
@c_selfies

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

BAR SPACE

101 Kaleidoscopes
@joey_jeramiah

101 Kaleidoscopes made from broken mirrors, and a milkcrate that carries the remnants. So called years of bad luck are carefully duct taped and packed back together to create little cells for glittery gutter junk, broken toys and discarded dreams

This month’s shows open this Friday May 1th at 5:30pm.

FRONT GALLERY

(S)kin
Duncan Robinson

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.


BACK GALLERY & VIDEO SPACE

Pacify
@harrath_james

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence,
constructing a perceptual field the viewer inhabits rather than observes.
His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.


GARDEN WALL GALLERY

New works
@c_selfies

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

BAR SPACE

101 Kaleidoscopes
@joey_jeramiah

101 Kaleidoscopes made from broken mirrors, and a milkcrate that carries the remnants. So called years of bad luck are carefully duct taped and packed back together to create little cells for glittery gutter junk, broken toys and discarded dreams

This month’s shows open this Friday May 1th at 5:30pm.

FRONT GALLERY

(S)kin
Duncan Robinson

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.


BACK GALLERY & VIDEO SPACE

Pacify
@harrath_james

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence,
constructing a perceptual field the viewer inhabits rather than observes.
His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.


GARDEN WALL GALLERY

New works
@c_selfies

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

BAR SPACE

101 Kaleidoscopes
@joey_jeramiah

101 Kaleidoscopes made from broken mirrors, and a milkcrate that carries the remnants. So called years of bad luck are carefully duct taped and packed back together to create little cells for glittery gutter junk, broken toys and discarded dreams

This month’s shows open this Friday May 1th at 5:30pm.

FRONT GALLERY

(S)kin
Duncan Robinson

(S)kin is a suite of photographs taken at various locations on Flinders Island where my grandfather was raised. Travelling around the island with my father and uncle, we pieced together the fragments of colonial wreckage; so little is known about my pop’s Aboriginality, beyond the oft-repeated story that he always wore his shirt sleeves down and buttoned firmly. I knew he lived at Trousers Point, but what did he do at Lady Barron and Whitemark? Did he visit North East River? Palana?

This collection of work is an extension of my earlier work experimenting with everyday technologies like the mobile phone to mediate my experiences with identity. Through a tactile act of testament - my fingerprint against the camera lens of my mobile phone - (S)kin offers an imagining of my pop’s unacknowledged identity, and contrasts this with my presence.


BACK GALLERY & VIDEO SPACE

Pacify
@harrath_james

Holcombe-James’s experiential works place the viewer at the centre of the work. Digital technologies that influence space and environment operate in programmed sequence,
constructing a perceptual field the viewer inhabits rather than observes.
His ongoing body of work PACIFY extends this inquiry into technologically mediated pacification,
the exploitation of attention, and the conditions under which the mind might expand without direction or demand.


GARDEN WALL GALLERY

New works
@c_selfies

Ink drawings made up of thousands of tiny circles, building intricate, almost hypnotic patterns. Up close they feel detailed and meditative, but from a distance different forms and depth appear. Playing with scale and repetition, the visual effect of the work changes deepening on where it is viewed form, inviting a slower, more immersive way of looking.

BAR SPACE

101 Kaleidoscopes
@joey_jeramiah

101 Kaleidoscopes made from broken mirrors, and a milkcrate that carries the remnants. So called years of bad luck are carefully duct taped and packed back together to create little cells for glittery gutter junk, broken toys and discarded dreams

‘Shooe Toones’
@alisonpyrke & @jas.biz

Opening night performance highlight!

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last two days to see this months shows.

@aishaisaishas
@mudandotherthings
@xinht0

And in the backspace

@alisonpyrke & @jas.biz with....

'Shooe Toones'

Shooe Toones is a collaborative project devised by fashion practitioner Alison Pyrke and composer Jaslyn Robertson exploring the sonic qualities and performative characteristics of footwear. Their investigations include studies of the sound and rhythm of shoes, interventions and additions to develop footwear as instruments, and scores to prompt engagement with sounds. Their exhibition presents prototypes, video, audio and speculations.

photos @rosiehastie ❤️

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

Last week for this months shows. We're open Thurs and Sun this week 12-4pm

This month @lucy_anna__ is showing in the Garden Wall Gallery

'From the Holding'

Mud from the dam glazed with rock from the quarry, ash from old fence posts, and feral cat bones—all from the farm where I live. Although collected from sites of disturbance I remain implicated in ongoing colonial practices of extraction and ownership. They are more than materials—more than substance, stuff, matter; they are shaped over time by the holding. Each holds a trace, and these tracings carry weight. I hope to always feel their weight and learn to hold it gently.

photos @rosiehastie 🔥

We're open today from 12-4pm

Including exhibits from:

@alisonpyrke & @jas.biz
@mudandotherthings
@xinht0

And in the front Space:

Boundary Lines
@aishaisaishas

Boundary Lines explores our relationships with manmade spaces and objects through painting using the urban environment as a model for investigation and demonstration of these ideas. These works examine spaces of passage and objects
that play as barriers to movement, encouraging viewers to question the history and significance of a pathway they may take, and how they interact with these artificial
environments.

Photos: @rosiehastie 🔥

We're open today from 12-4pm

Including exhibits from:

@alisonpyrke & @jas.biz
@mudandotherthings
@xinht0

And in the front Space:

Boundary Lines
@aishaisaishas

Boundary Lines explores our relationships with manmade spaces and objects through painting using the urban environment as a model for investigation and demonstration of these ideas. These works examine spaces of passage and objects
that play as barriers to movement, encouraging viewers to question the history and significance of a pathway they may take, and how they interact with these artificial
environments.

Photos: @rosiehastie 🔥

We're open today from 12-4pm

Including exhibits from:

@alisonpyrke & @jas.biz
@mudandotherthings
@xinht0

And in the front Space:

Boundary Lines
@aishaisaishas

Boundary Lines explores our relationships with manmade spaces and objects through painting using the urban environment as a model for investigation and demonstration of these ideas. These works examine spaces of passage and objects
that play as barriers to movement, encouraging viewers to question the history and significance of a pathway they may take, and how they interact with these artificial
environments.

Photos: @rosiehastie 🔥

We're open today from 12-4pm

Including exhibits from:

@alisonpyrke & @jas.biz
@mudandotherthings
@xinht0

And in the front Space:

Boundary Lines
@aishaisaishas

Boundary Lines explores our relationships with manmade spaces and objects through painting using the urban environment as a model for investigation and demonstration of these ideas. These works examine spaces of passage and objects
that play as barriers to movement, encouraging viewers to question the history and significance of a pathway they may take, and how they interact with these artificial
environments.

Photos: @rosiehastie 🔥

We're open today from 12-4pm

Including exhibits from:

@alisonpyrke & @jas.biz
@mudandotherthings
@xinht0

And in the front Space:

Boundary Lines
@aishaisaishas

Boundary Lines explores our relationships with manmade spaces and objects through painting using the urban environment as a model for investigation and demonstration of these ideas. These works examine spaces of passage and objects
that play as barriers to movement, encouraging viewers to question the history and significance of a pathway they may take, and how they interact with these artificial
environments.

Photos: @rosiehastie 🔥

We're open today from 12-4pm

Including exhibits from:

@alisonpyrke & @jas.biz
@mudandotherthings
@xinht0

And in the front Space:

Boundary Lines
@aishaisaishas

Boundary Lines explores our relationships with manmade spaces and objects through painting using the urban environment as a model for investigation and demonstration of these ideas. These works examine spaces of passage and objects
that play as barriers to movement, encouraging viewers to question the history and significance of a pathway they may take, and how they interact with these artificial
environments.

Photos: @rosiehastie 🔥

We're open today from 12-4pm

Including exhibits from:

@alisonpyrke & @jas.biz
@mudandotherthings
@xinht0

And in the front Space:

Boundary Lines
@aishaisaishas

Boundary Lines explores our relationships with manmade spaces and objects through painting using the urban environment as a model for investigation and demonstration of these ideas. These works examine spaces of passage and objects
that play as barriers to movement, encouraging viewers to question the history and significance of a pathway they may take, and how they interact with these artificial
environments.

Photos: @rosiehastie 🔥

Big thanks to @hara_kittyyy for their atmospheric performance on Friday such a pleasure to host ❤️

We're VERY excited to announce our Dark Mofo contribution for this year!!

Tactus

Dylan Sheridan (AUS), Sean O'Connell (AUS), Jacob Leary (AUS),

A group installation where sound seeps from the very substance of things

@_dylansheridan
@mrseanoconnell
@jacob.leary
@dark_mofo