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5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

5 years of the newsletter! I’ve now migrated from Substack to Ghost.

I also attempted producing more DJ-appropriate content; the result of which can be streamed on Soundcloud (no more Nono on Youtube).

And since platform dictates content and infrastructure shapes behavior, please find attached an extra c̶̶h̶̶a̶̶o̶̶t̶̶i̶̶c̶ ̶d̶̶u̶̶m̶̶p̶ chronologically arranged Q3 update that you didn’t know you needed, most probably because you in fact didn’t.

Happy equinox and fuck fascism xx

Music by @amadeupsound2562, @oceanic.ocean and @currencyaudio

Hiii! Some public appearances to come:

30.04 - @lecouvent_belledemai x @bonairfestival, Marseille 🇫🇷

02.05 - b2b @trish_ak_means, @psychotherapysessions x @strange_brew_briz, Bristol 🇬🇧
08.05 - @community_chai @90mil___ 🇩🇪
09.05 - @abyss______________________ @openground.club, Wuppertal 🇩🇪
24.05 - @karmen.camina, Strasbourg 🇫🇷
30.05 - Bait x @tra.verse, Mains d'oeuvres, Saint Ouen 🇫🇷
31.05 - TBA, Rotterdam 🇳🇱

12.06 - TBA, Berlin 🇩🇪
13.06 - TBA, Berlin 🇩🇪
17.06>28.06 - @nawatfes, Fes 🇲🇦

03.07 - @memori_festival, Domaine de Gayfié 🇫🇷
04.07 - @phasm 🇫🇷
12.07 - @freerotation.festival, Baskerville Hall 🇬🇧

08.08 - TBA, FR 🇫🇷
20.08 - TBA, FR 🇫🇷
22.08 - @weoutherefest, UK 🇬🇧
29.08 - TBA, FR 🇫🇷

October '26 til December '26: grounded Asia tour
Early '27: Australia

***

Grounded schedule powered by @antoine.hern_ndez & @akira_yamagataa at @useless.seconds! 🚞⛵🌍

📸 By @davidboschet during @astropolis 🐳

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

hi ❣️ i use this app sparsely and do not read dms
here's a 2024 grats + q1 gigs dump
with a bow
x nono

ft 🎶 by @oceanic.ocean
📸 by @lauramariatoropainen
🐕🐕 by @eilidhbbz & @darwin_reef
🫂 by @ugo___lb

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

Tonight, I’m playing in Marseille, where I recently relocated.

As an homage, I’ve just recorded a radio show with 60 minutes of tracks related to the Phocaean city, which will appear on my SoundCloud soon (“Wait wut?!! Fictions is BACK???”). I have a lot of love for the French scene and it’s been nourishing to settle roots again in one of the countries where I grew up.

Gigging is still very much part of the equation, and I’m enjoying that too (thanks, @useless.seconds, for supporting me with these shows—all of which feel just right!). We’ve started working on a (frankly, quite epic and hypothetical) flight-free tour to Asia and Australia; you can follow its progress in the usual place.

Speaking of the newsletter, in the most recent edition, I wrote about the cost of last year’s North America tour, including thoughts on the gigging economy and insights into my own situation. One of my hopes is that financial transparency can foster solidarity among nightlife workers.

Tomorrow, we’ll be celebrating Fête du Travail. Workers once fought for eight-hour days. With all the content and data we’re increasingly asked to provide, it often feels like our modern labour far exceeds these numbers (featured page: @lizpelly - Mood Machine). I won’t be using this app on May 1st—or for the rest of that month.

I look forward to dancing, marching, and hugging IRL.

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

@gigstab have the unsettling habit of making everything work. Genres that shouldn’t coexist do, tempos slip without warning, and basslines arrive exactly when your internal compass has already given up. Widely described as the DJs’ favorite DJ, their selections remain stubbornly playful, precise, and allergic to formulas.

Their 2024 Freerotation set sums it up neatly: fantasy-grade atmospherics dissolving into dancing mania, freakish jazz and pop samples smuggled in for mischief, and a glitched palette from around the world folded into an unbridled bass logic that refuses to sit still, slipping between half-time drag, D’n’B pressure, acid-licked steppers and dubwise afterglow.

Since 2019, they have declined air travel in favour of trains, boats and time itself, including a transatlantic sailboat crossing followed by a public-transport-only tour of North America. Offline by design and largely faceless online, they channel their surplus energy into research-heavy radio shows, self-run parties, listening retreats and a quietly devoted newsletter chronicling scenes, books and slow movement.

photo © @jojo.sselkie

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

Starting the 2026 club schedule tonight with an all night long in a city that used to be my HOME (Rennes), in a club where i learnt so much about dancing (@uburennes) and for a festival that introduced me to so much music (my first @transmusicales was in ...2005!!) Full circle moment.

I haven’t been on here in a minute and would like to use this opportunity to thank everyone who made me feel at HOME in 2025.

1. Havana (july)
2. Joachimstahl (dec)
3. Krakow (oct)
4. Mid-Atlantic Ridge (may)
5 Montreal (july)
6. Neukölln (Brenna Dandhar ; Leslie Kern)
7. Neukölln bis (Anjali Prashar-Savoie)
8. New york (june)
9. Newton Abbot (feb)
10. Pittsburgh/Portland (fictionsandreflections.com)
11. this is where i write and edit my newsletters and all the gear that i use
12. Update / Archive (Uta Barth)

Voilà c'est tout pour aujourd'hui et un autre bon petit moment. Je vous aimexxx 🐊⛵🛤️

ps: "property will cost us the earth"

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

WE are doing this.

Years of trying and tumbling to sail nono across the pond… and I may still fall short in acknowledging all the ways so many beings, communities, and conditions contributed to the realization of this North American tour.

Thank you, thank you
- All the promoters below—and those with whom it didn’t quite work out,
- Eilidh, Ugo, all the loved ones, and my comrades at @staygroundednet,
- All the dancers, listeners, readers, and peers for their soulful participation,
- The sailing crew who navigated us against nearly every possible odd,
- Strangers, pals of pals, new friends, and all the souls encountered who are helping, hosting, supporting, and perpetually inspiring me,
- The peaceful pilgrims who journeyed before me, and those who will come after,
- Music.

Climate justice is social justice, land justice, mobility justice, and border justice. Abolish ICE. Abolish Frontex. Protect the people. Protect the land. Power to everyone, everywhere, who is fighting violent border systems.

@contact.pdx @process.pdx @sortedsocialclub @intimatchannel @texture_detroit @partyillegal @the_pinhook @groupwork.fyi @nowadaysnyc @dripping.fyi @773flowstate @nightlogistics_chi @green_machine_chi @hotmasspgh @thelotradio @bambistoronto @layer05_

PS: sorry i made a mistake on the poster, it's MONTREAL on the 4th and TORONTO on the 5th... Can u tell i haven't slept in weeks?!

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

MINIMEALING MY WAY THRU Q4

1. 📸 by @lost_panton

2. 🎶 Idris Muhammad - Could Heaven Ever Be Like This + eternally grateful for @sub.glow, @ccl_url and Berlin fam (!!!)

3. 🎶 Outrage - Tall N Handsome (Nush Radio edit)

4. 🎶 Alírio, Guza - ASMR Tool + bowing to @kineticldn, @dj__wiggles, @sinanagram & @oiseaudanseur

5. When "clubs are in decline" but also more and more books exist in the world somehow

6. 🎶 Cavalier - Sacrifice + @janayathefuture + Sòn du Maquis - Passage (@fauxbits999 Trembling Forest)

7. @eilidhbbz & @poly_artists appreciation post!! + Joseph Beuys planting a tree (*it's KIOSK, BRUSSELS ... obv 🙈)

8. Meming my way through train delays

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

Q3 dump in chronological order: July was rivers, August will mostly be offline and there's a Fictions party in september :))

Stay liquid, stay hydrated, stay grounded!

📸 by Ana Mendieta, Ceci, Guillaume Dubois, Ugo & mostly moi 💦🐊🏞️

has there ever been a happier place on planet earth than inside the sensual and sacred hugs of room 2 subs? it was a pleasure to be back front row last weekend and an honor to share some lil sounds from the booth too.

when opening the night saturday eve, i tried to sum up all the creative and emotional inspiration i received on this specific dancefloor during the 8 editions of @freerotation.festival
that i attended. and i received a lot of it. 🥹

for these gifts and many more, i want to thank @steevio.suzybee, the volunteers, the dancers and the musicians, @theo_mullerrr and @ugo___lb, the friends of fictions, room 28 and room 3. most importantly, id like to thank everyone who campaigned until the very last minute against fascists in france! no crocodile or cane toad dances on a fascist planet!!! 🐸

pic by @carlton_brst
lovingly mastered by @snapsofbruce

update: https://on.soundcloud.com/97ZDN 🐊

L I T E R A L L Y

L I T E R A L L Y

L I T E R A L L Y

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024

Jan-Dec 2023
To everyone showing up
On the floors
On the streets
And especially in between. 🥹🌹
+ Jan-Feb 2024