Instagram Story Save

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 with Lisa-Viktoria Niederberger (@lisaviktorianiederberger)and Liina Magnea (@mmaaggnneeaa) in Hamburg City-Nord on March 27, 2026.

Darkness can be both a place of refuge and a source of fear. The second chapter of Night Shifts sheds light on the latter, the state of insecurity, anxiety, and disorientation. A walk with the author Lisa-Viktoria Niederberger after nightfall led us through Hamburg’s City Nord, a district conceived in the 1970s as one of the most ambitious post-war projects in Europe. In her essayistic text “Dunkelheit. Ein Plädoyer” (Haymon, 2025) she describes how both artificially lit places and places that remain in darkness can trigger fear and insecurity in us. Questions of power and control, and their loss, were also central to Liina Magnea’s performance Ssassin’s Creed (Lady says Stop) at the dance school „Die 2“. The work delved into the shadows of human behavior that become visible when seemingly stable authority structures begin to crumble.

Night Shifts 2 was accompanied by the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch.

Photos: @fabian.hammerl

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

Night Shifts 2 💥

Come by and join us for a walk, reading, and performance on Friday, March 27, in Hamburg’s City Nord. The author Lisa-Viktoria Niederberger and performer Liina Magnea gave us a glimpse into their artistic process and sent us some associative images that led to their contributions to Night Shifts.

Slide 2-6: Liina Magnea @mmaaggnneeaa
Slide 7-13: Lisa-Viktoria Niederberger @lisaviktorianiederberger

—

Night Shifts 2 / March 27, 2026 / City Nord
Meeting point: 8 pm at Überseering (West) bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

—

Check out our website for info on the event’s accessibility. The event will include audio description.

Design: @laurensmariabauer and @0176hwendy

On March 27 at 8 pm, Night Shifts returns for its second chapter, this time set in City Nord. Join us for an evening featuring a reading by Lisa-Viktoria Niederberger (@lisaviktorianiederberger) and a performance by Liina Magnea (@mmaaggnneeaa).

March 27, 2026, 8 pm / City Nord, Hamburg 
Meeting point: 8 pm at Überseering bus stop
Reading/Walk: 8:30 pm at Einstellungsstelle der Polizei Hamburg, 60 min.
Performance: 9:30 pm at @adtv_tanzschuledie2 ; 30 min.

The second Night Shifts invites you to Hamburg’s City Nord, a district envisioned in the 1970s as one of Europe’s most ambitious post-war projects. Despite its central location, this “model city of modernity” remained isolated, disconnected from the city's infrastructure.

At the Überseering bus stop, the Nachtwächterinnen will welcome you and lead you to the first stop on our event: a reading by author @lisaviktorianiederberger from her essayistic book „Dunkelheit. Ein Plädoyer.“ (Haymon, 2025), which will unfold throughout a guided walk in the shadowy corridors of City Nord. Niederberger’s work weaves together themes of power, hidden class distinctions, and patriarchal systems with issues such as nature conservation, workplace safety, the starry sky as cultural heritage, and feminist and political perspectives.

The dynamics of power, control, and their unraveling also shape @mmaaggnneeaa Liina Magnea’s performance „Ssassin’s Creed (Lady says Stop),“ which delves into the shadowy aspects of human behavior that surface when authority structures begin to erode. The performance will take place at one of City Nord’s oldest institutions, Tanzschule “die 2”.


Design: @laurensmariabauer and @0176hwendy 

The event is kindly supported by @bezirksamt_hamburgnord.

The project is kindly supported by Elbkulturfonds @bkm_hh, @hamburgischekulturstiftung and @claussen.simon.stiftung.

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

The painting „Handmade“ by Cecilie Norgaard reveals a formal relationship between the modular building blocks of the port—containers, stacks, linear structures—and the composition of the painting itself. Figurative elements appear concisely, almost emblematically, intensifying the exchange between exterior space and pictorial space.
Toy building blocks shift this monumental logic into a more intimate realm, evoking a child’s playroom where simple forms can construct entire worlds and where construction and destruction bring equal satisfaction.
A sexually connoted hand gesture introduces a tension between production and reproduction—biological, artistic, and economic. Here, the building blocks become symbols for the creation of fragile new orders, poised on the brink of collapse.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

The painting „Handmade“ by Cecilie Norgaard reveals a formal relationship between the modular building blocks of the port—containers, stacks, linear structures—and the composition of the painting itself. Figurative elements appear concisely, almost emblematically, intensifying the exchange between exterior space and pictorial space.
Toy building blocks shift this monumental logic into a more intimate realm, evoking a child’s playroom where simple forms can construct entire worlds and where construction and destruction bring equal satisfaction.
A sexually connoted hand gesture introduces a tension between production and reproduction—biological, artistic, and economic. Here, the building blocks become symbols for the creation of fragile new orders, poised on the brink of collapse.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

The painting „Handmade“ by Cecilie Norgaard reveals a formal relationship between the modular building blocks of the port—containers, stacks, linear structures—and the composition of the painting itself. Figurative elements appear concisely, almost emblematically, intensifying the exchange between exterior space and pictorial space.
Toy building blocks shift this monumental logic into a more intimate realm, evoking a child’s playroom where simple forms can construct entire worlds and where construction and destruction bring equal satisfaction.
A sexually connoted hand gesture introduces a tension between production and reproduction—biological, artistic, and economic. Here, the building blocks become symbols for the creation of fragile new orders, poised on the brink of collapse.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

The painting „Handmade“ by Cecilie Norgaard reveals a formal relationship between the modular building blocks of the port—containers, stacks, linear structures—and the composition of the painting itself. Figurative elements appear concisely, almost emblematically, intensifying the exchange between exterior space and pictorial space.
Toy building blocks shift this monumental logic into a more intimate realm, evoking a child’s playroom where simple forms can construct entire worlds and where construction and destruction bring equal satisfaction.
A sexually connoted hand gesture introduces a tension between production and reproduction—biological, artistic, and economic. Here, the building blocks become symbols for the creation of fragile new orders, poised on the brink of collapse.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

The painting „Handmade“ by Cecilie Norgaard reveals a formal relationship between the modular building blocks of the port—containers, stacks, linear structures—and the composition of the painting itself. Figurative elements appear concisely, almost emblematically, intensifying the exchange between exterior space and pictorial space.
Toy building blocks shift this monumental logic into a more intimate realm, evoking a child’s playroom where simple forms can construct entire worlds and where construction and destruction bring equal satisfaction.
A sexually connoted hand gesture introduces a tension between production and reproduction—biological, artistic, and economic. Here, the building blocks become symbols for the creation of fragile new orders, poised on the brink of collapse.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

The painting „Handmade“ by Cecilie Norgaard reveals a formal relationship between the modular building blocks of the port—containers, stacks, linear structures—and the composition of the painting itself. Figurative elements appear concisely, almost emblematically, intensifying the exchange between exterior space and pictorial space.
Toy building blocks shift this monumental logic into a more intimate realm, evoking a child’s playroom where simple forms can construct entire worlds and where construction and destruction bring equal satisfaction.
A sexually connoted hand gesture introduces a tension between production and reproduction—biological, artistic, and economic. Here, the building blocks become symbols for the creation of fragile new orders, poised on the brink of collapse.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

The painting „Handmade“ by Cecilie Norgaard reveals a formal relationship between the modular building blocks of the port—containers, stacks, linear structures—and the composition of the painting itself. Figurative elements appear concisely, almost emblematically, intensifying the exchange between exterior space and pictorial space.
Toy building blocks shift this monumental logic into a more intimate realm, evoking a child’s playroom where simple forms can construct entire worlds and where construction and destruction bring equal satisfaction.
A sexually connoted hand gesture introduces a tension between production and reproduction—biological, artistic, and economic. Here, the building blocks become symbols for the creation of fragile new orders, poised on the brink of collapse.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Night Shifts 1 with Cecilie Norgaard @heliometra at Reiherstiegdeich 55 on February 27, 2026.

A single shipping container on the grounds of @unitainer transforms into an exhibition space for the artwork Handmade by Cecilie Norgaard, blurring the boundaries between site, subject, and display. As the painting itself becomes a vessel for layered meanings, the (harbor) container emerges in parallel as the physical depository for art as commodity. This interplay forges a dynamic link between the port’s functional expanse and an artistic cosmos that absorbs and refracts the symbols, rhythms, and relentless illumination of this nocturnal, ever-active part of the city.

Night Shifts 1 was accompanied by artistic contributions from the three Nachtwächterinnen @_rosannagraf_ , @lisaalice_klosterkoetter and @gesatroch and a bar by Luzie Katzorke @luziekatzorke.

Photos: @fabian.hammerl

Die Netze knüpfen, die uns in der Welt halten

“Wunden schlagen und heilen. Es ist alles verknüpft, Großmeer, untrennbar, und doch ist der Faden der Hexen zerschnittten, und wir müssen ihn neu aufnehmen und von den Toten lernen; zuhören, hexen, schreiben, (…). Wir müssen Netze knüpfen, die uns in der Welt halten: in dieser, in eurer und in jenen, die noch möglich sein können.”

This quote is from @kimdelhorizon and their “Blutbuch”, which completely captivated and inspired me during the production of the exhibition “Talking Threads.” I listened to the book as an audiobook, and their voice and text are inextricably linked to the the works that were created, the thoughts, and the whole spirit of the work and the time I spent in the studio. “Supplement Slips” with the quote, which I quickly wrote down as a note on a piece of paper while listening- is like a bookmark, a comment, a note on the other works—rootsweaver and curtains, screens, membranes.

Supplement Slips 1-3, 2025,
fabric, textile paint, magnets, silicon, acrylic paint, metal sheet

📷 @annelefty

Die Netze knüpfen, die uns in der Welt halten

“Wunden schlagen und heilen. Es ist alles verknüpft, Großmeer, untrennbar, und doch ist der Faden der Hexen zerschnittten, und wir müssen ihn neu aufnehmen und von den Toten lernen; zuhören, hexen, schreiben, (…). Wir müssen Netze knüpfen, die uns in der Welt halten: in dieser, in eurer und in jenen, die noch möglich sein können.”

This quote is from @kimdelhorizon and their “Blutbuch”, which completely captivated and inspired me during the production of the exhibition “Talking Threads.” I listened to the book as an audiobook, and their voice and text are inextricably linked to the the works that were created, the thoughts, and the whole spirit of the work and the time I spent in the studio. “Supplement Slips” with the quote, which I quickly wrote down as a note on a piece of paper while listening- is like a bookmark, a comment, a note on the other works—rootsweaver and curtains, screens, membranes.

Supplement Slips 1-3, 2025,
fabric, textile paint, magnets, silicon, acrylic paint, metal sheet

📷 @annelefty

Die Netze knüpfen, die uns in der Welt halten

“Wunden schlagen und heilen. Es ist alles verknüpft, Großmeer, untrennbar, und doch ist der Faden der Hexen zerschnittten, und wir müssen ihn neu aufnehmen und von den Toten lernen; zuhören, hexen, schreiben, (…). Wir müssen Netze knüpfen, die uns in der Welt halten: in dieser, in eurer und in jenen, die noch möglich sein können.”

This quote is from @kimdelhorizon and their “Blutbuch”, which completely captivated and inspired me during the production of the exhibition “Talking Threads.” I listened to the book as an audiobook, and their voice and text are inextricably linked to the the works that were created, the thoughts, and the whole spirit of the work and the time I spent in the studio. “Supplement Slips” with the quote, which I quickly wrote down as a note on a piece of paper while listening- is like a bookmark, a comment, a note on the other works—rootsweaver and curtains, screens, membranes.

Supplement Slips 1-3, 2025,
fabric, textile paint, magnets, silicon, acrylic paint, metal sheet

📷 @annelefty

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

.
TALKING THREADS ~ Gesa Troch

@gesatroch 's catalogue with texts by @anne_meeand @lisaalice_klosterkoetter

graphic design @sebastian_kokus
photography @annelefty
black and white photography cover inlay @fabian.hammerl

The publication was released in 2025 as part of the residency program in Trittau funded by @stiftungensparkasseholstein

Very much looking forward to this upcoming group show with Marvin Moises Almaraz Dosal @posthomoveritass and Hye-Eun Kim @hekim_mikehat Studio 45, Wendenstraße 45.
Happy to see some of you to join our dressing room💅🏻 Marvin’s Performance is happening at the openingFriday 21/11/-~20.30.
See you ~💋•

Very much looking forward to this upcoming group show with Marvin Moises Almaraz Dosal @posthomoveritass and Hye-Eun Kim @hekim_mikehat Studio 45, Wendenstraße 45.
Happy to see some of you to join our dressing room💅🏻 Marvin’s Performance is happening at the openingFriday 21/11/-~20.30.
See you ~💋•

Very much looking forward to this upcoming group show with Marvin Moises Almaraz Dosal @posthomoveritass and Hye-Eun Kim @hekim_mikehat Studio 45, Wendenstraße 45.
Happy to see some of you to join our dressing room💅🏻 Marvin’s Performance is happening at the openingFriday 21/11/-~20.30.
See you ~💋•

Very much looking forward to this upcoming group show with Marvin Moises Almaraz Dosal @posthomoveritass and Hye-Eun Kim @hekim_mikehat Studio 45, Wendenstraße 45.
Happy to see some of you to join our dressing room💅🏻 Marvin’s Performance is happening at the openingFriday 21/11/-~20.30.
See you ~💋•

Very much looking forward to this upcoming group show with Marvin Moises Almaraz Dosal @posthomoveritass and Hye-Eun Kim @hekim_mikehat Studio 45, Wendenstraße 45.
Happy to see some of you to join our dressing room💅🏻 Marvin’s Performance is happening at the openingFriday 21/11/-~20.30.
See you ~💋•

Very much looking forward to this upcoming group show with Marvin Moises Almaraz Dosal @posthomoveritass and Hye-Eun Kim @hekim_mikehat Studio 45, Wendenstraße 45.
Happy to see some of you to join our dressing room💅🏻 Marvin’s Performance is happening at the openingFriday 21/11/-~20.30.
See you ~💋•

Happy to announce the release of my catalogue „Talking Threads“ as part of the residency in Trittau funded by @stiftungensparkasseholstein 💎💎💎

Thank you everyone involved! It’s been a pleasure working with you!!!!

graphic design @sebastian_kokus
photography @annelefty
Black and white pic cover inlay @fabian.hammerl
texts @lisaalice_klosterkoetter and @anne_mee

Thank you @stiftungensparkasseholstein

The catalogue will be presented this sunday on the last day of the exhibition @galeriewassermuehletrittau . There will be an artist talk at 3 PM held by @alexhojenski and me. Would be happy to see some of you!

Get in touch if you want a copy of the catalogue:)

Happy to announce the release of my catalogue „Talking Threads“ as part of the residency in Trittau funded by @stiftungensparkasseholstein 💎💎💎

Thank you everyone involved! It’s been a pleasure working with you!!!!

graphic design @sebastian_kokus
photography @annelefty
Black and white pic cover inlay @fabian.hammerl
texts @lisaalice_klosterkoetter and @anne_mee

Thank you @stiftungensparkasseholstein

The catalogue will be presented this sunday on the last day of the exhibition @galeriewassermuehletrittau . There will be an artist talk at 3 PM held by @alexhojenski and me. Would be happy to see some of you!

Get in touch if you want a copy of the catalogue:)

Happy to announce the release of my catalogue „Talking Threads“ as part of the residency in Trittau funded by @stiftungensparkasseholstein 💎💎💎

Thank you everyone involved! It’s been a pleasure working with you!!!!

graphic design @sebastian_kokus
photography @annelefty
Black and white pic cover inlay @fabian.hammerl
texts @lisaalice_klosterkoetter and @anne_mee

Thank you @stiftungensparkasseholstein

The catalogue will be presented this sunday on the last day of the exhibition @galeriewassermuehletrittau . There will be an artist talk at 3 PM held by @alexhojenski and me. Would be happy to see some of you!

Get in touch if you want a copy of the catalogue:)

Happy to announce the release of my catalogue „Talking Threads“ as part of the residency in Trittau funded by @stiftungensparkasseholstein 💎💎💎

Thank you everyone involved! It’s been a pleasure working with you!!!!

graphic design @sebastian_kokus
photography @annelefty
Black and white pic cover inlay @fabian.hammerl
texts @lisaalice_klosterkoetter and @anne_mee

Thank you @stiftungensparkasseholstein

The catalogue will be presented this sunday on the last day of the exhibition @galeriewassermuehletrittau . There will be an artist talk at 3 PM held by @alexhojenski and me. Would be happy to see some of you!

Get in touch if you want a copy of the catalogue:)

Happy to announce the release of my catalogue „Talking Threads“ as part of the residency in Trittau funded by @stiftungensparkasseholstein 💎💎💎

Thank you everyone involved! It’s been a pleasure working with you!!!!

graphic design @sebastian_kokus
photography @annelefty
Black and white pic cover inlay @fabian.hammerl
texts @lisaalice_klosterkoetter and @anne_mee

Thank you @stiftungensparkasseholstein

The catalogue will be presented this sunday on the last day of the exhibition @galeriewassermuehletrittau . There will be an artist talk at 3 PM held by @alexhojenski and me. Would be happy to see some of you!

Get in touch if you want a copy of the catalogue:)

Curtains, Screens, Membranes, 2025
silicone, acrylic paint, textile, aluminum profile, steel wire

part of my show Talking Threads @galeriewassermuehletrittau

12.04.-01.06.
Sat/ Sun 11:00-5:00 p.m.

📸 @annelefty

Curtains, Screens, Membranes, 2025
silicone, acrylic paint, textile, aluminum profile, steel wire

part of my show Talking Threads @galeriewassermuehletrittau

12.04.-01.06.
Sat/ Sun 11:00-5:00 p.m.

📸 @annelefty

Curtains, Screens, Membranes, 2025
silicone, acrylic paint, textile, aluminum profile, steel wire

part of my show Talking Threads @galeriewassermuehletrittau

12.04.-01.06.
Sat/ Sun 11:00-5:00 p.m.

📸 @annelefty

Rootsweaver, 2024/2025

as part of my one year residency the show Talking Threads is taking place @galeriewassermuehletrittau on view until June 1st. Let me know if you want to come visit!

Sa/ So 11-17.00

And personal appointments:)

📸 wonderful @annelefty 🤍

Rootsweaver, 2024/2025

as part of my one year residency the show Talking Threads is taking place @galeriewassermuehletrittau on view until June 1st. Let me know if you want to come visit!

Sa/ So 11-17.00

And personal appointments:)

📸 wonderful @annelefty 🤍

Rootsweaver, 2024/2025

as part of my one year residency the show Talking Threads is taking place @galeriewassermuehletrittau on view until June 1st. Let me know if you want to come visit!

Sa/ So 11-17.00

And personal appointments:)

📸 wonderful @annelefty 🤍

Hi friends- as this year comes to an end I take some time offline and leave IG for a while. Stay connected in our ❤️ See you 👁️💕👁️ Xx Gesa 💫