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Same Getty, new look. Let us re-introduce ourselves.

We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.

Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.

Getty. All for art.

Same Getty, new look. Let us re-introduce ourselves.

We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.

Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.

Getty. All for art.

Same Getty, new look. Let us re-introduce ourselves.

We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.

Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.

Getty. All for art.

Same Getty, new look. Let us re-introduce ourselves.

We’re an arts organization based in Los Angeles, working globally, with the mission to advance art and make it accessible to all.

Inspired by our architecture, collection, and four core programs, the new logo is an ode to Getty’s story and points to what’s next.

Getty. All for art.

We're kicking off giving season by giving away free art!

Specifically, 88,000 downloadable artworks available are free for any purpose you’d like under Creative Commons Zero (CC0).

Watch to learn how to access and download.

🎨 For more on art, history, and culture, follow us @gettymuseum.

Cat's outta the bag! The votes are in!

Last month we asked for name suggestions for a new face in Getty's galleries, and boy did you deliver.

Welcome to the galleries, Purrquoise! (Everybody say *meow!*)

🐾 This porcelain cat was made in the 1700s in China for export to Europe (where it received its glowing eyes and gilded stool), and was once owned by Madame de Pompadour—the official chief mistress of King Louis XV from 1745 to 1751.

It’s International Museum Day!

Don’t be shy...tell us which type of museum visitor you are: the Type A planner and mastermind, or the Type B friend whose presence is a present.

Drop an emoji for your favorite detail in this painting. 🐇🌿🐌🦗🐸🌸🐦‍⬛

🚨➿📕Determination inspiration.📕➿🚨 Ruth Asawa did not let anything stop her from living a life intertwined with art.

Renowned for her innovative wire sculptures, Japanese-American artist Ruth Asawa was a teenager in Southern California when Japan bombed Pearl Harbor and the United States entered World War II.

Japanese Americans on the West Coast were forced into camps. Asawa’s family had to abandon their farm, her father was incarcerated, and she and the rest of her family were sent to a detention center, and later to a concentration camp in Arkansas.

Asawa nurtured her dreams of becoming an artist while imprisoned and eventually made her way to the experimental Black Mountain College in North Carolina.

“Ruth Asawa: An Artist Takes Shape,” written and illustrated by Sam Nakahira (@samnakahira), chronicles Asawa’s brave, unconventional, and determined life to demonstrate the transformative power of making art.

Learn more at our #LinkInBio.

#AAPIHeritageMonth, #AAPIMonth, #AAPI, #AAPIHM

🚨➿📕Determination inspiration.📕➿🚨 Ruth Asawa did not let anything stop her from living a life intertwined with art.

Renowned for her innovative wire sculptures, Japanese-American artist Ruth Asawa was a teenager in Southern California when Japan bombed Pearl Harbor and the United States entered World War II.

Japanese Americans on the West Coast were forced into camps. Asawa’s family had to abandon their farm, her father was incarcerated, and she and the rest of her family were sent to a detention center, and later to a concentration camp in Arkansas.

Asawa nurtured her dreams of becoming an artist while imprisoned and eventually made her way to the experimental Black Mountain College in North Carolina.

“Ruth Asawa: An Artist Takes Shape,” written and illustrated by Sam Nakahira (@samnakahira), chronicles Asawa’s brave, unconventional, and determined life to demonstrate the transformative power of making art.

Learn more at our #LinkInBio.

#AAPIHeritageMonth, #AAPIMonth, #AAPI, #AAPIHM

Swipe to make this good boy do a trick!

📷
1. Small white dog on ornate chair, about 1865, O. Lawson. Getty Museum
2. Small white dog on hind legs in plain chair, about 1865, O. Lawson. Getty Museum

#Dogs #Doggo #DogTricks #Dogstagram #Photography

Swipe to make this good boy do a trick!

📷
1. Small white dog on ornate chair, about 1865, O. Lawson. Getty Museum
2. Small white dog on hind legs in plain chair, about 1865, O. Lawson. Getty Museum

#Dogs #Doggo #DogTricks #Dogstagram #Photography

Take a look at these details—would you ever guess this artwork was painted by two artists?

I Was Thinking of You was a collaboration between Marguerite Gérard and her brother-in-law, Jean-Honoré Fragonard. But, how do Getty scholars know that? Visit the link in our bio to learn more.

🖼️ I Was Thinking of You, about 1785-1787, Marguerite Gérard and Jean-Honoré Fragonard. Getty Museum

Take a look at these details—would you ever guess this artwork was painted by two artists?

I Was Thinking of You was a collaboration between Marguerite Gérard and her brother-in-law, Jean-Honoré Fragonard. But, how do Getty scholars know that? Visit the link in our bio to learn more.

🖼️ I Was Thinking of You, about 1785-1787, Marguerite Gérard and Jean-Honoré Fragonard. Getty Museum

Take a look at these details—would you ever guess this artwork was painted by two artists?

I Was Thinking of You was a collaboration between Marguerite Gérard and her brother-in-law, Jean-Honoré Fragonard. But, how do Getty scholars know that? Visit the link in our bio to learn more.

🖼️ I Was Thinking of You, about 1785-1787, Marguerite Gérard and Jean-Honoré Fragonard. Getty Museum

Take a look at these details—would you ever guess this artwork was painted by two artists?

I Was Thinking of You was a collaboration between Marguerite Gérard and her brother-in-law, Jean-Honoré Fragonard. But, how do Getty scholars know that? Visit the link in our bio to learn more.

🖼️ I Was Thinking of You, about 1785-1787, Marguerite Gérard and Jean-Honoré Fragonard. Getty Museum

Archives hold untold stories of Black art and artists, and Getty is working to make them more accessible.

Today Getty awarded $1.8M to institutional archives across the US through its Black Visual Arts Archives initiative.

These grants aim to increase access to archival collections at institutions with important historical records connected to Black artists. By organizing and digitizing these photographs, exhibition materials, recordings, and other archival documents, the stories of Black art and artists can be surfaced for all.

This year's grantees: Afro Charities, Inc.; Auburn Avenue Research Library on African American Culture and History; Berkeley Art Museum and Pacific Film Archive; Charles H. Wright Museum of African American History; Morgan State University’s Beulah M. Davis Special Collections Department; South Side Community Art Center; South Side Home Movie Project at the University of Chicago and the David C. Driskell Center at the University of Maryland.

Read more about the eight projects that received funding at the link in our bio.

Images:
1: Lois Mailou Jones in her studio. Photo: Marc Vaux Studio. Courtesy of the AFRO American Newspapers Archives/Afro Charities
2: A yet unidentified woman inspects film in Ramon Williams’ studio: the very same reels we are preserving today, c. 1946. Found in South Side Home Movie Project’s Ramon Williams Collection. The Ramon Williams Collection, South Side Home Movie Project. SSHMP.2022.WILLIAMS.00186
3: Margaret Taylor Burroughs (1915 - 2010), “Mother and Child,” 1987. Image from South Side Community Art Center Collection
4: Neighborhood Arts Center Staff Gathered on Steps at 252 Georgia Avenue (Photograph by Jim Alexander), 1977 (Neighborhood Arts Center Records)
5: VHS tapes of lectures and quiltmaker interviews, 1988–2007, Eli Leon Papers. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive

Archives hold untold stories of Black art and artists, and Getty is working to make them more accessible.

Today Getty awarded $1.8M to institutional archives across the US through its Black Visual Arts Archives initiative.

These grants aim to increase access to archival collections at institutions with important historical records connected to Black artists. By organizing and digitizing these photographs, exhibition materials, recordings, and other archival documents, the stories of Black art and artists can be surfaced for all.

This year's grantees: Afro Charities, Inc.; Auburn Avenue Research Library on African American Culture and History; Berkeley Art Museum and Pacific Film Archive; Charles H. Wright Museum of African American History; Morgan State University’s Beulah M. Davis Special Collections Department; South Side Community Art Center; South Side Home Movie Project at the University of Chicago and the David C. Driskell Center at the University of Maryland.

Read more about the eight projects that received funding at the link in our bio.

Images:
1: Lois Mailou Jones in her studio. Photo: Marc Vaux Studio. Courtesy of the AFRO American Newspapers Archives/Afro Charities
2: A yet unidentified woman inspects film in Ramon Williams’ studio: the very same reels we are preserving today, c. 1946. Found in South Side Home Movie Project’s Ramon Williams Collection. The Ramon Williams Collection, South Side Home Movie Project. SSHMP.2022.WILLIAMS.00186
3: Margaret Taylor Burroughs (1915 - 2010), “Mother and Child,” 1987. Image from South Side Community Art Center Collection
4: Neighborhood Arts Center Staff Gathered on Steps at 252 Georgia Avenue (Photograph by Jim Alexander), 1977 (Neighborhood Arts Center Records)
5: VHS tapes of lectures and quiltmaker interviews, 1988–2007, Eli Leon Papers. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive

Archives hold untold stories of Black art and artists, and Getty is working to make them more accessible.

Today Getty awarded $1.8M to institutional archives across the US through its Black Visual Arts Archives initiative.

These grants aim to increase access to archival collections at institutions with important historical records connected to Black artists. By organizing and digitizing these photographs, exhibition materials, recordings, and other archival documents, the stories of Black art and artists can be surfaced for all.

This year's grantees: Afro Charities, Inc.; Auburn Avenue Research Library on African American Culture and History; Berkeley Art Museum and Pacific Film Archive; Charles H. Wright Museum of African American History; Morgan State University’s Beulah M. Davis Special Collections Department; South Side Community Art Center; South Side Home Movie Project at the University of Chicago and the David C. Driskell Center at the University of Maryland.

Read more about the eight projects that received funding at the link in our bio.

Images:
1: Lois Mailou Jones in her studio. Photo: Marc Vaux Studio. Courtesy of the AFRO American Newspapers Archives/Afro Charities
2: A yet unidentified woman inspects film in Ramon Williams’ studio: the very same reels we are preserving today, c. 1946. Found in South Side Home Movie Project’s Ramon Williams Collection. The Ramon Williams Collection, South Side Home Movie Project. SSHMP.2022.WILLIAMS.00186
3: Margaret Taylor Burroughs (1915 - 2010), “Mother and Child,” 1987. Image from South Side Community Art Center Collection
4: Neighborhood Arts Center Staff Gathered on Steps at 252 Georgia Avenue (Photograph by Jim Alexander), 1977 (Neighborhood Arts Center Records)
5: VHS tapes of lectures and quiltmaker interviews, 1988–2007, Eli Leon Papers. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive

Archives hold untold stories of Black art and artists, and Getty is working to make them more accessible.

Today Getty awarded $1.8M to institutional archives across the US through its Black Visual Arts Archives initiative.

These grants aim to increase access to archival collections at institutions with important historical records connected to Black artists. By organizing and digitizing these photographs, exhibition materials, recordings, and other archival documents, the stories of Black art and artists can be surfaced for all.

This year's grantees: Afro Charities, Inc.; Auburn Avenue Research Library on African American Culture and History; Berkeley Art Museum and Pacific Film Archive; Charles H. Wright Museum of African American History; Morgan State University’s Beulah M. Davis Special Collections Department; South Side Community Art Center; South Side Home Movie Project at the University of Chicago and the David C. Driskell Center at the University of Maryland.

Read more about the eight projects that received funding at the link in our bio.

Images:
1: Lois Mailou Jones in her studio. Photo: Marc Vaux Studio. Courtesy of the AFRO American Newspapers Archives/Afro Charities
2: A yet unidentified woman inspects film in Ramon Williams’ studio: the very same reels we are preserving today, c. 1946. Found in South Side Home Movie Project’s Ramon Williams Collection. The Ramon Williams Collection, South Side Home Movie Project. SSHMP.2022.WILLIAMS.00186
3: Margaret Taylor Burroughs (1915 - 2010), “Mother and Child,” 1987. Image from South Side Community Art Center Collection
4: Neighborhood Arts Center Staff Gathered on Steps at 252 Georgia Avenue (Photograph by Jim Alexander), 1977 (Neighborhood Arts Center Records)
5: VHS tapes of lectures and quiltmaker interviews, 1988–2007, Eli Leon Papers. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive

Archives hold untold stories of Black art and artists, and Getty is working to make them more accessible.

Today Getty awarded $1.8M to institutional archives across the US through its Black Visual Arts Archives initiative.

These grants aim to increase access to archival collections at institutions with important historical records connected to Black artists. By organizing and digitizing these photographs, exhibition materials, recordings, and other archival documents, the stories of Black art and artists can be surfaced for all.

This year's grantees: Afro Charities, Inc.; Auburn Avenue Research Library on African American Culture and History; Berkeley Art Museum and Pacific Film Archive; Charles H. Wright Museum of African American History; Morgan State University’s Beulah M. Davis Special Collections Department; South Side Community Art Center; South Side Home Movie Project at the University of Chicago and the David C. Driskell Center at the University of Maryland.

Read more about the eight projects that received funding at the link in our bio.

Images:
1: Lois Mailou Jones in her studio. Photo: Marc Vaux Studio. Courtesy of the AFRO American Newspapers Archives/Afro Charities
2: A yet unidentified woman inspects film in Ramon Williams’ studio: the very same reels we are preserving today, c. 1946. Found in South Side Home Movie Project’s Ramon Williams Collection. The Ramon Williams Collection, South Side Home Movie Project. SSHMP.2022.WILLIAMS.00186
3: Margaret Taylor Burroughs (1915 - 2010), “Mother and Child,” 1987. Image from South Side Community Art Center Collection
4: Neighborhood Arts Center Staff Gathered on Steps at 252 Georgia Avenue (Photograph by Jim Alexander), 1977 (Neighborhood Arts Center Records)
5: VHS tapes of lectures and quiltmaker interviews, 1988–2007, Eli Leon Papers. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive

Archives hold untold stories of Black art and artists, and Getty is working to make them more accessible.

Today Getty awarded $1.8M to institutional archives across the US through its Black Visual Arts Archives initiative.

These grants aim to increase access to archival collections at institutions with important historical records connected to Black artists. By organizing and digitizing these photographs, exhibition materials, recordings, and other archival documents, the stories of Black art and artists can be surfaced for all.

This year's grantees: Afro Charities, Inc.; Auburn Avenue Research Library on African American Culture and History; Berkeley Art Museum and Pacific Film Archive; Charles H. Wright Museum of African American History; Morgan State University’s Beulah M. Davis Special Collections Department; South Side Community Art Center; South Side Home Movie Project at the University of Chicago and the David C. Driskell Center at the University of Maryland.

Read more about the eight projects that received funding at the link in our bio.

Images:
1: Lois Mailou Jones in her studio. Photo: Marc Vaux Studio. Courtesy of the AFRO American Newspapers Archives/Afro Charities
2: A yet unidentified woman inspects film in Ramon Williams’ studio: the very same reels we are preserving today, c. 1946. Found in South Side Home Movie Project’s Ramon Williams Collection. The Ramon Williams Collection, South Side Home Movie Project. SSHMP.2022.WILLIAMS.00186
3: Margaret Taylor Burroughs (1915 - 2010), “Mother and Child,” 1987. Image from South Side Community Art Center Collection
4: Neighborhood Arts Center Staff Gathered on Steps at 252 Georgia Avenue (Photograph by Jim Alexander), 1977 (Neighborhood Arts Center Records)
5: VHS tapes of lectures and quiltmaker interviews, 1988–2007, Eli Leon Papers. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive. Bequest of the Eli Leon Living Trust, Berkeley Art Museum and Pacific Film Archive

People of all racial and ethnic backgrounds fought on both sides of the American Civil War.

The photographs of Bruce Yonemoto (@bruceyonemoto), a Los Angeles-based artist and educator, prompt reflections on the ways racial identities are recorded and regularly excluded from history.

For the series “North South East West”, Yonemoto reinterprets Western visual tropes associated with 19th-century studio portrait photographs, especially as exemplified by carte-de-visite portraits of soldiers from the American Civil War. Few images of Asian soldiers who served during that time exist; the artist became interested in how such an imbalance of representation came to shape our current perception of this period in US history.

The Civil War-era regalia worn by those pictured were sourced from Western Costume Company (@westerncostumecompany) in North Hollywood, the same costume house that provided props and costumes for D.W. Griffith's 1915 film The Birth of a Nation.

Photos:
1. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.7. © Bruce Yonemoto
2. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.4. © Bruce Yonemoto
3. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.3. © Bruce Yonemoto
4. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.1. © Bruce Yonemoto

People of all racial and ethnic backgrounds fought on both sides of the American Civil War.

The photographs of Bruce Yonemoto (@bruceyonemoto), a Los Angeles-based artist and educator, prompt reflections on the ways racial identities are recorded and regularly excluded from history.

For the series “North South East West”, Yonemoto reinterprets Western visual tropes associated with 19th-century studio portrait photographs, especially as exemplified by carte-de-visite portraits of soldiers from the American Civil War. Few images of Asian soldiers who served during that time exist; the artist became interested in how such an imbalance of representation came to shape our current perception of this period in US history.

The Civil War-era regalia worn by those pictured were sourced from Western Costume Company (@westerncostumecompany) in North Hollywood, the same costume house that provided props and costumes for D.W. Griffith's 1915 film The Birth of a Nation.

Photos:
1. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.7. © Bruce Yonemoto
2. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.4. © Bruce Yonemoto
3. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.3. © Bruce Yonemoto
4. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.1. © Bruce Yonemoto

People of all racial and ethnic backgrounds fought on both sides of the American Civil War.

The photographs of Bruce Yonemoto (@bruceyonemoto), a Los Angeles-based artist and educator, prompt reflections on the ways racial identities are recorded and regularly excluded from history.

For the series “North South East West”, Yonemoto reinterprets Western visual tropes associated with 19th-century studio portrait photographs, especially as exemplified by carte-de-visite portraits of soldiers from the American Civil War. Few images of Asian soldiers who served during that time exist; the artist became interested in how such an imbalance of representation came to shape our current perception of this period in US history.

The Civil War-era regalia worn by those pictured were sourced from Western Costume Company (@westerncostumecompany) in North Hollywood, the same costume house that provided props and costumes for D.W. Griffith's 1915 film The Birth of a Nation.

Photos:
1. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.7. © Bruce Yonemoto
2. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.4. © Bruce Yonemoto
3. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.3. © Bruce Yonemoto
4. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.1. © Bruce Yonemoto

People of all racial and ethnic backgrounds fought on both sides of the American Civil War.

The photographs of Bruce Yonemoto (@bruceyonemoto), a Los Angeles-based artist and educator, prompt reflections on the ways racial identities are recorded and regularly excluded from history.

For the series “North South East West”, Yonemoto reinterprets Western visual tropes associated with 19th-century studio portrait photographs, especially as exemplified by carte-de-visite portraits of soldiers from the American Civil War. Few images of Asian soldiers who served during that time exist; the artist became interested in how such an imbalance of representation came to shape our current perception of this period in US history.

The Civil War-era regalia worn by those pictured were sourced from Western Costume Company (@westerncostumecompany) in North Hollywood, the same costume house that provided props and costumes for D.W. Griffith's 1915 film The Birth of a Nation.

Photos:
1. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.7. © Bruce Yonemoto
2. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.4. © Bruce Yonemoto
3. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.3. © Bruce Yonemoto
4. Untitled, 2007, Bruce Yonemoto. Getty Museum, 2024.1.1. © Bruce Yonemoto

Happy #MosaicMonday!

Can you tell what the four people in the corners of this mosaic panel represent? 🧐

Hint: Frankie Valli would be a huge fan.

Answer ⬇️
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The four seasons! 🍃🍂

ℹ️ Mosaic Floor with Orpheus and the Animals, with Four Seasons in the Corners, A.D. 150-200, Gallo Roman.

Happy #MosaicMonday!

Can you tell what the four people in the corners of this mosaic panel represent? 🧐

Hint: Frankie Valli would be a huge fan.

Answer ⬇️
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The four seasons! 🍃🍂

ℹ️ Mosaic Floor with Orpheus and the Animals, with Four Seasons in the Corners, A.D. 150-200, Gallo Roman.

Happy #MosaicMonday!

Can you tell what the four people in the corners of this mosaic panel represent? 🧐

Hint: Frankie Valli would be a huge fan.

Answer ⬇️
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The four seasons! 🍃🍂

ℹ️ Mosaic Floor with Orpheus and the Animals, with Four Seasons in the Corners, A.D. 150-200, Gallo Roman.

Happy #MosaicMonday!

Can you tell what the four people in the corners of this mosaic panel represent? 🧐

Hint: Frankie Valli would be a huge fan.

Answer ⬇️
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The four seasons! 🍃🍂

ℹ️ Mosaic Floor with Orpheus and the Animals, with Four Seasons in the Corners, A.D. 150-200, Gallo Roman.

Happy #MosaicMonday!

Can you tell what the four people in the corners of this mosaic panel represent? 🧐

Hint: Frankie Valli would be a huge fan.

Answer ⬇️
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The four seasons! 🍃🍂

ℹ️ Mosaic Floor with Orpheus and the Animals, with Four Seasons in the Corners, A.D. 150-200, Gallo Roman.

Is motherhood a creative act?

Get to know this work by artist Annie Hsiao-Ching Wang. In a photo series that has lasted over 20 years, artist Annie Wang (@artanniewang) explores what it means to be a woman, an artist, and a mother through an autobiographical lens.

Tell us how this work makes you feel in the comments.

Happy Mother's Day!