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MONED
@keep_bremerton_feared_fest
10JAN26
😵‍💫@colorbard_visual
📽@shadowplayfae

HNGTR©️®️™️

MONED
@keep_bremerton_feared_fest
10JAN26
😵‍💫@colorbard_visual
📽@shadowplayfae

HNGTR©️®️™️

(((🎸🎸)))
HNGTR FEEDBACK MEDITATION
duo Jaguar guitars
stacked octave fuzzes
some reverberation
no loops, no delays (that's cheating)
two gigantic loudspeakers
one huge room
pure larsen effect achieved

psychotropic optics by
@colorbard_visual

The sound of...
a brand new electric guitar being unboxed, amplified, and dismantled with power/hand tools filtered thru pedals and contact mic'd metal pans.
This is how we initiated The 10th Guitar Worship Service.
Full quality recording via the bandcamper.
Shit gets intense 'round 03:35.
www.moned.bandcamp.com/track/122025

Soundperson:
Dustin Williams
@tarsiereyes_

Video & Live Projections:
Matthew Terry
@colorbard_visual

DESTROY TO CREATE
🎸🛠🙌

@keep_bremerton_feared_fest
Fresh 4X4" sticks arrived.
Procure one for yourself at random local businesses around town.

Announcing Soon:
KEEP BREMERTON FEARED FEST's
official two day lineup.
Friday October 16th
&
Saturday October 17th
at
The Charleston
@thecharleston333

Two nights of extreme noise, music, performance art, and visuals.

🌞⚔️ BREMERTON — this one is going to burn bright. ⚔️🌞

Society of the Silver Cross joins forces with MALE // GAZE, EAT THE SUN, and MISANDRIST for a night of shadow, noise, atmosphere, and ritual under the lights at The Charleston.

Visual alchemy by COLOKBAKD.
All ages. Bar 21+.
Doors at 7PM.
$15.

Friday, June 19, 2026
Bremerton, WA

Come cloaked in black. Bring your ghosts. Leave louder than you arrived.

Collaborators + chaos merchants:
@malegaze
@eatthesun
@misandrist
@colokbakd
#BremertonMusic #AllAgesShow #PNWLiveMusic #DarkAlternative #UndergroundMusicScene

Summer Solstice weekend...
@societyofthesilvercross
@male.gaze.band
@get_moned as EAT THE SUN
@shadowplayfae as MISANDRIST
+
@colorbard_visual

✔ neo-folk darkgaze
✔ heavy 'n lush
✔ black corridor drone
✔ electric harp
+
✔ live projections

Sensory saturation for the ears & eyes.
Seek bio links.
Helios-approved.

P🎨ster by JL

Summer Solstice weekend...
@societyofthesilvercross
@male.gaze.band
@get_moned as EAT THE SUN
@shadowplayfae as MISANDRIST
+
@colorbard_visual

✔ neo-folk darkgaze
✔ heavy 'n lush
✔ black corridor drone
✔ electric harp
+
✔ live projections

Sensory saturation for the ears & eyes.
Seek bio links.
Helios-approved.

P🎨ster by JL

Summer Solstice weekend...
@societyofthesilvercross
@male.gaze.band
@get_moned as EAT THE SUN
@shadowplayfae as MISANDRIST
+
@colorbard_visual

✔ neo-folk darkgaze
✔ heavy 'n lush
✔ black corridor drone
✔ electric harp
+
✔ live projections

Sensory saturation for the ears & eyes.
Seek bio links.
Helios-approved.

P🎨ster by JL

Summer Solstice weekend...
@societyofthesilvercross
@male.gaze.band
@get_moned as EAT THE SUN
@shadowplayfae as MISANDRIST
+
@colorbard_visual

✔ neo-folk darkgaze
✔ heavy 'n lush
✔ black corridor drone
✔ electric harp
+
✔ live projections

Sensory saturation for the ears & eyes.
Seek bio links.
Helios-approved.

P🎨ster by JL

Summer Solstice weekend...
@societyofthesilvercross
@male.gaze.band
@get_moned as EAT THE SUN
@shadowplayfae as MISANDRIST
+
@colorbard_visual

✔ neo-folk darkgaze
✔ heavy 'n lush
✔ black corridor drone
✔ electric harp
+
✔ live projections

Sensory saturation for the ears & eyes.
Seek bio links.
Helios-approved.

P🎨ster by JL

Summer Solstice weekend...
@societyofthesilvercross
@male.gaze.band
@get_moned as EAT THE SUN
@shadowplayfae as MISANDRIST
+
@colorbard_visual

✔ neo-folk darkgaze
✔ heavy 'n lush
✔ black corridor drone
✔ electric harp
+
✔ live projections

Sensory saturation for the ears & eyes.
Seek bio links.
Helios-approved.

P🎨ster by JL

Tonight@thecharleston333 Guitar Worship service which is a series put on by @get_moned also one mind behind KBFF support those who support you

Here they are...
physical prints of the GWS #15 poster.
Complimentary 11X17" cardstock copies for those who attend.
It's my thank you for supporting the Guitar Worship Service series.

Lineup:
@sorciaband
@megaton_leviathan
@oflioness
@acrossthenarrows
@get_moned special duo collab w/ @boontdustie on free jazz saxophone
+
retina-wrecking projections by
@colorbard_visual

Event presented w/ @desertrecords

P🎨ster artist @terminalfuzzterror

The Charleston
BRMRTN WA
7PM
ALL AGES
BAR 21+
15 USD
🎸🙌😛◽
- JL

Supplemental Lineup Details:

Guitar Worship Service w/ Desert Records Presents: MEGATON LEVIATHAN (doom, kraut, shoegaze, Astoria) // SORCIA (stoner rock, doom metal, Seattle) // OF LIONESS (post-metal, Aberdeen) // MONED (harsh noise guitar, Bremerton) // ACROSS THE NARROWS (groove sludge, Red Mesa & ex-Bog Bodies project, Bremerton) // COLORBARD VISUAL (psychotropic optics, live projections, Tacoma). $15/7pm

Here they are...
physical prints of the GWS #15 poster.
Complimentary 11X17" cardstock copies for those who attend.
It's my thank you for supporting the Guitar Worship Service series.

Lineup:
@sorciaband
@megaton_leviathan
@oflioness
@acrossthenarrows
@get_moned special duo collab w/ @boontdustie on free jazz saxophone
+
retina-wrecking projections by
@colorbard_visual

Event presented w/ @desertrecords

P🎨ster artist @terminalfuzzterror

The Charleston
BRMRTN WA
7PM
ALL AGES
BAR 21+
15 USD
🎸🙌😛◽
- JL

Supplemental Lineup Details:

Guitar Worship Service w/ Desert Records Presents: MEGATON LEVIATHAN (doom, kraut, shoegaze, Astoria) // SORCIA (stoner rock, doom metal, Seattle) // OF LIONESS (post-metal, Aberdeen) // MONED (harsh noise guitar, Bremerton) // ACROSS THE NARROWS (groove sludge, Red Mesa & ex-Bog Bodies project, Bremerton) // COLORBARD VISUAL (psychotropic optics, live projections, Tacoma). $15/7pm

Mucho appreciation to @aaronbturner for signing my @sumacbandofficial WA State-issued vanity plate + the OMG setlist after the @oldmangloomband show at @substation.seattle
Aaron, enjoy your copy of the SUMAC plate :)))
See ya this June @thecobaltvancouver

Mucho appreciation to @aaronbturner for signing my @sumacbandofficial WA State-issued vanity plate + the OMG setlist after the @oldmangloomband show at @substation.seattle
Aaron, enjoy your copy of the SUMAC plate :)))
See ya this June @thecobaltvancouver

Mucho appreciation to @aaronbturner for signing my @sumacbandofficial WA State-issued vanity plate + the OMG setlist after the @oldmangloomband show at @substation.seattle
Aaron, enjoy your copy of the SUMAC plate :)))
See ya this June @thecobaltvancouver

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 2...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox

At the altar, pt. 1...
What cannot be photographed when one fixates front and center of a sound bath performance, is the intense vibrations of sonic winds emitted from partitions of amplifiers created by guitar artists who fine-tune frequencies so precisely as to not obliterate the listener's ears... or at least for too long.
Healing follows if not immediately.
Ultimately the experience is refreshing.
What can be photographed is an intimate perspective at the altar.
Having seen sunn from front row balconies at numerous venues, I've always peered on those at the altar who are surely experiencing an intense A/V dimension.
For the first time at the altar, I chose to seize several images throughout the set.
Presented here is not that of a professional photographer.
There was no ambition to capture that perfect digital shot for a paper, a blog, a post, or developed physical prints.
Besides I don't possess or want a camera that of a specialist.
Rather these are optical offerings on what it is to be opposite stage lights and face against a wall of fog.
Clear and cloudy and blurry and abstract... here are frames at the altar.
📷 2009 digital Samsung SL605
Straight, no filter, as-is, raw visuals.
Photos arranged in sequence of performance.
Many more to be posted.

(((🎸🙌🎸)))

@sunnofficial
@subpop
@southernlordrecords
@showbox