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Mizuki Ishikawa Live at Orange 'Ear June 29ᵗʰ

Mizuki Ishikawa is a Berlin-based improviser and sound artist. In her performances with everyday objects and DIY electronics, she transforms the acoustic environment through feedback, simple gestures, and ordinary activities. Her improvisations explore the context and boundaries of performance, seeking to merge space, audience, self, and time into a unified experience. Mizuki has performed internationally, including in India, Malaysia, Indonesia, Taiwan, Italy, and the UK.

@fun_k_son

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

mizukiishikawa8.wixsite.com/website
youtube.com/@mizukiishikawa1837

LIVE SETS :

L
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

mizukiishikawa8.wixsite.com/website
youtube.com/@mizukiishikawa1837

LIVE SETS :

L
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

mizukiishikawa8.wixsite.com/website
youtube.com/@mizukiishikawa1837

LIVE SETS :

L
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

LIVE SETS :

L (US)
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

L (US Special Guest)
Mexican-American EBM powerhouse producer, writer, and composer L (Lynette Ríos Padilla) has been making significant strides in the underground music scene since her debut album, “DISCIPLINE.”

CRONAM
Pushing the boundaries of deep bass music, blending Deep Dubs, 140 Beats, DnB and turntablism into cinematic, low-end driven journeys. Fusing modular synths, drum machines and live instrumentation with tribal rhythms, his sound is raw, hypnotic and immersive.

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

STRANGE BOUND
Born in Spain, and left Los Angeles to come to Berlin to pursue his Artisan lifestyle believing that Berlin and would grow into electronic music and release music on his own independent label that he shares with an artist called Cue j called Ducale Records.

EARTHQUAKE TIGER
Spent 25 years playing bass in live electronic bands. Eventually moved to Berlin and traded the strings for a modular
rack. The tools changed, but the interest in dark, low-end sound stayed the same.

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

LIVE SETS :

L (US)
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

L (US Special Guest)
Mexican-American EBM powerhouse producer, writer, and composer L (Lynette Ríos Padilla) has been making significant strides in the underground music scene since her debut album, “DISCIPLINE.”

CRONAM
Pushing the boundaries of deep bass music, blending Deep Dubs, 140 Beats, DnB and turntablism into cinematic, low-end driven journeys. Fusing modular synths, drum machines and live instrumentation with tribal rhythms, his sound is raw, hypnotic and immersive.

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

STRANGE BOUND
Born in Spain, and left Los Angeles to come to Berlin to pursue his Artisan lifestyle believing that Berlin and would grow into electronic music and release music on his own independent label that he shares with an artist called Cue j called Ducale Records.

EARTHQUAKE TIGER
Spent 25 years playing bass in live electronic bands. Eventually moved to Berlin and traded the strings for a modular
rack. The tools changed, but the interest in dark, low-end sound stayed the same.

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

LIVE SETS :

L (US)
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

L (US Special Guest)
Mexican-American EBM powerhouse producer, writer, and composer L (Lynette Ríos Padilla) has been making significant strides in the underground music scene since her debut album, “DISCIPLINE.”

CRONAM
Pushing the boundaries of deep bass music, blending Deep Dubs, 140 Beats, DnB and turntablism into cinematic, low-end driven journeys. Fusing modular synths, drum machines and live instrumentation with tribal rhythms, his sound is raw, hypnotic and immersive.

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

STRANGE BOUND
Born in Spain, and left Los Angeles to come to Berlin to pursue his Artisan lifestyle believing that Berlin and would grow into electronic music and release music on his own independent label that he shares with an artist called Cue j called Ducale Records.

EARTHQUAKE TIGER
Spent 25 years playing bass in live electronic bands. Eventually moved to Berlin and traded the strings for a modular
rack. The tools changed, but the interest in dark, low-end sound stayed the same.

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

LIVE SETS :

L (US)
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

L (US Special Guest)
Mexican-American EBM powerhouse producer, writer, and composer L (Lynette Ríos Padilla) has been making significant strides in the underground music scene since her debut album, “DISCIPLINE.”

CRONAM
Pushing the boundaries of deep bass music, blending Deep Dubs, 140 Beats, DnB and turntablism into cinematic, low-end driven journeys. Fusing modular synths, drum machines and live instrumentation with tribal rhythms, his sound is raw, hypnotic and immersive.

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

STRANGE BOUND
Born in Spain, and left Los Angeles to come to Berlin to pursue his Artisan lifestyle believing that Berlin and would grow into electronic music and release music on his own independent label that he shares with an artist called Cue j called Ducale Records.

EARTHQUAKE TIGER
Spent 25 years playing bass in live electronic bands. Eventually moved to Berlin and traded the strings for a modular
rack. The tools changed, but the interest in dark, low-end sound stayed the same.

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

LIVE SETS :

L (US)
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

L (US Special Guest)
Mexican-American EBM powerhouse producer, writer, and composer L (Lynette Ríos Padilla) has been making significant strides in the underground music scene since her debut album, “DISCIPLINE.”

CRONAM
Pushing the boundaries of deep bass music, blending Deep Dubs, 140 Beats, DnB and turntablism into cinematic, low-end driven journeys. Fusing modular synths, drum machines and live instrumentation with tribal rhythms, his sound is raw, hypnotic and immersive.

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

STRANGE BOUND
Born in Spain, and left Los Angeles to come to Berlin to pursue his Artisan lifestyle believing that Berlin and would grow into electronic music and release music on his own independent label that he shares with an artist called Cue j called Ducale Records.

EARTHQUAKE TIGER
Spent 25 years playing bass in live electronic bands. Eventually moved to Berlin and traded the strings for a modular
rack. The tools changed, but the interest in dark, low-end sound stayed the same.

Doors open at 20PM
Donation from 7€

Design by @minervinig

THU 28 MAY | 8PM at Lauschangriff
Rigaer Str. 103, 10247 Berlin

LIVE SETS :

L (US)
CRONAM
MIZUKI ISHIKAWA
STRANGE BOUND
EARTHQUAKE TIGER

L (US Special Guest)
Mexican-American EBM powerhouse producer, writer, and composer L (Lynette Ríos Padilla) has been making significant strides in the underground music scene since her debut album, “DISCIPLINE.”

CRONAM
Pushing the boundaries of deep bass music, blending Deep Dubs, 140 Beats, DnB and turntablism into cinematic, low-end driven journeys. Fusing modular synths, drum machines and live instrumentation with tribal rhythms, his sound is raw, hypnotic and immersive.

MIZUKI ISHIKAWA
A Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities.

STRANGE BOUND
Born in Spain, and left Los Angeles to come to Berlin to pursue his Artisan lifestyle believing that Berlin and would grow into electronic music and release music on his own independent label that he shares with an artist called Cue j called Ducale Records.

EARTHQUAKE TIGER
Spent 25 years playing bass in live electronic bands. Eventually moved to Berlin and traded the strings for a modular
rack. The tools changed, but the interest in dark, low-end sound stayed the same.

Doors open at 20PM
Donation from 7€

Design by @minervinig

08.05.26 G H O S T S T E P S:. 4 at @ida_nowhere
Full performance on YouTube. Thank you Dora and Uwe for the invitation!
#improvisationmusic #ritual #soundart #overtonesinging

🔥 ARTIST ANNOUNCEMENT: NANDEYANEN 🔥
Nandeyanen.

Born in Japan and now firmly established in the Berlin scene, she blends cultural influences with an uncompromising sound vision. Her style moves between experimental soundscapes and the raw energy of psycore and darkpsy unpredictable, intense, and hypnotic.

Her sets are not traditional performances, they are journeys. Amid glitchy textures, dark atmospheres, and high-frequency escalations, Nandeyanen creates a sound that is equally unsettling and captivating. Sometimes playful and abstract, then again brutal and driving, always with a clear goal: to expand consciousness and break boundaries.

Known from the Berlin underground and connected to crews and labels from the psycore/darkpsy scene, she brings a unique blend of experimental, slambient, and high-BPM psychedelic to the stage.

Those who embark on this trip will not only dance, but transform.

Prepare for distortion. Prepare for depth. Prepare for NANDEYANEN.

🌙 Nocturnal Rapithwin — Artists Announcement

We’re opening the circle.
A carefully curated selection of artists will guide this 22-hour journey—blending instrumental and electronic sound through live performances and deep, immersive sets.

🌙Nandeyanen

Nandeyanen is an experimental ritual project by Mizuki Ishikawa, exploring the power of sound through frequencies and textures. Rooted in the underground, it drifts between core, noise, and ambient.

#worldmusic #crosscultural #globalsound #core #ambient

Today 20:00- at @khatulistiwa.noise 3/F, B-2-36, Dataran Cascades, 13A, JALAN PJU 5, Kota Damansara, 47810 Petaling Jaya, Selangor, Malaysia

@yiikahhoe @zweimau @khatulistiwa.noise @fun_k_son

SYNTH TRIBE VOL02
15 APRIL WED 830PM RM30
SOUNDMAKER STUDIO
360 jln Penang
(door open 6pm)

@soundmakerstudiopng
@fun_k_son @tupperware.noise @buddha_beat @dirt.star @komradbetti

#penanglivehouse
#penangunderground
#livemusic
#originalart
#divebar

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

🎧Credit :Mizuki Ishikawa Live at Orange 'Ear June
29th

▪︎▪︎About Artist ▪︎▪︎

石川観月 Mizuki Ishikawa (JP/DE)

現居柏林的聲音藝術家與即興演奏家。在涉及物件與自製電子的即興實踐中，她善於運用日常物件與回授技術（feedback techniques）來調度空間的聲學環境；同時透過聲響、動作與現場條件的相互觸發，重新辯證表演與日常生活之間的邊界。石川近年持續活躍於柏林實驗音樂與聲音藝術現場，並與多位國際藝術家合作，致力於將空間、觀眾、肉身與時間編織成具備高度凝聚力的感官經驗。

Mizuki Ishikawa is a Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities. Through improvisation, Mizuki aims to integrate the space, the audience, herself and time into a cohesive experience.

Mizuki Ishikawa ist eine in Berlin lebende Improvisatorin und Klangkünstlerin. In ihren Improvisationen mit Objekten und DIY-Elektronik manipuliert sie die akustische Umgebung eines Raumes mithilfe alltäglicher Gegenstände und Feedback-Techniken, während sie gleichzeitig die Bedingungen der Performance durch einfache Gesten und alltägliche Handlungen erforscht. Durch Improvisation versucht Mizuki, Raum, Publikum, Körper und Zeit zu einem kohärenten Erlebnis zu vereinen.

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

🎧Credit :Mizuki Ishikawa Live at Orange 'Ear June
29th

▪︎▪︎About Artist ▪︎▪︎

石川観月 Mizuki Ishikawa (JP/DE)

現居柏林的聲音藝術家與即興演奏家。在涉及物件與自製電子的即興實踐中，她善於運用日常物件與回授技術（feedback techniques）來調度空間的聲學環境；同時透過聲響、動作與現場條件的相互觸發，重新辯證表演與日常生活之間的邊界。石川近年持續活躍於柏林實驗音樂與聲音藝術現場，並與多位國際藝術家合作，致力於將空間、觀眾、肉身與時間編織成具備高度凝聚力的感官經驗。

Mizuki Ishikawa is a Berlin-based improviser and sound artist. In her improvisations with objects and DIY electronics, she manipulates the acoustic environment of a space using everyday objects and feedback techniques, while simultaneously exploring the conditions of performance through simple gestures and ordinary activities. Through improvisation, Mizuki aims to integrate the space, the audience, herself and time into a cohesive experience.

Mizuki Ishikawa ist eine in Berlin lebende Improvisatorin und Klangkünstlerin. In ihren Improvisationen mit Objekten und DIY-Elektronik manipuliert sie die akustische Umgebung eines Raumes mithilfe alltäglicher Gegenstände und Feedback-Techniken, während sie gleichzeitig die Bedingungen der Performance durch einfache Gesten und alltägliche Handlungen erforscht. Durch Improvisation versucht Mizuki, Raum, Publikum, Körper und Zeit zu einem kohärenten Erlebnis zu vereinen.

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

▪︎▪︎ Curatorial Statement ▪︎▪︎
在當代實驗聲響的全球路徑中，「柏林」代表一種對物質邊界的極端共振。本次演出將這種冷冽的「物質性」（Materiality）帶入光譜丘：當撥子切入金屬絲線、當手掌摩擦鋼琴內部異物、當導線在混音迴路中自我吞噬，我們觀測到的是聲響在物理極限處產生的純粹「脆裂感」。

當 Romain C. Bertheau 拉開那道「電氣的金屬絲線」，大鍵琴銳利、如銀質脆裂的撥弦聲，瞬間被 no-input mixer 的失真深淵吞噬。畫面中浮現出 Vaporwave 質感的低頻震盪，如同廢棄商場裡壞損的霓虹燈，在古老樂器的骨架上閃爍著低保真的殘影。林琬千 的力量切入了這層電氣外殼。她對鋼琴內部的介入，讓種音色像是在如樹狀分岔的琴弦與木梁間強行開闢的路徑，厚實而充滿摩擦力，與 Romain 的冷冽電子形成了一種有溫差的共振。在這兩股巨大的結構之間，Mizuki Ishikawa 捕捉的是「日常物件的邊界裂響」。她像是在灰黑色荒原上行走，指尖精確觸碰到無生氣的玻璃、金屬或 DIY 電子組件。那種聲音細微如深海冰層裂開的瞬間，高頻且極其脆弱，卻在空間的夾縫中釘入了強大的結構支點。

特別嘉賓 董昭民 則以當代作曲的結構視野，將這些細碎的震盪重新編織。他將新音樂劇場的空間感與中西樂器的靈魂餘韻，揉合成一道「跨文化的絲線」。他的加入讓原本狂亂的即興呈現出某種隱形的秩序，像是在混沌的訊號中抓取到了一抹精準的「光音」。最後，戴孜嬣 的中提琴琴弦與 林楷育 的科學物件，成為了這場實驗的「感測底噪」。將所有藝術家的聲響畫面收束進一道橫跨科學與藝術的光譜裡。

聲響被還原為最殘酷的物質狀態：金屬在高張力下的脆裂、導線在反饋中的自噬、身體與樂器脊骨的肉搏。 每一道音色，都是指尖觸碰絲線時迸發出的瞬時微光。我們邀請你走進這座灰黑色的聲響荒原。在精密與狂亂的邊界，讓冷冽而刺骨的訊號穿透皮膚。你會發現，那些近乎隱形的「光音」，才是現場最戰慄的真實。

(English information down below )

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

▪︎▪︎ Curatorial Statement ▪︎▪︎
在當代實驗聲響的全球路徑中，「柏林」代表一種對物質邊界的極端共振。本次演出將這種冷冽的「物質性」（Materiality）帶入光譜丘：當撥子切入金屬絲線、當手掌摩擦鋼琴內部異物、當導線在混音迴路中自我吞噬，我們觀測到的是聲響在物理極限處產生的純粹「脆裂感」。

當 Romain C. Bertheau 拉開那道「電氣的金屬絲線」，大鍵琴銳利、如銀質脆裂的撥弦聲，瞬間被 no-input mixer 的失真深淵吞噬。畫面中浮現出 Vaporwave 質感的低頻震盪，如同廢棄商場裡壞損的霓虹燈，在古老樂器的骨架上閃爍著低保真的殘影。林琬千 的力量切入了這層電氣外殼。她對鋼琴內部的介入，讓種音色像是在如樹狀分岔的琴弦與木梁間強行開闢的路徑，厚實而充滿摩擦力，與 Romain 的冷冽電子形成了一種有溫差的共振。在這兩股巨大的結構之間，Mizuki Ishikawa 捕捉的是「日常物件的邊界裂響」。她像是在灰黑色荒原上行走，指尖精確觸碰到無生氣的玻璃、金屬或 DIY 電子組件。那種聲音細微如深海冰層裂開的瞬間，高頻且極其脆弱，卻在空間的夾縫中釘入了強大的結構支點。

特別嘉賓 董昭民 則以當代作曲的結構視野，將這些細碎的震盪重新編織。他將新音樂劇場的空間感與中西樂器的靈魂餘韻，揉合成一道「跨文化的絲線」。他的加入讓原本狂亂的即興呈現出某種隱形的秩序，像是在混沌的訊號中抓取到了一抹精準的「光音」。最後，戴孜嬣 的中提琴琴弦與 林楷育 的科學物件，成為了這場實驗的「感測底噪」。將所有藝術家的聲響畫面收束進一道橫跨科學與藝術的光譜裡。

聲響被還原為最殘酷的物質狀態：金屬在高張力下的脆裂、導線在反饋中的自噬、身體與樂器脊骨的肉搏。 每一道音色，都是指尖觸碰絲線時迸發出的瞬時微光。我們邀請你走進這座灰黑色的聲響荒原。在精密與狂亂的邊界，讓冷冽而刺骨的訊號穿透皮膚。你會發現，那些近乎隱形的「光音」，才是現場最戰慄的真實。

(English information down below )

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

▪︎▪︎ Curatorial Statement ▪︎▪︎
在當代實驗聲響的全球路徑中，「柏林」代表一種對物質邊界的極端共振。本次演出將這種冷冽的「物質性」（Materiality）帶入光譜丘：當撥子切入金屬絲線、當手掌摩擦鋼琴內部異物、當導線在混音迴路中自我吞噬，我們觀測到的是聲響在物理極限處產生的純粹「脆裂感」。

當 Romain C. Bertheau 拉開那道「電氣的金屬絲線」，大鍵琴銳利、如銀質脆裂的撥弦聲，瞬間被 no-input mixer 的失真深淵吞噬。畫面中浮現出 Vaporwave 質感的低頻震盪，如同廢棄商場裡壞損的霓虹燈，在古老樂器的骨架上閃爍著低保真的殘影。林琬千 的力量切入了這層電氣外殼。她對鋼琴內部的介入，讓種音色像是在如樹狀分岔的琴弦與木梁間強行開闢的路徑，厚實而充滿摩擦力，與 Romain 的冷冽電子形成了一種有溫差的共振。在這兩股巨大的結構之間，Mizuki Ishikawa 捕捉的是「日常物件的邊界裂響」。她像是在灰黑色荒原上行走，指尖精確觸碰到無生氣的玻璃、金屬或 DIY 電子組件。那種聲音細微如深海冰層裂開的瞬間，高頻且極其脆弱，卻在空間的夾縫中釘入了強大的結構支點。

特別嘉賓 董昭民 則以當代作曲的結構視野，將這些細碎的震盪重新編織。他將新音樂劇場的空間感與中西樂器的靈魂餘韻，揉合成一道「跨文化的絲線」。他的加入讓原本狂亂的即興呈現出某種隱形的秩序，像是在混沌的訊號中抓取到了一抹精準的「光音」。最後，戴孜嬣 的中提琴琴弦與 林楷育 的科學物件，成為了這場實驗的「感測底噪」。將所有藝術家的聲響畫面收束進一道橫跨科學與藝術的光譜裡。

聲響被還原為最殘酷的物質狀態：金屬在高張力下的脆裂、導線在反饋中的自噬、身體與樂器脊骨的肉搏。 每一道音色，都是指尖觸碰絲線時迸發出的瞬時微光。我們邀請你走進這座灰黑色的聲響荒原。在精密與狂亂的邊界，讓冷冽而刺骨的訊號穿透皮膚。你會發現，那些近乎隱形的「光音」，才是現場最戰慄的真實。

(English information down below )

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

▪︎▪︎ Curatorial Statement ▪︎▪︎
在當代實驗聲響的全球路徑中，「柏林」代表一種對物質邊界的極端共振。本次演出將這種冷冽的「物質性」（Materiality）帶入光譜丘：當撥子切入金屬絲線、當手掌摩擦鋼琴內部異物、當導線在混音迴路中自我吞噬，我們觀測到的是聲響在物理極限處產生的純粹「脆裂感」。

當 Romain C. Bertheau 拉開那道「電氣的金屬絲線」，大鍵琴銳利、如銀質脆裂的撥弦聲，瞬間被 no-input mixer 的失真深淵吞噬。畫面中浮現出 Vaporwave 質感的低頻震盪，如同廢棄商場裡壞損的霓虹燈，在古老樂器的骨架上閃爍著低保真的殘影。林琬千 的力量切入了這層電氣外殼。她對鋼琴內部的介入，讓種音色像是在如樹狀分岔的琴弦與木梁間強行開闢的路徑，厚實而充滿摩擦力，與 Romain 的冷冽電子形成了一種有溫差的共振。在這兩股巨大的結構之間，Mizuki Ishikawa 捕捉的是「日常物件的邊界裂響」。她像是在灰黑色荒原上行走，指尖精確觸碰到無生氣的玻璃、金屬或 DIY 電子組件。那種聲音細微如深海冰層裂開的瞬間，高頻且極其脆弱，卻在空間的夾縫中釘入了強大的結構支點。

特別嘉賓 董昭民 則以當代作曲的結構視野，將這些細碎的震盪重新編織。他將新音樂劇場的空間感與中西樂器的靈魂餘韻，揉合成一道「跨文化的絲線」。他的加入讓原本狂亂的即興呈現出某種隱形的秩序，像是在混沌的訊號中抓取到了一抹精準的「光音」。最後，戴孜嬣 的中提琴琴弦與 林楷育 的科學物件，成為了這場實驗的「感測底噪」。將所有藝術家的聲響畫面收束進一道橫跨科學與藝術的光譜裡。

聲響被還原為最殘酷的物質狀態：金屬在高張力下的脆裂、導線在反饋中的自噬、身體與樂器脊骨的肉搏。 每一道音色，都是指尖觸碰絲線時迸發出的瞬時微光。我們邀請你走進這座灰黑色的聲響荒原。在精密與狂亂的邊界，讓冷冽而刺骨的訊號穿透皮膚。你會發現，那些近乎隱形的「光音」，才是現場最戰慄的真實。

(English information down below )

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

▪︎▪︎ Curatorial Statement ▪︎▪︎
在當代實驗聲響的全球路徑中，「柏林」代表一種對物質邊界的極端共振。本次演出將這種冷冽的「物質性」（Materiality）帶入光譜丘：當撥子切入金屬絲線、當手掌摩擦鋼琴內部異物、當導線在混音迴路中自我吞噬，我們觀測到的是聲響在物理極限處產生的純粹「脆裂感」。

當 Romain C. Bertheau 拉開那道「電氣的金屬絲線」，大鍵琴銳利、如銀質脆裂的撥弦聲，瞬間被 no-input mixer 的失真深淵吞噬。畫面中浮現出 Vaporwave 質感的低頻震盪，如同廢棄商場裡壞損的霓虹燈，在古老樂器的骨架上閃爍著低保真的殘影。林琬千 的力量切入了這層電氣外殼。她對鋼琴內部的介入，讓種音色像是在如樹狀分岔的琴弦與木梁間強行開闢的路徑，厚實而充滿摩擦力，與 Romain 的冷冽電子形成了一種有溫差的共振。在這兩股巨大的結構之間，Mizuki Ishikawa 捕捉的是「日常物件的邊界裂響」。她像是在灰黑色荒原上行走，指尖精確觸碰到無生氣的玻璃、金屬或 DIY 電子組件。那種聲音細微如深海冰層裂開的瞬間，高頻且極其脆弱，卻在空間的夾縫中釘入了強大的結構支點。

特別嘉賓 董昭民 則以當代作曲的結構視野，將這些細碎的震盪重新編織。他將新音樂劇場的空間感與中西樂器的靈魂餘韻，揉合成一道「跨文化的絲線」。他的加入讓原本狂亂的即興呈現出某種隱形的秩序，像是在混沌的訊號中抓取到了一抹精準的「光音」。最後，戴孜嬣 的中提琴琴弦與 林楷育 的科學物件，成為了這場實驗的「感測底噪」。將所有藝術家的聲響畫面收束進一道橫跨科學與藝術的光譜裡。

聲響被還原為最殘酷的物質狀態：金屬在高張力下的脆裂、導線在反饋中的自噬、身體與樂器脊骨的肉搏。 每一道音色，都是指尖觸碰絲線時迸發出的瞬時微光。我們邀請你走進這座灰黑色的聲響荒原。在精密與狂亂的邊界，讓冷冽而刺骨的訊號穿透皮膚。你會發現，那些近乎隱形的「光音」，才是現場最戰慄的真實。

(English information down below )

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

▪︎▪︎ Curatorial Statement ▪︎▪︎
在當代實驗聲響的全球路徑中，「柏林」代表一種對物質邊界的極端共振。本次演出將這種冷冽的「物質性」（Materiality）帶入光譜丘：當撥子切入金屬絲線、當手掌摩擦鋼琴內部異物、當導線在混音迴路中自我吞噬，我們觀測到的是聲響在物理極限處產生的純粹「脆裂感」。

當 Romain C. Bertheau 拉開那道「電氣的金屬絲線」，大鍵琴銳利、如銀質脆裂的撥弦聲，瞬間被 no-input mixer 的失真深淵吞噬。畫面中浮現出 Vaporwave 質感的低頻震盪，如同廢棄商場裡壞損的霓虹燈，在古老樂器的骨架上閃爍著低保真的殘影。林琬千 的力量切入了這層電氣外殼。她對鋼琴內部的介入，讓種音色像是在如樹狀分岔的琴弦與木梁間強行開闢的路徑，厚實而充滿摩擦力，與 Romain 的冷冽電子形成了一種有溫差的共振。在這兩股巨大的結構之間，Mizuki Ishikawa 捕捉的是「日常物件的邊界裂響」。她像是在灰黑色荒原上行走，指尖精確觸碰到無生氣的玻璃、金屬或 DIY 電子組件。那種聲音細微如深海冰層裂開的瞬間，高頻且極其脆弱，卻在空間的夾縫中釘入了強大的結構支點。

特別嘉賓 董昭民 則以當代作曲的結構視野，將這些細碎的震盪重新編織。他將新音樂劇場的空間感與中西樂器的靈魂餘韻，揉合成一道「跨文化的絲線」。他的加入讓原本狂亂的即興呈現出某種隱形的秩序，像是在混沌的訊號中抓取到了一抹精準的「光音」。最後，戴孜嬣 的中提琴琴弦與 林楷育 的科學物件，成為了這場實驗的「感測底噪」。將所有藝術家的聲響畫面收束進一道橫跨科學與藝術的光譜裡。

聲響被還原為最殘酷的物質狀態：金屬在高張力下的脆裂、導線在反饋中的自噬、身體與樂器脊骨的肉搏。 每一道音色，都是指尖觸碰絲線時迸發出的瞬時微光。我們邀請你走進這座灰黑色的聲響荒原。在精密與狂亂的邊界，讓冷冽而刺骨的訊號穿透皮膚。你會發現，那些近乎隱形的「光音」，才是現場最戰慄的真實。

(English information down below )

【概率瞬JAM間 Vol.17】《絲 線 觸 及 的 光 音Fadensonnen: Primal Filaments of Sound 》

○•° 時間｜2026.04.09（Thu.）19:00
○•° 地點｜光譜丘 Spectral Pulse
○•° 入場票券｜自由定價 $300–$500

○•° 演出藝術家 Artist

● Romain C. Bertheau (FR/DE)｜大鍵琴、無輸入混音器、蒸汽波｜Harpsichord, No-input Mixer, Vaporwave
○ 林琬千 Wan-Qian Lin (TW/DE)｜鋼琴、作曲｜Piano, Composition
● Mizuki Ishikawa (JP/DE)｜自製電聲、物件｜DIY Electronics, Objects
○ 董昭民 Chao-Ming Tung (TW)｜特邀嘉賓Special Guest｜笛、箏、當代作曲｜Dizi, Guzheng、Contemporary Composition
● 戴孜嬣 Mila Zihning Tai (TW)｜中提琴、即興｜Viola, Improvisation
○ 林楷育 Kai-Yu LIN (TW)｜科學物件、數據轉譯｜Science Components, Data sonification

◅ 展演策劃｜光譜丘 林楷育、戴孜嬣

▪︎▪︎ Curatorial Statement ▪︎▪︎
在當代實驗聲響的全球路徑中，「柏林」代表一種對物質邊界的極端共振。本次演出將這種冷冽的「物質性」（Materiality）帶入光譜丘：當撥子切入金屬絲線、當手掌摩擦鋼琴內部異物、當導線在混音迴路中自我吞噬，我們觀測到的是聲響在物理極限處產生的純粹「脆裂感」。

當 Romain C. Bertheau 拉開那道「電氣的金屬絲線」，大鍵琴銳利、如銀質脆裂的撥弦聲，瞬間被 no-input mixer 的失真深淵吞噬。畫面中浮現出 Vaporwave 質感的低頻震盪，如同廢棄商場裡壞損的霓虹燈，在古老樂器的骨架上閃爍著低保真的殘影。林琬千 的力量切入了這層電氣外殼。她對鋼琴內部的介入，讓種音色像是在如樹狀分岔的琴弦與木梁間強行開闢的路徑，厚實而充滿摩擦力，與 Romain 的冷冽電子形成了一種有溫差的共振。在這兩股巨大的結構之間，Mizuki Ishikawa 捕捉的是「日常物件的邊界裂響」。她像是在灰黑色荒原上行走，指尖精確觸碰到無生氣的玻璃、金屬或 DIY 電子組件。那種聲音細微如深海冰層裂開的瞬間，高頻且極其脆弱，卻在空間的夾縫中釘入了強大的結構支點。

特別嘉賓 董昭民 則以當代作曲的結構視野，將這些細碎的震盪重新編織。他將新音樂劇場的空間感與中西樂器的靈魂餘韻，揉合成一道「跨文化的絲線」。他的加入讓原本狂亂的即興呈現出某種隱形的秩序，像是在混沌的訊號中抓取到了一抹精準的「光音」。最後，戴孜嬣 的中提琴琴弦與 林楷育 的科學物件，成為了這場實驗的「感測底噪」。將所有藝術家的聲響畫面收束進一道橫跨科學與藝術的光譜裡。

聲響被還原為最殘酷的物質狀態：金屬在高張力下的脆裂、導線在反饋中的自噬、身體與樂器脊骨的肉搏。 每一道音色，都是指尖觸碰絲線時迸發出的瞬時微光。我們邀請你走進這座灰黑色的聲響荒原。在精密與狂亂的邊界，讓冷冽而刺骨的訊號穿透皮膚。你會發現，那些近乎隱形的「光音」，才是現場最戰慄的真實。

(English information down below )

🌙 Nocturnal Rapithwin

A celebration of nature’s awakening.
Across 22 hours, instrumental and electronic music intertwine—featuring a rich selection of live acts, immersive sound, and evolving atmospheres.

🌀 Continuous 22-hour journey
🎶 Live performances & curated electronic sets
🔥 Indoor & outdoor spaces
🍵 Chai corner for slow moments & connection

🎟️ Tickets:
22€ until April 22 by PayPal ( moq.tribe@gmail.com )
27€ at the gate

📍 Berlin
📅 April 24–25

More details on timeline, and exact location coming soon.

A space for the night—and the return of life.
.
#experimental #psycore #slambient #ambient #darkpsy

公演情報
大久保ひかりのうま
４月６日１９時３０分開演
入場１０００円+ドリンク+ドネーション

秋山徹次(ギター)　Shun Momose(ギター)

石川観月（自作楽器・エレクトロニクス）　Wanqian Lin(エレクトロニクス)

公演情報
大久保ひかりのうま
４月６日１９時３０分開演
入場１０００円+ドリンク+ドネーション

秋山徹次(ギター)　Shun Momose(ギター)

石川観月（自作楽器・エレクトロニクス）　Wanqian Lin(エレクトロニクス)

公演情報
大久保ひかりのうま
４月６日１９時３０分開演
入場１０００円+ドリンク+ドネーション

秋山徹次(ギター)　Shun Momose(ギター)

石川観月（自作楽器・エレクトロニクス）　Wanqian Lin(エレクトロニクス)

公演情報
大久保ひかりのうま
４月６日１９時３０分開演
入場１０００円+ドリンク+ドネーション

秋山徹次(ギター)　Shun Momose(ギター)

石川観月（自作楽器・エレクトロニクス）　Wanqian Lin(エレクトロニクス)

公演情報
大久保ひかりのうま
４月６日１９時３０分開演
入場１０００円+ドリンク+ドネーション

秋山徹次(ギター)　Shun Momose(ギター)

石川観月（自作楽器・エレクトロニクス）　Wanqian Lin(エレクトロニクス)